The Oxymoron of Peace

“At the same time, values and ideas which were considered universal, such as cooperation, mutual aid, international social justice and peace as an encompassing paradigm are also becoming irrelevant.”

Maybe this piercing observation by Roberto Savio, founder of the news agency Inter Press Service, is the cruelest cut of all. Geopolitically speaking, hope — the official kind, represented, say, by the United Nations in 1945 — feels fainter than I can remember. “We the peoples of the United Nations, determined to save succeeding generations from the scourge of war . . .”

I mean, it was never real. Five centuries of European colonialism and global culture-trashing, and the remaking of the world in the economic interests of competing empires, cannot be undone by a single institution and a cluster of lofty ideals.

As Savio notes in an essay called “Ever Wondered Why the World Is a Mess?,”: “The world, as it now exists, was largely shaped by the colonial powers, which divided the world among themselves, carving out states without any consideration for existing ethnic, religious or cultural realities.”

And after the colonial era collapsed, these carved-out political entities, defining swatches of territory without any history of national identity, suddenly became the Third World and floundered in disarray. “. . . it was inevitable that to keep these artificial countries alive, and avoid their disintegration, strongmen would be needed to cover the void left by the colonial powers. The rules of democracy were used only to reach power, with very few exceptions.”

Whatever noble attempts at eliminating war the powers that be made in the wake of World War II — Europe’s near self-annihilation — didn’t cut nearly deep enough. These attempts didn’t set about undoing five centuries of colonial conquest and genocide. They didn’t cut deeper than national interest.

And global peace built on a foundation of nation-states is an oxymoron. As historian Michael Howard noted in his book The Lessons of History (quoted by Barbara Ehrenreich in Blood Rites): “From the very beginning, the principle of nationalism was almost indissolubly linked, both in theory and practice, with the idea of war.”

All of which leads me to the $400 billion F-35 Joint Strike Fighter, the most expensive warplane ever built, or not quite built. The aircraft, designed by Lockheed, is now seven years behind schedule, but the Pentagon had planned to display its new baby this week at the Royal International Air Tattoo and the Farnborough International Airshow in the U.K. This debut has now been called off because the engine of one of the planes caught fire on a runway in Florida in June, and officials feared the problem was systemic.

In other words, it could happen again. It could happen at the airshow, with the jet’s prospective customers — Australia, Canada, Israel, Japan and eight other U.S. allies — in attendance. Grounding it was a business decision. Indeed, it was a decision made at the delicate intersection of business and war.

“The setbacks follow a series of technical problems and development delays that have affected the F-35, one of the world’s most ambitious weapons programs, with estimated development costs of around $400 billion,” Nicola Clark and Christopher Drew wrote this week in the New York Times. “Analysts said the timing of the problems, just as Lockheed Martin was hoping to demonstrate the plane to prospective export buyers here, could not have been worse.”

What I found interesting — well, overwhelmingly depressing, actually — was the fact that this story ran in the Times’ International Business section. When Savio writes, “Attempts to create regional or international alliances to bring stability have always been stymied by national interests,” this may be what he’s talking about. National interests are business interests. In the mainstream media, this is simply a given.

And the ongoing setbacks and escalating cost don’t matter. The F-35 project is still going forward, even though, as Kate Brannen wrote recently in Foreign Policy, “over the course of the aircrafts’ lifetimes, operating costs are expected to exceed $1 trillion.”

The warplane’s supply of funding is inexhaustible, apparently. Congress is behind it all the way. And it’s hardly news. “Lockheed has carefully hired suppliers and subcontractors in almost every state to ensure that virtually all senators and members of Congress have a stake in keeping the program — and the jobs it has created — in place,” Brannen wrote.

Austerity is for losers. There’s always money to wage war and build weapons, indeed, to continue developing weapons, generation after generation after generation. The contractors are adept at playing the game. Jobs link arms with fear and patriotism and the next war is always inevitable. And it’s always necessary, because we’ve created a world of perpetual — and well-armed — instability.

The problem with the United Nations is that it’s a unity of entities defined by their hatred of one another and committed to the perpetuation of “the scourge of war.” We won’t begin creating global peace until we learn how to bypass nationalism and the single, unacknowledged agreement binding nation-states to each other: the inevitability of war.

