Samsung NX200 interchangeable lens camera review

There are some cameras that we absolutely love, some we find downright disappointing and others that get the job done, albeit with mediocre results. Samsung’s digital imaging devices typically fall within that last category — they’re moderately innovative, generally affordable and often well-designed, but when it comes to image quality and performance, we’re left… underwhelmed. So, when we first had a chance to try out the CE giant’s new NX200 at IFA in Berlin, we weren’t expecting a mind-blowing imaging device.

The NX200 is Samsung’s latest entrant into the interchangeable lens (ILC) category — it’s a mirrorless model, to be more precise, and a fairly impressive one at that — at least when you glance at the spec sheet. It’s the company’s latest ILC to use an APS-C size sensor, which is the largest we’ve seen in a mirrorless cam. This sensor type implies that the NX200 may have a chance at competing with Sony’s NEX-C3, which has been our top pick in the category, and its 20.3 megapixel rating suggests that Samsung wants to be taken seriously here, with a true contender on its hands. But has Samsung delivered a winner? Jump past the break for our take.

Continue reading Samsung NX200 interchangeable lens camera review

Samsung NX200 interchangeable lens camera review originally appeared on Engadget on Tue, 13 Dec 2011 11:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Pentax Q interchangeable lens camera review

Most of the interchangeable lens cameras we’ve seen to date seem to follow a standard mold: they have similarly sized bodies, comparable designs and either an APS-C or Micro Four Thirds sensor at the core. But recently, some manufacturers — namely, Nikon and Pentax — have begun shrinking camera bodies in an attempt to make them even more appealing to point-and-shoot users. The result: a smaller, lighter, more fashionable ILC — that also happens to have an itsy bitsy image sensor. Sensor size, not megapixel rating, translates directly to image quality, but also lens and body size, so you can either have an incredibly small body with an incredibly small sensor, or a larger body with a larger sensor. Are you willing to pay a premium for the “world’s smallest” interchangeable lens camera, even if it has the same size sensor used in many point-and-shoot cams available for a fraction of the cost? Pentax seems to think that you are — to the tune of $800.

The 12.4 megapixel Pentax Q is tiny — it’s so small, in fact, that you wouldn’t be alone in mistaking it for a toy. There is a fully functional camera inside that petite magnesium alloy housing, though it’s admittedly not as powerful as you’d expect an $800 camera to be. The pricey kit ships with an 8.5mm f/1.9 lens, and you can grow your collection from Pentax’s modest selection of Q-mount lenses, which also happen to have laughably small focal lengths (a 3.2mm fish eye, anyone?), due to the 1/2.3-inch backlit CMOS sensor’s massive 5.5x multiplication factor. So how does the Q fare when it comes to performance and image quality? Jump past the break to find out.

Continue reading Pentax Q interchangeable lens camera review

Pentax Q interchangeable lens camera review originally appeared on Engadget on Tue, 25 Oct 2011 15:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Canon EOS-1D X first hands-on (video)

Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X — the latest in a series that dates back to 2001 with the EOS-1D. As you’ve probably noticed, the company’s new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We’ve been anxiously awaiting an opportunity to check out Canon’s new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company’s Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.

Continue reading Canon EOS-1D X first hands-on (video)

Canon EOS-1D X first hands-on (video) originally appeared on Engadget on Tue, 25 Oct 2011 07:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag

Stick a piece of gaffer tape over the unmistakable X, and Canon’s latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon’s phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera’s curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it’s a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn “Xtreme.”

The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It’s familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu — accessed using the 3.2-inch, 1,040,000-dot LCD. There’s also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We’re anxiously awaiting a chance to go hands-on with the EOS-1D X, and you’ll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.

Continue reading Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag

Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag originally appeared on Engadget on Tue, 18 Oct 2011 01:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

BlueSLR dongle arrives for BlackBerry and (some) Android phones

Offering to play matchmaker between your high-end camera and smartphone, XEquals has extended support for its BlueSLR remote control beyond iOS. Yes, Blackberry and Android users can now download their respective app and pair this Bluetooth dongle to their (still Nikon-only) DSLR. The compatible dongle and free app will land later this month, but before you lay down the requisite $149, it’s worth checking that both your camera and phone models are supported. As it stands, compatible Android phones are limited to some HTC or Samsung models. While Android support is likely to expand in the future, there’s no word on a Pre 3 version.

Continue reading BlueSLR dongle arrives for BlackBerry and (some) Android phones

BlueSLR dongle arrives for BlackBerry and (some) Android phones originally appeared on Engadget on Mon, 17 Oct 2011 15:07:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceBlueSLR  | Email this | Comments

Fujifilm’s X10 offers up vintage-style snapping for $599.99 in early November

We’ve already sorted through the specs, and laid our hands on its rather sexy frame, now Fujifilm’s offering up a more palatable price tag than we expected for its throwback X10 shooter. Starting sometime in early October, the X100’s more affordable little brother will set nostalgic point-and-shooters back $599.99 — about $100 bones less than the estimated $715 to $860 ballpark we threw out back in September. If you’ll recall, the X10 packs a 12 megapixel EXR CMOS sensor, f/2-2.8, 28-112mm manual zoom lens, up to 12,800 ISO sensitivity, 1080p video, an optical viewfinder, and pop-up flash. No word yet on a final release date. Full PR after the break.

