50 Classic Arcade Games Saved from Derelict Cruise Ship

A rotting cruise ship called The Duke of Lancaster has been beached and rotting in Wales for about 30 years. As it turned out, inside its hold have been sitting some of the coolest and rarest classic arcade game cabinets out there.

arcade_abandoned_1zoom in

While it started as a luxury passenger ship, it later became a car ferry, and eventually was sold off, beached and was intended to be turned into something called The Fun Ship. It was to be a docked hotel, bar, and arcade. This never happened and the ship sat there rusting until 2009 when some people got inside and snapped images. Apparently, while the project fell through, the arcade games had been acquired and placed inside the ship and then abandoned.

Eventually the owner of the ship allowed some people inside to look around. This resulted in 50 of the arcade cabinets being saved from the leaky, rusty ship. Ultimately, they would need to use a crane to extract the machines from their precarious situation. Here’s a complete list of everything that was found aboard the ship, including arcade classics like Space Invaders, BattleZone, Boot Hill, Missile Command and more. There were also a number of pinball machines and other mechanical rides in the mix.

Read the full story of this amazing find on The Arcade Blogger, and check out the video and see some perfectly preserved ’80s nostalgia for yourself.

[via Super Punch via Kotaku]

Time for Tribune Shareholders to Worry About Michael Ferro

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Pictured: Tribune Publishing chairman Michael Ferro

If nothing else, Gannett’s $864 million takeover bid has exposed Tribune’s farcical operations under chairman Michael Ferro. But instead of Titanic hitting the iceberg by accident, Ferro is aiming for it.

Gannett’s $15 offer represented a 99% premium to Tribune’s shareholders at a time when the newspaper industry is in chaos and Ferro angrily spurned it in favor of his own highly speculative vision. To fend off Gannett, Tribune pulled a fast one on shareholders by issuing 4.7 million shares to Ferro-friendly Patrick Soon-Shiong’s Nant Capital and diluting shares. Ego’s folly takes few prisoners.

Four years ago, Soon-Shiong pulled an almost identical stunt in his biotech company’s failed deal with toymaker Jakks Pacific. Shares have tumbled 54% since the NantWorks deal was announced.

Two of Tribune’s major shareholders, Oaktree Capital and Towle & Co, have called this financial gymnastics out for what it is: brazen self-interest.

According to the LA Times, Gannett reported that, during a May 12 meeting, Ferro said he wanted a “significant role” in the company post-closing and he was unwilling to engage in the process unless he got “a piece of the action.”

Note to Tribune shareholders: you have been warned.

As a Chicagoan, I was forced to watch Ferro sink what was left of the Chicago Sun-Times. In 2014, Ferro pressured the paper’s editorial board to reverse its three-year-old no-endorsement policy and support one lone candidate for public office: now Governor Bruce Rauner. Rauner, a former Chicago Sun-Times owner, invested millions in Ferro’s then ailing Merge Healthcare.

Ferro’s ethical conflicts were on display again when longtime Sun-Times political reporter Dave McKinney was demoted for co-authoring a piece about Rauner’s nasty intimidation tactics against a former employee.

Consider the Sun-Times as an encapsulation in miniature of Ferro’s poor media and business stewardship: blatant conflicts of interests, censorship, a pathetic audience-draining news website, a tabloidy failure called Splash, and mass layoffs of reporters, editorial board members, and photo staff.

With this track record, how could Tribune’s shareholders think that Ferro could ever guide this company into the future? His “publishing” experiment left the company in shambles. He couldn’t even build a Sun-Times website!

Just in the first few months of Ferro’s tenure at Tribune, history again repeated itself. Three weeks after Ferro became Tribune’s largest shareholder, Justin Dearborn, the head of Ferro’s Merge Healthcare, became CEO.

Yes, that Merge Healthcare.

In April, Tribune purchased Splash from Sun-Times and made its ethically challenged editor, Susana Homan, the new publisher and editor of Chicago Magazine. Homan was questioned for accepting pricey gifts from Tiffany’s in return for infomercial-style reports on Chicago’s local FOX affiliate.

Is this the kind of ‘public trust’ Soon-Shiong claims he is preserving with his $70.5 million investment? How could the public possibly trust any of this?