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Robert Koehler is an award-winning, Chicago-based journalist and nationally syndicated writer. His book, Courage Grows Strong at the Wound (Xenos Press), is still available. Contact him at koehlercw@gmail.com or visit his website at commonwonders.com.

© 2014 TRIBUNE CONTENT AGENCY, INC.

Maria Sharapova Adorably Reminds Floyd Mayweather That He Is Not A Tall Man

Boxing champion Floyd Mayweather has bruised and battered every single one of his opponents, never losing a fight and recording 26 knockouts. And yet, standing on stage with Russian tennis star Maria Sharapova at the 2014 ESPY awards, sports fans were reminded how tiny of a man he is. In fact, he’s listed at 5’8”. Sharapova on the other hand, is listed at 6′ 2″.

This is what happens when they stand beside each other.

GIF: Maria Sharapova boxes out Floyd Mayweather, then leans o... on Twitpic(GIF via @cjzero)

Latam's Online Voice, Louder During 2014 World Cup

Last month, I had the honor of participating at the Quartz “The Next Billion” forum, an event gathering global leaders from innovative companies (including Facebook, IDEO, Amazon Web Services, to name a few) to discuss the implications of new technologies on the next generation. The interconnectedness brought by the internet is a fast-growing reality affecting all demographics. One segment worth attention is Latin America, and the online trends booming now among today’s generation. A look at the 2014 FIFA World Cup provides a snapshot of Latin America’s online voice and rise of the middle class, as well as amongst the growing Hispanic.

Brazilian World Cup Bringing People Together

The 2014 Brazil World Cup has just come to a close — the very first world cup in history to be part of the real-time era. Football (“el fút”) is of course huge in Latin America, and we’re not surprised that it’s especially big on social media.

According to CNN and Twitter data, the 2014 World Cup was the biggest social media event to date. This happened not only because Latin Americans are some of the most social-media-engaged in the world, but we also saw for the first time in history how the athletes themselves became part of the conversation. This recent infographic by Mediabistro, points to the fact that 3.6 billion people (or half of the world’s population) were expected to watch the World Cup teams, with the most Twitter followers for teams Brazil, Mexico and Colombia, with 1.46 million, 1.45 million and 823,000, respectively.

The same will inevitably hold true in the U.S., a country in which the word “Football” refers to a completely different sport. Yet, for the first time, the country was united by their US soccer national team; just check out this depiction of social media activity during the U.S. vs. Portugal match.

E-commerce in Emerging Markets – Latam’s place

Often, China and India (huge markets) and Africa (untapped potential) come to mind with the notion of e-commerce in emerging markets. There’s probably less general understanding of what Latin America represents. We can think about Latin America as a market of nearly half a billion people, with twice as much disposable income per capita as China — or four times that of India. Think about it as a fast-evolving middle class, and a young population (some countries like Mexico, Peru, Colombia have over 30 percent of their population under the age 15).

The World Cup showed the huge e-commerce potential and purchasing power in Latin America. Shakira, Nike and Samsung made a huge roar in ad time-not just during halftime; fans are watching the commercials on YouTube. Furthermore, a study by Mindshare reported that this year in Argentina, football fans watched the games on more than one screen — with more than half expected to watch on the internet and 21 percent watching from mobile devices.

Hispanic America(s)

With the growing number of Hispanics in the U.S., the Latin American market should be catching the eye of American companies. If it were a country, the Hispanic population in the U.S. would be the second largest Spanish-speaking country in the world. According to recent census figures, one of every four kids born today in the U.S. is Hispanic. In itself, the Hispanic market in the U.S. represents the 15th largest consumer market in the world. It should not come as a surprise then, that Univision, the Spanish language network with broadcasting rights for the World Cup, drew over 80 million viewers during the tournament.

Undoubtedly, having a better understanding of Latin America can offer a deeper understanding of the needs and wants of the U.S. Hispanic market. However this understanding is just half of the puzzle — it is a market that is both bilingual and bi-cultural. They watch fútbol and American football. They watched the World Cup with true passion, but will also never miss a Super Bowl or the World Series.

