The Forest, The Farms, And The Finance: Why The Tolo River People Turned To Carbon Finance

About This Series 

Colombia’s Tolo River People collectively own 32,000 acres of rainforest, and that forest feeds the river on which they depend. But ownership means nothing if you can’t protect it. Four years ago, they began harnessing carbon finance to save the forest and preserve their way of life. This series takes us into their thinking and their strategy. It has been adapted from “Modern day forest conservation: A Colombian community protecting its rainforest one carbon credit at a time,” by Tanya Dimitrova.

An excerpt also appeared in Grist, as In the Colombian rainforest, an experiment in community-driven climate protection.

Part One: How The Tolo River People Of Colombia Harnessed Carbon Finance To Save Their Rainforest provides an overview of the project.

Part Two: The Forest, The Farms, And The Finance: Why The Tolo River People Turned To Carbon Finance examines the drivers of deforestation in and around the Tolo River Community.

Part Three: The Tolo River Community Project: The Importance of Inclusion follows the development of the project itself – its conception, its implementation, and its challenges.

Part Four: Getting Down To Business: The Tolo River People Shift From Building Their Carbon Project To Selling The Offsets tells the surprisingly challenging story of finding and cultivating offset buyers.

You can also find the REDD Desk Project summary of this project here.

The Tolo River People of Colombia were in a bind: dependent on nearby cattle ranches to make a living, they were helping destroy the forest that sustained them and their way of life. Here’s a look at the economics that drove them to embrace carbon finance.

This story is the second in a four-part series to initially run on Ecosystem Marketplace, and has been edited for a mainstream audience. Click here to view the full, unedited version.

18 May 2015 | Every morning, Jorge Vergara drives his motorcycle from the village of Acandí to the Builes Ranch, where he tends the nearly 400 cows and cattle. The ranch is just a ten-minute walk from Tolo River village of Peñaloza and one of many bordering their forest. On this day, two boys from the Tolo River community have tagged along to help him with the chores. Their payment will come in the form of a bottle of fresh milk.

The night before, Vergara had separated the two dozen or so milk cows from their calves so their udders would be full of milk by the morning. The hungry calves are now mooing by the fence, pushing to get close to their mothers.

Vergara lets one calf in, and it anxiously runs to its mom and starts suckling, only to be pulled away by Vergara’s young assistants once the milk-flow has “spiked”. Then he takes over to squeeze the warm milk into a bucket. “Boy!” he shouts. “Let another one in!”

Vergara is at the forefront of deforestation in this region, in part because land is so cheap here, and cattle ranching is so lucrative. That disparity left the forest at a disadvantage: living trees delivered no income, while cleared land did, and the desire that the Tolo River people had to save the forest was outweighed by their need to feed their families.

To balance that disparity, they turned to REDD (Reducing Emissions from Deforestation and Forest Degradation), which would make it possible for them to earn money by saving trees. The amount of money would depend in part on the amount of carbon stored in the trees they saved and in part on demand for carbon offsets.

The advantages of REDD are clear: it conserves tropical forests and unique natural biodiversity; it reduces our global impact on climate; and it fosters sustainable rural community development. Yet to realize and sustain the initiative’s success, many potential pitfalls need to be avoided as such projects scale up around the world.

The Economics of Deforestation

In countries where land is expensive, ranchers keep cows in relatively small spaces and feed them silage – fermented fodder produced from grass and maize plants. It’s an efficient, albeit perhaps not humane, way to manage land, and a farmer can raise up to three animals per hectare, greatly reducing the size of the farm, according to the Food and Agriculture Organization.

In many tropical countries, however, land is cheap, or even free if no farmer has claimed it yet. Ranchers here exhibit a classic open-frontier mentality: when they see a forest, they feel the land is wasted because it would make a great pasture. “The farm needs to grow,” says Vergara. “Silage is too much hassle.” They opt for less land-efficient cattle operations because it is easy and cheap to expand the ranch by clearing some of the bordering rainforest. On average, they place only one cow per hectare of land. This ensures that the herd always has fresh pastures with waist-high grass to graze.

