5 Teams To Watch When NBA Free Agency Begins

All the anticipation. All the rumors. All the speculation.

It all comes to a head beginning at midnight Eastern time, when the NBA free agent market officially opens. And much of it could be for naught. LeBron James, Chris Bosh and Dwyane Wade are all available, having opted out of their contracts with the Miami Heat. But the safe bet is all three did so with the idea of staying in Miami and making some financial sacrifices together to allow Pat Riley to go out and bolster a team that was steamrolled in its fourth straight NBA Finals appearance by the San Antonio Spurs.

Carmelo Anthony is on the market, too. But will he really pass up all the money and all the glamour that the Knicks and the Big Apple have to offer to go elsewhere?

Dirk Nowitzki is a free agent as well. The chances of him leaving the Dallas Mavericks are about as likely as the Cowboys taking that big blue star off their helmets.

The Suns have promised to match any offer for restricted free agent Eric Bledsoe and the Utah Jazz figure to do the same with Gordon Hayward.

The air of inevitability is doing little to dull the fervor.

Players can begin meeting with teams on Tuesday, but they cannot sign contracts until July 10, a moratorium that is established while the league works to set the salary cap for next season.

All eyes are on Miami to start. Riley specializes in closing deals, and he may not stop with his three All-Stars. But here are five other teams to watch in the early going.

___

HOUSTON ROCKETS: GM Daryl Morey is one of the most aggressive in the game. Two years ago, he traded for James Harden. Last year he won the Dwight Howard sweepstakes. And he’s not done. Morey wants a third star in Houston to help the Rockets challenge the Spurs, Thunder and Clippers atop the Western Conference. Never one to settle, Morey has James and Anthony at the top of his list.

CHICAGO BULLS: Tom Thibodeau’s proud team has overachieved the last two seasons while superstar Derrick Rose has been sidelined by knee injuries. They’ve done it with a defensive intensity that has been unmatched, but even with Rose expected to be ready to go for training camp and Doug McDermott added on draft night, the Bulls still need some help to put the ball in the basket. Nobody does that better than Melo.

ATLANTA HAWKS: They have quietly made the playoffs for seven straight seasons, an achievement that comes with an asterisk since they play in the woeful Eastern Conference. But the Hawks made a trade Sunday night with Toronto that helps them free up some $15 million in cap space, which is enough to land a big-time free agent for promising second-year coach Mike Budenholzer.

DALLAS MAVERICKS: Nowitzki figures to take a large paycut to help his team free up some cash to bolster a lineup that gave the Spurs a harder time in the playoffs than any other team. They traded for Tyson Chandler to grab the attention of stars looking for a winner and owner Mark Cuban told a Dallas radio station last week that “we’re going to swing for the fences.”

PHOENIX SUNS: In his first season on the job, GM Ryan McDonough helped engineer a remarkable season for a young Suns team that won 48 games. McDonough can offer free agents the chance to play for an innovative coach in Jeff Hornacek and with a dynamic backcourt in Goran Dragic and Bledsoe, presuming he returns. The Suns also have the best medical staff in the league and are armed with draft picks and young players going forward to make the future in Phoenix as bright as the logo on their court.

___

Follow Jon Krawczynski on Twitter: http://twitter.com/APKrawczynski

Watching This Japanese Craftsman At Work Could Give You A 'Brain Orgasm'

It’s not hard to find someone online who claims to have experienced autonomous sensory meridian response.

The non-clinical term refers to a pleasurable tingling that spreads through the scalp and neck. Known in some circles of the internet as a “brain orgasm,” the sensation has been credited for curing everything from depression to insomnia. It’s easy enough to prompt. ASMR fans say they get the feeling by listening to soothing sounds, typically found through online videos — whispering, crinkling paper, lectures.

Or this Japanese craftsman building a parquetry box:

The video comes from “Hand,” an online series by Gucci Japan highlighting designers who use traditional techniques. In it, Noboru Honma demonstrates the Edo-period process known as Hakone wood mosaic, in which patterned wood is sliced into razor-thin veneer sheets.

It debuted a few years ago, but got a second wind last week when Gizmodo singled out the “sound and action” of Honma at work as ASMR-inducing. According to writer Jesus Diaz, viewing the video in full screen with headphones on can “send intense waves of pleasure up and down your spine.”

Is your brain having the time of its life yet? Let us know in the comments.

