Everybody knows it’s illegal to impersonate a police officer. But did you know it’s also a federal crime to dress up as a postal worker unless you’re employed by the U.S. Postal Service or an actor? You may have to rethink your sexy Cliff Clavin costume this Halloween.
iHealth was the first company to sell a medical device through Apple, so it’s only natural it’s also the first to fully integrate its products with Apple’s HealthKit. That means all the data iHealth’s connected monitors and trackers collect not only gets sent straight to the app, it’s also automagically logged in your electronic health record.
If you’ve been eyeing a Chromebook to replace that Windows or Mac machine, Google’s OS is about to get a massive boost in productivity. Starting today, Photoshop is headed to the machines thanks to a partnership with Adobe — if you meet certain…
Advertisers aren’t always a fan of investing in mobile. Part of that reason is that the ads you see on phones and tablets don’t command the same amount of attention that ads do on desktops. Google is working on new ad units though that could lure in…
For better or worse, much has been made about the distinct shape of BlackBerry’s new smartphone, the Passport. And, according to Ron Louks, president of the company’s Devices division, we can expect BlackBerry to start pushing more…
“We haven’t started using it at home yet, but it’s just a matter of habit,” says Sofia Bergman, a Swedish mother of two. “But it’s a good thing if nurseries and schools use it.”
She’s referring to hen, the new Swedish gender-neutral pronoun introduced at two Stockholm nurseries in 2012. Today hen is frequently used by Swedish children and adults alike. Now other European countries are joining the gender-neutrality trend.
So Unsexy. That’s the song written by Alanis Morissette that led to my convergence with her as a kindred activist in empowering women and enhancing self-esteem — and much to my delight — receiving her endorsement for my book, My Diary Unlocked. How did the song connect with my own story?
When I listened to it, I realized the winding path of rejection to awareness to projection to self-acceptance through which Morissette travels as the lyrics unfold echoed not only my own secrets, but also the stories of the scores of women who shared their diary entries from their teen years. It also underscored the essence of a key message I conveyed in my writing: to stop abandoning and start nurturing our authentic selves.
On Oprah’s Super Soul Sunday last week, Alanis proclaimed herself an “activist on behalf of expression.” What I didn’t know until watching that show was the impulse behind her empathy and willingness to help people like me spread my message.
Despite her fame and fortune, she suffered through many of the very same issues that attempted to crush the souls of my contributing diarists — eating disorders, depression, anxiety and addictions to work and love. Today, she is the embodiment of self-exploration as she practices many of the tools recommended to the readers of My Diary Unlocked.
The power of her story is reflected in the truth that external circumstances, no matter how glamorous they appear, do not imply a sense of internal self-worth.
For Alanis, it wasn’t until she embraced the courage to do the inner work of practicing more self-compassion — to “start staying with herself,” to paraphrase a line in So Unsexy. I’m grateful for people like her who have already established a venue to support others compelled to spread the message of expanding consciousness and self-awareness.
She is a model for all of us to understand the power of sharing our stories. Isn’t it ironic that when we feel vulnerable enough to let others in on the secret that they are not alone, we come home to the true power of our connection with one another?
This just in: saving the planet is something only rich people care about, according to Fox News’s Tucker Carlson.
That was his conclusion after covering the Global Citizen Festival in New York City’s Central Park on Saturday, which he described as an event for “millionaires” and “billionaires.” Why? Because if you care about the minimum wage, you can’t possibly care about the environment as well.
At least that’s how Carlson, who argued that he’s never met anyone who was interested in climate change and was not also rich, appears to see it.
“These are rich people concerns,” he said. “When is the last time you met someone working for minimum wage who was really upset about global climate change or even believed it was real?”
Watch the video to see the full clip.
(h/t: Crooks and Liars)
What’s next after Nashville or Austin?
Akron, Ohio — Imagine a great night to go out to hear music and great city to do it in. Were you thinking Monday Nights in Akron, Ohio?