It’s easy for cattle ranches in Chocó to illegally grab the forest: they just clear the vegetation on a 60-by-80 foot plot near the edge of the forest, put a fence around it, a salt lick in the middle and let cattle in. Most of the flat lands in the region have already been converted to pasture, so cattle ranchers encroach on the hills of the forest. Some of these cleared plots have an almost 45-degree slope – the cows look like mountain goats perched on the hillside.

 Jorge Vergara milking a cow with the help of a local boy. (Photograph: Tanya Dimitrova)

Jorge Vergara milking a cow with the help of a local boy. (Photograph: Tanya Dimitrova).

With land so easy to grab, there’s little incentive to farm more efficiently. REDD, however, can change that equation by providing the Tolo River people with a way to earn a living by protecting and managing their forest.

“Cattle ranching and illegal gold mines are the top two reasons for deforestation here,” says Rubén Guerrero from Colombia’s Ministry of Environment and Development. He explains that if the current rate of forest loss was to continue, half of Colombia’s rainforest would be gone by the end of the century.

Research from US NGO Forest Trends backs that up, and shows that almost half of all deforestation happens illegally.

Measuring The Carbon

Doctor Álvaro Cogollo is a legendary conservation scientist in Colombia. He began working for forest protection more than 30 years ago when most people in the country hadn’t yet realized the importance of this natural system. “People have this idea that Amazonia has the most spectacular forest in the world,” he says. “But the biggest trees are actually here, in Chocó.”

Cogollo and his 20 assistants spent three months in the Tolo River community forest studying the biodiversity and carbon contained in it. He calculated that one acre of the communal rainforest could contain up to 300 tons of carbon – seven times more than the average carbon content in one acre of an Amazonian forest.

Colombian REDD

The Tolo River people have one weapon that people in other parts of the world don’t, says Natalia Arango, climate change coordinator in a Colombian non-government organization Fondo Acción. Specifically, she says, they have Colombia’s willingness to recognize the rights of indigenous and Afro-Colombian forest communities, which offers fertile grounds for the REDD initiative. The progressive 1991 Constitution allowed them to claim their ancestral lands and provided them communal private ownership to the lands they manage.

In the past couple of years, the country has received $7.7 million from the World Bank and the United Nation’s REDD program to prepare it for large-scale REDD-financed conservation. The United States Agency for International Development (USAID) also invested $17 million in setting up local forest conservation projects in Colombia. This money is being used to estimate the amount of carbon stored in the nation’s forests, document the major drivers for deforestation in each region, and identify the deforestation rate in unprotected forests, which tends to hover between 1.5% and 2% across Colombia. Additionally, organizations such as Fondo Acción work with the indigenous land owners to design community development plans and economic alternatives to deforestation.

Arango says that Colombia, despite its progressive legislation, tends to be very slow in practical matters. Implementing change takes a long time because it has a complex society with lots of indigenous peoples and Afro-Colombians. For good reason, the government tends to be very cautious in making big institutional changes. “But it is being too cautious,” says Arango. “It has now spent years in the pre-pre-preparation phase of the strategy. And now we have some sort of public acceptance and agreement. We in the civil society think we need to go a bit faster because the forest is going very fast.”

Brodie Ferguson, an anthropologist from Stanford University, remembers first visiting Colombia nearly a decade ago. He was studying how the years of the Violence (a conflict between the Colombian Army and paramilitary and rebel groups) have affected indigenous and Afro-Colombian communities. After working in Chocó for many months, he eventually developed a close and trusting relationship with the Tolo River community and helped them design their forest conservation project. When thinking about the principle behind REDD, however, his most vivid memory comes from an interaction with another indigenous group: the Arhuacos from Sierra Nevada de Santa Marta.