And why should the public or any shareholder entrust three these healthcare tech investors with Tribune’s future? What credibility do they have in the world of publishing? Ferro’s abysmal track record at the Chicago Sun-Times?

Ferro’s Tribune has already hit the iceberg. I’m just waiting for it to sink.

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What Are Some Things the Media Lab is Doing With Bitcoin and Blockchain?

What are some things the Media Lab is doing with Bitcoin and Blockchain? originally appeared on Quorathe knowledge sharing network where compelling questions are answered by people with unique insights.

Answer by Brian Forde, Founding Director of Digital Currency Initiative at MIT Media Lab, on Quora.

While the Digital Currency Initiative is housed at the MIT Media Lab, it’s composed of students, staff and professors from the Media Lab, the Computer Science and Artificial Intelligence Lab, and the Sloan School of Management.

In total, there are roughly 40 graduate students working on about 15 different research projects in a number of areas, including cutting-edge cryptography, finance, open data and personal data platforms.

Before I arrived, MIT students Jeremy Rubin and Dan Elitzer raised $500,000 to give $100 in bitcoin to every undergraduate student at MIT. That helped raise awareness of cryptocurrencies on campus, and since then, with the support of the Digital Currency Initiative, the MIT Bitcoin Club and professors, student interest and research has grown.

A few examples of projects MIT students are working on across campus include the following projects:

MedRec – Built on a private Ethereum network, MedRec is a decentralized content- management system for patients’ health-care data, empowering patients to have access to their records across health-care providers.

Remittances – Family members sending money back to their home country is often cited as an example application for cryptocurrencies like bitcoin. A team of MIT students is conducting research on novel ways remittances may change as a result of cryptocurrencies.

State-Backed Digital Currencies – Central banks (e.g., the Bank of England) are actively looking into the possibility of a state-backed digital currency. A team of MIT students is researching how a state-backed digital currency might work and analyzing the potential ramifications of its implementation.

Enigma – Through the use of secure, multi-party computation, students at MIT are building a peer-to-peer network, enabling different parties to jointly store and run computations on data while keeping the data completely private. This will enable developers to build “privacy by design,” end-to-end decentralized applications, without a trusted third party.

Digital Certificates – Verifying certificates (e.g., university degrees) can be a slow, complicated and unreliable process. A group in the MIT Media Lab is creating a digital infrastructure for certifications in order to improve this burdensome analog process.

Zerocash – Zerocash extends bitcoin’s protocol by adding new types of transactions that provide a separate privacy-preserving currency, in which transactions do not reveal the payment’s origin, destination or amount.

This question originally appeared on Quora. – the knowledge sharing network where compelling questions are answered by people with unique insights. You can follow Quora on Twitter, Facebook, and Google+. More questions:​

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Six Months Later, Do You Want to be the Good COP or the Bad COP?

A Historic Agreement Signed and Soon to be Ratified
In November 2015 at the COP21, after a long period of behind-the-curtain negotiations, the historic Paris agreement was signed. We hear that it has been a success. The agreement, however, should not be seen as the completion of a process but rather, the beginning. What the Paris agreement represents is a long awaited collective commitment to achieve common goals. While this is significant, it is not enough.

On the 22nd April 2016, heads of state came together at the United Nations headquarters to sign the agreement that was negotiated 5 months prior. 175 countries signed that day, including the largest emitters of CO2. This was a new record in the history of international agreements, which Ban Ki Moon, Secretary General of the UN, did not hesitate to underscore.

But now what? Each signatory needs to ratify the agreement into their domestic legislation and turn the environmental objectives outlined into political decisions. This step is key: to come into force, the Paris agreement needs to be ratified by at least 55 countries that represent 55% of global CO2 emissions. According to the NGO World Resources Institute, the US and China alone account for 38% of these emissions. Add the European Union, Russia or India (3 of the other largest polluters) and the 55% threshold is easily reached.

Financing the Transition to Renewable Energy
By signing the agreements, countries committed themselves to limiting their green house gas emissions (in order to avoid a rise in global temperature of more than 2°C, or even 1.5°C as recommended by the ICPP) but also to pooling together funding to assist the transition to renewables in the least developed countries. This is the famous 100 billion USD objective that needs to be reached by 2020.

