President Obama Would Rather Talk To Youtube Stars Than Mainstream Media — And They Can't Stand It

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In case you missed it, on January 22nd President Obama did back-to-back interviews with three YouTube personalities (Bethany Mota, Glozell Green, and Hank Green) on livestream. Per usual, President Obama has gotten nothing but negative and skeptical feedback from the mainstream media for doing something groundbreaking and let’s face it – dope!

The focus has been more on Glozell Green’s “first wife” slip and less on her extremely powerful police brutality question. President Obama sat down with three different Americans of different backgrounds, with homegrown brands and an ever growing audience. He allowed them to ask him questions that historically only pale, stale and usually male journalists get to. Somehow this has been misconstrued as demeaning to the Commander in Chief position. I would say it’s empowering.

Rather than continue the conversation that Hank Green began on drone technology or the one that Bethany Mota brought up on rising college tuition, sources like HLN have instead opted to discuss whether this was a publicity stunt or not. From the Between Two Ferns interview with Zach Galifianakis to the YouTube live stream this past Thursday; President Obama doesn’t stray from his message. If you recall, in Obama’s interview with Galifianakis, he said point blank, “I wouldn’t be with you here today if I didn’t have something to plug.” The “plug” in this case is an attempt to give young Americans some clarity on the issues that may be troubling them (like cyber security and racial profiling) while also reaching those who may never meet an elected official in person. And the public loved it, over 3 million views and counting!

The truth is that the online audience Obama was able to speak to trust Glozell Green and Bethany Mota. They do not trust mainstream journalists. Rather than taking a look in the mirror, it is much easier to continue with what has become tiresome and played out Obama-bashing.

The bottom line is that we are living in the digital age. What world are some of these critics living in? When Obama goes on YouTube, Between Two Ferns, Reddit, etc. the response should be: “Yeah, of course he did, he is Barack Obama, and it’s 2015!”

Richard Fowler is the youngest syndicated progressive and/or African-American radio host in the United States.

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Ryan Gosling Hasn't Been This Funny In Years

Ryan Gosling is an excellent “honorary” Australian. During the Australian Academy Awards, he crashed Russell Crowe’s presentation video. “I lived in New Zealand for like two years,” he said, just trying to fit in.

The actors were on-set in Los Angeles filming “The Nice Guys,” Shane Black’s new film set in the ’70s, which explains the powder blue pleather jacket:

Obama Seeks Funds For Crumbling Native American Schools, But Not Enough For All Of Them

Bug-O-Nay-Ge-Shig School in Northern Minnesota has leaky roofs, poor lighting and an exhaust system that smells like sewage. Last school year, part of the roof caved in while students were in class. The floors are uneven, and if something goes awry, some hallways are too narrow for students to evacuate safely.

And yet, over 200 Native American students call the school home.

In a call with reporters Thursday, Interior Secretary Sally Jewell highlighted the Bureau of Indian Education school as an example of one that is in dire need of resources. The call emphasized the increased investments for Native youth and education that are part of President Barack Obama’s proposed budget for the 2016 fiscal year. A large chunk of this money would be designated specifically for schools run by the Bureau of Indian Education, the federal agency that operates 183 schools on 63 reservations. However, it won’t be enough to help all the bureau’s crumbling schools.

“It’s hard not to feel sad or angry when I look at the condition of the facilities,” Jewell said of Native schools, such as Bug-O-Nay-Ge-Shig, that are in need of repair or replacement. “We can and we must do better for Native people.”

See photos of Bug-O-Nay-Ge-Shig School below.

The president’s proposed budget, which will be fully unveiled next week, includes the biggest investment in Native education since the American Recovery and Reinvestment Act of 2009, with a total request of $1 billion, White House officials said on the call. The request is $150 million more than the amount in this year’s budget, and almost $60 million would go to repairing BIE schools.

Even though the president’s proposal would allocate more money to BIE schools than they received in previous years, it is unclear how much of the money would trickle down to a school such as Bug-O-Nay-Ge-Shig. A December report from the White House noted that 27 percent of BIE schools are more than 40 years old and over $967 million is needed to repair them. A construction priority list of BIE schools from 2004 includes buildings that still need to be replaced, and funding would go to them first. While Bug-O-Nay-Ge-Shig is one of 63 BIE schools classified as being in poor condition, it’s unclear whether it will make the cut. Jewell said on the call that the amount the administration requested for school construction help was “as far as we could reasonably go.”

