Pentax reveals Optio WG-1 and WG-1 GPS rugged cameras, limited edition K-5 DSLR

Who woulda thunk it? Half a year ago, finding a conventional point-and-shoot with integrated GPS was a chore, but these days, it’s growing tougher and tougher to find one without it. Pentax is joining the geotagging frenzy this evening with its Optio WG-1 GPS, a rugged 14 megapixel shooter that’s waterproof up to 33 feet, shockproof in nature and engineered with a “crushproof” body that can withstand weight force of up to 220 pounds (but not another Black Eyed Peas halftime show). You’ll also get integrated face detection technology, the ability to snap in sub-freezing temperatures, a 5x optical zoom lens and a 2.7-inch rear LCD. There’s also a 720p movie mode, HDMI output, IR control compatibility and support for Eye-Fi‘s wireless SD card. It’ll ship this April in black or yellow-green for $399.95, and if you’re uncomfortable remembering where you took each and every photograph, the GPS-less Optio WG-1 will also be available (in black or purple) for $50 less.

In related news, the company is taking this opportunity to issue a limited edition K-5 DSLR, with this one touting a silver body, a uniquely shaped grip and shock-resistant, scratchproof glass surrounding the LCD. Outside of that, everything else about the 16.3 megapixel shooter will remain the same as it ever was, and the $1,699.95 (body only) price point is most certainly no easier to swallow. For those still sold on the idea, Pentax will also be offering a trifecta of silver prime lenses: the 21m f/3.2 AL, 40mm f/2.8 and the 70mm f/2.4. Check out Sir Silver (and the full press releases) just after the break.

Continue reading Pentax reveals Optio WG-1 and WG-1 GPS rugged cameras, limited edition K-5 DSLR

Pentax reveals Optio WG-1 and WG-1 GPS rugged cameras, limited edition K-5 DSLR originally appeared on Engadget on Mon, 07 Feb 2011 17:00:00 EDT. Please see our terms for use of feeds.

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Samsung announces PL20 and ES80, brings 2011 pocket camera lineup to 12 total

Brace yourself, Samsung has new point-and-shoots to fill in what little pockets of consumerism weren’t intrigued by any of the company’s five CES shooters… or even the five more announced just weeks later. First up is the PL20 (pictured left). A 14 megapixel CCD sensor, 27mm wide angle lens, 5x zoom, digital image stabilization, 720p 24fps HD video with Smart Filters. That one comes out in March for a penny under $120, with a choice of silver, pink, black, and tomato red (Sammy’s description). For the ES80, subtract two megapixels from the sensor, nix the HD recording, keep the color options, bump the release date one month, and subtract $20. You get the idea. Full details and press release after the break.

Continue reading Samsung announces PL20 and ES80, brings 2011 pocket camera lineup to 12 total

Samsung announces PL20 and ES80, brings 2011 pocket camera lineup to 12 total originally appeared on Engadget on Mon, 07 Feb 2011 13:26:00 EDT. Please see our terms for use of feeds.

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Ricoh CX5 reviewed: only marginally better than the CX4

Well, isn’t this just cute? If you’ll recall, Ricoh’s CX4 was found to only be “slightly superior” the CX3 that came before it (and the same with the CX2 / CX3 before that). Fast forward a few months, and it’s the same song and dance all over again… but with different model numbers, of course. The fine folks over at Photography Blog recently put the similarly styled CX5 through its paces, and autofocus aside, it’s essentially the same camera as the CX4. The lone standout feature on the new guy is the Hybrid AF feature, which most certainly improves autofocus times, but critics were quick to point out that the focus time on the CX4 was never really an issue to begin with. In fact, the following line just about sums it up: “The CX5 is virtually indistinguishable from the slightly older CX4 in terms of its design, image quality and feature set, with only the faster AF system to get truly excited about.” Furthermore, the rest of the point-and-shoot world has evolved quite a bit during all of this time, making the CX5 an even less compelling option than the CX4 was during its own launch window. Feel free to hit the source link for the whole shebang, but don’t expect to leave feeling any warmer about that impulse buy you just made.

Ricoh CX5 reviewed: only marginally better than the CX4 originally appeared on Engadget on Fri, 04 Feb 2011 19:48:00 EDT. Please see our terms for use of feeds.

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Sony, Fujifilm patents are half-camera, half-origami

Point and shoot cameras are tricky to hold still, but the powers that be thought up a crazy fix — build bending, sliding, transforming grips right into the body of the camera. Sony’s patented the idea you see immediately above, which turns the sliding lens cover into a handle using tiny hinges (or perhaps electrorheological fluid, we’re not sure). Amazingly enough, the basic concept actually isn’t new: Sony itself references a Fujifilm patent whose cover-turned-grip protects the rear LCD instead. Neither look terribly comfortable, but which would you rather choose: a pocketable camera that snaps stable single-handed shots, or one that monopolizes your fingertips? Take a gander at one of Fujifilm’s proposed designs after the break.