Men from a nearby town transporting locally logged timber for construction. (Photograph: Tanya Dimitrova)

Men from a nearby town transporting locally logged timber for construction. (Photograph: Tanya Dimitrova).

Ferguson remembers talking with Danilo, one of the chiefs of the Arhuacos. The indigenous leader, dressed in his traditional white robes, was skeptical about REDD. “Do I want to be paying the youth of our community to conserve the forest?” he asked. “Shouldn’t they be doing this anyway out of appreciation for the forest and the community traditions… just because it’s the right thing to do?”

Ferguson concedes the point, but says that REDD isn’t about getting paid to conserve. Rather, when done right, it’s about jump starting new activities that can take the pressure off the forest for the long term. That, he says, means we must look at how REDD income is being spent.

“It should be spent on things like education, creating environmental awareness, improving healthcare, empowering women,” he says. Such programs have long-term positive effects. “Even if 100% of the profits go to the community – the best- case scenario – if they are not spent the right way, we are not achieving what we should be.”

Although new research from the World Resources Institute and the Rights and Resources Initiative indicates that REDD programs tend to strengthen the rights of forest people, that is not a foregone conclusion, and many forest peoples lack the legal protection that the Tolo River community enjoys.

On top of this is the cost of quantifying the carbon in all 6 million square miles of rainforest around the world. No two forests contain the same tree species and soils so carbon content can vary from 10 to 300 tons per acre. The threats to the standing forests also differ between regions as does the speed with which the forest would be lost had there not been REDD projects.

“We don’t want the money to get rich,” says community leader Córdoba. “We want to develop organizationally. That way we can protect our territory, maintain peace, improve our lives.”

Even if they wanted, though, they could never get rich off a REDD project. Income from selling carbon offsets currently cannot compare to any of the alternative ways to use their land: cattle ranching, cocoa plantations, gold mines, not-to-mention coca growing. A recent study estimated that only a price above around $30 USD per ton of carbon dioxide could make a forest more valuable standing than cleared.

Although plantations, if well designed and managed, could harbor lots of animals and plants, REDD proponents do not envision this kind of carbon emissions reductions. In fact, to issue forest offsets for tree planting, the Verified Carbon Standard – an organization which certifies and maintains an inventory of carbon credits worldwide – requires a proof that native forest clearing took place more than two decades ago.

What’s more, rich natural life and high carbon content need not be at odds with each other. A recent study found that combined carbon-biodiversity forest conservation strategy could simultaneously protect 90% of carbon stocks and wildlife (relative to a strategy focusing on either alone).

So ultimately what is an unsuccessful, poorly-designed REDD project?

“It is one where you have a London financier go down to Zambia, buy a bunch of land, hire some locals to protect the forest and then sell the credits on the market,” says Ferguson. That is not community-based conservation, though, there are a lot of such REDD projects out there – just not in the Tolo River community’s lands.

NEXT ISTALLMENT: The Tolo River People Embark On Their REDD Project

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Tanya Dimitrova just graduated from University of California, Berkeley, with a masters degree in energy and resources. She lives in Texas and works as a freelance science and environmental journalist.

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Who Wants to Play Second Fiddle?

2015-05-18-1431957973-474099-640pxHillary_Clinton_official_Secretary_of_State_portrait_crop.jpg

Bank of New York Mellon has produced a laugh out loud funny commercial. Audience members are waiting to hear Itzhak Perlman begin a concert. You can see the look of anticipation on their faces and then all of a sudden, it’s announced the comedian Rhea Perlman will be sitting in for him. A few bars of cacophonic violin playing follow. The idea is that you don’t want surrogates handing your money. Rhea is, of course, the wife of Danny DeVito and not the famed musician. However what is most interesting is the shared name and the not so subtle implication infusing the comedy and relating to marriage. However, glamorous it is to be married to a successful person, no one likes to play second fiddle.