Over the last few years, investments in renewables have increased significantly. According to the UNEP, despite a reduction in 2012, investments have grown since 2013 and reached 286 billion USD in 2015. Furthermore, for the first time, investments in renewables from emerging and developing countries surpassed those of developed countries. China is notably the leading investor in wind power and solar energy, with its investment representing a third of global spending on renewables (102 Billion USD).

Subsequently, each country is developing innovative financing programs. In France, for example, ADEME, the French Environment and Energy Management Agency, is piloting what it calls PIA, (The Investment Program for the Future) in order to finance the transition towards a more sustainable future. The program, with funds of up to 3.3 billion Euros, will finance the transition to renewables, ecological improvement and sustainable transport. This is an important initiative, as the need for funding is a very real concern for the numerous actors who are testing, prototyping and developing innovative solutions to climate change.

The Emergence of Solutions
Innovative solutions for tackling climate issues are emerging rapidly. Entrepreneurs, municipalities, businesses, civil society groups and universities are among those coming up with solutions in the fields of energy, water, circular economy, mobility, agriculture, etc. These solutions should be developed and supported but they also need to prove that their impact is sustainable in the long term. The issue is scale. Expectations are so high that it is important not to give false hopes with ideas that are not as promising as they seem at first, or by building enthusiasm for anecdotal solutions that will never see the light of day. But it is through supporting the greatest number of initiatives that we will be able to identify and amplify the most promising. It is inevitable that some fail so that others may succeed in their place.

Many actors, such as Climate KIC, Echoing Green, Sustainia, State of Green, and the Rockefeller Foundation, which launched the 100 Resilient Cities campaign, or even the Ellen Macarthur Foundation, which has a focus on the circular economy, are contributing to the emergence of solutions. Today, through its Solutions&Co media operation, Sparknews and its twenty media partners, all of which are quality business newspapers, are searching for the best business solutions to climate change and ideas for more sustainable cities. Together, they have launched an international call for projects to identify the innovative solutions that could shape our future. On November 4th, in the lead up to COP22, these newspapers will publish supplements that highlight the selected projects and make them known to important political and economic players. Do you have a business solution that deserves international recognition? Apply here!

Clémentine Sassolas
Corporate Development Manager
@ClemSasso @Sparknews

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Paris Radio, WATW, Ménage & Solomon King Release New Music Although LA's Still 'Kinda Like Nashville With a Tan'

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It really was an “only-in-LA” type of moment. You know, right?!

I was dining with an actor pal Robb Salovich before seeing the workshop run of another actor-friend Raymond J. Barry. His very evocative play Foreclosure officially premieres in January 2017 at the Greenway Court Theatre. Robb and I are in a bar on Fairfax Avenue and a song comes on the sound system, Shawn Mullins’ 1998 hit single, “Lullaby,” an ode to LA which mentions being in a bar, you know, on Fairfax.

“Lullaby’s” lyrics are just so bang on about LA. We all know people who “grew up with the children of the stars.” We’ve all seen our “share of devils in this angel town.” And, anyone in the arts and entertainment business knows how spot on this verse is:

“I ain’t so sure about this place
It’s hard to play a gig in this town and keep a straight face
And it seems like everybody’s got a plan
It’s kinda like Nashville with a tan.”
–Lullaby, Shawn Mullins

“Nashville with a tan” — great tune, dead-on lyrics, and everyone here does have a plan or a script or a digital download.

Which brings me to a bunch of new music by some talented pals of mine. Who needs Nashville when there’s a ton of talented musicians constantly spinning out new tunes here on the Left Coast!

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Tony Aguilar’s Paris Radio – Tangled Shadow

Released this week, is Paris Radio’s very seductive new single, “Tangled Shadow” — a great hook, and cool big guitar and synth sounds from the 80s and 90s, along with a tasty dash of hypnotic electronics. Tony Aguilar, a.k.a. Paris Radio and previously of the LA band Voxhaul Broadcast, recorded all the instruments and vocals at his Highland Park studio. Aguilar says it was mixed by James Reynolds a “great producer/engineer from London” who’s worked with Snoop Dogg and Selena Gomez and many indie artists.