<em>Dance for Me:</em> Coming of Age on the Dance Floor and Beyond

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Teen Latin dancers Egor Kondratkenko and Mie Lincke Funch wait to face the music–and the judges

We see them on Dancing With The Stars, So You Think You Can Dance. In the Step Up and “wanna be” Step Up movies, music videos, commercials and concerts.

What drives them, these ballroom babies with the swiveling hips, sequins and spray tans, who sacrifice family, friends, even country in the quest for fame?

Dance For Me, a documentary premiering July 21st on the PBS series POV, is an intimate, almost cinema verité peek into the world of competitive ballroom dance.

Winner of the Audience Award at the 2013 American Documentary Film Festival, it brings to life terms and concepts like “partnering” and “chemistry” that judges grumble and gush about on TV. But the real story is the struggle of Latin dancers Egor Kondratkenko and Mie Lincke Funch to become “one” on the dance floor without sacrificing their own emerging teen identities.

Dance For Me has no snarky practice room patter, no predictable final “dance to the death.” The competitions seem irrelevant. In fact, the actual outcome of the final and most important contest is never “announced.” We only see the couple being lovingly hugged and congratulated.

A tiny white line of type reveals their results as the film ends — if you blink, you’ll miss it. They came in eighth in the European competition, high enough to qualify for the World Championship. Hence the big grins.

“The film is mostly about Egor and his personal and emotional journey rather than a dance film where the competitions matter the most,” filmmaker Katrine Philip explained to me, long distance.

“I was invited to watch a training session in the dance hall because I was researching for a young elite dance couple. It took me just a second to spot Mie and Egor on the dance floor and I was immediately drawn to them. There was something magical about them. And when I heard about their story, Egor coming to Denmark to dance with Mie, giving everything up in the age of 15, I was hooked. I immediately asked them if it was okay to be a part of their journey. And fortunately they said ‘Yes.'”

It doesn’t go smoothly.

As Philip mentioned, Kondratkenko is a Russian teen who has left his dance teacher mother in his adoptive home, China. He is an intense but taciturn lad who believes emotions should be expressed only on the dance floor.

Funch, whose Danish family has accepted Egor as both her partner and a surrogate “sibling” for their only child, could not disagree more. She expresses her emotions about dance–and life–verbally and passionately.

“I just love dancing. It is not if I want or not. It is something I need in my life,” she explained. “In the age of 15 I knew exactly where I wanted to be and what I wanted with my life: dance and become the best! That is a time were normal teens try to find themselves or are having an identity problem. I feel so blessed that the dancing showed me the way.”

That love of dancing is what motivated her to be in the film, though she says, “seeing the real me, my bad and good sides, this made me feel vulnerable.”

“I agreed to make the movie because I wanted to show how much it takes to be a young dancer on a high level,” she said. “Dancing is often showed as entertainment and not as a sport. Very few people know how much work, tears and blood there is behind a beautiful dancer.”

Philip agrees wholeheartedly.

“As a former dancer — not Latin dance but Contemporary dance — I have the love for the art in dance,” she said. “I know how it feels to train your body to be perfect — both in appearance and in movement.”

But most of all, she said, “I would like the audience to feel that they have been giving a close look into a life of an extraordinary young couple.”

Funch has another “wish” for those who tune in on July 21st:

“I hope the viewers feel inspired to follow their dreams.”

Dance For Me allows viewers to “eavesdrop” as she follows hers. It is an engaging and intriguing experience.

Photo credit: Author screenshot

White House: Employers Must Disclose Objections To Covering Birth Control

The White House on Thursday sent a message to companies that want to opt out of covering birth control, saying those employers are required to be transparent about their objections.

The Department of Labor updated its website to indicate that closely held for-profit corporations must include in their insurance plans “a description of the extent to which preventive services (which includes contraceptive services) are covered under the plan.” If the company chooses to opt out of covering any of the 20 contraceptives required by the Affordable Care Act, it has 60 days to disclose the change to its employees.

A senior administration official said the move was in response to the Senate failing to pass a bill Wednesday that would have required all for-profit employers, regardless of their owners’ religious objections, to cover the full range of Food and Drug Administration-approved contraception in their health care plans. The bill would have overridden a recent Supreme Court decision that allowed Hobby Lobby, a craft supply company owned by evangelical Christians, to opt out of covering certain contraceptives to which the owners religiously object.