The BIE serves only a small portion of Native youth, as over 90 percent of this population attends regular public schools. On the whole, however, BIE students tend to perform worse academically than their peers.

In early January, Crystal Redgrave, the superintendent of the Bug-O-Nay-Ge-Shig School, told The Huffington Post that she hopes more money is allotted to Native schools for 2016 than in years past.

“Having and allowing and knowing that students and families in these communities have such poor services not only in education but health care and housing, having Congress and representatives know this, to me, now makes them responsible,” Redgrave said at the time.

But administration officials are saying that, unlike previous administrations, Obama is focused on serving this population of students. Indeed, Obama’s recently announced initiative, Generation Indigenous, pledges to create programs that would better prepare Native students for college and careers.

“Native youth are in a state of crisis, unfortunately we have all seen that firsthand,” Education Secretary Arne Duncan said on the call. “Our native youth need and deserve dramatically better, not incrementally better.”

The photos below of Bug-O-Nay-Ge-Shig School were provided by John Parmeter, who is head of the school’s safety and security. Parmeter wrote the captions, but they have been edited and condensed for clarity.

29 Meaningful Pieces Of Advice For New Moms, From Parents Who've Been There

After reading Jenny Studenroth Gerson’s viral essay “They Should’ve Warned Me,” fellow mom and blogger Stephanie Sprenger felt compelled to respond. In addition to writing her own thought-provoking essay, Stephanie launched a movement to unite and empower mothers everywhere.

Jenny’s essay is a reflection on her surprisingly smooth transition into motherhood. She writes about all the “warnings” she received while she was pregnant — that she should prepare for difficult situations, for sleep deprivation, for weight loss challenges, for sorrow — and how far these warnings fell from the reality of her blissful first months as a mom.

While Stephanie’s response essay, “I’m Glad Someone Told Me,” praises Jenny for sharing her personal story, she points out that transitioning into motherhood is not so harmonious for countless new moms, and stresses the importance of preparing and supporting moms who may face postpartum depression, breastfeeding difficulty, and a whole host of other potential challenges.

After “I’m Glad Someone Told Me” went viral, Stephanie received a barrage of emails, messages and article comments from moms who thanked her for writing the piece. The blogger teamed up with her friend, editorial partner, and HerStories co-founder Jessica Smock, to launch a social media campaign, asking mothers to share quotes and images about the “real, honest support and advice they received about motherhood or things they wished they had heard” — using the hashtag #sogladtheytoldme. They’ve also created a Google form where moms can submit their quotes and advice.

Stephanie told The Huffington Post she hopes other moms and moms-to-be will find comfort in the movement. “I would like the #SoGladTheyToldMe movement to be a positive step in changing the larger conversations we have about motherhood; I am optimistic that it will present a broader, more realistic, and more balanced image of motherhood so that women will feel less inadequate, adversarial, and isolated.”

'FLAME CON,' Queer Comic Con, Coming To NYC

Are you ready for New York City’s first comic con specifically designed for the queer community?

Geek OUT! announced this week that the organization will sponsor “FLAME CON” this summer and it will be the Big Apple’s first-ever queer-focused comic con. We initially brought you this story last November when organizers were engaged in a Kickstarter campaign in order to fund the event.

“FLAME CON” is slated to take place Saturday, June 13, 2015 at the Grand Prospect Hall in Brooklyn. According to organizers, the event will be a “one-day comics, arts, and entertainment expo showcasing creators and celebrities from all corners of LGBTQ geek fandom, including comics, video games, film, and television.”

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“Geeks OUT has been serving the queer comic community for over 4 years now, and this convention represent a huge leap forward,” Joey Stern, President of Geeks OUT!, told The Huffington Post. “It’s going to be a safe space for people to let both their queer and geek desire burn bright in fun environment.”

For more information about “FLAME CON” check out the event’s Facebook page.

Odell Beckham Jr. Just Set A Guinness World Record, And It's Pretty Fitting

Let’s give him a hand.

On Thursday, the New York Giants’ Odell Beckham Jr., whose one-hand touchdown grab became a highlight must-see, set the Guinness World Record for one-handed catches in a minute.