Continue reading Fujifilm’s X10 offers up vintage-style snapping for $599.99 in early November

Fujifilm’s X10 offers up vintage-style snapping for $599.99 in early November originally appeared on Engadget on Sun, 09 Oct 2011 15:53:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Sony DEV-5 Digital Recording Binoculars sample photos and video

We can’t say that we were too keen on Sony’s DEV-5 Digital Recording Binoculars at first look — it really is hard to get past that $2,000 price tag. But after Sony finally allowed us to shoot photos and video (albeit for a mere three minutes) at the company’s CEATEC booth, we were pleasantly surprised at the image quality, at least some of the time. The images we shot were in 16:9 format, and were roughly 5.3 megapixels in size (the camera’s maximum resolution is 7.1 megapixels). With only a few minutes to play around, we didn’t have time to switch the menu from Japanese to English (CEATEC is held just outside Tokyo), so we had no choice but to use the default settings.

Still, images shot at f/1.8 appeared crisp, even with moderate shake (it’s difficult to keep a heavy pair of binoculars steady when holding them at eye level), with accurate exposure and white balance. When zooming to 10x, however, still photos appeared very noisy, as you’ll see in the gallery below. So are they worth the sky-high price tag? Well, it’s safe to say that we’re not ready to whip out the credit card, though they did perform better than we expected, based only on what we had initially seen through those dual high-res viewfinders. Jump past the break for an HD sample clip, or click the more coverage link below for the untouched samples.

Continue reading Sony DEV-5 Digital Recording Binoculars sample photos and video

Sony DEV-5 Digital Recording Binoculars sample photos and video originally appeared on Engadget on Thu, 06 Oct 2011 11:29:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Camera or camcorder? JVC’s hybrid GC-PX10 wants to be both


This curiously shaped fellow, with its long-barreled lens attached to a svelte body, might look familiar. It’s JVC‘s GC-PX10, the camcorder that’s also a camera. Or the camera that’s also a camcorder. We’re not quite sure, but here’s what we do know: it’ll shoot 1080p video at 60 fps, writing to SDXC or 32GB of internal memory. And it can also capture 8.3-megapixel stills at 60 fps without dropping out of video mode. If you’ve got the time and the inclination, you can switch into still-shooting mode, giving you full 12-megapixel pictures at 30 fps for two seconds. Exhausted by the possibilities yet? But wait, there’s more. If slow motion’s your game, you can fire away in 640 x 360 resolution — at 300 fps — for up to 2 hours. Now how much would you pay for such a plethora of pictorial options? Well, JVC’s asking $900 when this ships later in October, so you’ve got some time to think about it.

Camera or camcorder? JVC’s hybrid GC-PX10 wants to be both originally appeared on Engadget on Wed, 05 Oct 2011 03:01:00 EDT. Please see our terms for use of feeds.

Permalink Electronista  |  sourceJVC  | Email this | Comments

Sony A77 reviewed: A 24.3 megapixel game-changer?

It’s been a long time coming, but the patience has paid off with Sony’s A77 finally getting its first pro review. Sure, the $1,400 cost of entry (body only) will weigh heavily on even the most enthusiastic cameraman conscious. But, what’s a few hundred dollars when it comes to a camera that Popular Photography says has “radically changed the world of DSLRs”? It seems only the rival Canon 7D holds a candle to this would-be king, besting Sony’s latest when it comes to noise and performance at higher ISOs. However, the A77 wins on its all-around charm, with a 24.3 megapixel Exmor APS-C sensor, articulated LCD screen, world-first OLED EVF and impressive video-shooting chops. Video-wise, that top dollar gets you a high-end performance of 60fps at 1920 x 1080 with the fast phase-detection auto-focus we’ve also seen on its predecessors, the Sony A55 and A33.

Popular Photography does add a single caveat to the largely very positive conclusion: video enthusiasts should probably hold tight to see what Canon and Nikon counter with. Especially if you’re in possession of multiple lenses. Aside from that, what’s stopping you? Dig in to all the nitty-gritty details below, and we’d advise cutting down on those impulse eBay purchases — this magnesium-alloyed beauty will certainly make a financial dent when it lands, if not a physical one.

Sony A77 reviewed: A 24.3 megapixel game-changer? originally appeared on Engadget on Mon, 03 Oct 2011 13:18:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourcePopular Photography  | Email this | Comments

Nikon 1 J1 review (video)

So, Nikon finally has a mirrorless camera, after what was quite possibly the most dramatic launch event the company has ever conducted. Sure, competing models from Panasonic, Olympus and Sony have already reached the second, or even third generation before Nikon lifted the veil on its J1, but did last month’s long-awaited announcement bring us the ILC to rule all ILCs? Well, no, not at all. Nikon isn’t targeting pros or even advanced amateur shooters with its latest addition to the interchangeable lens camera family. Instead, the company is marketing its J1 to soccer moms (and dads), fashion-conscious young folk, and casual shooters who want some of the versatility of a DSLR, but are willing to sacrifice excellent image quality for a more compact design. But what about the rest of us? Will Nikon one day reward our patience with a true class competitor? Perhaps, but that’s definitely not what we have here.

Nikon built the $650 J1 “from the ground up” — a reference to its 10.1 megapixel, CX-size sensor with a 2.7x crop factor, along with a handful of quirky features that we probably won’t use, but that some of you (or perhaps your family members) may love. Jump past the break to see what we really liked about the camera, and what left us rather unimpressed. And it you’re dying to judge its performance for yourself, you can check out a handful of untouched images at the coverage link below the conclusion, along with a variety of sample videos spattered throughout.

Continue reading Nikon 1 J1 review (video)

Nikon 1 J1 review (video) originally appeared on Engadget on Mon, 03 Oct 2011 12:00:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments