Defying the Islamic Totalitarians

Last week’s “Draw Mohammed” contest in Garland, Texas, which two Islamic gunmen tried to attack, is eliciting much criticism. Pamela Geller, the event’s organizer, is being accused of provoking the violence. Critics are saying that the event was staged as a gratuitous insult.

But it was not gratuitous, nor was its purpose to convey an insult. The target is too contemptible to warrant an insult–one does not slap the face of a mass murderer. Rather, the event was intended as an act of defiance, a declaration that we refuse to submit to the demands of Islamic totalitarians. It was a repudiation of their strictures on the ideas we are permitted to express. It was a loud “no,” hurled in the face of those who insist that we defer to the dictates of their religion. Indeed, this was the very theme of the winning cartoon–the need to draw Mohammed precisely because of his command, backed by a brandished sword, not to draw him.

Although I don’t agree with all of Pamela Geller’s views on how to deal with the Islamist threat, she was 100% correct in sponsoring this event. There should be hundreds of events like it. They are necessary, for the same reason that the rebuilding of the World Trade Center was necessary: to assert that America’s values will not be undermined by medieval terrorists.

The fact that their efforts at intimidation are partly succeeding makes a defiant response all the more urgent. They are already subjecting us to de facto censorship. Prospective books and plays critical of Islam have been altered, or entirely aborted, for fear of Islamic violence. And our government–which refuses even to name the enemy and its ideology of Islamic totalitarianism–has done woefully little to safeguard us against this danger.

So we need courageous people, such as Pamela Geller and the winning cartoonist, Bosch Fawstin (both of whom now face death threats from ISIS). We need people who are willing to stand up for our rights and for the ideals upon which America was founded.

While it is true that any form of mysticism, including religion, is philosophically an enemy of freedom, what is at issue here is a political enemy–an enemy who is willing and able to use force against us. The act of drawing figures of Mohammed was directed against the Islamic jihadists. It is they who want to forcibly impose their religious beliefs upon others. It is they who kill infidels and seek to establish a global caliphate. And it is they who must be publicly denounced and resisted.

The so-called moderate Muslim–if that term is to have any real meaning–is someone who renounces force. He practices his religion but acknowledges everyone’s right to reject or ridicule it. Such a person is no threat to our freedom; he can, in fact, be an ally in this conflict. But anyone who believes that the denigration of Islam must not be allowed is in the camp of the jihadists. That camp consists of not only the people who perform the beheadings and the machine-gunnings of non-believers, but also their tacit supporters. This includes all the Muslim states that have penalties for any type of blasphemy or apostasy–i.e., the practitioners of legalized jihadism–along with all the people who endorse such penalties. The jihadists and the jihadist-sanctioners are the enemy we need to stand up to.

The “Draw Mohammed” event did just that.

Was the peaceful Muslim offended by the Mohammed cartoons? Perhaps. His response, however, should be, first, thankfulness that he lives in a free, secular society, in which one is allowed to praise or to condemn Allah because the government neither inhibits nor promotes religion; second, anger against the jihadists, who are a threat to his rights as well; and third, enthusiastic support for the imperative of confronting that threat.

The essence of freedom is the freedom to think for oneself. And that is intolerable to the jihadist. From the fatwa issued against author Salman Rushdie by Iran’s ayatollahs, to the recent Charlie Hebdo slaughter in Paris, the jihadist allows no dissent from religious dogma. He regards such dissent as a “provocation” and as grounds for violent retaliation. Those who choose to exercise their independent minds become targets of barbaric killers.

To protect the freedom of the independent mind is why the barbarians must be defied–and why our government must unequivocally support and defend the defiers.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Senate Candidate Loretta Sanchez Makes Disparaging Gesture About Native Americans

Rep. Loretta Sanchez (D-Calif.) stumbled out of the gate in the race for the Senate on Saturday, after a video posted online showed the congresswoman making a whooping gesture in reference to Native Americans.

Sanchez, who announced her campaign for retiring Sen. Barbara Boxer’s (D-Calif.) seat earlier last week, made the gesture while speaking to an Indian American group at the California Democratic Party’s convention in Anaheim. In a video posted online Saturday that was first reported by The Sacramento Bee, Sanchez described a meeting she had with an East Indian man.

“I am going to his office, thinking that I am going to meet with a,” she said, while patting her hand over her mouth and making a noise. “Right? … Because he said Indian American.”