“Yesterday, a majority of the Senate voted for a bill to keep bosses from interfering in a woman’s health care,” the official said. “Now the House should act. In the meantime, we are making clear that if a corporation like Hobby Lobby drops coverage of contraceptive services from its health plan, it must do so in the light of day by letting its workers and their families know.”

Graham Spanier, Charged With Covering Up Sandusky's Sex Crimes, Talks About His Own Abuse

Graham Spanier spent more time as president of a public college than most. In an era where leaders of public colleges rarely last more than a few years, Spanier lasted 17 and was only ousted as Penn State University’s president once the child molestation crimes of former football coach Jerry Sandusky came to light.

Spanier was implicated in a cover up of Sandusky’s sex crimes in the Freeh report, and is awaiting trial two years later for a criminal conspiracy charge in the matter. Spanier has fought back and insisted he’s innocent.

But Spanier finally spoke, as the legal drama continues, to The New York Times magazine in a new piece posted online Wednesday. The story describes Spanier as someone in limbo, waiting for a trail on his alleged cover up of Sandusky’s crimes, and a rallying point for defenders of Penn State, replacing the late Joe Paterno.

The Times described Spanier’s nose as crooked, and “the space between his eyes and cheekbones sunken.”

“I didn’t always look like this,” Spanier told the Times. “I’ve had to have four operations to correct serious deformities inside my head from beatings that my father gave me. They had to rebuild me from the inside out.”

The Times explained how Spanier, a man charged with covering up child sex abuse on campus, was physically abused by his father when he was growing up:

“Everything caused him to fly into a rage,” he said. “If my sister made an ‘eek’ noise, she’d be beaten. Or it could be a slight infraction. We had very strict rules in the house. At 5:30 everybody had to be in their seat at the table for dinner. Not 5:31. And not just in your seat. The curtains had to be closed, the slippers needed to be put out, the table needed to be set. . . .

“Or it could be there was something left on your plate. Food was so important in our home that if you didn’t eat something or didn’t like something, you would be beaten. You didn’t talk while you were eating. Eating was eating.” Spanier said that his father sometimes hit him with his hands or fists, “but 90 percent of the time, it was what’s called a strapping. He would undo his belt, double it up and would strap you with it. You’d be cowering in the corner, and he would continue doing that until I assume he got tired. He just couldn’t do it anymore.” The abuse was not a secret, he said, because his bruises were often visible. “Back in the ‘50s, someone like my father would be described as a strict disciplinarian. Nowadays, you’d be in jail for what he did.”

Spanier’s sister, Anita Koszyk, a special-education teacher, told me that all three children were beaten but that her father gave the worst of it to his oldest child. “I have a visual image of Graham on the floor, with his hands up, trying to protect himself from the thrashing,” she said. She remembers him being sent to bed without dinner. Their mother, who sometimes tried but rarely succeeded in stopping the beatings, would sneak food to him.

According to the Times, the beatings ended when Spanier was 15 or 16. Spanier never forgave his father.

Fragrance Republic:  Frangrance for One, Fragrance for All

There are no fancy bottles, no elegant or funky labels.  There’s not a celebrity face to be seen or multimillion dollar marketing campaign.  There’s just the juice.

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“Juice” is perfume industry speak for perfume, the juice inside the bottle.

What happens when you strip away the packaging of a perfume, and invite people to judge the fragrance on its own merits?  You get the Fragrance Republ!c, a place where all perfumers, from scent superstars who make blockbuster commercial fragrances, to newbie perfumers just starting out, all on an equal footing to present juice of their own creation.

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This is an artisan perfumery with no limits, no budgets and no focus panels.

You are free to like the scent or not.  It’s a fragrance republic after all.

Frangrance Republ!c (FR!) is the brainchild of co-founder François Duquesne, who, from 2002 to 2008 ran the niche scent company L’Artisan Parfumeur.  He says the idea came from both sides of perfume industry – the noses themselves and the consumers.  “One the one side you have perfumers that work for big fragrance houses like Unilever that make brands but they say we would love to work on projects that are more personal and not be constantly limited by creative directors,” he explains.  “But they say they are too small and don’t have access to the market.”  On the other hand, “we hear from the customer that fragrance is turning into a consumer good, but where is the craft and who are the artists?”

