Richard Jay-Alexander: The Broadway Legend Opens Up

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Richard Jay-Alexander has seen it all and worked with everyone when it comes to Broadway and musical theater. Here, finally, he’s in the mood to chat.

Unique doesn’t quite cover it. When my thoughts turned to my dear friend, Richard Jay-Alexander, I was amazed how many adjectives rushed to mind at once. Yes, Jay-Alexander is a legendary musical theater director — a real Broadway baby — who has collaborated with every mega superstar diva who can carry a tune and set foot on the Great White Way (Barbra Streisand, Bette Midler, Bernadette Peters, Betty Buckley, Kristin Chenoweth and on and on), but there’s so much more than that. Richard Jay-Alexander is incredibly accomplished, of course, but he’s also strikingly, unapologetically still accomplishing. He wants more. And then he wants some more after that.

The effect of that ethos when one first meets Jay-Alexander is to either gravitate towards his energy and relish in his unbridled enthusiasm, or take a step back and assess this fast-talking firebrand. Best part? He pays no mind either way: There are things to do and people to see — and that’s why I’m happy to report that I drink from the overflowing Jay-Alexander fountain of “everything is awesome.”

For more than a decade, Jay-Alexander, 61, ran iconic Broadway producer Cameron Mackintosh’s North American operations as Executive Director, New York helping produce Les Misérables, Cats, The Phantom Of The Opera, Miss Saigon and many others. After decades of directing live performances and producing scores of records–he’s worked with everyone from Ricky Martin to Johnny Mathis and Lea Salonga to Il Divo–it’s his decade-long association with the planet’s greatest star, Barbra Streisand, that has punctuated his latest career highlight. Babs and RJA were made for each other.

Though I could delineate in great detail how this Syracuse, NY native with a Cuban mom and Spanish-American dad would fall in love with musical theater after seeing a performance of Bye Bye Birdie as a kid arrived in the world’s greatest city and came to embody and become synonymous with musical theater itself, I’d rather let the man speak for himself. A minute into our conversation, you, too, will see why Broadway loves Richard Jay-Alexander, and how Richard Jay-Alexander loves it right back.

That’s why so many adjectives flew at me at once. Richard Jay-Alexander has a lot to say — and it’s riveting.

rja01You’ve worked with so many of the world’s greatest stars: If you close your eyes, what has been the single-most thrilling career moment that involved a superstar?
There have been many. I mean, after a rehearsal period, the excitement, the nerves and, then, hearing an overture for Bernadette Peters at Carnegie Hall or watching Bette Midler fly in on a horse or watching Barbra Streisand come up from under the stage… Each and every one has been absolutely thrilling! But, honestly, over the entire 40-year stretch of my career, so far, it would have to be Opening Night of Les Misérables at the Broadway Theatre, on March 12, 1987. I was the Executive Producer and the Associate Director and so excited that the night before, I didn’t sleep a wink. I was like a kid on Christmas Eve. And, boy, oh, boy, that was some spectacular and truly a historic night.

What’s your approach to directing a musical concert or event? Is there a blank canvas moment you build from or do you start with an idea in your head?
No two stars are alike. No two careers are alike, but one of the things that make me different is that I understand the career of the person I’m facing. My knowledge of their music and career choices is instrumental in building the house. It’s the truest form of collaboration and storytelling and it always comes directly from the performer and is adapted for the stage and for staging. Everything matters: Clothes, hair, make-up, lighting, staging, arrangements, colors — everything. When I’m in this mode of thinking, I always wish an audience could be me for a moment, alone in the room, with a mesmerizing talent, a force, a person so special to truly understand how we care so much and how much work goes into what we bring them and what they’ll see on the stage. Those quiet, intense, intelligent, caring moments are where the “magic” gets born. A lot of performers say the love the process. Trust me, they don’t. But the people I’ve been lucky enough to work with, never stop giving, working or caring and that’s what makes me work even harder. The satisfaction is indescribable.

Richard jay-Alexander ShowsOK, tell us some incredible celebrity anecdotes — you of all people know this: Give the people what they want!
You’ll just have to wait for the book! [Laughs] Which, interestingly, people seem to think I have in me. I’m not really sure people would be interested in such a book, but I will admit, it has crossed my mind and there has been some interest expressed. Then, I guess, I could “give the people what they want!” [Laughs]

How did your Cuban-born parents influence your life, your work ethic, your “get on with it” of it all?
That’s an interesting question. My Mom was born in Havana. My Dad was American, born of Spanish parents. He fell madly in love with her, in Cuba; and the rest, as they say, is history. I spent a lot of time in Cuba, up until 1959, when we moved into our home in Syracuse, NY. I was six years old. I’m one of five children. I grew up around a lot of love and support. My Dad was a CPA and educator, heading the Business Administration Department at LeMoyne College, a Jesuit university in Syracuse. Education was very important in our family and all of us went to college–it’s a family must. I was Broadway crazed and my Dad had no idea about that and was worried, but applied his knowledge to me, specifically, and allowed me so many opportunities. During college, he even drove me to the American Midwest to do Summer stock theater. When I think about it, it actually makes me cry. My Mom? Well, she just loved everything I did — my biggest fan. In college, when I played “Toby” in The Medium (he’s a mute gypsy boy) and I got shot, my Mom said to everyone, “Well, I guess Dickie isn’t gonna sing in this one.” That story still makes me laugh out loud. When my Mom saw my first apartment in Manhattan on East 94th and 2nd Avenue she cried and told me to come home. My rent was $135 a month. The year was 1975.