“And I go in there and it was great. It was just great because he said, ‘I want to get my community involved.’ Involved. And that was the first time that we saw the Indian American community really come,” Sanchez said.

California Attorney General Kamala Harris, whose mother is from India, called the remarks “shocking.”

“It is shocking and there is no place for that in our public discourse,” she said, when a reporter recounted Sanchez’s words.

Asked to explain the gesture, Sanchez told the Bee that she “got a call from somebody from over the phone and he said, ‘I want to talk to you about having help from the Indian community,’ and I thought he meant the American Indian community, in the sense of the Native American Indian community.”

But she did not say whether it was appropriate or not.

“I think that Native Americans have an incredibly great history, and a great presence in our country, and many of them are supporting our election,” she added.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Top Ten Reasons to Watch "The 2015 Billboard Music Awards"

You are all formally — and casually — invited to attend The 2015 Billboard Music Awards
Sunday Night on ABC. And because Billboard rules in the chart world, here are my Top Ten Reasons To Watch our show:

1) Music is an exciting game, and at the Billboard Music Awards in Las Vegas where the mighty Van Halen will score early and often at the MGM Grand, our balls definitely aren’t deflated.

2) Britney Spears is on with Iggy Azalea performing for the first time anywhere their new hit song
about a very hot and pressing topic that we as a society really needs to focus on more: “Pretty Girls”

3) Taylor Swift will world premiere her new star-studded “Bad Blood” mini-movie video on our
show, and everybody’s who anybody appears in it. Frankly, that hurts a little because I’m pretty sure I’m not in it.

4) The eternally cool Ludacris is back to host for the second year. And this year, the lovely and funny Chrissy Teigen is hosting with him. But make no mistake, this won’t not a Lip Sync Battle, this will be the real deal. Also this is a big music award show with many superstars in the same category. So unlike on that “Mad Men” finale, someone will definitely go home mad.

5) We’ve got something on the bill for everyone — from Ed Sheeran to Mariah Carey, from a big “Empire” medley introduced by Taraji P. Henson to a 30th Anniversary tribute to “The Breakfast Club” with Molly Ringwald and Simple Minds you won’t forget about.

6) We may learn — once and for all — how to correctly pronounce Hozier. Or we all could be taken to church to atone for getting it wrong.

7) Chrissy Teigen may attempt to beat the current Guinness Book desert land speed record for
costume-changes by a super-hot award show host in the greater Nevada Area.

8) On our show, you don’t just have to Imagine Dragons. You can see them play too, and just between us, they’re doing one of the greatest songs of all-time.

9) Little Big Town will do the gorgeous “Girl Crush” with Faith Hill who I’ve personally had a girl crush on for years.

10) The brilliantly talented and always interesting Kanye West is performing before the night’s done, and we’re definitely gonna let him finish.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Let's Get Something Straight

Fox News Channel (since at least the day I arrived in 2002) is divided into two sections: news and programming. The programming division is made up of the opinion shows (mostly beginning at 5pm-11pm, minus the 6pm). The news division, on the other hand, includes many hours during the day and other special events like presidential speeches, debates etc.

I am in the programming division. I am not in the news division. There is a difference.

As a host of a program in the programming division, I invite reporters on to report the news, have also gone out myself looking for facts, but I also voice my opinion. I would not do that if I were in the news division.

Having been on TV for almost 22 years, chances are you know many of my views and opinions or can often guess them (although sometimes I surprise you, and even myself). Sometimes, with changes in facts, I change my mind and I bet the same is true for you 🙂

Because I am in the programming division, I answer to the the programming division chain of superiors. I don’t answer to the news division superiors. Bret Baier, Shannon Bream, Jennifer Griffin, Catherine Herridge, Shep Smith, Bill Hemmer etc are in the news division and answer to the news superiors. [By the way, in neither division do the superiors tell you what to say, or what opinion to hold. These are just two different divisions with different responsibilities.]

Although I could, I don’t give to political candidates’ campaigns because I talk about political matters and my personal judgment is that this would not be a good idea. As an aside, even if I were not in the media, I don’t know if I would contribute to a political campaign except for a close friend or family member. I have my own favorite charities like GretaHome and Academy [Samaritans Purse], Pet Connect Rescue, WATSI etc. and this is where I want to give money. I could see some rare instance when I might give to a charity that a politician was involved in. For instance, if a politician had a charity to help foster abused pets, I might contribute because I love pets. I don’t know if I would, but I do know I would at least consider it. But a political campaign? No.