Aguilar, who quips that he’s going to try and keep a “straight face” when he plays a gig at The Satellite in Silver Lake on June 5, explains his new single:

With it, I really got to indulge in the straight up rock and roll style of playing which I’ve loved for a long time. After Voxhaul Broadcast broke up I started to find myself musically. I began to love listening to music with heavy synth sounds and electronic elements. So when I began writing the songs for Paris Radio I wanted to incorporate my love for all of those musical elements. [Laughs] I wrote “Tangled Shadow” after spending an amazing evening with a special lady…all the nerves, all the anticipation but loving every second of it. It’s about that falling feeling. I knew I was falling way too hard for her and that I somehow had to keep this one. BTW, I’m a lucky guy, she’s my wife now, ha!

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Another cool new tune out this week is “Common Sense” by Will And The Won’ts, who play at Sassafras Saloon in Hollywood on May 26. They’re a hard-working trio I originally found busking outside Tiffany & Co in Old Pasadena a couple of years ago. They were talented, fun and earnest, like another brilliant busker I found on Santa Monica Pier, Peter Su, who just released his debut “Lions on the Beach” record.

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Will And The Won’ts in performance

Vocalist/guitarist Will Risbourg, whose bandmates include Won’ts bassist Gui Bodi and drummer Andrew Bilotti, says “Common Sense” is a song about a relationship making no sense with lyrics that go: “There were no easy answers/where she was concerned/I was clueless and careless/didn’t know where to turn/up and down and right and wrong/Were all foreign to me/Intangible, un-winnable/I lost it all completely/All common sense is gone/And it’s obvious to me.”

Hey, we’ve all been there, especially in the “ships-passing-in-the-night” relationship maelstrom that is our City of Angels.

But modern dating aside, if you want music, we got music all around LA.

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Ménage – A Beautiful Disaster

Ménage, a family of dynamic musicians who I met in a Los Feliz coffee shop, were touring in Europe in early April. In June, they’re also dropping their newest record, “EP 2,” featuring the single/video “A Beautiful Disaster.” Ménage were special guests at the 2016 International Portuguese Music Awards in Massachusetts in April — they’d previously won IPMA’s Rock Song Award with “Our Time is Now.” They’re also doing a mini swing through Massachusetts June 16-18.

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Another pal, former Grammy-entrant nominee, Solomon King is also finishing a rollicking new record. “Now More Than Ever” which has a retro 70’s vibe with a nouveau 2016 approach. One song, “Pussy Cat,” was inspired by LA’s own celebrity mountain lion, P-22, who resides in our glorious Griffith Park. King, billed as “blues guru extraordinaire,” is performing at Wang’s in the Desert with singer Calista Carradine, and an all-star band of musicians in Palm Springs on May 29 — presented by David Ross and The Coachella Valley Music Show.

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Trust me, you cannot make this stuff up. As the daughter of legendary actor David Carradine (Kill Bill, Kung Fu), Calista is one of those cool peeps that Shawn Mullins write about when he sang:

“She grew up with the children of the stars
In the Hollywood Hills, in the Boulevard.
Her parents threw big parties. Everyone was there.
They hung out with folks like Dennis Hopper
And Bob Seger and Sonny and Cher.
And she feels safe now in this bar on Fairfax.”
–Lullaby by Shawn Mullins

If music be the food of love, well, rock on…

Follow Paris Radio, Will And The Won’ts, Peter Su, Ménage, Solomon King, Calista Carradine on Facebook.

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Tips From the Burgerfather — Chef Josh Capon

This weekend things are about to heat up — and it’s not just the weather. The time is almost near where summer days are full of sizzling sounds from the grill and it better be from a burger. If there’s one guy who knows how it’s done it’s the 6-time NY Wine & Food Festival Burger Bash Winner, Chef Josh Capon of Lure Fishbar, Burger & Barrel, El Toro Blanco, and Bowery Meat Company. His signature Bash Burger recipe is even in Chrissy Teigen’s new cookbook, Cravings. We got to hear his advice on America’s favorite pastime from buns to beer.