Continue reading Sony, Fujifilm patents are half-camera, half-origami

Sony, Fujifilm patents are half-camera, half-origami originally appeared on Engadget on Wed, 02 Feb 2011 00:41:00 EDT. Please see our terms for use of feeds.

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Olympus XZ-1 reviewed: $499 for sweet simplicity

We had a feeling the Olympus XZ-1 would be a winner, and Digital Photography Review seems to think so, too — it called the 10 megapixel, full-manual point and shoot “the best photographers’ compact currently available” at the end of a thorough review. Most of the praise was heaped on that F1.8-2.5 Zuiko lens, providing an “unbeaten combination of range and brightness” whose potent, detailed low-light performance was practically enough to cancel out the publication’s worries about the lack of a adjustable noise reduction setting. Though the publication admitted that the camera lacked the customization of certain Micro Four Thirds cousins, it didn’t miss most of the advanced controls, preferring the streamlined menus and manual dials for easy access to common adjustments. (Battery charging over USB and a dedicated movie button were also deemed nice touches.) In fact, the only major ding DPReview had for Olympus was the complete omission of auto exposure and autofocus locks for focus-and-recompose shooting, but if you’re willing to snap shots using Olympus’s 11 AF points and aren’t looking to tote a set of expensive interchangeable lenses around, this might be the one. Dive into our source link to find out for sure.

Olympus XZ-1 reviewed: $499 for sweet simplicity originally appeared on Engadget on Sun, 30 Jan 2011 02:02:00 EDT. Please see our terms for use of feeds.

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Ricoh unveils CX5 with hybrid AF, continues tradition of subtle improvements

The folks at Ricoh have dependable predictability down pat, and the CX5’s specs are, for the most part, nothing new. We’ve talked up the CX line of compact superzooms since the release of the CX1 almost two years ago, and we’ve watched the company fine-tune the already impressive camera with each new edition. Every incarnation of the CX series is just a tad better than the last: you might recall the CX4 didn’t make any big changes, either. The CX5 offers few marked signs of improvement (at least on paper) over its predecessor, but it does sport a hybrid AF that combines a distance sensor with contrast detection to bring focus rates down to two-tenths of a second: twice as fast as the CX4. Other than that — you guessed it — the CX5 sports the same specs as its predecessor (unless you count the addition of a “continuous golf swing” mode). So, if you’re looking for a big step up from your CX4, you might want to wait for the next generation. Then again, we can’t guarantee Ricoh will break with tradition.

Continue reading Ricoh unveils CX5 with hybrid AF, continues tradition of subtle improvements

Ricoh unveils CX5 with hybrid AF, continues tradition of subtle improvements originally appeared on Engadget on Thu, 27 Jan 2011 04:27:00 EDT. Please see our terms for use of feeds.

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Panasonic unleashes Lumix ZS10, ZS8, FX78, and TS3 point-and-shoot cameras

Thought Panasonic was done unleashing Lumix point-and-shoots for a bit? Us too, but apparently the compact cam fun isn’t over yet. Yep, in addition to the eight it released earlier this month at CES, the company has four new ones for your eyes only tonight. Naturally, we’ve got all the important details and few glossy shots below. Oh, and if that’s not enough for ya, you can always hit the break for the full press releases.

  • Up first are two new powerful shooters joining the ZS family: the DMC-ZS10 and DMC-ZS8. Like the previous ZS cams, the 14.1 megapixel ZS10 has a 24mm ultra-wide-angle and 16x optical zoom Leica lens, records 1080p video, and sports a three-inch touch LCD. The specs certainly impress, but Panny’s also hoping you take its 3D Photo mode seriously — the setting can produce a “realistic 3D photo” by taking 20 consecutive shots and overlaying the best two. Naturally, the images can be viewed on any of the Viera 3DTVs. The ZS8 sports most of the same specs, but cuts it down to just 720p recording. No word on the pricing on these two, but they should be hitting shelves in March.
  • Like its FX75 brother, the DMC-FX78 is all about Full HD. Packing a Leica 24mm wide-angle lens, the 12.1 megapixel FX78 can record full 1920 x 1080-resolution video in AVCHD. But beyond the recording specs, Panasonic has improved its 3.5-inch Smart Touchscreen, which basically allows you to control all the cam’s functions — autofocus, zooming, playback, etc. — with, well you know, just a touch. Like the ZS cams, the FX includes the 3D Photo mode. As you may have guessed, no pricing yet on this bad boy, but it will come in black, gold, and white in March.
  • Last but not least is the rugged TS3. Like the DMC-TS1, the 12.1 megapixel shooter is completely waterproof, not to mention shockproof, freezeproof, and dustproof. Yep, it’s as proofed as they come, and throw in the fact that it packs a compass, altimeter, and barometer and you pretty much can swap this thing out for a ton of other gear. As an actual camera, the TS3 doesn’t sound too shabby either — it can record 1080p video, packs a 3D mode, and boasts a 28mm wide-angle Leica lens. Nope, no pricing, but it’ll join the others in March.