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For François, the concept was clear.  He has that market access.  “Let’s start a project where whatever a perfumer submits that he or she considers whole and perfect develops without any outside creative direction,” he says.  That means giving the perfumer carte blanche on materials, composition and costs.  Instead of the brand, the perfumer is the focus.  Each month a new scent is released, along with the nose’s bio and photo.

Sounds a lot like Editions de Frederic Malle, no?

No.  The difference is that every month one perfume from the featured perfumer of the month is sent to citizens (at the Patrician and Senator membership levels), in a small, 15 ml size to try out, live with to see how it develops on your skin and comment on.  You don’t get to choose which fragrance, so you may or may not love it.  The hope is of course you will, and that you will buy more from the FR! website.  If you don’t care for the scent, share it with another fragrance fan.

Another difference, these are perfumes never released to the marketplace.  You can’t even buy them directly from the individual perfumers.  They are exclusive to FR!

“We call it a fragrance republic because consumers have to have direct access to the scents,” François says.  “For consumers to discover the true craft of perfumery it has to be something that comes on a regular basis.”

You could say FR! is a perfume club.  While there are similarities to a wine of the month or cheese of the month club, there are more aspects that make FR! unique.  François knew he wanted interaction between members, called “citizens” and the perfumers making the scents.

Citizens get the first sneak peak, or sneak sniff, of each scent.  They are invited to perfume release parties and master classes with the featured perfumers and also can interact online with the noses.  

At the Senator level of membership you can actually become a perfumer’s muse and have a hand (or a nose rather) in developing the next new scent.  You can even submit a brief for a scent you’d like to have created.

Senators and Patricians also participate in voting on fragrances for release.  While each perfumer does have free reign, he or she must first submit their scent for review by the Senators and Citizens and a group that includes fragrance industry insiders, experts and writers, who can reject a perfume for not being innovative enough or too similar to what’s already out there.

In addition to Patricians and Senators, you can also be a Freepeople, which means you don’t get the monthly perfume samples, but you don’t pay a subscription either.  You do have access to buy any of the perfumes once they are released, can rate perfumes and can attend events for a fee.  And, FR! just started offering free samples of up to three perfumes (shipping is $5).

To date, eight fragrances have been released since FR! launched in October 2013.  Each perfume is sent out directly from the lab, in a plain bottle with a plain white label.  The perfumes are named only by numbers, such as 01/01 and 01/05.  The most recent release is 01/08, by Jean-Christophe Hérault.  The perfumer’s names are on the side of the bottle.

It’s an interesting experience to try a perfume stripped of fancy packaging.  You just have the pure juice to judge.  I liken it to tasting wine blind.  You don’t know the cost or the producer.  All you have to go on is the wine in the glass.  With FR! all you have to go on is the perfume on your skin.

But François points out that by learning a little about the nose behind the label and the way the fragrance is made gives you a better appreciation for the craft and the perfume itself.  He feels the perfume industry creates mystery, having you think Georgio Armani created that scent himself, instead of a nose at a fragrance house.  He says FR! is all about making perfumer creations accessible and acknowledging the real artists.

01/01 was created by Nathalie Feisthauer, a blend of bergamot, pear, iris, lily of the valley and saffron which makes this a very intriguing scent with an interesting dry down.  01/02 is one of my favorites, bursting with rose, tuberose and chocolate, made by Julie Massé.  You don’t often see rose and tuberose together, and never done this well.  “Julie is a very young perfumer and we gave her a chance,” says François.  “She came up with such a simple idea saying all these white floral scents are so heavy.  She wanted to do something light, and she did.”

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Scent 01/03 is fun, with a note of the mojito cocktail in it, a creation of Cécile Matton.  “Cécile wanted to play with the mojito alcohol as her secret weapon,” François says.  “It’s fun and we released it for the holidays.”

Amélie Bourgeois created 01/04, a rich fragrance with mandarin, jasmine, mimosa, sesame and tonka bean.  “Amélie is very interesting because she is not a well-known perfumer,” François says.  “She’s a teacher at ISIPCA, the perfume school at Versailles.  She started her independent project to show she is also a perfumer.”  Co-founder Bradley Skaggs says her master class was one of the most memorable so far at FR!  “She basically has 35 ingredients in her perfume and she brought 22 of them with here, so we just tried every ingredient.”  Imagine having access like that to the raw materials in any perfume.