What was your first memory of eating a burger?

It was at my local burger joint called Our Gang Inn when the waitress asked me if I wanted Fries OR Onion Rings?!?! I was lost. As a “husky” kid growing that was the toughest question I ever had to answer which is why at Burger & Barrel we serve each burger with fries AND onion rings! I later worked there and it was my first line cook job.

So the Lure Burger has been a huge winner of Burger Bash during Food & Wine Festival, how the heck did you come up with it?

It was my interpretation of a Bacon Cheeseburger and that was always my favorite growing up. That’s where I came up with the Caramelized onion and Bacon jam. It also came from a few visits to In N Out on the west coast that my partner John was a big fan of. After it won the Burger Bash we named it the BASH Burger.

Besides your burgers, where is your favorite spot to grab one?

The Burger Joint

Which burger trend are you sick of seeing?

Piling just about anything on top of the burger, especially mac & cheese…

What’s the biggest mistake people make when creating a burger?

Overdoing it with condiments and toppings

The meat is obviously a huge component when creating this work of art, what’s your preference?

I like a blend of Chuck, Short Rib and Brisket from my boys over at Pat La Frieda – 70/30 ratio.

Say you can only pick 3 toppings for a burger (condiments included), what are they?

American cheese, ketchup and grilled red onion

Ketchup or mustard?

KETCHUP!!!

Your go-to burger bun is….

Martin’s potato roll

What is key to making the classic at home?

Freshly ground meat, nice hot charcoal grill or a cast iron pan and a fresh slice of tomato and some grilled red onion with a slice of American cheese. Then let the burger cook and get great caramelization and don’t play with your meat!

I’ve noticed Chrissy Teigen is a huge fan, what do you usually cook for her?

Teigan loves the BASH burger and she even included the recipe in her cookbook Cravings.

You’re hosting a BBQ, what sides do you need to have?

I am a big coleslaw guy, great pickles, some kettle chips, fresh corn on the cob off the grill and watermelon.


Let’s talk drinks, what are we pairing the hunk of meat with?

Ice Cold Beer! Nothing better than an ice cold can of Budweiser.

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<i>Fear The Walking Dead</i>: Mid-Season 2 Finale Wrapped too Quickly

The mid-season 2 finale, titled, “Shiva,” leaves a viewer asking, “What’s going on?” More so about the characters of Daniel, Nick, and Chris than the story overall. All three of whom had morphed way too fast.

True, we all knew about the backstory of Daniel Salazar (Ruben Blades). Early in season 1 we were led to believe he and his wife Griselda (Patricia Reyes Spindola) fled El Salvador’s death squads during the country’s civil war. Followed by the Salazar’s arriving in Los Angeles, and Daniel becomes a proud business owner of a downtown L.A. barbershop as he and Griselda raise daughter Ofelia (Mercedes Mason) in the American city that she was born. Yet obviously that wasn’t enough, because near the end of season 1 it’s revealed that he and his wife weren’t Salvadoran refugees per se. For Daniel was complicit in El Salvador’s civil war as a soldier in the junta who had tortured civilians.

Daniel’s past has now finally caught up to him in season 2. Not only that, his psyche also undergoes a change, revealed two episodes ago in episode 5, titled, “Captive,” when he begins hearing voices. Furthermore, 19 year old Nick Clark (Frank Dillane) and 16 year old Chris Manawa (Lorenzo James Henrie) both also experience changes in their character make up that all happened too quickly. Sure, anyone in a zombie apocalypse is expected to experience a profound change. Yet in the midseason 2 finale it seemed that all three character arcs happened at light speed, which also forced the story momentum too quickly.

In season 2’s second episode, Daniel finds a map of Baja, Mexico hidden in a compartment in the bridge aboard the Abigail, the luxury yacht of Victor Strand (Colman Domingo), who had rescued the Clarks, Madison (Kim Dickens) and her two children Nick and 17 year old daughter Alicia, the Manawas, Travis (Cliff Curtis) and his son Chris, and the Salazars, Daniel and his daughter Ofelia. All seven rescued by Strand as walkers overran his L.A. beachfront estate at the beginning of season 2’s premiere. In season 2’s episode 3, Daniel tells Madison about the Baja map, and asks her to ask Strand about it, saying that she’ll be more diplomatic in her inquiry than him. When approached, Strand easily surmised Daniel was behind the snooping, yet tells Madison their destination, a house in the hills southeast of the town Rosarito, having food stores, gardens, water filtration, and reinforced concrete walls.

