Hasta La Gadget!

Art Walk for the Venice Family Clinic, May 24th, 2016

Venice, California – Google’s 45,000 square foot headquarters in Venice California became an art gallery for a day as the the Venice Family Clinic’s Art Walk and Auctions brought together over 350 artists displaying their works to 6000 attendees last Sunday throughout the search giant’s bright roomy post modern interior and courtyard.

The artists were all supporting the Venice Family Clinic as they have for the last 35 years, with proceeds from every sale going to support the clinic’s work helping to fund health care for the 24,000 low income, uninsured and homeless patients at six locations throughout the community that they offer service to every year.

50 local artists also opened their studios to tours as many have for years where attendees could meet the artists, see where they worked and buy art directly from them or during the silent auction.

Laney Kapgan, VFC’s chief development officer was thrilled with the community’s show of support.

One of the most special parts of Venice Art Walk is this very tangible connection with the artist participation, the attendees participation and the health of our community. It’s a very local impact. The event was started by artists to provide health care for themselves and their neighbors in need. That happened back three decades ago. This is our 36th year.

The Art Walk was started back in the seventies, when young artists like Guy Dill, one of this year’s signature artists, were living in warehouses where they worked, with only cold running water so they could have the room to explore their art on an extremely meager budget. His bronze abstracts, some up to 40 feet in size and weighing a ton, have now been commissioned for decades throughout the world. Today his work is in the international collections at the Solomon R. Guggenheim Museum, thee Museum of Modern Art, and the Stedelijk Museum

Guy Dill

Handsome, laid back and kind to a fault, Guy Dill still carries the cool Venice vibe that makes one wish they could still hang out in the art scene back in the 1970s. He told me he was one of the artists first approached by the Venice Family Clinic back when this crazy idea for an ‘Art Walk’ was a totally grass roots idea, where artists would open their studios and let people in. VFC would promote it, and that would be ‘Art Walk’. Guy quickly pointed out to me that their ‘studios’ were these empty warehouses that they slept on the floor on, because they were all broke and struggling.

Guy Dill in his studio

Basically Venice was a serious slum. It was dangerous, it was the place you would go to dump bodies. It didn’t smell good, it smelled like ‘oil products’ because that’s what was here. It was a pretty ugly town. There’s a reason Orson Wells did that famous tracking shot for ‘Touch of Evil’ here. It was funky.

But thent someone from the Venice Family Clinic approached them with a crazy idea. They asked how about if we got the artists work we could sell, give the artists back 50% of the money and take the other half and give it to the clinic in the same area.

And every artist said that was a great idea, for several reasons. It created a kind of symbiosis where if our art was shown to a public and then gets sold, it helps the artist. In turn by selling that work we felt good about that money going to help the rest of the community. There wasn’t one artist that said no. And it was very in-house. And then over time it grew into this yearly event that has this amazing turn out. One year I had 900 people come through my studio. It kind of freaked me out.

Sunday the enormous turn out shows that the Art Walk has become one of the signature annual art events Los Angeles. Guy laughed remembering the early days of Art Walk, but then pointed out how important it became to the community.

The amazing part, was that there have been artists who’s lives were saved by the clinic. The clinic actually took care of them. They could not only pay the rent and buy food because they sold their work, but it also helped them with medical problems, and crisis when they happened, and they did happen.

That was the level they were on, Dill pointed out. He said they weren’t like the starving artists today who can get a Starbucks when the muse doesn’t speak to them. They didn’t have the luxury of going to restaurants. “Not that there were any restaurants there anyway,” he points out.

And if we did get a meal it was because a collector took us. So with the Art Walk, the artists were helping their careers, the community was helped because they had a clinic and family planning, and we had a high ethnic population and gangs so the VFC was what was needed, it was a great symbiosis.

I asked him about the gang members. Was it dangerous? He laughed. “well, they knew that we artists were strange and interesting, so they left us alone.”

Sculptures by Guy Dill

His enormous studio is still in Venice, just down the street from the Art Walk, where he showed me some of his current bronze works, all sublime and delicate in their large scale, intricacy and balance. All of them look equally impossible. Many were bigger than we were and one towered 14 feet above us. That one weighted half a ton and was being prepared for shipment. Newer work in enormous pieces of cardboard were just coming off his own personal assembly line where he was figuring out where his next creative inspiration was going to take him.

Venice Family Clinic Art Walk

Standing in the Google center I marveled at the crowds passing through and looking at the artwork, young and old, twenty somethings on dates, thirty somethings with their children, and elderly couples all admiring the works on display. It showed the tremendous thirst in this community for connection with art and artists and for those interested in building art collections of their own. Laney echoed that.