But, let’s imagine if Bank New York Mellon’s advertising agency had chosen the Clintons for their commercial. This scenario might be slightly reversed in terms of the sexes. The audience is waiting for Hillary to appear, but at the last moment it’s announced that Bill will be taking her place. What would the equivalent of the out of tune violin in the context of a political campaign. Remember Monty Python’s, “Nudge nudge. Wink wink. Say no more.” But that’s too obvious. What could really happen would be something even more discordant with Bill, as he has on some previous occasions, acting like a runaway horse. For instance here is a New York Times report from 2008, “Now on the Campaign Trail, a Reined in Bill Clinton,” dealing with how Bill botched up Hillary’s earlier campaign for president.

No one wants him to play that tune again.

Photo of Hillary Clinton: United States Department of State

{This was originally posted to The Screaming Pope, Francis Levy’s blog of rants and reactions to contemporary politics, art and culture}

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Author Tina Horn Discusses The 'Obnoxious' Questions That Sex Workers Are Tired Of Hearing

In Love Not Given Lightly, author Tina Horn chronicles the lives of those she encountered throughout her own experience within sexual counter cultures. Horn told HuffPost Live that while profiling her subjects, she relied on her own experience and understanding of sex work to circumvent the various “misconceptions” most people have about the profession and avoid the “obnoxious” questions sex workers hear so frequently.

Such questions range from mundane to completely invasive, she told host Alex Berg.

Where did you come up with your name? Is that your real name? But even really intrusive questions, like ‘Oh you must be doing this because you have daddy issues. You must be doing this because you were abused. You must be doing this because you don’t really understand how you are being used and exploited.’

Many of the in-depth questions stem from assumptions that are made about sex workers in general, Horn explained. Since sex workers work in such an intimate, personal trade, those from outside of the community often incorrectly assume that they don’t mind the intrusiveness.

“People assume because sex workers put themselves out there, put ourselves out there, and market ourselves or produce art about things that most people find very intimate that we don’t have any boundaries,” she said. “But the truth is that we have to develop much more iron clad boundaries because we’re going into that territory. It’s really just all about respecting the boundaries of my subjects…”

Watch the full HuffPost Live interview with Love Not Given Lightly author Tina Horn here.

Sign up here for Live Today, HuffPost Live’s new morning email that will let you know the newsmakers, celebrities and politicians joining us that day and give you the best clips from the day before!

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What to Do With Unsupportive Loved Ones

Most of us don’t live in isolation. We are immersed in worlds full of influences that don’t necessarily support our path. Numerous distractions avert our focus, pulling us off purpose. How can you remain determined despite the distractions? And even more difficult, what if the distractions are people?

This is most challenging when the person is a loved one. When this is the case, they generally fall into one of three categories:

1) They are unconscious of their effect on you.
2) They are fearful of where you are headed.
3) They simply don’t care.

In the first case, sometimes people miss the subtle cues given to them. Perhaps you haven’t made your path one of importance. In anticipating their disapproval, you may have silenced yourself. Be explicit about your intentions and see how they respond.

By not expressing the truth of who you are, you may go the way of resentment. You may tell yourself that they should know where you’re coming from. That simply isn’t fair if you haven’t plainly stated your wishes. Give them and yourself the courtesy of transparency. Not always easy, but necessary.

In the second case, if the other party is fearful, all you can do is speak from the heart. Remember that whenever you start to shift in your identity, you shift the nature of relationships. The other party may have to adjust who they are in relation to you. That’s an uncomfortable place to be if they dislike change — especially when it’s not self-initiated.

Make sure they understand that you have no intention of affecting them negatively. You are only honoring what you know to be your purpose and hope that they will respect that for what it is. Acknowledge their fears but don’t let their apprehension become your restriction.

The third case is the most difficult but is also a test of how committed you are to the expression of your highest self. Understand that someone who doesn’t honor your soul’s path is not showing you love. What they are interested in is a conditional relationship.

