Hasta La Gadget!

The following interview with Jim Heimann was translated into Chinese for the ForYourArt Guide to Los Angeles, published on the occasion of The Los Angeles Project, an exhibition of Los Angeles artists at the Ullens Center for Contemporary Art in Beijing. The writer, historian, Executive Editor at TASCHEN, and author of many books on Southern California, including Los Angeles: Portrait of a City, is one of my favorite L.A. experts. Meant to bring a Chinese audience closer to Los Angeles, the interview provides a brief overview of the city’s history, ambitions, narrative, and neighborhoods.

Download ForYourArt’s Guide to Los Angeles in Chinese and English.

In Los Angeles: Portrait of a City (TASCHEN, 2009) you state: “Los Angeles is the wonder city of the West…The world’s most enigmatic city…A city of many dimensions.” What other generalizations about Los Angeles do you find yourself repeating to people interested in the city?

“The City of the Future” is one moniker that has consistently been used by locals and outsiders alike throughout the twentieth century. Architecturally, it has always been on the leading edge of the avant-garde. And today the international art world is definitely looking towards the city for the future of art, and its institutions are supporting that development. So L.A. as the city of the future still holds true. In many ways, Los Angeles is still a giant experiment.

Marissa Roth, Chinatown at night, 2000. Courtesy of Los Angeles Public Library database.

You’ve said that L.A. emerged from a desert wasteland to a palm-studded, urban metropolis. How did it become such an ambitious American city?

There were several population booms based on a changing economy. If it was good, many people would come to Los Angeles. When the economy shrank, developments failed and some of those people left. Consistently, however, there was steady growth. In the 1920s, for example, there was a population boom that started to fill in the city and created satellite communities throughout Southern California. As they expanded, they began overlapping with each other so that today L.A. is a city constructed from many different neighborhoods. “Thirty suburbs in search of a city” is another moniker that is used for Los Angeles. It does have a central downtown area with skyscrapers, but it doesn’t function in the way a lot of other cities do.

Virgil Mirano, Piñata heaven, Boyle Heights, 1998/1999. Courtesy of Los Angeles Public Library database.

Do you think of Los Angeles as a city open to transplants?

Everybody and everything has been transplanted, and still is, to L.A. It is a place where things are brought in and then flourish. If you’re someone who’s very invested in Los Angeles, and you call yourself an Angeleno, you need to have a little bit more depth than knowing which bar is the hippest in East Hollywood. That’s very surface-level knowledge that anybody can learn. But it takes more than simply living here to be an involved citizen of L.A.

What are some of Los Angeles’s ethnic neighborhoods?

Originally there was Mexican culture and there was Spanish culture. Then Spanish was kind of absorbed. There were also always little enclaves of French and Italian and European communities. Since we’re located on the Pacific there have been large Asian communities, including Japanese (Little Tokyo) and Chinese (Chinatown), though their acceptance into the broader fabric of the city was much slower. They were always put into ghettoized sections of the city, but still they developed their own rich local cultures.

Roy Hankey, Frank Lloyd Wright’s Hollyhock House, 1980. Courtesy of Los Angeles Public Library database.

What is your favorite neighborhood in Los Angeles to take visitors right now?

Right now I take people to Downtown Los Angeles, which is having a kind of renaissance. In addition to the new restaurants and development, there’s the flower market, the fashion district, and the industrial section that people don’t usually experience, even the locals. One of my favorite places to take them to is the intersection of Olympic Boulevard and Central Avenue, which I call Piñata Land. It hasn’t been officially designated, but it’s one long block of nothing but piñata stalls.

You’ve characterized Los Angeles as a “teenager” in terms of its development. What do you mean by this?

When you look at the major cities of the world, most of them have been around for a long time. L.A. is in its teenage years right now: rebellious, still trying to figure things out, still growing. It shares many aspects with those conflicted years before young adulthood. It hasn’t fully matured.

How would you describe the differences between Los Angeles and San Francisco to someone who has never been to either city?

Comparing cities like Los Angeles, San Francisco, and New York is a difficult task. San Francisco and Los Angeles are two completely different cities. San Francisco has very European influences and many wonderful elements. When people visit Los Angeles, I always tell them that it is a difficult city to get to know well because it is so spread out. It doesn’t have tight little communities that you might have in San Francisco or Manhattan, where you see the same people every day.

When you leave your residence on foot in New York or San Francisco, the city is right before you. When you leave your residence in Los Angeles, you see a lawn, trees, and birds. You don’t have a city confronting you. You must work to get to know and understand the city.