Let me repeat, and this is important, I am not in the news division at the Fox News Channel but the programming division. This is why you don’t see me moderating debates.

Secondly, some people get all revved up because my husband supports political candidates. Well, he is not in Fox’s news division either. In fact, he does not work at Fox. He can do what he wants. Over the years my husband has had a rather eclectic list of giving: he gives to both political parties. He has given to Republicans (like Senator John McCain’s 2008 campaign for president) and Democrats (he is very close to Governor Martin O’Malley who is expected to announce a run). It is perplexing to many that John contributes on both sides of the aisle. (By the way, I think John contributed in the last five years to a Clinton charity having to do with saving elephants. Frankly, I am glad if he did. You know how much I like animals.)

So what do I do about the critics who complain about my husband’s giving and my job? After almost 36 years together, I am not about to divorce him for his exercise of free speech (which is what political contributions are). I confess, I have considered tying him up in the garage until the 2016 race is over to eliminate some of the noise I get about his contributions, but I fear he will scream and the neighbors will hear it and call the police and then I would have bigger problems.

Finally, I have seen the media report that a few years back I contributed $20,000 to the Clinton Global Initiative [CGI] and became a member. This is false. I am neither a member nor have I contributed the $20,000. An important point to emphasize, even if I had given to Clinton Global Initiative, it is a charity, not a political campaign, and second, I am in the programming division, and not the news division of Fox News Channel. And yes, I do give to charities, just not this one (or at least as far as I can recall).

I was invited to attend the CGI event (like others in the media) many years ago. Just as other events where I might meet people who are good sources or guests for ON THE RECORD, I took full advantage of going. I was hoping I could get interviews for OTR and, in fact, I did. As you will note, almost every major news organization was present. It was not, to use a horribly overused TV word, exclusive. There were thousands there as this is not an intimate gathering.

The CGI event attracts people from all over the world — plus people from both political parties. As noted, it is a good opportunity to snag some interviews and work some sources who I might not otherwise have access to. In short, it is work. (By the way, one CGI event I recall was when First Lady Laura Bush unveiled a water initiative in Africa. I remember it because I thought it brilliant. Merry-go-rounds were designed so that kids pushed them and at the same time water was drawn out of the ground in areas of drought. Who could forget that great idea? It was simple, smart and effective. Why didn’t I think of that?)

My recollection of attending the CGI events is not perfect since it was long ago and these events are work for me, but I think I went two years and I think I interviewed President Clinton each time. I don’t know who else I interviewed or established contacts with for future interviews, but I oddly do remember it was also one of the two times in the 13 years at Fox News Channel that I have ever met Rupert Murdoch. I shook his hand and gave him my name — that was it. (The second time was years later when I saw Rupert Murdoch at a lupus charity event and we talked for the first time. We discussed North Korea because I had just returned from a trip there.)

The idea or suggestion that I am or was a “member” of Clinton Global Initiative is just silly — I think it is just a word the Clinton Global Initiative used in their event program to describe those who were invited and attended. It is never a word I would have used. This was work for me. I sat in the audience and watched. I didn’t moderate a panel or give a speech — I just watched. Besides the two-day event attended by literally thousands (who, unlike the media, did pay I assume), there have been no club meetings, no special dinners, I have paid no dues and certainly there is no secret handshake. I went there for work not for some club like event. Describing me as a member is just weird.

It is fair and smart of you to scrutinize everything that is said on TV — including by me. I expect and urge you to do that. I certainly do it when I watch TV, but I also know each of you is smart, that you can fact check me with other shows or fact check me with research on the internet and you can and do form your own opinions. My goal is not to tell you what to think — but rather to challenge us all to make things better. That’s what is great about debate and a democracy.

So there you have it…. 🙂

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Here's How Planet Hunters Are Going to Find the Next Earth

Twenty years ago, discovering another Earth sounded like a science fictional dream. But within a generation, astronomers now believe we might do just that.