In other words, Strand offers a safe haven, almost like the prison enclave from season’s 3 and 4, and the Alexandrian fortified community from season’s 5 and 6, both from The Walking Dead. Knowing also the Abigail can’t always remain at sea, while Strand’s other motive is revealed that he’s kept in touch by satellite phone with his business partner pre-apocalypse and boyfriend Thomas Abigail, the namesake of the yacht, whose house is in Baja, Mexico. Yet when the eight arrive in episode 6, half are seen leaving in the midseason 2 finale episode 7. All resulting from the startling character transformations of Daniel, Nick and Chris.

True to his nature, Daniel is instantly wary upon their arrival at the spacious Abigail estate in episode 6, especially after they’re asked to relinquish their weapons before entering by the maid. Which similarly also happened to Rick’s group, when all 15 arrived at the fortified Alexandrian community in season 5 episode 12 of The Walking Dead. Yet after arrival, things go south fast.

Daniel discovers the infected kept in a locked cell in a wine cellar, all seen as people by Celia, now caretaker of the estate. Nick falls under Celia’s influence. And Chris becomes dangerous.

Of the three startling character transformations, Chris is the most puzzling. From season 1 episode 3, Chris comes to Alicia’s aid in trying to free her from Mrs. Tran, a former friend and neighbor of the Clarks, yet then reanimated. Also in season 1, the finale, Chris and Alicia wait in the parking garage at the National Guard command post, while the adults attempt to rescue Nick and Griselda at the command post hospital before operation Cobalt begins, and to find Liza. “If they can’t get in, they’ll come back,” says Alicia (Alycia Debnam-Carey). “And leave the others? Would you rather they all died? I don’t want anyone to die. I don’t want that,” says Chris. “You sound like your dad,” Alicia responds. “Yeah, well he tries,” replies Chris firmly. Later, he tries to help Alicia, again. After both are dragged out of the SUV by soldiers, one tries to take Alicia, yet he’s attacked by Chris though afterwards the teen gets knocked unconscious.

In season 2, Chris has had missteps. Beginning in episode 4 as he felt guilt after allowing three pirates, two men and a pregnant woman who conned their way on board the Abigail as the pregnant woman appeared bleeding. Then in episode 5, Chris nearly derails a planned trade by killing the bound captive pirate named Reed, to be traded for his father Travis and Alicia. Yet those missteps were nothing compared to his failing to help Madison from a walker, as witnessed by Alicia who saves her mother in episode 6, to threatening Alicia later on. Followed by Travis finding Chris threatening a farmer’s son in episode 7.

One online commenter believes that Chris is set up to be a Shane, like the character from The Walking Dead from season’s 1 and 2. Nothing could be further from the truth. Shane operated from basically two motives ever since Rick appeared before Lori, Carl and the others, as alive, in season 1 episode 3. He not only challenged Rick’s leadership, but perhaps even more damaging, he challenged Rick’s manhood by occasionally questioning Rick’s ability to keep Lori and Carl safe, believing he had fallen in love with Lori while also believing Rick died in a coma. All the while, Rick had exhibited longsuffering patience for his best friend, the details written about in my previous January 26, 2016 Huffpost blog, titled, “The Walking Dead: An Appreciation of Rick Grimes, Part I of III.”

Barely after all arrive safely at the Abigail estate in episode 6, it’s now set afire in episode 7, by Daniel in the wine cellar with the infected, after seeing the images of Griselda and Salvadoran citizens who have come to haunt him. Furthermore, Madison finds son Nick, who tells her that Travis is nowhere to be found, lying for Travis to protect her from any guilt after he found Chris. Strand then urges Madison, Alicia and Ofelia into the truck so they all can make it back to the Abigail, for Strand was banished from the estate by Celia (Marlene Forte) after he shot Thomas to keep him from turning. Nick appears gone, further influenced by Celia, whom I’m not entirely convinced that she’s dead after Madison locked her in a cell with the infected. The mid-season 2 finale of Fear The Walking Dead seemed unnecessarily rushed, thus I give it two and a half out five stars.

