LiveLens MFT adapter brings aperture control to Canon EF lenses

It may be serving a somewhat small niche, but we’re guessing that niche will be plenty pleased that something like the LiveLens MFT adapter now exists. That’s MFT as in Micro Four Thirds, and the adapter is for Canon EF lenses. Nothing too special there, but this particular adapter now also allows for aperture control for the first time, which is actually done on the adapter itself, not the camera — the only remaining drawback is a lack of autofocus. Expectedly that ability comes at quite a premium — you’ll have to fork over $442 for the adapter and an extra $52 for the necessary 9V battery cable.

LiveLens MFT adapter brings aperture control to Canon EF lenses originally appeared on Engadget on Sun, 02 Oct 2011 09:59:00 EDT. Please see our terms for use of feeds.

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Micro Four Thirds Canon Lens Adapter Allows Aperture Control

It’s not pretty, but it’ll get the job done

One thing I love about Micro Four Thirds cameras is that you can mount all kinds of lenses on them using simple, cheap adapters. In fact, I’m just about to sell my Nikon D700 because I almost never use it, but I’m keeping my lenses to use on a Panasonic GF1.

But until now, Canon users had to without aperture control when using lenses on other bodies. Canon EF mount lenses need power to activate their aperture leaves, and passive adapters simply leave the lenses stuck wide open. RedRock Micro solves this with the LiveLens Active Mount, a powered converter that lets you use your lens as it was supposed to be.

Aperture is controlled by a panel on the adapter itself, not by the camera. You do lose autofocus functions, but as the adapter is primarily meant for people shooting video, you’ll be focusing manually anyway.

The LiveLens is pretty expensive, at $488. This compares to sub-$50 passive adapters. Given that Canon owners looking to shoot pro-level video will likely opt for a Canon body, the market for this seems small. If you’re starting from scratch, it would be much smarter to choose a cheaper Nikon adapter and pick from the larger range of second-hand Nikon glass which still have manual aperture rings.

Still, it’s kinda neat, and perhaps signals the day where old SLR lenses can sit on Micro Four Thirds bodies with all electronic functions intact.

LiveLens MFT Active Lens Mount [RedRock Micro via Derrick Story]

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Lensbaby Movie Maker’s Kit for Foggy Flicks

The Movie Maker’s Kit. Almost every Lensbaby, ever, in a plastic box

Lensbabys, with their dreamy blur, shifting sweet spots and weird out-of-focus highlights, would seem to be just about perfect for movie makers. The folks at Lensbaby seem to have thought the exact same thing, and have bundled just about everything they sell into a box and called it the Movie Maker’s Kit.

The kit has lenses for both Canon SLRs and for movie cameras using the Arri PL mount, and comes with a host of swap-in optics, including fisheye, soft focus, plastic (the original blurry Lensbaby) and pinhole. It also comes with wide and telephoto converters, aperture kits (the drop-in plates that change apertures) and a macro kit. Here are some samples:

All of this is stuffed into a Pelican case, rendering it practically bomb-proof.

The kit isn’t cheap. You get a lot for your money, but you’ll have to spend $2,900. Part of this is the cost of the PL-mount lens. The standard, entry-level Muse lens costs $150. For PL, it’s $400 (when bought separately). Then again, movie makers are used to spending a lot on their gear, so this might even be considered cheap.

Movie Maker’s Kit [Lensbaby. Thanks, Jessica!]

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Panasonic G-series lenses get firmware update, performance boosts aplenty

Jonesin’ to shoot some radder-than-usual HD video with that Lumix G-series lens? You’re in luck. Panasonic released a firmware update for the family of lenses that gives them a needed level-up — bringing ’em to version 1.1 — to shoot higher quality video. Added features include enhanced tracking focus for videos, silent auto focus, improved stability for the optical image stabilizer and exposure control. The update applies to seven slabs of metal and glass, and every single unit in the 2011 line is also covered. Hit the source if you’re ready to update, but don’t expect that 720p ceiling to magically raise to 1080p — it’s just a poor attempt at marketing genius.

Continue reading Panasonic G-series lenses get firmware update, performance boosts aplenty

Panasonic G-series lenses get firmware update, performance boosts aplenty originally appeared on Engadget on Wed, 14 Sep 2011 07:34:00 EDT. Please see our terms for use of feeds.

