Hasta La Gadget!

Social media is everywhere, and there’s no doubt you’ve heard of—or know—people who piss away their lives on Facebook or Twitter without every actually doing anything worth doing. More »

Remember the CB radio handset for mobile phones? The first time we saw them it seemed as if they were only available in Japan. Well, bring out your trucker hats, because ThinkGeek just got some in stock.

The handset plugs into the 3.5mm jack of mobile phones and has a built-in mic on the cord, along with a on/off and volume dial and a mute button. You can also use it as a speaker, but why do that when you can use it to pretend you’re a detective or a member of the Resistance?

ThinkGeek is the M20, bring $20 (USD). Over and out. 10-11. 12-13. Copy-paste.

Mitt Romney advisor Eric Fehrnstrom brushed off inquiries into the presumptive Republican presidential nominee’s tax returns Sunday, telling CNN that “taxes are not an issue.”

“Mitt Romney has said he’ll put out two years of tax returns, he put out his 2010 return, hundreds of pages of tax return information that’s on the website,” Fehrnstrom said on “State of the Union.”

“He’ll put out his 2011 returns once it’s complete and filed,” he said. “He’s had financial disclosures going back to 2002 when he was governor of Massachusetts, those too can be found on Mitt Romney’s website.”

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Every time is Super Mario time with this spiral clock featuring characters and icons from Nintendo’s timeless platformer. You might find it hard to tell the time on this clock because of its pseudo-asymmetrical look. That’s all I see when I look at this thing.

Warp-pipe to Etsy and pay $25 (USD) to get the clock. Seller BackStreet Crafts also sells other geeky clocks and spiral clocks.

[via it8bit]

Seeing a Jean-Michel Othoniel work for the first time feels like peering into the forbidden jewelry drawer in your mother’s vanity table. To your small eyes the glass beads appear enormous, their crystal ball exterior housing all the elegance, maturity and magic in the world. Propelled by fantasy, the glass beads form ghost ships, candy-coated arches and other forms in flux.

The French artist, who is only 48 years old, is housing a retrospective at the Brooklyn Museum of Art, featuring his beaded poems in their many forms. Othoniel grew up fascinated with the properties of materials and the metamorphosis between them. His first exhibition featured sculptures made of sulfur along with other media with reversible properties like phosphorus and wax. Later he turned his fascination to glass, which Émile Soulier described as “transparency draped in reflections and stitched with metal.” In both his media and his style Othoniel gravitated toward reversible properties. Thus his work shared ground with Arte Povera, Minimalism, Conceptual art, and Surrealism.

Othoniel’s retrospective features a dazzling range of work, starting with intimately sized experiments, toying with the erotic decay of natural materials. Later Othoniel began constructing monumental sculptures of glass in all its natural perfection. The limits of nature and the lack thereof of the imagination connect Othoniel’s works, even when their aesthetics appear worlds apart. “The Threshold of Very Long Suffering” is a sulfurous lump from which the ghostly imprint of hands emerge, making the work look as if it is sculpting itself. The sickly color recalls a gangrenous flesh, although its softness gives the affect of a much needed massage. On the other end of the spectrum we have “The Secret Happy End,” an ornately decorated carriage made over ten years later. Somewhere between Cinderella’s carriage and a baroque aquarium, the glass-kissed work is the epitome of fantasy. There is no decay to be found, the piece is immaculate in a way that only exists in fairy tales.

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