You may be surprised to learn that some of the most accomplished musicians and songwriters coming up in the growing Americana movement are emerging these days from Akron, with bands like The Speedbumps, who bring a recognizable Rust Belt spin unique to the region, blending hard-earned craft with an unadorned, authentic style.
The city that brought you The Black Keys and the staggering combination of talent and sweat equity that is LeBron James, is serving up some well-forged acts appearing in all kinds of clubs and bars every day of the week.
Akron, the former Rust Belt casualty, has been springing back to life, with repurposed industrial architecture, a thriving arts community, inventive cooking and a culture that’s always favored hard work and earned success. The music scene here parallels that broader movement of stubbornly overcoming adversity by upcycling the obstacles and detritus of the past into art.
On Monday nights, the club to visit is Baxter’s on Main Street in downtown Akron. Baxters is a jewel of a spot with a warm atmosphere and an inviting open sidewalk cafe.
The room is long and somewhat narrow, with a good deal of brick, wood and mirror, giving the sound a natural reverb that adds liveliness and fullness to acoustic solo performers and small ensembles. The music is free and the local craft beers are hoppy and well chosen.
But the main lure is the quality of players who come, thanks to the leader of the Monday Open Mic, Erik Urycki, who is also the singer of the ascendant local band, The Speedbumps.
If you haven’t yet heard them, The Speedbumps are recent winners of the American Music Award for songwriting and tour nationally. Their brand of Americana, with its spare tuneful melodies and precise string-heavy accompaniment makes them contenders for a significant national presence. Urycki’s voice has a bit of the breathy soulfulness of John Mayer, but with a fuller, more rounded tone.
According to regular patrons, Urycki draws some of the top talent in the region and often brings out their best performances, by setting a high bar with his own strong, nuanced vocals and guitar playing in the first set. He is often joined singer Abby Luri, with whom he writes songs and plays with in The Speedbumps.
Urycki says he started the Open Mic in 2012 to foster a community of singer-songwriters. “When I started out, open mic was a gateway into the music world. A chance to iron out what you do. Learn how to be comfortable on stage,” he said. Urycki used to go to Cafe Lomas on Grant Street, where Bob Wood was the host.
“Back then I said if I were ever a full time songwriter, I would try to run an open mic and help others to do it. And here I am.”
On a recent Monday, Chuck Auerbach, father of Dan Auerbach of the Black Keys, sat on the patio, listening to the musicians. Auerbach senior is a songwriter himself who has sold songs to Nashville artists. He was chatting with Eric Oswalt, a local artist who wears a red bandanna on his head in the Willie Nelson fashion. Oswalt is a seasoned pro, who writes his own material in addition to reworking melodic Beatles, Elvis and Stones material.
“I go around to different open mics, I usually last for about three weeks, then I move on,” Oswalt said. “This one I’ve stayed with because the musicians and the people are great here — also I like the flat bread pizza.”
Frank Laury, the bartender on Monday nights, may be the biggest advocate for Baxter’s Open Mic Night. Even though Monday is universally known as the worst night to make a living as a bartender, Laury has chosen to work Monday’s for over a year.
He says he enjoys the people and the close-knit group that has developed around the Open Mic Night. Laury is also a singer and guitar player, who will on occasion take to the mic to interpret American songbook standards in the vein of Dean Martin, Sinatra and Michael Buble.
“People come from all over. Even the people who struggle a bit here are better than average,” Laury said. “And Erik gives everyone freedom. He’ll always let you play another song if you’re feeling it. Amazing guy, amazing artist. We’re blessed to have him here.”
Brian James Feltner is an Akron resident and a Monday night regular. “This is the most beautiful bar in downtown Akron. The aesthetics, the acoustics are amazing,” he said. “You can hear even the quietest instrument all the way in the back.”
Feltner, who plays in a band called The Help!, said that almost everyone who comes out is a great performer. Many are professional musicians, who chose to come out and play for free to spend time with their peers and cultivate a network of musicians and friends.