At best, they may love their idea of who you should be, but they are not loving you as you are. As difficult as this may be, you may have to reevaluate who has consistent access to you. This doesn’t mean there has to be a heartless dismissal. There are ways to show compassion at a distance if that is what’s necessary.

Regardless of the scenario, you must deal with the situation at hand. Part of being committed to your purpose is clearing the space for it to exist.

You have been given a divine gift that seeks room for expansion. It has been entrusted to you for nurturing and expression. To bring it forth is not an act of selfishness, but rather self-love. To know it and block its unfolding is like the flower that refuses to bloom.

In the end, the distractions or diversions you allow are an indication of how much you love yourself.

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Chili's Just Spent $750K To Take Your Instagram Photos To The Next Level

Chili’s just gave their burgers an Instagram-worthy makeover.

According to an Associated Press report, Chili’s has invested $750,000 in a new “bun beautifying” egg-wash spread to make your hamburger photos even better. The egg wash is a apparently part of a recent undertaking by the bar and grill to encourage millennials to share more Instagram photos of their Chili’s meals.

Nothing beats a #Chilis burger. Especially when it looks like this.

A photo posted by Chilis Grill & Bar (@chilis) on Apr 22, 2015 at 9:46am PDT


In addition to the burgers, Roberts said Chili’s also gave its fries and ribs a makeover to make them more #EEEATS-worthy. Maybe next the chain will include selfie sticks on every table?

Chili’s is not the only restaurant bending over backwards to cater to millennials. In order to appeal to the age group, McDonald’s created a new build-your-own-burger kiosk to give millennials the ability to customize their meals. Taco Bell has turned to Snapchat and even started making major announcements on live-steaming app Periscope. No word yet on whether these efforts have increased sales for chains, but the efforts to appeal to younger customers over social media has not gone unnoticed.

The Huffington Post reached out to Chili’s and Instagram for comment and will update this post accordingly.

H/T Foodbeast

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Frédéric Beigbeder: 'Youth Is A Lost Utopia'

the european

France’s literary enfant terrible, Frédéric Beigbeder, blames J.D. Salinger for his fear of old age. As therapy, he wrote a bold novel about eternal youth and ephemeral love.

The European: Monsieur Beigbeder, your new book follows the semi-fictional love story between the renowned author J.D. Salinger and Oona O’Neill over the course of a few decades. Would you say the book is about love or coming of age?

Frédéric Beigbeder: I wanted to write a love story, but I’m not sure I succeeded. I’ve tried it before but always failed.

The European: What makes you think that you failed?

Beigbeder: When I discovered that Salinger, whom I worship, had a love affair with Oona O’Neill, the daughter of the famous playwright Eugene O’Neill, I was immediately interested in learning more about it. They were young, good-looking, intelligent and desirable — all the ingredients a good love story needs. Plus, they frequented these fancy nightclubs and were surrounded by famous people. So I thought it could become something like a Fitzgerald novel. But then as I dug deeper into the story, I realized that it was actually a very dramatic and heartbreaking story.

The European: Salinger left her and America to go and fight in the Second World War while Oona left for Hollywood and married Charlie Chaplin in 1943.

Beigbeder: Exactly. I attempted to write a love story but it is probably as much an account of the horrors of war and how they can change one’s personality.

The European: When Salinger leaves for Europe, it becomes very evident how differently their lives develop from there on. Yet, in the last chapter, you somehow bring their lives back into synchronization. Why?

Beigbeder: Yes, while the first part of the book is about youth and carefree love, the last part focuses on two people that are in the final stage of their lives. So I guess there is no question whether the book is about love or age; it’s about both. I always found it very moving when you meet a former partner a long time after the time you spent together. There’s a certain nostalgia and melancholy to it that I find very alluring. The end of the book is of course fictional; I don’t know if they ever met again.