We’re not sure what’s more newsworthy: that Beckham flawlessly caught 33 passes from New Orleans Saints quarterback Drew Brees or that this record now exists. One of Beckham’s teammates seemed to agree.

ESPN filmed the officiated stunt in Scottsdale, Arizona, amid the Super Bowl buildup to Sunday’s game. To count as a catch in this newly established Guinness category, the ball had to travel at least 10 yards.

Beckham was pretty pumped about the achievement. “The type of person I am, I love breaking records, no matter what it is,” Beckham told ESPN.

The attempt was based on a VISA commercial that featured Arizona Cardinals receiver Larry Fitzgerald catching balls with one hand while holding a cell phone in the other. Fitzgerald tweeted his congrats — and a challenge.

Congrats, Odell. We really have to hand it to you.

H/T For The Win

A $48 Billion Opportunity for U.S. Electric Customers

Why are U.S. electric utilities facing $48 billion in revenue losses? Because their 20th-century business model, built around a centralized, command-and-control electric grid, is increasingly outdated in an age when we can produce power on individual rooftops from ubiquitous sunshine and manage energy individually on ubiquitous smartphones.

If we can overcome the roadblocks being thrown up by monopoly utilities, that $48 billion can go right into the pockets of utility customers in a more democratic energy system. Read on for an explanation of how we can achieve energy democracy out of the turmoil of today’s electricity system.

A System Under Stress

The following timeline explains the changes being wrought to the U.S. electricity system in the context of its 100-year history.

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There have been three waves of change crashing over the electric utility system in the past 50 years: Shock & Competition, Deregulation, and Transition. The third wave, powered by distributed renewable energy and stagnant energy demand and aided by state regulation, isn’t going to recede.

Already, The Wall Street Journal notes that the era of growing electricity sales is likely over.

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Not only is demand falling, but competition from renewable energy sources is growing. In the past few years, that competition isn’t just from other large power producers, but from utility customers themselves (see the growth of “small solar” in particular (and red), representing residential and commercial installations 1 megawatt and smaller).

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The $48 Billion Question for a New Business Model

Utilities haven’t given up in the face of this threat. In fact, they’re often actively fighting it while they continue to invest in the infrastructure for last century’s grid (read more in our report).

These battles are the origin of “Utility 2.0,” a business model discussion inside and outside of utilities that would allow electric companies to accommodate flat energy demand and rising customer energy production. It’s good policy, focused on shifting the principles of the electricity system to a low-carbon, flexible, and efficient one as well as shifting utility incentives to achieve these outcomes.

But Utility 2.0 will prove inadequate if it remains indifferent to the flow of energy dollars out of communities (the $48 billion question).

Already, 500,000 U.S. homes sport solar energy and it gets more affordable every year. Rooftop solar, smartphones, and widespread energy storage will give utility customers unprecedented opportunity to control their energy usage, and to capture their share of the nation’s energy dollars. A 2.0 utility business model that doesn’t accommodate this opportunity for local, equitable access to energy production and management will leave many U.S. electricity consumers deeply unsatisfied.

Energy Democracy

That’s the central point of Utility 3.0, or as we call it, energy democracy. It adds two other principles – local control and equitable access – to the low-carbon, flexible, and efficient grid of the future to make the Five Pillars of Energy Democracy. The following graphic illustrates the principles of the ideal 21st century electricity system and how the policies of the electricity system contribute to achieving those desired outcomes.

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How do we get to energy democracy from where we are now? In Vermont, the state has already identified and adopted many of the key strategies and policies, from robust net metering to integrated distribution and transmission planning. They have an independent energy efficiency utility, and a feed-in tariff to encourage broader distributed renewable energy development. In New York, the state is Reforming the Energy Vision, and considering how to make an open and transparent marketplace that puts utility customers on an even footing with utilities in providing key energy services. The following graphic illustrates this concept.

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Neither state has unleashed a system with real “energy democracy” yet, but they’re pursuing the right principles and structure and policy that will lead in that direction.

Will utilities survive this crashing wave of energy democracy? It depends on your definition of survive. Will they continue to profit from retaining control over the generation and transaction of power on the electricity system? Perhaps not. Could they profit from designing and deploying the infrastructure and software to make a democracy energy distribution system? Certainly. They just need a little vision.

And we’ve got one to share.