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Music I (Mostly) Hold Dear: Ned Rorem

Ned Rorem is one of our most distinguished composers. In his long life of ninety-three years he has won most of the awards to be won, including a Pulitzer Prize. He has written many songs and states that everything he writes is, at its essence, vocal. His life has been in the public eye with his tell-all diaries, and in the music battles of long ago he came out against the ‘complexity boys’, as Virgil Thompson designated the American followers of Schoenberg’s twelve-tone compositional style. His approach has always been as a Francophile: an interest in suaveness and directness, a lightheartedness and even casual- but never dumb- air. His music does not partake of the heightened seriousness and self-possession of the German tradition.

Rorem’s music is not academic and is tonal. It is evocative and straightforward, clear in structure, and tantalizing in its colors. Its craft is never in doubt. Sometimes the music may be a little dry or brittle, perhaps a bit on the surface, but it is always direct and immediate. Whereas Messiaen aims for a direct encounter with the Ineffable, and to revel in the presentness of the mystical encounter with God, Rorem is about finding beauty and meaning in the ordinary rhythm of our lives. One might consider much of his music as musical diary entries, a glimpse of the moment and passing sensation raised to a sacred Now.

Primarily a song composer, it is natural that Rorem should excel in short forms. His Piano Album I, written over the years 1978 to 2001, is comprised of twenty-seven pieces, only one of which is longer than two minutes. They were mostly written as gifts to friends, the majority having been written for his long-term partner Jim.

Most of these works come off as well-thought out studies, and often employ lean two-point counterpoint or simple left hand accompaniment to a tune in the right hand, and are spare or lean. They are gentle in spirit and thus rarely exceed a very moderate loudness, and are frequently in a waltz meter (or ¾), and given their brevity, stick mostly to one idea. Their traversal through musical space and time is just right. Nothing is ever forced, and as Alice might say, all is as it should be, with just the right number of notes and not a note out of place. Sometimes the counterpoint seems to be a textbook display of Fux’s Gradus ad Parnassum- 1st, 2nd or 3rd species- but with an American twist, as the rhythms have an easy lopping quality. A hint of early jazz is found in the harmonic language, with sevenths and ninths abundant, and endings have an easy settling quality. Unlike the music of the complexity boys he loathes, every movement has a clear beginning, middle, and end. Each is a little jewel held up for close inspection.

One might consider these wordless love songs, a genre that seems to have been taken over by the pop world. I can’t think of many examples in the classical world over the last couple of generations. Perhaps in our world of swagger, overthinking, politics, academicism, and the highfalutin’, the immediacy of the love song has been lost to serious music. Rorem recovers it in, of all places, these piano pieces.

Piano Album I may be found on the Naxo label performed by pianist Carolyn Enger. She displays lovely control of these delicate sonorities, with careful attention to balance and registration. Her touch is gentle but penetrating, reaching down into the sound, and her rhythmic sense is spot on for this delicate music, as she is often behind the beat- a little lazy and droll, with rubato just right. This music doesn’t tell how virtuosic she is-as it rarely requires that kind of kinetic demonstration-but it does show that she has a huge heart and exquisite taste.

All of the short gem-like movements are separated by a lengthy setting of silence, so that each is allowed its own space and time, to breath, and to refine the listening experience.

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'Hey Arnold' Creator Expects Us To Believe This Isn't Analingus

So, a Vine has been going around the Internet in recent days. And in this Vine, which was actually uploaded a couple of years ago, it sure looks a whole lot like Uncle Chuck from “Hey Arnold” is performing some heartfelt analingus. People are laughing. People are OMG-ing. People are in awe of how ahead of its time the Nickelodeon show may have been. 