The European: But you hope so!

Beigbeder: Of course! The book is also a lot about parallel lives. When we meet someone and fall in love, we like to think that it is destiny, that we are meant to be together. But at the same time, that path, that relationship excludes many others and as you grow older, you start to wonder if these alternative paths might have lead to more happiness than the one you chose. Novels are, in a way, made to recreate those possibilities. We read them in order to explore our parallel lives.

The European: Modeling life as we want it to be. Is that also your impetus as a writer?

Beigbeder: That’s probably true for a lot of books I wrote but with this one, I just wanted to be Salinger, Oona, Truman Capote, Ernest Hemingway and all the other characters that appear in the book. It’s fun to pretend for a second that you are someone else, someone you admire.

The European: Is it harder to write from the perspective of a real-life person or a completely fictional character?

Beigbeder: The thing with real characters is that you are somewhat limited in what you can do. But the fascinating thing about them is that you can venture into their past and analyze their inner feelings if there is enough information. And as I said, it’s also very flattering to imagine that you are J.D. Salinger for a while. You don’t have that with fictional characters.

The European: Did you prefer to “be” Salinger or Oona?

Beigbeder: Oona, of course! It’s much more fun. All the boys are crazy about you, you are famous without having done anything — that’s great!

“We adore stories of complete agony”

The European: What is so fascinating about the love story you describe in the book is that they have only been together very shortly but still write to each other and think about each other long after that. You included a quote by Emily Dickinson stating that true love is almost never shared and almost always impossible. Do you agree?

Beigbeder: Yes, I believe there’s truth to it. It’s also very masochistic and melodramatic. Romanticism is something that was heavily influenced by a German guy named Goethe and in “The Sorrows of Young Werther,” he describes what many young men feel when they fall in love for the first time, or even for the 15th time, and it doesn’t work out. The strange thing is that we want to be happy but are fascinated by sorrow and heartbreak. We adore stories of complete agony.

The European: As long as they remain fictional…

Beigbeder: Yes, of course. In art, heartbreak is more beautiful than love. When I said that I wanted to write a love story, I of course wanted to write one that also has a dramatic, unfulfilling side to it. A love story that is never complete. What Dickinson described is similar to what we French called “L’amour courtois” (courtly love): during the Middle Ages poets would write love songs or stories for a beloved princess without seeing her at all. It was a sort of transcendent passion and longing for someone you don’t really know. It’s very medieval to fall in love with the image or idea of a person rather than the person itself, but we nevertheless still do it — especially in literature (laughs).

The European: Because the longing for the impossible can be a catalyst?

Beigbeder: You need a muse or something that inspires you, and the further away it is, the better. You can worship a woman without her even knowing that you exist. It’s a kind of love that is not very different to the love for God. It’s based on faith, not shared feelings. When Salinger fought in Europe, Oona became his holy spirit, and that’s how he kept his faith and spirit alive. He needed to survive for her.

The European: Do you have someone like that, someone you long for but know that it will never come true?

Beigbeder: In ancient Greek mythology, you had nine muses. I only have two: my wife and Oona.

The European: One by your side, one unattainable.

Beigebeder: That’s the best mix.

The European: As you said before, the book is also a lot about coming of age, and at the start of the book, you describe how you have had a lot of problems realizing and accepting your own age. Why?

Beigbeder: I thought that I was the exception but then realized that nobody wants to grow old, so that made it easier for me to accept my denial (laughs). I am scared of death, and I don’t want my hair to turn grey — but so are most people. And it’s all Jerry Salinger’s fault!

The European: Because of “Catcher in the Rye”?

Beigbeder: Exactly, he created this character, Holden Caulfield, that symbolizes the teenage angst, but also the freedom that comes with youthfulness. Since then, every year, there’s a large number of books depicting how great youth is and how much it sucks to be an adult. Salinger’s notion of youthfulness guided me to my enquiry about why he doesn’t want us to grow up.