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Olympus Pen E-PM1 hands-on (video)

Joining the family of Olympus Pen products is the lovingly nicknamed “PEN Mini,” or E-PM1. Compared to its big brothers the PEN E-PL2 and E-PL3, this little guy packs some serious punch in a tiny body, with a similarly small price tag of $500. But can this ILC that Olympus claims offers “DSLR quality in a compact camera design” stack up against the big boys in the pit at the US Open? The 12.3 megapixel camera comes with a 14-42mm f/3.5-5.6 kit lens and includes a Micro Four Thirds mount, enabling it to accept compatible lenses from both Olympus and Panasonic — something that was really easy to get the hang of for speedy switching between sets. Check out our impressions as we go hands-on with the camera at one of the biggest tennis matches of the year.

Continue reading Olympus Pen E-PM1 hands-on (video)

Olympus Pen E-PM1 hands-on (video) originally appeared on Engadget on Thu, 01 Sep 2011 17:41:00 EDT. Please see our terms for use of feeds.

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Panasonic shrinks its Micro Four Thirds lenses, launches X-series with wide-angle, telephoto zooms


Anyone who’s used Panasonic’s 14-42mm Micro Four Thirds zoom lens has probably noticed its relatively bulky design, especially when compared to Olympus’s counterpart. Today, the company announced a new lens that offers the same zoom and f/3.5-5.6 aperture range in a housing less than half the size when closed, and still noticeably smaller when extended. The first of two optics in Panasonic’s premium X-series — the second is a 45-170mm f/4-5.6 zoom — it’s been billed as the world’s smallest digital interchangeable power zoom lens, thanks to its internal zoom motor which lets you adjust the focal length using a side-mounted rocker — the design is similar to the zoom toggle included with the company’s new FX150 superzoom. Priced at $399, it also includes a metal lens mount, instead of the plastic mount used with the existing $199 14-42mm lens.

That second 45-170mm zoom ($449) can replace Panasonic’s 45-200mm lens ($349), and while the size difference isn’t as dramatic is its smaller X-series sibling, it’s still noticeably smaller and lighter. Both lenses include optical image stabilization and feature nano surface coatings, designed to reduce ghosting and lens flare. The 14-42mm lens will ship in October in black and white (for use with silver bodies), and the 45-170mm zoom will ship in September. They’ll only be compatible with the GF-2, GF-3, and G3 at launch after downloading a firmware update — Panasonic is leaving it up to Olympus to release supporting firmware for its own cameras be compatible with all G-series cameras at launch, without the need for a firmware update. Jump past the break for more details from Panasonic, and check out the gallery below — complete with side-by-side shots for both lens classes.

Update: Panasonic issued a correction saying that both lens will be compatible with all G-series cameras without the need for a firmware update.

Continue reading Panasonic shrinks its Micro Four Thirds lenses, launches X-series with wide-angle, telephoto zooms

Panasonic shrinks its Micro Four Thirds lenses, launches X-series with wide-angle, telephoto zooms originally appeared on Engadget on Fri, 26 Aug 2011 01:00:00 EDT. Please see our terms for use of feeds.

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Sony reveals three new NEX E-mount lenses, LA-EA2 A-mount adaptor with translucent mirror


Sony’s NEX line of mirrorless interchangeable lens cameras (ILC) deliver quite a lot of bang for your buck, but a diminutive lens selection reduced appeal for advanced shooters. Today, the company is growing its E-mount family of lenses by three, now offering a total of seven compatible lenses. Shipping in October, the Carl Zeiss SonnarT E will take the helm as Sony’s flagship optic, delivering a 24mm fixed focal length and f/1.8 aperture, with a minimum focus distance of 16 cm and a sky-high $999 price tag. Also packing a speedy f/1.8 aperture, the $300 E 50mm OSS doesn’t sport Carl Zeiss branding, but it does include built-in image stabilization and a circular aperture, promising smooth defocus. Both lenses will ship in December. Hitting stores in October, a new telephoto lens, the $350 E 55-210mm compensates for its sluggish f/4.5-6.3 maximum aperture with optical image stabilization while offering 3.8x magnification. And finally, Sony’s LA-EA2 A-mount adapter lets you use your full-size Alpha lenses with the NEX cameras without losing functionality, thanks to built-in Translucent Mirror Technology and a dedicated AF motor. NEX-3, NEX-5, and NEX-C3 owners will need a firmware update to take advantage of the adaptor, but if you already have a collection of A-mount lenses, $400 may be a reasonable price to pay for full compatibility when it ships in November.