This article originally posted at ilsr.org. For timely updates, follow John Farrell on Twitter or get the Democratic Energy weekly update.

The Man Who Drew <i>Jaws</i>

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As an ’80s kid, there are three or four movies that still stick with me to this day; The Karate Kid, Back To The Future, and JAWS. I can probably recite them all, and if they’re ever on TV, I’ll plant myself down and watch them.

I was also an ’80s kid who was lucky enough to have a vacation home on Plum Island, Mass., a small and quiet summer retreat about 45 minutes north of Boston. When I was too young to walk, my parents would take me. When I could walk, but couldn’t drive, my grandfather would take me. And when I could drive, I’d go there whenever I wanted.

My familiarity with swimming in the ocean meant that I was immune to such things startling me in the water, like when a piece of seaweed rubs up against your leg, or reaching your foot down toward the sand but realizing you’re in the under-toe, or the speed that a wave can take you 50 feet from the shore in an instant. All of that didn’t faze me. But for a good year or two, Jaws scared me half to death.

This June marks the 40th anniversary of Universal Studios’ take on Peter Benchley’s iconic 1974 novel. There have been several posters, book jacket designs and countless rip-offs depicting the now famous great white shark devouring a woman on the fictitious island called Amity. But no other artwork is as frightening as Roger Kastel’s sketch-turned-painting, an illustration that, quite frankly, still frightens me all these years later.

I caught up with Roger (Yes, He was running) via email and asked him a few questions about the artwork.

Describe how you came to draw the artwork for the book. The first painting for Jaws — the hardcover artwork done by Paul Bacon, was a rather tame depiction. What did you try to do or want to do to change it?

This book was presented to me as a potential best seller. I had been in Len Leones office (Bantam Books Art Director) when Oscar Dystel (the publisher of Bantam Books) came in and handed me a book. “I have a great book for you to read over the weekend.” After reading the book I did a rough sketch for Len. As in all my illustrations I tried to make it as appealing to the buyer as possible and to follow the story as accurate as I could. The best visual part of the book for me was the shark and Chrissie. I didn’t have to go beyond the first chapter.

Len’s only comment was, “Make the shark a little bigger and very realistic.” I had no idea that 40 years later it would be considered an iconic image.

And I’m sure people still come up to you and blame you scaring them, right?

When I attend conventions I’m always amazed at the comments. The most common: “Because of your poster, I was afraid to go into the ocean for years.” I love the interaction with these fans.

Getting serious for a second. Do you think in some way, the book, the movie, your artwork, had any contribution to the visceral hatred or fear people have toward sharks? Maybe the tide (no pun) is turning, but for years, maybe decades, we viewed sharks as just savages.

I’m sure that this poster and movie contributed to the fear that people felt toward sharks. All I can say is that the cover and poster did what it was supposed to do.

Universal Studios loved your illustration, and wanted to buy the rights to use it to use for the film. But there was a story a couple of years ago that said your publisher, Oscar Dystel, gave the illustration to Universal Studios for free. Is that true?

I certainly did not know how Oscar went about handling the business dealings with Universal. I do know that before he died he was trying to get the original painting back for me from Universal.

Because there’s speculation that your original painting is either lost in some storage warehouse or it was stolen.

I don’t know if it was lost or stolen.

Please tell me it was insured.

Illustrations were never insured.

Hand-drawn (painted) movie posters have really gone away since the late ’80s thanks to the advent of more sophisticated computers and photoshop art. You’ve painted two iconic posters, Jaws, and The Empires Strikes Back. Do you see the difference in movie artwork now, from say, 25 years ago? It seems like a movie poster can be put together in a couple of hours today. There’s no connection between the consumer, the movie and the art.

I always look with anticipation when the new illustrations on paperbacks, magazine and movie posters come out. I”m sure it’s much easier for the studios to do the posters on a computer. It probably beats working with different personalities of artists and easier to meet deadlines. Sometimes doing a movie poster can be hectic. I do think that many of the computer generated posters are well done.

There are a couple of documentaries that are out or coming out on the subject of movie poster art, and there’s an entire market now for “alternative poster art.”

Do you sense, as with everything, that poster art is making a comeback?

When I go to conventions I bring an assortment of my many illustrations. People really enjoy them. They ask an amazing amount of questions about my art. This is great feedback for me. I also have a website that shows my work, where people can contact me. I get e-mails from all over the world.