The European: Isn’t youth overrated? Very often, it’s not this time of carelessness but actually a time characterized by insecurity and a lot of hard decisions and experiences.

Beigbeder: It’s hard growing up — no question. You have to find your place in society and find out what person you want to be. But you are very free in your choices, and there are not many missed opportunities to be regretted, but only opportunities to take up. As we grow up, we start to long for this sad but freeing liberty. It’s weird but when you are young, you don’t fear death as much and this often leads to excessive behavior. There is a desire for danger and tragedy. That’s why war used to be so alluring to young people: it holds tragedy and can turn you into a hero. Wars were made for turning boys into men. That’s not as easy today. Maybe Holden Caulfield doesn’t want to grow up because he no longer knows how to do it.

The European: Today’s youth might not have to fight in wars but that doesn’t mean it is happier or more carefree, because freedom of choice comes with hard choices.

Beigbeder: Yes, it’s a different kind of insecurity, an inner insecurity. The more I think about youth, the more I come to think that youth is a lost utopia.

The European: How do you mean that?

Beigbeder: For me, youth or eternal youth was a utopia. I couldn’t imagine growing up and taking up a job. And that’s a common thing! When you are young, you are allowed to be revolutionary. In fact, you are allowed to be a rebel without a cause.

The European: Later in life, you can only be a rebel with a cause if you want to be taken seriously.

Beigbeder: In the capitalist society, all revolutionaries go from revolution to resignation and that usually goes hand in hand with growing up.

“People take me for a fool”

The European: Another thing that struck me while reading the book was the realization that war might be the best setting for a love story, because it combines the inner struggle of romantic feelings with the outer conflict of brutal warfare.

Beigbeder: That’s true and the two are often intertwined. The first one that came up with a love/war story was Homer when he wrote the “Iliad.” He was the first writer to acknowledge the alluring power of two lovers separated by a tragic war. He had this idea thousands of years ago, but it still works today.

The European: You also describe how Salinger meets Oona and her whole entourage, which includes, among others, Truman Capote, and how they discuss the novels of F. Scott Fitzgerald. In your writing, I noticed a tiny portion of nostalgia for this golden age of intellectualism, maybe because we no longer have these shining intellectuals heavyweights.

Beigbeder: There is nostalgia in there, but I don’t think that we no longer have great public intellectuals — we do! And they meet, and they talks and discuss novels or debate. I was recently in Berlin and I was fortunate enough to meet the great James Ellroy in a restaurant called Borchardt. So these things still happen. But you are right to argue that the status of the writer has decreased along with the importance of books. Books are disappearing and so it’s understandable that writers no longer enjoy the importance they were given in the 1940s. To me, it is a very strong signal that Oona leaves Salinger to be with a movie star she later on married: Charlie Chaplin.

The European: What is your interpretation?

Beigbeder: The morning Oona married Chaplin, cinema won over literature. To borrow from Don McLean, it was “the day literature died,” or at least started to die. It symbolized that the high-society had turned their back on literature and turned towards new forms of art. If you want your voice heard today, you should make a movie or do a record.

The European: Maybe because the nature of writers has changed. Back in the days, you had these tragic figures like Fitzgerald, Capote or Hemingway who lived in agony and for whom writing was a way of coping with life. The only writer of that category in recent years was maybe the late David Foster Wallace.

Beigbeder: You are right that these tragic figures are rather found in the music business today, but there are still edgy characters in literature. Just think of the French novelist Michel Houellebecq. When he published his latest book in France there was a huge debate going on, partly because it focuses on Islamic presence in France and was published on the very same day the Paris shootings happened. So some writers are still able to cause controversy. You in Germany had Günter Grass, who also sparked debate with his revelations about his Nazi past and his poem about the politics of the state of Israel.

