NVIDIA GeForce GTX 480M breaks cover, frags competition in 3DMark

We told you NVIDIA’s all-new superpowered mobile GPU would only fit inside jumbo-sized cases and here’s your proof. The Clevo Style Note D900 is neither stylish nor much of a note taker, but boy it’s a big, bad gaming machine. That trifecta of fans you see above is cooling the GTX 480M chip as well as a 2.93GHz Core i7-940 — a CPU that’s designed for desktop duty from what we can gather. You won’t be shocked to discover this 17-inch desktop replacement rather burned the feathers off some similarly juiced up high fliers, but the difference is of course that laptops like the ASUS G73JH are actually available to buy, as opposed to a pipe dream demo machine like the Clevo. All the same, you might wanna check out this sneak peak before HH does a full review.

Update: Turns out Sager is already offering to furnish you with a GTX 480M-equipped rig that looks very much like this one, including a selection of desktop-class Core i7s. [Thanks, Barry]

NVIDIA GeForce GTX 480M breaks cover, frags competition in 3DMark originally appeared on Engadget on Fri, 04 Jun 2010 17:43:00 EDT. Please see our terms for use of feeds.

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Coming soon: WWDC 2010 live blog

CNET is covering Steve Jobs’ keynote at the Apple developer conference live on Monday, where he is expected to announce details of the next version of the iPhone. pOriginally posted at a href=”http://news.cnet.com/8301-31021_3-20006866-260.html” class=”origPostedBlog”Circuit Breaker/a/p

Bonux’s Android set-top box is pretty much Google TV lite… really lite (video)

No patience left to wait for Google TV? Tough luck, bubs — ’cause Bonux’s Android set-top box ain’t shipping till the year’s end, either. Tucked away in a small corner of Computex was the gem you see above: an Android 2.1-based set-top box designed to bring… well, Android to your television. The white mockup box was strictly in place to demonstrate the software, and the inability to find a live internet connection on the floor crushed their desires to demonstrate connected extras. Essentially, this STB would scale a mobile OS up to TV size, which isn’t exactly the most elegant of solutions. That said, it does “work,” and the idea of using Android to pull in local media and web content may tempt those who aren’t willing to deal with the expense and complications of snagging a full-blown HTPC. We were told that the box could play back nearly every major file format known to man, and the HDMI output ensures broad compatibility with practically every HDTV ever sold.

When speaking with company representatives at its booth, they asserted that their goal was to shrink the white box down to the size of the black unit sitting beside it, or something barely larger than a deck of cards. If all goes to plan, they should be shipping worldwide by the end of this year, but they stated that it would be awhile before Froyo (Android 2.2) was supported given the intrinsic need for more potent hardware. Speaking of which, they’ve yet to actually nail down a final processor, and they’re still debating whether they’ll have WiFi as an option. In the end, consumers should expect “between one and three” variants (including one with an integrated TV tuner, possibly), and a retail starting price of around “$120 to $130.” So, found that patience you were looking for yet? Per usual, a video demonstration awaits you after the break.

Continue reading Bonux’s Android set-top box is pretty much Google TV lite… really lite (video)

Bonux’s Android set-top box is pretty much Google TV lite… really lite (video) originally appeared on Engadget on Fri, 04 Jun 2010 16:59:00 EDT. Please see our terms for use of feeds.

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Monkey brain controls robot arm, hand

University of Pittsburgh researchers have hooked a monkey’s brain up with an industrial robot arm, giving the animal’s mere thoughts direct control of it.

Green Samsung Restore on sale

Sprint’s Samsung Restore has a midlevel features set and is made from recycled parts. pOriginally posted at a href=”http://www.cnet.com/8301-17918_1-20006869-85.html” class=”origPostedBlog”Dialed In/a/p

New iPad Options For Comics Fans

Comic book fans with iPads: You have two new reasons to get excited today.

A new application, Comic Viewer, has just been approved in the App Store. And today’s update of the popular e-reading app Stanza enables it to work on the iPad — and, more importantly, to display comics.

Comic Viewer comes at a reasonable price of $5, compared to the $8 you have to spit out for Comic Zeal, another comic-reading app. Still, that’s five bucks more than you’ll be spending on either the Marvel or Comics apps, which are currently free.

Comic Viewer, developed by the same guys who made the popular Kevin Smith iPhone app, has most of the features found in other comic book readers: The ability to load it up with CBR and CBZ scans, transfer files via iTunes file sharing, and read in landscape mode.

The problem is that the application doesn’t offer anything radically new or better to distinguish it from the competition. It doesn’t have Comic Zeal’s over-the-air syncing ability, or Comics’ bubble-by-bubble navigation.

Worse yet, it’s less than polished. You can pinch to zoom in, which makes reading the text easier, but then you can’t scroll or pan around the screen. You have to zoom out if you want to move onto the next image.

It does a solid job of displaying content in landscape mode, unlike Comic Zeal, which mostly fails to recognize double spreads. But you can’t zoom in at all while in landscape mode, making it virtually impossible to use.

A neat feature is an integrated web browser used to download content. That’s much less annoying than, say, the Kindle app, which launches Safari to browse the Amazon store.

So how does Stanza fare? Stanza is a popular e-reading app on the iPhone, and its appearance on the iPad should get us all excited. Just like most document-handling apps, you can use iTunes to transfer your files and load up your comics selection onto it.

Though not primarily a comic book reader, it does a good job of displaying CBR and CBZ files. In fact, it might be the snappiest of all the comics apps out there.