The whole situation has heated up so much, in fact, that Marah Eakin at The A.V. Club emailed the show’s creator, Craig Bartlett, to find out if Uncle Chuck was actually surreptitiously tossing a salad in the background of a kids’ show. And you’ll be shocked to discover that Barlett, who is in the middle of making a “Hey Arnold” movie that parents will spend money for their children to see, says no. “That’s Uncle Chuck eating a turkey with his hands,” Bartlett replied. “I assure you it was never intended to be what the guy tweeted it was.”

Now, sure. We could believe that. MTV broke the whole situation down to prove that the turkey alibi was freely available for Barlett should he have ever needed to deploy it. But I ask you: Are you people humans? Or are you sheeple? Wake up, America. Wake up. 

 

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Online Payment Alternatives — There's More to It Than PayPal

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Did you ever make a purchase from eBay? If answered yes, you would most likely use PayPal to complete your transaction. Irrespective of professional or personal use, PayPal is always the most popular form of online payment service which is used by millions of people to receive and send money. But that doesn’t mean that this company doesn’t have competitors. With the increase in the number people who transact online, the online payment options are also gaining momentum like never before. It has been predicted by experts that the entire market for mobile payments will reach up to $240 billion by the end of 2017. This is the reason behind the ace companies like Apple and Facebook testing their stand with their personal mobile payment services. If you’ve never come across the other online payment companies apart from PayPal, here are some that you may consider.

  1. Google Wallet: Once upon a time, Google Checkout was Google Wallet. Although there is a change in the name, the features have all remained the same. It is simple, safe and can allow some rapid transfer of money to a bank and from a bank. This online payment option also shares some similar features to PayPal as its ability to process cards and send out invoices.
  2. WooCommerce: WooCommerce even allows the WordPress users to create their own e-commerce shop and they have a number of neat features which make the payment processor worth its time. WooCommerce is extremely customer-friendly and vendor-friendly, you can even manage the daily activities of the store, run coupon campaigns and also learn about tax and shipping rules and also view the overall performance of the store.
  3. WePay: Apart from offering fraud protection and extremely good customer care service, WePay is one of the strongest alternatives as users can buy without leaving the site through a virtual terminal. This doesn’t only make your website extremely professional but it makes the services more focused on the interests of the individuals and not only on their credit card numbers.
  4. Authorize.Net: This online payment option called Authorize.Net has been around in the market for 1996 and is the most widely used payment gateway of the internet. A study reveals that Authorize.Net has more than 400,000 merchants and they have even won the Achievement in Customer Excellence (ACE) for 5 years now.
  5. PayPal: This list wouldn’t have been complete without PayPal and this is undoubtedly the most widely accepted payment acquiring systems which processes more than 8 million payments regularly. PayPal boasts of having 138 million active accounts in about 195 markets and 30 currencies throughout the world. Moreover, there are new upgrades to the PayPal New Here card reader where apart from only handling payments from chip-and PIN credit and debit cards, the new version of the HERE card reader will also support NFC. There are online PayPal perks like accepting checks through the camera of the smartphone, allowing clients to buy without leaving the site and a card swiper.
  6. MoneyBookers: MoneyBookers is presently known as Skrill and it allows the users to receive and send money to other users. It works with different online banking services in specific countries and for all the other countries, it is possible to send and receive cash either with a debit or a credit card. However each country is charged differently while transacting cash through MoneyBookers.
  7. Payza: This is formally known as AlertPay and Payza allows you to receive and send money from more than 190 countries and across 21 currencies. This particular service is based in Canada and US but also supports some particular banks and debit cards from their recognized countries. You can add funds to your Payza account through bank transfer and you can send money to other users as well. You can create an account for free but there’s a small fee for transferring money between users.
  8. Amazon payments: There is good amount of functionality and a very simple process of checkout. As far as online payments are concerned, Amazon payments are high up in the list. You don’t need to worry about fees to a certain level and you can see fast transactions. With Amazon payments you can send and receive up to 1000 monthly without having to pay any fees. The security and protection of this online payment solution is also decent enough.

In a nutshell, there are quite a large number of online payment options which can give the ace company, PayPal a run for its money. Nevertheless, PayPal is still deemed to be the number one online payment solution which helps millions of companies carry on safe and sound monetary transactions online everyday. You can stay informed about the other alternatives but it’s your discretion about which one you should use.

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