The European: In a recent interview about this book, you stated that your ambition with this book was to finally be taken seriously. What makes you think that people don’t take you seriously?

Beigbeder: Maybe in Germany, but not in France! (laughs). I do a lot of television appearances in France and often ridicule myself. People take me for a fool sometimes, and who knows, maybe I am. But as a writer, you don’t want to be judged based on your personality but based on your writing. I’m ok being the “enfant terrible” as long as people read my work and take it seriously. That’s easier in other countries because people don’t have any prejudices vis-à-vis my work, based on any personal traits of mine.

The European: Is it sometimes easier to connect with a foreign audience?

Beigbeder: To me, there is not really a foreign audience. When I am in Germany or Spain, I also feel at home. I consider myself a European writer and want this continent to become unified. I don’t understand why the United States of Europe are not yet reality. Victor Hugo wrote about this some 150 years ago, and we still haven’t overcome the obstacles.

The European: It’s similar to any romantic relationship: there is a sense of mutual belonging and attraction but at the same time, each side needs space and time on its own.

Beigbeder: (laughs) That’s true! But I truly hope this love story has a happy ending!

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11 Questions To Ask Yourself Before Inviting Someone To Your Wedding

by Whitney C. Harris, Brides

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Photo: Diane Fields

The guest list is one of the most stressful parts of planning a wedding. But a bride and groom shouldn’t feel the need to invite everyone they’ve ever met. Looking for some guidance? We asked four wedding planners to share questions they suggest you ask yourself to help decide who should (and shouldn’t) be on the list.

1. Have I met this person before?
This may seem basic, but brides and grooms are frequently introduced to people for the first time at their wedding! It can especially be the case with distant relatives and business associates of parents. Stephanie Sica, founder of Orchard + Broome Events, knows that curbing family guest lists can be tricky. “Sure, Mom may want her coworker who hears so many stories about you to see you tie the knot, but if you don’t know that woman, is it realistic?”

2. When was the last time I saw this person?
Lindsey Nickel, owner and event planner at Lovely Day Events, says that if you haven’t laid eyes on a person in 12-18 months — or at least had a nice, long phone conversation if they live far away then you probably shouldn’t invite them.

3. Am I aware of the day-to-day aspects of this person’s life?
You should only be surrounded by people who have a vested interest in your life and your relationship, and vice versa, according to Andrea Eppolito of Andrea Eppolito Weddings & Events. This goes for who you are today and who you will be 10 years from now, not who you were 10 years ago.

4. Did I attend their wedding?
If you were at their wedding years ago but have since lost contact, you may not need to invite them. Emily Starr Alfano of mStarr Event Design sees no need to reciprocate if you’re no longer close. Only invite them if you really want the person back in your life.

5. For coworkers, what kind of connection would I have with this person five years from now if we weren’t still working together?
It can be hard to distinguish the present from the future. People who you see every single day for at least eight hours at a clip right now? They may not be in your life long term. Alfano urges against inviting a coworker simply due to proximity.

6. Do I spend holidays and birthdays with this person?
Seeing someone for big life events means they should be included in your wedding. End of story.

7. Are we inviting the rest of their family?
Eppolito says that if you have three cousins but you’re only close with two, you should keep the peace and invite all of them.

8. Am I comfortable being around this person?
“Your wedding is a party, yes, but a very personal experience,” Alfano says. That said, do you want your boss there to witness your open-bar-plus-dance-floor hijinks?

9. Is this person a positive influence in my life?
Nobody wants a Debbie Downer at their wedding. But think twice before crossing all Negative Nancys off your list.

10. If we moved away, would we keep in touch? And if we were in town, would we call them ahead of time to let them know?
Nickel thinks this is a pretty good litmus test for whether or not the friendship is deep enough to merit a wedding invite.

11. Would you change the date of your wedding if this person couldn’t come?
If the answer is “yes,” then that speaks for itself. “They are pretty important to you in that case,” Nickel says.

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