I’m not sure that change is coming but in 40 years since Jaws came out there has been a constant interest in the poster. The same with The Empire Strikes Back.

Roger Kastel can be reached at RogerKastel.com

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Chris Peak is a musician and freelance writer from Boston. Follow him @chrishpeak, or visit him at chrispeak.com

Transform Your Performance Reviews from Painful to Successful

Annual performance reviews make team members and managers alike recoil with dread — and for good reason. The traditional approach to performance reviews, in which a manager gives an employee’s performance numerical ratings once a year, is at best ineffective, and at worst damaging to morale and productivity.

The Washington Post‘s Jena McGregor reported that performance reviews fail to accurately represent an employee’s performance. In fact, two-thirds of employees who receive the highest scores are not actually the highest performers in the organization. What’s more, performance reviews only increased employee performance by three to five percent.

The performance review has become more about the process and the obligation of completing one than actually providing value to employees, which makes the whole endeavor a bit ridiculous. After all, isn’t the point to help your employees grow and deliver at higher levels so both they and the organization move forward?

To place the focus back on employee and organizational growth, shift the review process to focus on a collaborative conversation between the manager and team member. You want your team member and manager to co-create a clear plan that will help the team member grow.

The process we use in my organization to co-create performance reviews is pretty simple, but incredibly effective. Here’s how it works:

  1. Notify the team member about the meeting a couple weeks out minimum. You want to give them plenty of time to think about the questions so they can give real, genuine answers.
  2. You and your team member should complete the same document or set of questions. Make sure the criteria you use is as objective as possible, and include space to draft 30, 60 and 90 day performance goals.
  3. Have the team member go first. You want them to have the opportunity to present their strengths, where they want to improve, and where they believe their growth opportunities are before you comment.
  4. Together, decide on the 30, 60 and 90 day performance goals that help both the team member and business grow.
  5. Set the next appointment during the meeting. We’ve found that a 90 day cadence works best.

By holding a performance review every 90 days, you are ensuring your team members, who give you their time, strengths, energy and knowledge every day, receive enough of your time to become as successful as they possibly can. It’s an opportunity to strengthen your relationship with your team members, deliver feedback and guidance on a regular basis, and clarify performance goals and expectations so everyone knows exactly what they need to do to succeed.

Like this? Tweet it: Co-creating performance reviews with your team increases the efficiency and outcome of the review @TheCharfens via @HuffPostBiz

Alex and Cadey Charfen are the Co-Founders of the Charfen Institute.

Alabama Judge's Grandstanding Over Same-Sex Marriage Is Pure Demagoguery

This morning, we filed an ethics complaint against Alabama Chief Justice Roy Moore over his public statements urging the governor and state judges to defy federal law and continue to enforce Alabama’s ban on same-sex marriages.

We’ve been down this road with Moore before. Many around the country know him as the “Ten Commandments judge.”

In 2003, we filed an ethics complaint over Moore’s open defiance of a federal court order requiring him to remove his giant Ten Commandments monument from the courthouse. That complaint led to his removal from office.

Unfortunately, Alabama voters elected him chief justice again three years ago.

Now, he’s at it again – confusing his personal religious beliefs with his duty to uphold both state and federal law, including the U.S. Constitution.

Our complaint spells out three specific violations of Alabama’s Canons of Judicial Ethics: his improper comments about pending cases; his lack of faithfulness to the law; and his disrespect for the integrity of the judiciary.

It all started last week when a federal judge struck down Alabama’s ban on same-sex marriage.

In a letter to Gov. Robert Bentley yesterday, Moore claimed that marriage is Biblical and beyond the reach of the federal judiciary. He asked the governor and other judges to join him in defying “judicial tyranny” and warned that “we will have a confrontation.”

It’s an open secret that Moore wants to run for governor again in Alabama.

So he’s wrapping himself in religion to get there in the same way that the segregationist George Wallace used race to further his political career a half century ago. In both cases, it’s the same thing – pure demagoguery.

Moore’s action is unethical, irresponsible, and lawless. It’s precisely what got him removed from office the first time.

For the sake of all Alabamians who believe in the rule of law, we hope the result is the same this time. The people of Alabama elected Moore to be a judge, not a pastor.