Comic Viewer and Stanza join a growing selection of comics readers on the iPad. Yet there isn’t a clear leader of the pack. Comics and Marvel, built on the same Comixology platform, make digital comics look beautiful, but they suffer from a limited selection and lack of flexibility.

Other readers are far from perfect, with annoying little flaws often hindering the reading experience.

Perhaps we’ll have to wait for the Panelfly app, due to come out this summer.

(Photo: Comic Viewer, Denvog.com)


Behold the seven-story tweet

Students at Drexel University have found a way to turn tweets into 36×62-foot animations projected onto the surface of a campus building.

iWebcamera lets you ditch your webcam for an iPhone

Drahtwerk’s iWebcamera iPhone app was actually released late last week but it, ironically, only worked with a Windows-based PC. The company has now finally rectified that situation with some Mac drivers, however, which will at last let use your iPhone as a webcam for your Mac just like you’ve always wanted. We haven’t yet had a chance to try it out ourselves, but you can grab the app yourself from the App Store right now for $4.99, and snag the Mac drivers from the company’s website linked below.

[Image credit: Brian]

iWebcamera lets you ditch your webcam for an iPhone originally appeared on Engadget on Fri, 04 Jun 2010 16:22:00 EDT. Please see our terms for use of feeds.

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China’s Gigantic, Kitschy Future: Inside the Shanghai World Expo

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SHANGHAI, China — Billed as bigger than the Beijing Olympics, the latest and largest world’s fair doesn’t disappoint when it comes to scale, in every mind-boggling respect.

The Shanghai World Expo 2010, which opened May 1, cost an estimated $55 billion (some sources say up to $95 billion) to get off the ground. It sits on 2 square miles of prime Shanghai real estate, straddling the Huangpu River, making it the biggest world’s fair in the 159-year history of such events.

More than 18,000 families and 270 factories were moved to make room for the expo, the construction of which stretched over seven years — all for an event lasting six months.

Organizers estimate that it will be visited by 70 to 100 million people before it closes Oct. 31, with daily crowds of 400,000 or more.

That’s an enormous number of people, and you notice it instantly, from the queues to get into the expo to the crowds on the concourses and pavilions inside. Getting inside the popular European and American pavilions means waiting for an hour or longer outside in 80- to 90-degree heat and high humidity. The dominating $220 million Chinese pavilion is already fully booked for the months of May and June, so unless you’re a VIP with special reservation, you can’t get in at all.

In the past, there would’ve been no question as to whether queuing up for hours was worth it. That’s because what was there would change the future: Fax machines, microscopes, industrial processes, and even the superhighway system all made their first public appearances at world’s fairs.

The Shanghai World Expo 2010 comes up short in that respect. Apart from stunning architectural spaces, there’s nothing new, exciting, or controversial on display — a far cry from say, the 1939 world’s fair.

This expo isn’t so much a world’s fair as a China one, with other countries and global corporations exhibiting as curiosities for the people of a rapidly developing country to see. Only an estimated 5 percent of visitors will be from overseas. For millions of Chinese visitors, the event is a first real contact with the outside world.
For them, the expo is meant to be picture of their future.

If so, it’s an ambitious one.

Above:

Haibao

No Pavilion of the Future worth its salt would be complete without sci-fi space imagery. Here’s the official expo mascot, Haibao, clad in a space suit and breathing apparatus. The pavilion exhibits ideas about future cities, including one in space for Haibao to suit up in.

Photo: Juha Saarinen/Wired.com


How to Build a Rocket Car Powered by Mentos and Coke

Everyone knows you can use Mentos and Diet Coke to make fizzy fountains that shoot soda as much as 30 feet in the air. Now, two guys have harnessed that power for human transportation, with a rocket car powered by Mentos and Coke.

Fritz Grobe and Stephen Voltz are the guys behind the famous video of a Mentos-and-Diet Coke, Bellagio-style fountain, which they estimate has been seen by more than 120 million people. Four years later, they’re back with a rocket car powered by nothing but Mentos and Coke Zero. The video, which debuted this week, shows the duo’s efforts to set a land-speed and distance record for a vehicle powered by nothing but erupting, minty, fizzy soda.

The video was directed by Rob Cohen (director of The Fast and the Furious). Two dimensions not enough? There’s even a 3-D rocket car video you can watch on YouTube, if you have a pair of red-and-cyan 3-D glasses.

Wired sat down with Grobe and Voltz shortly after a recent performance at Maker Faire to find out how they built their 900-pound vehicle. It contains 108 2-liter bottles of Coke Zero, 648 Mentos, an elaborate-looking system of PVC pipes and pistons, and a complicated rig for dropping all those mint candies into all those bottles at the same time. In this exclusive Wired.com video, the duo explain how they made the magic happen.

As for the switch from Diet Coke to Coke Zero? The two explained that Coke, which is one of their sponsors, wanted to tout the newer diet soda instead of the old one. In fact, almost any kind of soda works, though they say diet sodas work a bit better. The one thing to keep in mind: You want warm soda for the maximum effect; a Coke right out of the fridge won’t fizz nearly enough.

These guys should know: Since their 2006 video launched, Grobe and Voltz have managed to make a living staging Mentos-and-Coke performances and other events.

For more Mentos-and-Coke videos, including outtakes from the filming of the latest video, check out the pair’s website, Eepybird.com.

Video: Wired.com. Produced by Annaliza Savage, camera by Michael Lennon, edited by Fernando Cardoso.