12 Cute, Kid-Friendly Dishes That Are Actually Easy

When it comes to getting kids excited about food that doesn’t involve shiny wrappers or fish-shaped crackers, I say bring on the cute. With four kids, ages 5 and under, I have only one rule in the kitchen: All ideas must be doable. (Do you hear me, Pinterest?) Kids begging for a banana while I’m sculpting pancakes into Teenage Mutant Ninja Turtles just won’t work. Instead, these are all simple ideas with just the right amount of ta-da to dazzle even reluctant eaters in minutes.

Charity Curley Mathews is a former executive at HGTV.com and MarthaStewart.com turned family food blogger, editorial strategy consultant and mother of four. She’s a contributor to FoodNetwork.com and the founder of Foodlets.com: Mini Foodies in the Making…Maybe.

The 'Do The Right Thing' Reviews Spike Lee Called 'Uncut, Unfiltered Racism'

According to something called New York City Weather Archive, temperatures in New York on June 30, 1989 were relatively mild. That’s ironic since what played out in local movie theaters on that day was sweltering: Spike Lee’s third film, the sweat-soaked “Do the Right Thing,” debuted on the final day of June in 1989. The drama put Lee on the map as a filmmaker, was first-date material for Barack Obama and Michelle Robinson, and started conversations about race relations that continue to this very day.

But 25 years later, Lee still bristles to the reaction three prominent white writers had to his film. The 57-year-old director has often criticized former New York Magazine critic David Denby, former New York Magazine political columnist Joe Klein and former Newsweek critic Jack Kroll for their views on his film.

“They said black people would riot, and run amuck, after seeing the film. That is what they wrote,” Lee told Deadline.com’s Mike Fleming in an interview back in May. “It was such a condescending … to think that black moviegoers don’t have the intelligence to discern what is on screen, and that they would duplicate what Mookie was doing, was ludicrous. If you have some time, please, please, please Google those articles by Jack Kroll, David Denby, and Joe Klein. To me, it was pure, uncut, unfiltered racism. Those articles basically said to white moviegoers, please don’t go. If you are in the same theater with black people, it’s not going to end well.”

Heeding Lee’s advice on the 25th anniversary of “Do the Right Thing,” HuffPost Entertainment did Google those reviews. Quotes from the quarter-century old pieces are below.

David Denby, New York Magazine, June 26, 1989

The explosion at the end of the movie, an outburst intimate in scale but truly frightening, should divide the audience, leaving some moviegoers angry and vengeful, others sorrowful and chastened. Divided himself, Lee may even be foolish enough to dream, alternately, of increasing black militance and of calming it. But if Spike Lee is a commercial opportunist, he’s also playing with dynamite in an urban playground. The response to the movie could get away from him.

[…]

If an artist has made his choices and settled on a coherent point of view, he shouldn’t be held responsible, I believe, if parts of his audience misunderstand him. He should be free to be “dangerous.” But Lee hasn’t worked coherently. The end of this movie is a shambles, and if some audiences go wild, he’s partly responsible. Lee wants to rouse people, to “wake them up.” But to do what? Those matching quotations [from Martin Luther King Jr. and Malcolm X] are little more than a confession of artistic and moral impotence: My guess is that Spike Lee thinks that violence solves nothing, but he’d like to be counted in the black community as an angry man, a man ready, despite his success, to smash things. The end of the movie is an open embrace of futility.

The full review can be found here.

Jack Kroll, Newsweek, July 3, 1989

[In this long hot summer, how will young urban audiences — black and white — react to the film’s climactic explosion of interracial violence? […] People are going to argue about this film for a long time. That’s fine, as long as things stay on the arguing level. But this movie is dynamite under every seat.

Kroll’s review is not online, but it was excerpted in a piece written by Jason Bailey for The Atlantic. Read Bailey’s full article on Lee and “Do the Right Thing” here.

Joe Klein, New York Magazine, June 26, 1989

If Lee does hook large black audiences, there’s a good chance the message they take from the film will increase racial tensions in the city. If they react violently — which can’t be ruled out — the candidate with the most to lost will be David Dinkins.

[…]

It is Spike Lee himself — in the role of Sal’s deliveryman — who starts the riot by throwing a garbage can through the store’s window, one of the stupider, more self-destructive acts of violence I’ve ever witnessed (if black kids act on what they see, Lee may have destroyed his career in that moment).

Klein’s column focused on how “Do the Right Thing” would affect the mayoral candidacy of David Dinkins. (Dinkins would be elected Mayor of New York City later that year.) His full op-ed piece can be found here.

Unmasking The Unspoken Heroes Of New York's Art Museums And Galleries

For roughly eight hours a day, Christopher Boynton strolls through the Metropolitan Museum of Art, keeping watch over one of the most iconic lobbies in the world. Apart from the few smiles thrown his way each shift, interactions with visitors are usually limited to doling out directions to the restroom.