Feltner, like Urycki, thinks there are some important emerging bands in the region — besides his own of course. He mentioned The Featured Players with Nick Wilkinson, Tall Tales and Anchor the Moon.
“Akron is the Liverpool of the Midwest,” he said. “I’m proud to be part of the Northeast Ohio scene. We have no trouble when we travel. The caliber of musicians is so high here, that when we travel we can play anywhere and people respond.”
Nick Wilkinson is another regular who has been coming since the Open Mic started in 2012.
“The staff is just really cool here. They’re really involved in meeting and introducing everyone,” he said.
Wilkinson said that what’s special about Baxter’s and about Akron in general is that
everybody does what they want to do musically. He added with a sheepish grin, “and it’s not a huge city with a million things going on — so people stay home and practice. You can hear that.”
Wilkinson’s band, The Featured Players, play what he describes as a Garage Folk Rock. He is a fan of local acts like Winslow, Angie Haze, Josh Hill and Mo Mojo.
Of the community that’s emerged from Baxter’s, Wilkinson said “We’ve all become really good friends. We all come every Monday and hang out. And when new people come they become part of the family.”
Holding on to Akron Roots
Urycki said he’s been encouraged by many in the industry to move to Nashville, where his management team and artist like the Black Keys, Eric Church and Jack White are based, but he says he plans to stay and build his fan base in Akron.
“I think that’s what makes Rust Belt Americana special — the connection to the family, friends and roots we have where we grew up — and I think our music would lose that if I left,” he said. “
Michael Sweet's Disposable Camera
Posted in: Today's Chili
All Photographs Copyright Michael Ernest Sweet
For some time now I’ve been working on a series of photographs taken with disposable cameras. It’s called, well, “Michael Sweet’s Disposable Camera”. Part of the reason for that somewhat generic title is that the series really has no focus in terms of content. It is merely a series of photographs united by the fact that they were all shot with a disposable 35mm camera.
One of the initial draws to using a disposable camera is the freedom they allow. There is nothing to set or think about aside from the subject matter and composition. You cannot set shutter speeds or apertures or flash etc. You point and you shoot – the disposable camera is the ultimate point and shoot camera. Another plus to using a disposable is the lack of any shutter lag. You click and it just works. This is because there is no focusing. Everything is in focus (and not in focus) all at once. All of this really does add up to a tremendous amount of freedom for the photographer. Using a disposable camera is also a great opportunity to remind oneself that the camera is merely a tool. In the age of gear obsession, it’s a good exercise to remind oneself that you can beat any camera into submission and make it your slave – that the best piece of gear is that 6 inches behind the camera.
I’ve always been a compact camera shooter. I shoot both digital and film, but always on a compact. They just work for me. I can always have my camera on me and it is never threatening to anyone. I often look like an amateur taking vacation photos and I like that look. It keeps me out of trouble. If I am shooting a model or doing more deliberate documentary work, the compact allows people to feel more at ease – it’s just less intimidating and it reduces the barrier between the subject and the photographer. Given all of this, using a disposable is less strange or foreign for me than for many other photographers coming from more complicated equipment. Obviously there is a much greater jump between a 5D MII and a disposable than there is between an MJU II and a disposable. Still, I love to tear open a fresh disposable camera and hit the streets with nothing but 27 exposures. It’s a wonderful liberating feeling.
This project has been under way for some time – off and on. It’s by no means complete. However, I thought I’d take this opportunity to show some of the results thus far. The work may not be my best, it also may not be gallery worthy, but it is distinct. There is a feeling to these photographs that makes them unique. So the next time you are feeling down about your photography, grab a disposable and hit the streets. You never know what you might find. One thing is for sure, I guarantee you will have fun!
Follow Michael Ernest Sweet on Twitter @28mmphotos or through his website at MichaelSweetPhotography.com