Anthony Bourdain on Food and Travel in Africa

With the September 28 launch of Parts Unknown series four on CNN, TV personality and chef Anthony Bourdain takes time out to talk to us about his unforgettable experience of filming in Tanzania and Zanzibar.

What drew you to film an episode of Parts Unknown in Tanzania and Zanzibar?

We’ve made shows in a lot of parts in Africa but we’d never really done the traditional safari, looking for those aspects of African landscape that’s about large vistas and wildlife. We hadn’t done that before.

What was your impression of the local food in each place?

The food in Zanzibar is very different to that of mainland Tanzania. Zanzibar has a lot of Arab, Persian and Indian influence, which makes the food spicy and quite interesting. It’s coastal, as an island, and a former trade hub for spices. It has that mix of flavors and influences that’s often really good for food. The mainland [Tanzania] is a little less varied, particularly the Maasai who we were hanging out with. They have a lot of raw meat, blood, yoghurt and not much else; they’re pretty much on a 100 percent protein diet. The chief of the Maasai group hosted a meal in which we ripped a lamb open, drank its blood and ate its kidneys.

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Have you ever struggled to eat anything you’ve been offered?

I always eat what’s offered, as I think that’s an essential part of what I do. You’re not going to make any friends around the world by saying no to an offer of food, so I will always try what’s offered. There are times when you just have to take one for the team.

While you were in Tanzania you stayed at Ngorongoro Crater Lodge. How was it?

It was very luxurious. The lodge is sort of the colonial dream of Africa; a real throwback to colonial times. You can go out in the Serengeti all day, looking at animals and bouncing around in a four-wheel-drive, and arrive back at the lodge to a hot bubble bath and a sherry in a nice glass. It’s an experience you don’t see much of elsewhere, and they have very good food there.

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What’s your most memorable moment from your time in that part of Africa?

The Maasai are pretty incredible and the meal we shared with them was very moving. I think people are going to be upset when they see it, let’s put it that way.

You’ve met a lot of incredible people on your travels – who have you met that’s made an especially lasting impression?

I’ve bumped into some pretty amazing people like Paul Bocuse, Bill Murray and Alice Cooper, and from this season Afrika Bambaataa and Kool Herc; the people who essentially invented hip-hop as we know it.

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And where have the local people made a big impression on you?

We were filming in Libya not too long after Gaddafi was toppled and we were hanging out with a lot of young people who’d joined militias there and fought against Gaddafi. These were people with no military experience who’d fought a mechanized modern army with basically slingshots and improvised weapons. Many of them had been studying abroad when the war started and returned to Libya to fight. They were very kind to us. They kept us safe, fed us and looked after us. Their struggle and heroism made a real impression.

Where do you plan to go next in Africa?

I hope to go to Ethiopia this year. I’m interested in its culture and cuisine and I have a very good friend who’s Ethiopian. It’s always good to have a friend with a close association and personal history in a country, so we’re going to take a very personal look at that place.

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First Nighter: Peter Brooks' "Valley of Astonishment," "The Sucker Emcee," "The Bullpen"

(Peter Brooks’ production The Valley of Astonishment has opened at Theatre for a New Audience’s Polonsky Shakespeare Center. Here is the review I filed after seeing it at London’s Young Vic in June.)

The interest Oliver Sacks takes in the human brain fascinates Peter Brook. The Valley of Astonishment is another consequence of that fascination, and, as presented at the Young Vic, currently Brook’s London outlet of choice, it, too, is fascinating.

Just after it begins, small and child-like-voiced Kathryn Hunter, these days Brook’s frequent leading lady of choice, introduces herself as Sammy Costas and announces she’s a “real phenomenon.” A reporter, she illustrates why she’s a phenomenon on a visit she makes to a clinic at the suggestion of her editor after he becomes aware of her unusually impressive memory.