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Samsung Wallet folds June 30 for mobile payments reboot

samsung-paySamsung is preparing to pull the plug on Samsung Wallet, warning users and vendors that the service will be axed ahead of its second attempt at mobile payments. Launched back in 2013, Samsung Wallet was not only to be a digital locker for credit and loyalty cards, but a place to collect coupons and in which vendors could push their … Continue reading

Inhabitat's Week in Green: folding cars and an R2-D2 van

Each week our friends at Inhabitat recap the week’s most interesting green developments and clean tech news for us — it’s the Week in Green.

Tesla’s on a roll lately — it’s planning to reveal a $35,000 electric car next year, and it just unvei…

Game of Thrones Replica Crown: Uncle-daddy Not Included

You may not have the Iron Throne or an uncle who is also your father, but you can have your very own crown making you king of Westeros, or at least king of your living room. Check out this slick replica crown, cast from the crown actually used in the HBO series.

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The crown is officially licensed and only 1,500 units are being produced. It comes with a certificate of authenticity and a serial-numbered metal base to hold it when you aren’t wearing it and being a complete asshole or clueless.

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crown-4
crown-5
crown-2

The crown is made from an unspecified metal with a golden finish. You can get your own for the princely sum of $299.99(USD) at ThinkGeek.

'Girl Sex 101' Aims To Change The Face Of Queer Sex Education (NSFW)

Girl Sex 101 is an invaluable and necessary resource that aims to change the face of queer sex education forever.

It’s no secret that sex education in the Western world is less than adequate — and formalized sex education for queer people is virtually nonexistent. Girl Sex 101 seeks to change this reality by combining fiction, comics and sex education as a resource for queer people — with a focus on queer women — in a way that no other sex education tool has ever done before.

(Note: The following article may contain images and language that is not appropriate in some work or other sensitive environments)

Created by Allison Moon and illustrated by kd diamond, we first discussed this “road trip in a book” as it sought funding back in 2013. The finished product is finally here, and we sat down with Moon to discuss how the Girl Sex 101 changed and evolved, as well as what we can expect from this sex education resource.

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The Huffington Post: What is your overarching vision for Girl Sex 101?
I wanted to write a book that was inclusive, conversational, and fun to read. Too many sex-ed books presume too many things about their readers, and sexuality is often more complicated and nuanced than any one-size-fits-all model. I wanted Girl Sex 101 to speak to readers without implied judgements about the kind of sex they like, the kind of body they have, or the people they choose to date. Plus, I wanted it to be info-packed, colorful, funny and easy to read.

girl sex 101

How has this project grown and evolved since we last spoke?
The book has gotten much bigger, both in size and scope, from when I Kickstarted it back in 2013. I added more guest experts (like Claudia Astorino who talks about intersex issues, Tobi Hill-Meyer who explores multiple aspects of trans girl sex, and Sarah Mueller of The Smitten Kitten who teaches readers how to read lube labels). I added modules like the difference between Chemistry and Attraction and hand sex techniques for trans girl bodies. This book really hits a lot of notes, which is why it’s exciting to see readers interacting with it.

girl sex 101

What do you hope this book will be for those who read it?
I want everyone who reads it to find useful information for their own sex life. I want lesbians, bisexuals, queers, trans folk and even straight people to see something of themselves reflected in the pages, and hopefully learn about their own bodies and the bodies of their lovers. Most of all, I want people who read Girl Sex 101 to give themselves permission — to be clumsy or scared or confused, but also excited and playful and kind to themselves and their partners.

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Why are resources like this important?
It’s no secret that sex ed in the U.S. is abysmal. It’s even harder for queers. It’s important to talk about sex in context with pleasure, not just prevention. The fact is, the sex that most people are having is because it’s fun, not because they want to make babies. We need more resources that teach folks how to have fun, safe, consensual sex and how to talk about the kind of sex they like. Readers need shame-free, pleasure-positive information that feels like fun, not homework.

Want to see more from Girl Sex 101? Head here.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

ASSEMBLAGE: Meet Queer Artist And Musician AB Soto

“ASSEMBLAGE“ is an inquiry into the different ways artists utilize performance and technology to explore and express different notions of identity. An effort to push forward marginalized artists with a focus on people of color, non-western nationalities and those along the queer/trans spectrum, “ASSEMBLAGE” provides a platform for analysis of how art and performance intersect with the lives of these individuals who are visibly and openly existing in the digital age. This is the sixth installment.