Sony reveals three new NEX E-mount lenses, LA-EA2 A-mount adaptor with translucent mirror originally appeared on Engadget on Wed, 24 Aug 2011 01:00:00 EDT. Please see our terms for use of feeds.

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Sony announcing three NEX lenses on August 24th?

Last month we fell in love with a camera. Specifically, the Sony NEX-C3. We were so enamored with its lilliputian body and stunning image quality that we gave it a “9,” declared it nearly perfect and promptly began recommending it to everyone we know. But if there’s one thing we thought needed improvement, it was the selection of lenses. Well, it looks like we had nothing to fret about — a series of leaked shots suggest the outfit’s had at least three in the works all along. According to the shots, originally posted in DPReview, we’re looking at a 55-210mm / F4.5-6.3 zoom lens and fixed 50mm / F1.8 and 24mm / F1.8 numbers. Though the poster stopped short of revealing any pricing info, he seems confident Sony will announce them on August 24th. Now, while we typically take rumors with a grain of salt, it turns out that the tipster who posted these shots is none other than “Eddieaus,” the same guy who splattered forums with pictures of the VAIO Z next to its external Power Media Dock — the same press photos, in fact, that Sony unveiled days later. So we’re inclined to believe NEX loyalists are about to get a few new pieces of glass to play with. And if that rumored August 24th launch date is also on the money, you won’t have to wait too long to find out how many pretty pennies they’ll cost.

Sony announcing three NEX lenses on August 24th? originally appeared on Engadget on Sat, 13 Aug 2011 18:14:00 EDT. Please see our terms for use of feeds.

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Sony LA-EA2 lens adapter gets ready for its close-up in ‘leaked’ render

Hey Sony, you hear that? Sounds like you might have another leak on your hands. We got our fourth unofficial look at Sony’s Alpha A77 this morning, and now it’s time for a little accessorizing. What you see above is reportedly a shot of a new lens adapter called the LA-EA2, which would apparently bring the outfit’s translucent mirror technology to its range of little NEX shooters. As you might recall, that mini-mirror brings with it continuous phase-detect autofocus. Of course, this is just a rumor, but it does lines up with previous reports of a forthcoming NEX-7. You know we enjoy a leak as much as the next guy, but we like hard facts even more. So what’s it going to be Sony?

Sony LA-EA2 lens adapter gets ready for its close-up in ‘leaked’ render originally appeared on Engadget on Sat, 13 Aug 2011 10:11:00 EDT. Please see our terms for use of feeds.

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Ingenious Lens Cap and Hood Opens Like a Blooming Flower

Flower cap

The Hoodcap Flower. Why did nobody think of this already?

Here’s a very neat two-in-one idea. It’s called the HoodCap Flower, and it combines a lens cap and a lens hood into one neat package. Although rather complex in execution, the concept itself is simple: the lens cap is made up of blades which fold out like the petals of a flower. They then surround the lens and stop stray light from entering bouncing around the lens as you shoot.

Not only is it clever, it solves a number of problems. First, you don’t have to remove a lens cap, find somewhere to put it and then — almost inevitably — lose it. Second, you don’t have to walk around with a bulky hood sticking out. And third, you always know whether or not the cap is on before you hold the lens up to your eye.

Finally, you probably never need to use a “protective” UV filter again, as the front element of the lens is always covered, more or less.

Flower cap3

The internal gearing system looks rather delicate

The designers of the HoodCap, Rhie Hyi Joong and Lee Sang Hwa, decided to make their concept use a complex worm-gear system to open and close the hood by twisting a collar around the lens. If it works, I’m in. But if not, I’d be happy just pushing and pulling on the leaves to open and close the hood, just like the blades of one of those folding aluminum steamer inserts for saucepans.

Blooming DSLR [Yanko]

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