Continue reading Panasonic unleashes Lumix ZS10, ZS8, FX78, and TS3 point-and-shoot cameras

Panasonic unleashes Lumix ZS10, ZS8, FX78, and TS3 point-and-shoot cameras originally appeared on Engadget on Tue, 25 Jan 2011 00:00:00 EDT. Please see our terms for use of feeds.

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Samsung rolls out five new ST series point-and-shoot cameras

Samsung just introduced a slew of new cameras at CES earlier this month, but it’s now already back with another batch, which consists of five low to mid-range point-and-shoots in its ST series. Those begin with the $100 ST30 model, and move on up to the ST65, ST90 and touchscreen-equipped ST95, before topping out with the $230 ST6500 (pictured above), which packs a 16 megapixel sensor, a 5x optical zoom, 720p video recording, and the same touchscreen interface as the ST95. As for the rest of the lot, you can expect to get between 10 and 16 megapixels, either a 3x or 5x optical zoom, and 720p video recording on all but the ST30. Head on past the break for the press releases with the complete specs, and look for all five cameras to be available in February or March.

Continue reading Samsung rolls out five new ST series point-and-shoot cameras

Samsung rolls out five new ST series point-and-shoot cameras originally appeared on Engadget on Wed, 19 Jan 2011 16:17:00 EDT. Please see our terms for use of feeds.

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Sony DSC-TX100V and the rest of the Cyber-shot posse hands-on

Sony announced a heap of new Cyber-shot cameras earlier this week, and after spying the entire line posing Miss America-style at Sony’s CES booth, we decided to go hands on. The DSC-TX100V’s OLED screen, which is a Cyber-shot first, was definitely impressive in terms of clarity, brightness and color reproduction — despite only viewing a fellow convention goer obstructing the booth. The DSC-TX10 is also one the classiest looking ruggedized camera we’ve ever seen and thankfully lacks accents such as excessive rubber detailing. Sony wasn’t really down with us testinghow much grief it could actually take though. Similarly, we had hoped to check out the DSC-WX10’s 1920 x 1080 60fps video capture mode — since it’s the only digital compact to support it — but that idea got shut down the moment a few Sony VIPs arrived. Still, we did manage to take a few shots of each in the wilds of the convention center which you can check out in the gallery below.

Sony DSC-TX100V and the rest of the Cyber-shot posse hands-on originally appeared on Engadget on Sat, 08 Jan 2011 14:47:00 EDT. Please see our terms for use of feeds.

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Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras

More Lumix goodness? You betcha. Hot on the heels of Panasonic’s CES unveiling of the FP5, FP7, FH5 and FH2 ultraslim compact camera comes this: even more Lumix compacts. Per usual, we’ll tell you exactly what you need to know below, and those hungry for more can peek the full releases after the break.

  • Up first we have two new folks joining the S series: the DMC-S3 and DMC-S1. Both of these are designed for up-and-comers looking for ease of use, with the S3 having a 14.1 megapixel sensor and the S1 dipping to a 12.1 megapixel sensor. Both of ’em tout a 720p movie mode, refreshed designs and a 4x optical zoom lens. Panny admits that they’re both “entry-level,” though you’ll still find optical image stabilization, face detection, an intelligent scene selector and the Venus Engine VI image processor. There’s a 2.7-inch LCD on the rear of each unit, and while the S3 will ship in blue, red, black and violet, the S1 will arrive in black, gold, blue, pink and silver. Mum’s the word on a price and release date, sadly.
  • The DMC-FH27 and DMC-FH25 point-and-shoots are both aimed at the fashionistas in the crowd, with the pair touting a 16.1 megapixel sensor, 8x optical zoom lens and a 720p movie mode. There’s also an advanced Intelligent Auto mode for those who detest fiddling with settings, and the Venus Engine VI image processor promises to speed up just about everything dealing with operation. Face detection, optical image stabilization and an intelligent scene selector are all present, though the FH27’s 3-inch rear LCD one-ups the 2.7-inch panel that’s on the FH25. Per usual, Panny’s keeping its trap shut when it comes to a price and release date.

Continue reading Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras

Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras originally appeared on Engadget on Wed, 05 Jan 2011 18:30:00 EDT. Please see our terms for use of feeds.

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