The doctors testing her (Marcelo Magni, Jared McNeill) diagnose her case as synesthesia. She’s able to remember long series of words and numbers because she instantly associates what she’s told with colors, sounds and objects.

Although she’s fired from her newspaper job for being overqualified, she gets stage work based on her astonishing memory. It’s a life that goes well for quite a while, until she realizes that everything she’s been asked to remember has cluttered her brain. She needs to forget, but can she construct a way? That’s her dilemma for the remainder of Brook’s enthralling 75 minutes.

The formidable director, now 83 and working as he often does with Marie-Hélene Estienne, intersperses two other conditions with Costas’s. The first involves a patient (McNeill), who associates sounds and letters of the alphabet with color. Confiding that he was an unhappy child among other children — he made the mistake of telling friends that “A” is pink — he found himself when he realized that if he paints the colors he sees when listening to jazz, he’d have a career.

The other patient (Magni) consulting the doctors (McNeill, Hunter this time) suffers from proprioception, which is the loss of a sense of how body parts coordinate. He’s of particular enlightenment for the physicians, because he’s formulated a system by which he has partially recovered: focusing his eyes on whatever body part he wants to move and having it respond. On entering the doctors’ office, he’s especially proud that he arrived on his own, awkwardly but successfully.

As an addition to his preceding Sacks-related pieces The Man Who and Je Suis un Phenomene, The Valley of Astonishment — which the painter declares is the place reached where an affliction becomes an asset — has great charm. (It’s enhanced by Raphael Chambouvet at the piano and Toshi Tsuchitori on wind instruments).

Much of the charm — in a piece that ultimately doesn’t come to any conclusions about the brain’s infinite capacity — is due to the playing and includes an interlude when actor/sleight-of-hand artist Magni uses audience members to execute several card tricks. Exactly what the music-hall turn has to do with synesthesia and proprioception is obscure, but it definitely adds to the overall, uh, astonishment.
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Two current solo entries of more than passing interest about men needing to discuss their successes and transgressions:

A Sucker Emcee – Bank Street Theatre: Craig “muMs” Grant relives his life leading up to and away from the years he starred in HBO’s Oz. Lucky to have a supportive father and mother, he still endured setbacks from childhood on and spent much time wandering off the straight and narrow. His determination to keep on trucking saw him through–and is continuing, as this 90-minute solo show attests, to see him through. Intent on doing the thing he loves, he passes along his observations and advice mostly in hip-hop rhyme. (Hip-hop rhyme, of course, means off-rhyming as often as, or more often than, perfect rhyming.) There is no gainsaying the enhancement dj Rich Medina lends as he jives upstage of Grant’s with the necessary equipment. Jenny Koons directed the Labyrinth Theater Company production economically.

The Bullpen – Playroom Theater: Joe Assadourian pulls off a tour de force that’s built around his experiences in a holding cell and in court in relation to being arrested for threatening a policeman in a street fracas. Claiming he’s innocent of all impending charges until he lets up on his protests, he not only plays himself in the unpleasant incarcerated circumstances but also impersonates 16 characters whom he encountered during his couple of visits to that cell and one high-pitched judge in court. Having developed the piece while in prison–oh, yes, Assadourian served time–he’s become adept as a mimic. As a function of his ability to switch characterization in nanoseconds, he manages to be funny and earnest in quick turns. Richard Hoehler directs the Eric Krebs presentation in association with The Fortune Society.

Halloween Costumes For Pregnant Women That Are Fun, Easy And Downright Creative

Being pregnant on Halloween has its perks (like having an excuse to eat a boatload of candy). But it can also pose some challenges when it comes to picking out a costume. If you’re feeling limited in your options, worry no more!

Here are 31 creative costumes for expectant mothers:

See more Halloween costumes ideas for families, couples, women, and more. Have a costume you want to share? Send a photo to HPPHalloween@huffingtonpost.com.