But if patrons inquired a bit further, they might be surprised to discover they were in the presence of a living, breathing artist. In fact, Boynton is just one of the many artists working as security guards scattered throughout the museum.

“I’m actually surprised when I meet a guard working at the museum that isn’t one,” Boynton told The Huffington Post. He estimates more than half of guards on staff at the Met are artists.

“Sometimes people are even surprised when we can provide a halfway intelligent answer about art,” he added. “But many of us have massively unique backgrounds, art educations, PhD’s, etc.” Boynton himself graduated from Temple University with a BFA. When he’s free from guard duty, he works as a painter and graphic design artist.

metropolitan museum of art lobby

Hustling within the art industry as a uniformed guard, handler, or tour guide — all while holding ambitions to see one’s own work showcased in such esteemed halls as the Met — is nothing new. Mel Bochner, who is currently showing at the Jewish Museum, started out as a guard for the very same institution many years ago. An early entry point for American sculptor Jeff Koons could even be traced back to his days selling admission tickets at the Museum of Modern Art.

But in New York City, with the unrelenting rise of property rents far outpacing many artists’ ability to pay for studios, let alone affordable housing, it can be incredibly inspiring to uncover the hidden yet assiduous individuals determined to make it work in an industry that routinely makes headlines with astronomical price points.

Liz Nielson is a full-time artist primarily working in traditional, analog photography. She also works full time as an inventory manager at the David Zwirner gallery, where she handles some of the contemporary art world’s most celebrated pieces. Despite the obvious difficulties in juggling both — not to mention shelling out for a studio in Bushwick, dark room, and apartment — Nielson is refreshingly motivated.

“In some sense, I do dream of going to my studio all day,” Nielson said. “But you find yourself finding energy as long as you’re in a community and environment that you like, which I definitely am here.”

mascot
“Mascot,” Liz Nielson

For Nielson, the “top-notch” talent exhibited by the artists represented at David Zwirner and her fellow staff members is more than just inspirational, it’s an education in technique, meticulousness, and, perhaps most importantly, discipline she uses in her own work. She cites past experiences working intimately with artwork created by the likes of Zwirner artists Gordon Matta-Clark and Wolfgang Tillmans that have directly impacted how she approaches her own craft.

Bradford Smith, a guard at the New Museum downtown, says one of the most influential aspects of the job has given way to “increased scrutiny” on his own work.

“It can be stifling at times, but I feel like it has sharpened my decision-making and am largely a better artist for it.”

But in an industry historically characterized by a tense relationship between creative value and price, frustrations naturally arise, particularly for those behind the scenes, tucked away from the public.

“I feel incredibly privileged to be so close to the center of things,” said Rhys Ziemba, an artist and musician also working full-time as an art handler at David Zwirner. “But the job also forces you to see how hard it is, as it’s not always the best artists who make it.

“Sometimes success seems so arbitrary.”

rhys
“Frank Zappa Quotation,” Rhys Ziemba

There are moments when Ziemba wonders if he could produce such sought-after pieces, if someone were willing to give him the opportunity.

As elusive as that opportunity might be, these artists emphasize they are fortunate to hold nine-to-five jobs where an artistic community exists at all.

In 2009, Boynton and four other Met guards launched SW!PE magazine to share their personal artwork with each other. Since its first volume, the project has evolved into a more sophisticated project that seeks to represent an oft-overlooked community that possesses more talent than what their day-jobs stereotypically might say otherwise.

“It can be a thankless job — and we’re all influenced by the job to different degrees,” Boynton said. “But as a network, SW!PE sort of brings us together so we can learn from each other. It provides a way to find a common thread among people with such different backgrounds.”

Peter Hoffmeister, a guard who also contributes to SW!PE, will soon be leaving his position at the Met to pursue an MFA at Hunter College this fall.

metropolitan museum of art lobby
“Ball and Chain,” Peter Hoffmeister

While he won’t miss the fatigue that comes from standing foot all day, he looks fondly at his time as a guard as the “perfect stepping stone” to achieving success in the art world.

“Considering a lot of young artists emerge from BFA programs in some instances shell shocked, having lost their support group (fellow students), jobs such as this offer a sort of solution and different type of network,” Hoffmeister said in an email. “Artists need other artists to survive.”

This Is Why Women Shave Their Legs, And It's Not What You Expect

Like wax on a hot plate, the cultural discussion about — and policing of — women’s body hair is heating up.

This clip from BuzzFeed Video adds to the conversation, as a group of women discuss why and for whom they really shave their legs. And it’s not what you’d expect.