Barbra StreisandDo you remember the first thing Barbra Streisand ever said to you?
Yes, of course! [Laughs] I’ll never forget it. I was supposed to meet with her at her New York City apartment to talk about ideas that might inspire doing a television special. This was before she returned to the concert stage in May 1993. I remember it like it was yesterday, as it was the month I was turning 40 and I was working on Stephen Sondheim’s Putting It Together at Manhattan Theatre Club. I was nervous to meet Streisand, of course, and was the only one there, as neither her long-time manager, Marty Erlichman, nor her A&R guy, Jay Landers, had arrived yet. Streisand came down the stairs and said, “Hi, I’m Barbra.” I laughed and re-bounded with, “Hi, no kidding.” It was pretty fantastic. Later that night, Barbra was scheduled to come see the show, which starred Julie Andrews and also there that night were Amy Irving and Liza Minnelli. Yeah, so it was one of those kind of nights.

If you could as for a “second take” on a moment in your career, what would that be?
That is such an interesting thought to ponder, Richard. I’ve had so many “moments” in my life and career and I can’t think of anything I would do over or differently because the “moments” are the “moments.” But, thinking at this moment, I’d say all those types of thoughts would be directed at my Mom and Dad. I have no regrets with regard to my relationships with them. We shared a lot of love. But, that stated, due to the nature of my work, I was the “least show up” member of the family over the years, but always copped to it and it was never the basis of any trouble or ill will. I was there as often as possible. We just lost them both over the last year, so it’s still a little weird to not be able to pick up the phone and call either one of them. They were always interested in everything we all did and everywhere we went or what was happening. They were the greatest parents ever and allowed each of us to be the best we could be.

rja03Who do you want to work with next? I assume you have a short wish list.
Gosh, I never think like that. Opportunities always present themselves and then, if the artist or the material, interests me, I sign on. Just this past year, I’ve enjoyed the hell out of working with Norm Lewis, Deborah Voigt and Well-Strung. Each of them so fulfilling and satisfying in very different ways. I have a lot of different “departments” to me. And, yes, it’s complicated.

The two people who intrigue me that I haven’t worked with are Cher and Madonna. I’ve met them both socially, but what they do and what I do are two very different things. Also, it’s sheer vanity, but I feel like I could teach Ms. Ciccone how to act and connect A to B to C. It frustrates me so, but, if you look at our collective love affair with her over all of these years, we’ve seen her in blinks and bytes and edits for decades, in videos. I’ve always enjoyed her concerts, but I just feel that there’s more in there to be mined. But, like I said, it could just be my vanity.

Describe yourself in three adjectives.
Passionate, Committed, Honest — to a fault.

The world is scary because…
Decency seems to have left the planet. It upsets me that people aren’t polite and decent to each other. Life seemed simpler growing up — manners, respect, good behavior and hard work. Everything is so fast today and people don’t seem to want to learn or work toward goals. Everything is geared toward instant gratification and it should be geared to plain old decency and respect.

The world is beautiful because…
When you least expect it, you can find yourself moved to your core by the simplest of things. I know that I’ve been blessed and live a life that has afforded me certain privileges. I never take it for granted and I always try to find ways to help people and give back.

What would be your fantasy job if you achieved it, you’d say: “Now, I’ve done it all?”
I’d like to helm a Broadway show from scratch. No workshops — straight to Broadway. Do it once and do it right. Also, I’d love to do a movie musical, which I know I could deliver and solve what’s missing from so many. Sounds simple, but it’s actually difficult and either you know your way around a musical or you don’t. It’s like a language. Not everyone understands and too much realism has been creeping in. Musicals need to float two inches off the ground.