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Adaptx might be the iOS 8 keyboard you’re looking for

AdaptxIf you’ve been on the hunt for a new iPhone keyboard, this one might be your best bet. Adaptx is now available for iOS, and brings with it just about everything you’d want in a keyboard. Not only do you get a good keyboard, you can swipe, and customize it in a deeper way than any other keyboard around. Adaptx … Continue reading

What Climate Change Means for Indigenous Peoples

When I was born in an Indigenous Limbu village of Eastern Nepal, no one had heard of climate change. Our communities struggled to make their living from land amidst armed conflict, feudal hierarchies, strangling debt and disasters that were slowly increasing. It was impossible, then, for anyone in the village to imagine that I might one day speak at the United Nations during a Climate Summit that will bring world leaders together to address the world’s biggest problem.

I am the first person from my village to obtain a university degree. With this enormous privilege I decided to focus on the rights and development of Indigenous peoples and quickly realized two things. First, threats to our lands threaten our livelihoods, our culture, and our very existence. Second, Indigenous women across the world, particularly in least developed countries like Nepal, are the least audible, most excluded and seemingly the most expendable when the world is focused on maximizing profits and consumption.

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I’m now working as a community researcher in remote, mountainous areas of Nepal. Together with women in the community we are documenting the impacts of climate change and the actions that women need to take to survive. Isolated geographically (they have to walk two days just to get to a road), linguistically, culturally and religiously, these Mugal women have not been part of climate negotiations locally or internationally.

Landslides resulting from melting glaciers and changing monsoonal rains, for example, have destroyed crops in the Mangri village prior to harvest for the past five years. These landslides were not even reported due to their isolation and lack of services. When Indigenous people lose their crops and land they have few survival options. Women, already working 14 hour days, now have to climb further up the mountain to collect local medicinal herbs for sale. Increasing temperatures, unpredictable rain patterns and increased competition have made the herbs rarer. Often the only options for survival are debt and migration. Nepalese who are forced to migrate often end up in exploitative, dangerous work, such as domestic work or trafficked into sex industries, forced labor and surrogacy, often under the guise of marriage.

My work is part of a regional project to empower the most marginalized women to determine their own solutions to climate change. Through the Asia Pacific Forum on Women, Law and Development (APWLD), I have met women from the Carteret Islands who are amongst the first climate refugees, women working with the survivors of Typhoon Haiyan in the Philippines, and women from Bangladesh working with the Munda Indigenous community who are losing their lands to salinity and flooding in a country that anticipates at least 20 million displaced people by 2050.

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Reading UN climate reports that reveal our future is truly terrifying. If we continue extracting, consuming and emitting as we are, the temperature is likely to rise by 4 degrees Celsius or more. That would be disastrous for humanity. But it will be the most disastrous for those who live the most sustainable lives — Indigenous, rural and poor women and their communities in the least developed countries. With none of the benefits of ‘development’ or globalization and none of the responsibility for climate change, Indigenous women have every right to question the shocking selfishness of the international community.

For us, the answers to climate change are simple and were promised decades ago. The answers are not the creation of markets for carbon — markets that cause women in Indonesia for example to lose their access to forests. The answers are not to create more dangerous nuclear power in India or more hydro that displaces poor women yet fails to give them power in Nepal, India and Vietnam.

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The answers lie in human rights and equality. The gargantuan threat of climate change should force us to re-think global systems that are disastrous for the planet and deeply inequitable. These systems mean 85 people in the world have more wealth and consume more than 3.5 billion people — half the world’s population. Our survival is dependent on governments making binding and drastic commitments to reduce emissions. But it is also dependent on a commitment to finally deliver on human rights promises and provide Development Justice to all.

As governments continue to negotiate our climate future I will be asking them to look Indigenous women in the eyes and answer us: whose lands will be traded away? Which cultures will be lost? And whose lives will be discarded in these negotiations?