Every $50 dollars we make here is one more visit at the clinic for someone in need. But I’m thinking of buying something here as well, that’s a win-win for me. I help the clinic and start my own little art collection.

The VFC has a yearly budget of $30M, and raised $700K on Sunday, their largest fund raiser of the year and another big success for this neighborhood community.

For more on the Venice Family Clinic. For more on Guy Dill.

PHOTO CREDITS: Getty Images / Philip Morton

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Sports website SB Nation published its disastrous and “wrongheaded” February story about Daniel Holtzclaw — the college football player turned cop who was convicted in December of serial rape — due to a series of organizational and editorial breakdowns and an “overall lack of diversity,” the Vox Media-owned site said. 

In a letter published Thursday that outlined the findings of an internal editorial investigation, SB Nation’s Editorial Director Spencer Hall said the site’s lack of diversity “exposed blind spots.”

“If there is one key, unmistakable takeaway from the Holtzclaw story, it is that an organization cannot afford to wait to be diverse, particularly if that organization is one that wants to tell stories,” Hall wrote. 

The full report released by SB Nation details the pitch from freelance journalist Jeff Arnold who — problematically, critics noted — had covered Holtzclaw’s “entire Eastern Michigan football career”; the concerns raised internally during the editing process; the lack of cohesive communication among editors; and the frantic, at times ugly, last-ditch effort to head off the story.  

(Read Vox Media’s full internal report below.)

The 11,000-word feature “Who Is Daniel Holtzclaw?” explored his prep and college football past and the reaction of family and former teammates after he was sentenced to 263 years in prison for raping and sexually assaulting 13 women while an officer with the Oklahoma City Police Department.

[A]n organization cannot afford to wait to be diverse, particularly if that organization is one that wants to tell stories”
Spencer Hall, SB Nation Editorial Director

The story attracted an almost immediate firestorm of criticism in the five hours it remained on SB Nation’s website. It was ultimately taken offline and replaced with a note from Hall, who apologized and called the article “tone deaf” and “a complete failure.” 

The article was skewered for its sympathetic portrayal of Holtzclaw and the lengths it went to to humanize him; the story cast Holtzclaw’s victims — mostly black, poor women — as “troubled.”

Ex-SB Nation editor Glenn Stout approved and vouched for the story, which was produced under the site’s longform unit that Stout oversaw almost unilaterally.

Stout, who was hired for his longtime editing experience on the prestige publication “The Best American Sports Writing,” was later fired. The site also cut ties with Arnold. 

SB Nation suspended its longform program after the incident and said Thursday it would not return in its previous iteration.

Hall, who had been immediately harsh in his assessment of the story, continued to own up to the failure that, by all accounts, deeply embarrassed and angered those within Vox Media and its readers. 

Hall said the report is the first step SB Nation and its affiliate sites are taking to right its ship. 

“None of that erases the problems and failures that led to the publication of the Holtzclaw story,” Hall said. “While neither SBNation.com, nor the full SB Nation network of brands, have been or will be defined by this story, we are determined to learn from it.”

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

No, it is not preposterous. From the earliest moments of his campaign, when he volunteered he strives to pay no taxes, Trump has signaled that his taxes are a problem.

Senator Ron Wyden (D-OR) has proposed that a nominee of a political party running for President of the United States must release the last three years of tax returns within 15 days of the nomination or, at that point, the IRS will publish them. Wyden should make certain that tax returns means everything for that year, not just the front page.

Good, sensible… Although 10 years would be better because, as Mitt Romney’s father said, a person can start playing it straight in the few years prior to running because he knows he is likely to run.

Trump could probably weather the storm of paying no taxes. Romney did.

But, he cannot abide the world seeing the likely disclosures in his returns: wealth not close to what he claims, debt, absurd deductions (anything remotely connected to enhancing the Trump name, possibly Melania’s wedding gown), his hairdos, offshore tax havens, amnesty, unsavory business partners.

Hence, if the Wyden bill passes, Trump may bow out. The Republican Convention would truly be open and it is anyone’s guess who would emerge [although I would bet on Paul Ryan, (R-WI).]

The Economist Intelligence Unit, hardly a liberal rag, concluded that a Trump presidency would pose as great a threat to the world economy as a jihadist attack. (Aside to media: Why are we not talking about that?)

Robert Kagan, a neocon, has explained how Trump is fascism come to our shores.

If Republicans want to save their party, if Congress wants to preserve the republic rather than descend into fascism, if we all are frightened beyond belief at an unstable, insecure narcissist having his fingers on the nuclear trigger, then Congress should pass the Wyden bill. Immediately.

When the founders wrote our Constitution, Benjamin Franklin was asked by a woman, “what have you given us?” He answered, “A republic, madam, if you can keep it.”

The Wyden bill may be the last chance.

Will it act to save our republic?

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