Unknown Photographer, House in Country Club Park, 1930. Courtesy of Los Angeles Public Library database.

Unknown Photographer, Canon Drive in Beverly Hills, 1925. Courtesy of Los Angeles Public Library database.

What would be your advice for someone coming to Los Angeles for the first time?

My main piece of advice is this: do your research. Find out about the city. Look at all the guides. Get on the Internet and discover the 30 best restaurants and bars on Yelp.com–or whatever your particular inclination is. You also have to look at L.A. in a much larger sense. The Bowers Museum in Santa Ana is just as valid as going to the Hammer Museum in Westwood. It might take over an hour to get down to the Bowers Museum, and a lot of driving frustration, but the payoff may well be there.

Driving in Los Angeles can be a pleasure in itself and a great way to discover hidden parts of the city. For people who are new to the city, I always suggest they get off the freeway and look around. There are beautiful homes and parks to see on side streets and residential areas. Getting around this way, I often encounter places there that I’ve never seen before.

Can you recommend any books for someone visiting Los Angeles?

If someone wants to learn more about Los Angeles, a good place to start is a book that I edited called Los Angeles: Portrait of a City. If someone has time to go more in depth, Kevin Starr has published an excellent series of books on the history of California. He provides many perspectives on the city of Los Angeles over time. I used to recommend Carey McWilliams’s An Island on the Land, but it was published in 1949 so it provides more of a historical viewpoint.

What about the palm trees?

I think the only native, indigenous palm trees are in Palm Springs, in the canyon. The City of Los Angeles was originally responsible for the placement of palm trees, but then individual cities also had their particular dictates. Palm trees are an important part of the stereotypical photograph of the City of Beverly Hills. Visitors often go to Beverly Drive where the trees appear to go on infinitely. Developers in Los Angeles were trying to create a paradise on Earth, and palm trees fit that image very well.

SALT LAKE CITY (AP) — Utah police chased and shot a man armed with a samurai-style sword as part of a Japanese anime costume because they thought he would hurt someone with the weapon after he swung it at them, according to search warrants released Wednesday .

Darrien Hunt, 22, died of multiple gunshot wounds to the back of his body after he was confronted by police Sept. 10 while walking around a strip mall in Saratoga Springs, Utah, which is about 35 miles south of Salt Lake City. A search warrant says police shot at Hunt, an African American, while he was running away because he was still holding the sword and they thought he could hurt or kill someone. The documents also details possible drug use and suicidal thoughts.

A lawyer for the Hunt family, who has said Hunt was treated differently because of his race, said Wednesday none of those factors justify the use of deadly force.

“This isn’t the Old West. There are a lot of kids his age who have problems with depression and suicide,” attorney Robert Sykes said. “You don’t just go shoot those people.”

Utah County Attorney Jeff Buhman said Wednesday an investigation into whether the shooting was legally justified could be complete by early next week.

The search warrant says Hunt had been fired from his job after he didn’t come to work, and his mother had told him he needed to get a job or leave the house by the end of the week. His brother told investigators Hunt had been making and using a hallucinogenic drug and was “obsessed” with a girl on Facebook who wasn’t interested in him, according to the warrant filed in state court.

The morning of his death, a friend said he posted a message on Facebook saying, “I have a sword and I’m going to get shot,” investigators wrote.

Saratoga Springs police Cpl. Matthew Schauerhamer and Officer Nicholas Judson, who are both white, confronted Hunt after someone saw him with the sword and called 911. They asked him to put the sword on the hood of a patrol car, but Hunt refused, saying the sword was his. Officers said they could give him a ride to Orem, but he’d have to give up the weapon.

The warrant says Hunt pulled out the sword and moved toward Schauerhamer, swinging it. Schauerhamer drew his gun and started firing. Judson also fired a shot after Hunt appeared in front of him and Hunt ran away, still holding the sword.

Schauerhamer told investigators “he knew he had to stop Mr. Hunt before he was able to hurt or kill someone,” the warrant states. He fired four more shots and Hunt fell, dead.

The report quotes two witnesses who saw Hunt swing the sword, which his brother later told investigators was dull but could hurt someone if it was swung.

An autopsy released Tuesday shows Hunt didn’t have drugs in his system when he died of multiple gunshot wounds, including several to the back of his body. Police said race wasn’t a factor in the shooting.

Copyright 2014 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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