This post is part of a month-long series produced by The Huffington Post in conjunction with a variety of events being held in September recognizing the threats posed by climate change. Those events include the UN’s Climate Summit 2014 (that was held Sept. 23, 2014, at UN headquarters in New York) and Climate Week NYC (Sept. 22-28, 2014, throughout New York City). To see all the posts in the series, read here.

Windows 8.1 hits the ultra-budget tablet market with PiPO

pipoThe PiPO W4 is an ultra-budget tablet, the kind of tablet you’d expect to be running Android. But it’s not some less-than-worthy junker. It’s running Windows 8.1 – so there’s no way it’s not going to get done what you need to get done, right? We’ve run our fair share of low-cost tablets over the review bench. When an inexpensive … Continue reading

Scaring Up Another War

Fighting Mideast terror with another American intervention is like fighting fire with gasoline.

In 2000, after a deranged man shot several people in a gay bar in Roanoke, Virginia, some suggested that everyone would have been safer had they all been carrying firearms. Jonathan Rauch made the case six months before the Roanoke incident in his article “Pink Pistols” in Salon. Similar suggestions have been made after mass shootings in movie theaters and elementary schools. As I write this, the D.C. Council is about to pass a concealed carry bill in response to court rulings against the District’s gun control law.

The fact that America leads the developed world in guns and gun-related deaths doesn’t faze gun advocates. Like tax cuts, guns are considered a cure-all. Unfortunately, the same appears true of munitions in American foreign policy.

The speed with which we are being goaded into war is not a sign of strength. It is easy to mock Sen. John McCain (R-AZ) and his overcompensating sidekick Sen. Lindsey Graham (R-SC) for their endless saber rattling, or Rep. Trent Franks (R-AZ) for his claim that ISIS members are sneaking across the Mexican border to cut our throats. But already our fears have been successfully exploited to justify yet another Mideast war effort.

Americans are much likelier to die from something we do to ourselves, whether with guns or alcohol or texting while driving. You would be well advised to worry less about whether ISIS will make it to Baghdad and more about whether you’ll make it over the crumbling bridge you take to work. McCain says that we need to fight the terrorists over there so we won’t have to fight them here. The last time he said that, we launched a war in Iraq that destabilized the region. Yet here he comes again to quell terrorist fires with hoses of gasoline. And once again we spend money we say we don’t have to save other people’s houses while neglecting our own.

I seldom agree with Sen. Rand Paul (R-KY), but he was right last week: “Before we arm the so-called moderate Muslims of Syria, remember what I said a year ago: ‘The irony you will not be able to overcome is that these arms will someday be used against America.'” It is small comfort that the Northern Storm Brigade, with which McCain met in May 2013, is now opposed to ISIS.

How often do we have to respond to distant problems by charging in and making things worse before we bloody well stop doing it? However bad the situation, any action we take should at least have a reasonable shot at improving things. At this point, the only thing we have improved by our ruinous investment of blood and treasure in the Levant is the profits of Halliburton and other defense contractors.

Aside from idly wondering why Dick Cheney and other war criminals are not in prison, we would do well to tend our own garden by facing the threat posed by America’s own religious fanatics. They may not be cutting off heads or flying planes into office towers, but the misogynistic and homophobic policies they seek to impose on their fellow citizens bear more than a passing resemblance to those of the foreign extremists we fight. The main difference is that diversity here has taken firmer hold, notwithstanding the fact that American policing, both foreign and domestic, disproportionately targets people of color.

A better use of our military resources is the humanitarian mission announced by President Obama on September 16, in which American forces will set up field hospitals and train local health workers in West Africa to help the fight against Ebola.

Three years ago on Sep. 20, the military gay ban officially ended. I remember the great satisfaction of World War II combat veteran Frank Kameny, who had devoted much of his life to helping reach that moment. He died three weeks later. It does no dishonor to him or other LGBT service members (and we’re still working on the T) to insist that deadly force, whether at home or abroad, should be used as a last resort and not by habit.

This piece originally appeared in Bay Windows and Washington Blade.