AB Soto is a queer artist and musician whose work complicates the boundaries of fashion, performance and identity. Having grown up as a Latin boy in East Los Angeles, Soto’s music is heavily informed by both his ties to Mexican culture and his background in dance and fashion design.

Heavily visual, the work of AB Soto was birthed from his refusal to fit into the stereotypical categories and roles Hollywood tried to force him into as a working Latin professional. After continually hitting walls that didn’t allow him to live and work authentically in Los Angeles, Soto took a step back and began focusing on what he truly wanted to accomplish as an artist and performer.

“I’ve always wanted to redefine what it means to be gay, as well as what it means to be Latin and gay in these times,” Soto told The Huffington Post. “So I do a lot of that in my work — I try to kind of play around with the idea of ‘this is what you think I should look like.’ Well, I’m going to spin that around and create a dialogue as to what people think any stereotype should look like. It’s more like a commentary that I’m trying to create.”

At the heart of Soto’s work is a complication of both queerness and gendered expectations of masculinity prevalent in Latin culture. Soto refuses to be categorized or relegated to a specific mode of performance or genre of music. As a result, viewers can see influences of not only his Latin heritage, but also rap, house music and dance music within his highly-visual work.

“Both of my parents are from Mexico so that makes me 100 percent Mexican but born in the U.S.,” Soto continued. “Especially in my latest album, for me, I wanted to go back to my heritage and kind of really embrace where I came from — a low-income household, growing up in the hood and learning to be comfortable with my sexuality. I feel like I want to come out as a gay designer, as a dancer. I want to come out in a variety of different genres of music. I want to be openly gay in all of those areas. But at the same time the last thing that I really needed to do was kind of go back home and really come out to my roots. So, in particular with this album, I’m kind of challenging my Latin community to consider: ‘Hey, this is who I am. This is who we are and there’s a lot of us out here. Here I am.’”

Soto aaims to disrupt historically straight or heteronormative genres of music or ways of being in the world through his work. Beyond just the scope of Latin culture, Soto wants to challenge mainstream ideas surrounding what different artists should like and talk about in their work. This can be seen through the layers of nuance in Soto’s fashion and lyrics, as well as the overarching brand of AB Soto as a whole.

“I like to sum up my work as performance art,” Soto explained. “I’m playing around with costumes, I’m playing around with masculinity, femininity. I’m playing around with styles of music that, you know, in the past have only been for straight people or a specific race – whether it’s rap, whether it’s house, whether it’s salsa. For me, tapping into all of these styles of this music, styles of fashion, different cultures — it’s a performance in the sense that I am all of those things because I’m a product of our generation and growing up in the United States. It’s a performance because it’s me telling a story… the performance is basically the way I can communicate about all of these things visually.

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Throughout all of this, the Internet has played a formative role in the development and success of AB Soto. Social media and YouTube gave Soto a platform to connect with fans and present his work in an authentic way without having to meet the expectations of a contract or business deal. Both the Internet and technology allowed Soto to maintain agency and control over his image and brand and, in turn, generate a dialogue surrounding the way he pushes cultural expectations surrounding queerness and identity.

“The Internet has basically made it really easy to create authentic art because you’re just one upload away from posting a photo or a music video that says who you really are,” Soto elaborated. “It’s an immediate contact to the world, if you will, and the fans ultimately are the ones that dictate what they like. Nobody likes to be advertised to, nobody wants to feel like they’re forced to listen to a specific artist for however many years -– it becomes really easy to create a fanbase that’s genuine and authentic and it’s not purchased through advertised money… if I were to wait for a label to sign me under my terms I’d still be waiting for that. They want me to be another stereotypical, Latin recording artist. I could’ve sat there and tried to change their minds or I could just go balls to the wall and create my own work and let the public decide for themselves. The Internet helped a lot with that.”

Soto is currently in Los Angeles promoting the release of his new album “MR. SOTO,” a body of work exploring the nuances of being a queer person of color navigating the spaces and industries that Soto operates in.

“I think that we are all complex,” Soto continued. “That is, if we allow ourselves to be complex and think outside of the box and try a little harder to not be so one dimensional. For me, if I put that out there I hope I can inspire other people to be just as evolved.”

Want to see more from AB Soto? Head here to visit the musician’s Bandcamp. Missed the previous installments in ASSEMBLAGE? Check out the slideshow below

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.