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So far there are 800 members worldwide.  I met up with François in San Francisco on his launch of the line here.  He is looking to develop a global network of local FR! chapters.  “What is most important is the human interaction,” he says, “so you can have the opportunity to have the perfumer of the month come for a master class, or go on local perfume maker visits, or just gather to enjoy the next fragrance.”  It’s the emotional connection that interests François the most.

I can’t wait for the San Francisco chapter to get going.

Get the Skinny on Skinny Girl Myths

Myth: You can get slim and still drink alcohol.

Fact: Really, it’s not wise to raise your glass to shrink your waist. Why drink the extra calories if you don’t have to?

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Myth: If we are what we eat then skinny girls aren’t eating.

Fact: Not true, some gals are just naturally thin. Love um or hate um, thin women are just human beings, like me and you. So please, let’s stop calling others skinny bitches, shall we. None of us can be body positive if we keep putting other body types down.

Myth: Never trust a skinny cook.

Fact: This is just a tongue-in-cheek reference. I’ve yet to meet a cook that hasn’t tasted the food they serve.

Myth: You can never be too thin.

Fact: Oh yeah, you can be too thin! I should know, during cancer my weight plummeted to 108 which was too low for my 5’10” body. Still, no matter how thin some girls get, they never seem happy with their weight. Happiness lies outside of the way we look!

Myth: The belief that only thin people should skinny dip.

Fact: Trust me, anyone can skinny dip. But it’s a fearless few who dare to bare it all and chunky dunk.

Myth: Inside of every fat person, there’s a skinny person inside.

Fact: Nope, nope, nope. Shut that inner voice up with a reality check. We all come in different shapes and sizes. And it’s definitely time we celebrate that fact!

Myth: Nothing tastes as good as skinny feels.

Fact: Actually, I’m pretty sure chocolate, cupcakes and ice cream tastes as good as skinny feels.

Myth: Only skinny girls can get away wearing skinny jeans.

Fact: Seriously, you don’t have to have skinny genes to sport skinny jeans; it just takes confidence — that’s sexy.

Myth: You need to be skinny to be beautiful.

Fact: True beauty is all about the size of your heart, not the size of your jeans.

Remember, being skinny doesn’t make you healthy. One of the reasons I, Fiona Finn, fell prey to stage III colon cancer was my lack of exercise. Most of my life I was known as the skinny girl. But as I got older I became skinny-fat or a gal with no muscle mass. Sure, I looked great in my clothes, but I wasn’t healthy. The truth is that skinny or fat equals an increased chance of cancer if you’re not exercising. So, note to self, living a healthy lifestyle is really the new skinny. And you are beautiful, no matter what your size!

Fiona Finn, author of Raw: One Woman’s Journey through Love, Loss, and Cancer. Or follow me, follow me not on Twitter @fionaburkefinn.

Biodegradable Pet Urn Tree Kit: From Death, Comes Life

Some people turn trash into money (tote bags sewn from discarded juice packs, for instance.) Then there are those who find ways to turn death into life. Not the raising-from-the-dead type of things, because that’s obviously impossible, but the green type of transformation, such as the one that happens with the Bios Urn.

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It’s a biodegradable urn that lets you remember your late pet the way Mother Nature would want you to: celebrating its life by bringing about new life. Store your pet’s ashes in the biodegradable urn, then fill the top capsule with soil from the area where you plan to plant it before adding the seed. The latter’s design facilitates the seed’s germination, with the ashes helping the tree to grow since ashes contain phosphorus (which, in turn, is a fertilizer.)

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The Bios Biodegradable Urn kit is available from Firebox with an Aleppo Pine tree seed for $111(USD), but you can choose a larger selection of trees directly from the manufacturer.

[via This Is Why I’m Broke]

Snapchat's Thinking About Getting Into the Mobile Payment Business

Snapchat's Thinking About Getting Into the Mobile Payment Business

It looks like Snapchat, everybody’s favorite disappearing message app, is getting ready to handle mobile payments. This week, the company filed two payments-related trademarks that seem to signal a shift in its business. But don’t get any bright ideas about Snapchat the disappearing money app. There’s probably a simpler explanation.

Read more…