The video also provides some historical context that puts the current debate about women’s body hair into some serious perspective. While we’re not thrilled by the expectation of smooth gams, at least we don’t have to resort the “volcanic glass” method employed by our Greek and Roman foresisters. Ouch.

Discuss, ladies. And by all means, shave (or don’t shave) however you’d like.

This 9-Year-Old Boy Raised Funds To Save Dogs From Kill Shelters In Lieu Of A Birthday Gifts

When most 8-year-old kids think about their birthday, they dream about a fun party with their friends, a delicious cake and a huge pile of gifts.

Ethan Katz is not most kids.

A couple months ago, when he was talking about turning 9 with his mom, Lisa, he decided that for his birthday, he wanted to raise money to save dogs.

“Ethan is an avid dog lover and always has been,” Lisa told The Huffington Post.

dogs saved

The Katz family has two rescue dogs: a golden retriever named Fly and a mini golden retriever named Brooklyn, who started off as a foster puppy from City Dogs Rescue, a D.C.-based nonprofit that rescues dogs from overcrowded or high-kill shelters and places them in foster homes. The family fell in love with “Brookie” while fostering her and decided to adopt her last fall.

According to Ethan, the pup was the impetus behind his selfless birthday wish.

“Since I started fostering my dog Brooklyn, I came up with the idea to do something off of that,” he told HuffPost.

So the Stevensville, Maryland, native decided that for his birthday he would design and sell T-shirts online for $20 a pop, and donate all the funds to City Dogs Rescue.

“Every day we would check, like ‘How many shirts have we sold? How many dogs can we save?'” Lisa said.

By his birthday on May 29, Ethan had raised $2,640, enough to save 10 dogs from being put down.

City Dogs Rescue expressed their gratitude on their blog, posting, “Thank you, Ethan, and HAPPY BIRTHDAY from all of us here at City Dogs Rescue!”

In fact, the initial campaign was such a success that at the request of City Dogs Rescue, Ethan and his parents agreed to launch a second one earlier this month which has raised another $4,110 so far.

“Ethan is so excited to see his campaign take off and we are thrilled to help CDR get some national attention for the hard and selfless work that they and their team of volunteers do,” Lisa said.

To support Ethan’s fundraiser for City Dogs Rescue, click here.

Watch Ethan talk about his mission in the video below:

Like Us On Facebook
Follow Us On Twitter

15 Great Signs In Support Of Gay Marriage

Happy Pride, everyone! We’ve certainly got reason to celebrate this June. Between the U.S. Supreme Court’s rulings on the Defense of Marriage Act (DOMA) and California’s Prop 8, it’s been quite an incredible year for the lesbian, gay, bisexual and transgender (LGBT) community.

And fortunately, the wave of victories shows no sign of diminishing — this past week alone, we’ve seen great strides for marriage equality made in both Utah and Indiana.

In honor of Pride 2014, we’ve put together a great list of the 15 best signs created in support of same-sex marriage and other LGBT issues. Take a look below:

12 Iconic Queer Moments From The Past 12 Months

Every year, millions of people, queer and not, celebrate Pride Month during June.

It’s a time to reflect on all of the things we as a community have achieved over the last 12 months, to celebrate the gains we’ve made and the struggles we’ve overcome, to remember those who fought before us and to be reminded of what we have left to achieve.

In honor of Pride Month, we took a look at 12 iconic queer moments from the last year. Check them out below and then let us know what you’d add to the list.

Happy Pride!

Fixing Flopping in Soccer: Don't Hate the Player, Hate the Game

Anyone who has ever taken an Economics class knows that there is only one universal truth; we all respond to incentives. What it is that motivates us changes from person to person but we are all willing to change our behavior to get whatever it is that we want. In soccer (brace yourself for a shocking statement) what everyone wants is to score a goal. When Americans watch soccer we have a tendency to get angry at the players on the field for embellishing contact, whining and in general following Coach Bombay’s advice perfectly. To remove flopping you need to remove the incentive to flop. Currently, the perverse incentive structure of the sport makes flopping and diving far too rewarding to the elusive pursuit of scoring and therefore diving runs rampant, becoming a distracting side-show to an otherwise beautiful game.

2014-06-29-soccerflop.jpg

The problem lies with the current way that penalty kicks are awarded. In a sport where it is so difficult to score, it is sheer insanity that a penalty in the box is rewarded with such a monumental advantage as the penalty kick. The ease of scoring a penalty kick compared to the difficulty in scoring during regular play leads to these objectionable actions that are far too prevalent in soccer. In short, flopping is absolutely the right thing to do. When it comes to flopping in soccer, don’t hate the player, hate the game. So how do we fix this? I’m glad you asked.