Copyright © 2014 by Richard J. Rosendall. All rights reserved.

Moto X wait time now at weeks, not days

moto-x-2014-review-sg-41-820x420The Moto X (2014) has been favorably received in early reviews, and is the follow-up to an already great handset. Adequate specs and appropriate pricing are giving some potential owners fits, though, as the Motorola website is displaying big wait times. In some instances, you’ll wait over a month for your new Moto X. The Moto Maker website is showing … Continue reading

'Loud Eating In The Library' Prank Makes Studying Hilarious

When Justin Stuart of prankster YouTube channel JStuStudios goes to the library, he doesn’t read.

He eats loudly. Very loudly.

Watch what happens when Stuart munches on a bag of chips, a carrot and even some watermelon, chowing down way too close to people who are clearly trying to work or read quietly.

A range of hilarious reactions ensues — but if nothing else, the poor library-goers could probably agree it made studying a little more interesting.

Via Reddit

6 Ways to Make Visitors Fall in Love With Your Website

If you are familiar with your website analytics you would have heard of a metric called “bounce rate.” The bounce rate is the percentage of website visitors that leave your website after visiting one page. A low bounce rate means visitors are engaging in your website and spend time exploring it. A high bounce rate means you are doing something wrong – people are coming to your website and leaving without really interacting.

A normal bounce rate for websites is around 60-70%. This means that over half of the people who visit websites leave after just viewing the page they land on. By implementing the following six tactics you can engage visitors and lower your bounce rate.

1. Create A Simple and Eye-Catching Web Design

These two ideas may seem conflicting, but often the most eye-catching designs are the simplest. Take Apple, for example. Their designs are sleek, clean, and simple, yet everyone’s eyes gravitate towards them. When web design is clean and simple it can give the user a sense of time and space and if the design is aesthetically pleasing the user is naturally going to be more inclined to stay on the website.

2. Make Your Brand Personality Shine

Just because your actual website design is simple it doesn’t mean it has to be cold and boring. Inject your brand and team’s personality into your website. Choose the perfect blend of colors that represent the business and transmit a message to the audience. Create wording for each page that is in line with your brand personality. Is your business easy going and laid back or fast-paced and current? Reflect that in your website copy.

3. Be Empathetic

Even if it sounds counter-intuitive, try to talk about yourself and your business as little as possible. Instead, you should be empathetic. Talk to about the website user and tell them how your business can help make their lives easier with your product or service. This should be apparent in the headlines, subtitles, and images as well as the actual website copy.

4. Content Should Match the Users Objective

Not only should you be empathetic, but each page needs to accurately describe and match the reason the person has arrived at the page. Content from one page to another should not be similar, but each page should offer highly focused and exclusive content to the visitor. You should also offer valuable free information to the visitor, either in the form of a resource page, a blog, or free media such as white papers and eBooks.

5. Headings, Bullet Points, Photos and Videos

A huge block of text on a web page is very unappealing. You need to break the page up into bite size pieces. Headings and sub headings are essential. Ideally each piece of content on the page should be able to be read and make sense in isolation form the rest of the content on the page – this accommodates the user’s process of scanning for appropriate content.

By adding relevant images and video to a page you break up the content but also create attractive features for the eye to be drawn to. They can also contribute to making the overall page aesthetically pleasing ans attractive.

6. Showcase Convenience

Make your navigation simple and intuitive so users can find exactly what they are looking for in less than three seconds. Foe example, put contact information in an easy to find location, with its own tab in the navigation and at the top right corner of the page. You should also always put a second copy of your contact information in the page footer as well.

By reshaping your website so it is visually attractive, providing valuable and highly appropriate content, presenting the content in easily digestible amounts, and having a logical and intuitive navigation, the user will be more engaged and more likely to convert into inquiries or sales.

For more information of what makes an engaging and effective website check out this article, The 11 Elements of a Great Website Design.