The worlds of rock music and academia are not entirely separate. Noam Chomsky has appeared on stage with Rage Against the Machine. Poet Paul Muldoon and fellow Princeton professors play gigs as the Wayside Shrines. And, of course, plenty of students opt for courses that deconstruct Madonna, probe the historical impact of the Beatles, and so on.
But in Yugoslavia, and particularly Slovenia, a particularly close relationship sprang up in the 1970s between punks and professors. “At that time, classical political and social critique was not possible, so the political and cultural discontent and critique took the form of Rock music,” explains sociologist and politician Pavel Gantar. “Punk Rock music was a form of contestation. Later on, the State started to apply political oppression, and, as I said, intellectuals came out against this oppression. In the late 1970s, Rock music substituted for the absence of political and social criticism.”
Intellectuals came to the defense of punk rockers, and musicians expressed many of the sentiments that intellectuals couldn’t safely utter in public. The music scene in Yugoslavia soon became the envy of everyone else in the Eastern bloc, and many music fans in the West also began to follow bands like Pankrti and Laibach.
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