Who’s the most underrated star working today? And overrated?
Gosh, Richard! [Laughs] Answering this question can only get me in trouble! Can I plead the 5th? However, each category would have a few choice names in it. Trust me! [Laughs]

In five years, Richard Jay-Alexander is doing what, where and with whom?
Richard, you’re very big on the great questions! [Laughs] I’m at a very interesting chapter of my life. I’ve achieved more than I ever could have imagined, so it’s sort of all icing on the cake now. I do pick and choose my jobs and work. It’s never work if you love what you’re doing and are genuinely interested, engaged and challenged. But I do have some Bucket List items and want to do them while I’m in great health and can still be active and enjoy life. I’ve traveled the globe for work, but there are a few places I haven’t been. Argentina is currently at the top of the list as is going back to my beloved Cuba. In five years, maybe that book will be finished and I’ll be doing a book tour. I hope to see you at your local book seller, Richard, if there are any left! [Laughs]

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Earlier on Huff/Post50:

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The Great Nemesis I Encountered Just Before My 50th Birthday

Okay, I won’t actually be 50 until August 1st of this year, but I’ve always done things a little faster than most. I skipped T-ball and went straight to Farm League. I graduated high school at 17. I was the first one from my high school to win a first-place math trophy, and the first to bench press 450 pounds.

I was unbreakable. When I was 23, I volunteered to be a counselor at a Muscular Dystrophy summer camp. This required a physical so I went to our family doctor. After the nurse took my vitals, I waited a very long time for the doctor to come in. When he did, he carried a manila folder and had a confused expression on his face.

“I’m sorry I took so long,” he said, “but you listed that I was your doctor so we tried to find your information. We finally found it and this was inside.” He handed me the one sheet that made up my entire file: the document of my birth.

I had never been to a doctor. I had never been sick. I had never had a headache. And I had never once taken any form of medication.

When I was 28, a man in a car rushed across an intersection and broadsided me on my motorcycle. It totaled my bike and threw me about 200 feet. It broke the car in half. Although I tried to assure the paramedics that I was fine, they rushed me to the hospital because they were sure I had multiple broken bones. But the x-rays confirmed that I didn’t even have a hairline fracture.

This might all simply sound like bragging … and well, yeah, mostly it is. But the truth is I’m not unbreakable. I’m not Superman. And just like I was quicker than the average person at being able to accomplish and achieve certain feats, so will everything come faster: old age and even death.

For years restaurant cashiers have been confused that I don’t accept the senior citizen discounts. More times than I can count people have assumed my younger brother was my son. My face reflects a much older image than is real. I guess the old adage is true that says it’s not the years but the mileage.

The men in my family have a very short life expectancy. My dad was very athletic and a mathematical wizard. He could do advance logarithms in his head and outrun most people while running backward himself. On the mountain where I grew up, they still tell folklore legends about my grandfather, who was even faster and they say he could stand behind a tall man and leap completely over him. Both died in their 60s.

Perhaps another old adage is true about a candle that burns brighter also burns faster. I am about to turn 50 and already I feel the pains of old age and the shadow of death slowly creeping up on me. But it wasn’t years of football, or powerlifting, or arm wrestling completions, or even wild drivers treating me and my motorcycle like a pinball machine that did it. It was something much less grand.

As José Ferrer said as the title character in the 1950 black-and-white version of Cyrano de Bergerac: “I know them now, my ancient enemies.”

I, too, finally know my nemesis, and they’re not the majestic enemies I always imagined they would be. No, they’re smaller. Much smaller. Much, much smaller.

As summer is approaching I have to make sure I don’t go anywhere without Benadryl. One sting from a wasp, Yellow Jacket, or Honeybee, will immediately result in gruesome whelps all over my body and I’ll have approximately 15 minutes before my throat swells shut. Oh joy. It still baffles my mind to think a tiny little bug can best me.

Even microscopic dangers abound these days as I suddenly seem to be susceptible to viruses galore. I’ve gotten bronchitis three times from shoveling snow, and the crud more times than I can count. Never when I was a young man. Never.

But the tiny little thing that has evolved into my arch enemy, the one that will surely soon be my demise, is the size of a grain of sand. This tiny white crystal found in almost every food, and certainly the ones I can’t stay away from, is kicking my butt.

Think of all the great rivalries throughout history: Jesus/Satan, Sampson/Delilah, David/Goliath, Lee/Grant, F.D.R./Hitler, Tyson/Holyfield, and Batman/The Joker, just to name a few. All of these share a common denominator: all had worthy adversaries. The Apache Indians believed that a man was measured by the strength of his enemy.

And I, Neal Wooten, just shy of 50, with over a dozen powerlifting and arm wrestling trophies, who once walked away unscathed from a harrowing motorcycle wreck, will be done in by an enemy one millionth my size, a tiny little speck of death — sugar.

How’s that for a tombstone inscription?

Earlier on Huff/Post50:

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According to a report from Slice Intelligence (via Cult of Mac), it has been estimated that 78% of Apple Watch orders have yet to begin shipping to customers. Their report seems to suggest that demand for the device is far exceeding that of supply and claims that Apple might have sold as many as 1.7 million devices since it went up for pre-order.

This goes against a different report which claims that pre-orders of the Apple Watch have exceeded that of 2.3 million units. However since these figures aren’t official we suppose you should take them with a grain of salt for now. Oddly enough despite these somewhat optimistic estimates, Apple themselves have yet to officially announce how many devices have been ordered.

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