One simple rule change would fix this flopping epidemic and it is as follows:

All penalties in the box are subject to review.

Wow that was easy. This one simple rule change would lead to soccer’s popularity increasing enormously in the United States and it would not in anyway shape or form change the game for current fans. From Brazil to Germany and everywhere in between, I can’t imagine any fans, coaches or players being upset that penalty kicks are only being awarded on actual penalties.

The chance of success of a penalty kick is roughly 80 percent. The odds of converting a penalty kick are currently higher than the odds of an NBA player making a free throw, and keep in mind they are called free throws. However, in basketball that free throw was most likely 1/100th of the teams total offensive output, in soccer that successful penalty kick was most likely 100 percent of his teams scoring for the game.

To award a gift of this magnitude is something that simply must be fixed and I can’t believe soccer fans aren’t more upset about the current system. If a player feels the slightest touch while they have the ball in the box, they should, and usually do, instantly dive. The current system rewards their delicate femininity. If you have a chance to line up for a penalty kick that will go in 80 percent of the time, there is no reason to try and score a regular goal. In fact, if players were correctly playing the percentages no one would ever stay upright while they had the ball in the box and a defender in the vicinity. In a weird way, given the current ridiculousness of the advantage given to divers, it’s amazing we don’t see more flopping in the current game.

According to this study done on the English Premiere League, 62.62 percent of all games ended with a score differential of 1 goal or less. This means that every single penalty kick is actually the difference between a win and a loss. In sports we can rarely pinpoint the exact moment during a game that a team definitively is going to win or lose that doesn’t happen directly before the final buzzer. However, in soccer every single time a penalty kick is awarded it is a safe bet that your team will score and now your team is unlikely to lose. A penalty kick awarded in the first minute of the game is statistically likely to ensure that your team will not lose the game, despite the fact that more than 89 minutes of play remain. This is insanity. Maybe not Qatar hosting the World Cup insane, but insane nonetheless.

2014-06-29-BeckhamPenaltyKick.jpg

The average margin of victory in the NBA over the past decade has been over 10 points per game. If a free throw were weighted so that each and every individual free throw lead to more points than the average margin of victory in a game, you can bet that the world would stop watching basketball. If LeBron James knew that every single free throw was worth 11 points, there is no way he would ever do anything except put his head down and go directly to the rim. At the single slightest amount of contact he would crumble to the ground and act as if he may never walk again. Basically, he would become Manu Ginobili. And for a chance at two, 11-point free throws, he would be doing the exact right thing based on the stupid incentive structure of this new and horrible NBA I just created.

Imagine if there was a rule in baseball that stated getting hit by a pitch with the bases loaded means your team gets an automatic grand slam. Sure some guys would still try to hit the ball but you would also see a whole lot of guys leaning in to inside pitches or pretending balls that came near them actually hit them. You could try and hit a grand slam the traditional way but that is much more difficult then taking the gimme. That would be a stupid rule right? But that’s exactly what is happening in soccer. The rules are taking away the most exciting part of the game, encouraging poor behavior and handing out game-deciding points without verifying the authenticity of the infraction that supposedly was incurred.

That is why soccer needs to instantly add in an automatic replay system to ensure that all penalties in the box are true penalties. I am not against awarding penalty kicks to players who were genuinely fouled in the box but I am staunchly against the current system where a referee that is most likely horribly out of position, and potentially exhausted, is forced to make a split-second decision that in most cases will decide the outcome of the game. By ensuring that all penalties in the box are actual penalties, flopping in the box will be virtually eradicated as the goal now becomes to you know, score a goal.

One of the absolute best qualities of soccer is the non-stop action and the lack of timeouts. It is why I do not advocate for a full challenge system as it would decimate the flow and pace of the game. What’s nice about instituting a replay review in this situation alone is that it is a natural pause in the game anyway. This minute could be spent having a central replay command center reviewing the play in question and ensuring a true foul was committed. For plays of this magnitude, the plays that decide the World Cup, that small break seems worth it to me. For those of you worried about corruption in the replay office, you should be comforted by the fact that there is also corruption of the referees, FIFA executives, coaches and the players themselves so this actually fits nicely into the traditions of international soccer.

One simple rule change could eradicate the games biggest problem. If penalty kicks were only awarded for true penalties, flopping will be disincentivized and eventually the flopper will be publicly mocked as they deserve to be, rather than awarded the Balloon D’Or. So please make this rule change FIFA, you are long overdue for making a good decision.