The Mouse Pad Arm-Stand will make any chair feel like a proper desk

Mouse Pad Arm-Stand

When you work on a computer but you’re seldom at a desk that actually accommodates your height and comfort needs, you look for accessories to make the experience less strenuous. You want to make sure you’re not doing your body any harm, as long-term effects usually mean surgery. To make sure you’re going the ergonomic route, you don’t want to buy yourself a better desk, but you can buy pieces to make yours a better one.

Don’t go thinking that you’re going to be sawing pieces of another desk off, as what you are actually going to use is more of a support system for your arm to make sure that you’re getting the level of comfort you deserve. The Mouse Pad Arm-Stand will not only give you a solid space to mouse around on at a height that is comfortable for you, but forearm and wrist support as well. It’s made of a strong ABS plastic, and is said to be easy to install.

You have options to either Velcro it onto the armrests, or use a clamp to fix it onto your desk. It rotates 180 degrees, because it’s flat and is affixed at a hinge point with the clamp, and has grippy surfaces with raised plastic bits to make sure your arm doesn’t slip off, and your mouse can’t escape. This is a $25 desk accessory that will certainly help relieve some of that neck, shoulder and wrist strain.

Available for purchase on Fancy
[ The Mouse Pad Arm-Stand will make any chair feel like a proper desk copyright by Coolest Gadgets ]

Latest NVIDIA Shield TV Update Brings Plex, 4K, And HDR Support

shield-tv-plex

NVIDIA today released the version 3.2 update for its Shield Android TV set-top box and it’s an update that many users had been waiting for. It brings a handful of new features for the device, including but not limited to the ability to function as a Plex media server. The update is live now and users can head into the settings option to manually update their set-top box to version 3.2.

Plex did confirm earlier this month that the Shield Android TV will soon double as a full Plex media server. It just needed a couple of weeks to work with NVIDIA on some final touches and the support is now ready for prime time. Plex media server support enables users to stream their media collection from Shield to mobile devices, even those that are outside the home. In case you don’t know, here’s how you setup a Plex media server.

NVIDIA Shield is also the first smart TV box to support Netflix in HDR thanks to this latest update. Users can stream HDR content from Netflix and enjoy it on a compatible TV. VUDU 4K is included as well and the YouTube app gets support for 4K Ultra HD as well at 60 frames-per-second.

Additional features include Dolby Atmos surround sound pass-through in VUDU, SPMC, MX Player, and Shield’s native Photo and Videos applications, the ability to mount a network attached storage device to access media collection and to access Shield folders from a network PC or Mac with drag-and-drop file sharing.

NVIDIA Shield update version 3.2 is now available for download.

Latest NVIDIA Shield TV Update Brings Plex, 4K, And HDR Support , original content from Ubergizmo. Read our Copyrights and terms of use.

Hunt Underway For 10-Foot Snake Seen Feeding Near Maine Playground

Maine authorities have been searching day and night for a giant snake — reportedly the length of a truck — that they spotted slithering near a park and playground.

A patrolling police officer last saw the serpent, dubbed “Wessie” by locals, near Westbrook’s Riverbank Park at around 3:30 a.m. on Wednesday, the Westbrook Maine Police Department said.

“The snake was eating a large mammal, possibly a beaver (not joking),” the department posted on Facebook.

“A second officer arrived and they both watched it swim across the river to the Brown Street side of the Presumpscot River where it disappeared in the thick underbrush. They estimated its length to be at least 10 feet,” the post read.

Police noted that the snake is not native to the area, and suspect its former owner released it.

The creepy sighting came nearly a week after someone reported seeing a snake “as long as a truck” with a head “the size of a small ball” near a playground in the same area.

The officer who spotted the reptile on Wednesday wasn’t able to get a good picture of it because it was so early in the morning. Fortunately, creative members of the public have stepped in to provide their own drawings and alerts.

There’s even a mock Twitter account for the elusive reptile. “Wessie P. Thon” recently tweeted that police will “never take me alive!”

Police say members of the public should not try to capture the snake themselves if they see it.

“We ask the public to be mindful of the snake’s presence in the area and immediately report any sightings so we can remove the animal from the river,” the police department stated.

Because the animal just polished off a large meal, it’s expected to remain dormant for a few days.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Man Accused of Tweeting Threats, Judge Orders Him To Never Tweet

function onPlayerReadyVidible(e){‘undefined’!=typeof HPTrack&&HPTrack.Vid.Vidible_track(e)}!function(e,i){if(e.vdb_Player){if(‘object’==typeof commercial_video){var a=”,o=’m.fwsitesection=’+commercial_video.site_and_category;if(a+=o,commercial_video[‘package’]){var c=’&m.fwkeyvalues=sponsorship%3D’+commercial_video[‘package’];a+=c}e.setAttribute(‘vdb_params’,a)}i(e.vdb_Player)}else{var t=arguments.callee;setTimeout(function(){t(e,i)},0)}}(document.getElementById(‘vidible_1’),onPlayerReadyVidible);

Delete your account.

A Virginia judge ordered that Kyler Schmitz, an Uber driver from Virginia, “not tweet at all for any reason to anyone” after he tweeted threats to at least two U.S. senators, according to court documents filed on Monday.

Schmitz allegedly was upset by the Orlando shootings and via Twitter threatened to shoot Sen. Roy Blunt (R-Mo.). The tweet said:

@RoyBlunt I’m going to shoot you in the head for allowing someone to murder my loved ones. pic.twitter.com/76Lcc6xctj

Schmitz’s Twitter account — which is now suspended — also included tweets saying: “I am literally going to buy a gun shoot you in the face I watch your brains splat (sic)” and “I am coming for you.” These messages were directed at Blunt and Sen. John Hoeven (R-N.D.).

The judge told Schmitz that he didn’t know “how to read these tweets in any way but as threatening” and ordered he “not tweet at all for any reason to anyone.” 

Schmitz also tweeted at the GOP’s House and Senate accounts, “I can’t wait to shoot you in the face one by one,” Gawker reported.

Outside of the messages to senators, Schmitz also sent inquiring tweets (not shown here because his account is suspended) to gun shops. Their responses to him are still available online: 

Schmitz also incited a debate with the Alexandria Police Department:

Despite Schmitz acknowledging that he did in fact send the tweets, his fiance, Paul Cianciolo, said they were meant as satire, according to an NBC affiliate.  

Schmitz’s defense attorney deemed the messages as “inartful political discourse” on the issue of gun control, while U.S. Capitol Police said in a court filing that Schmitz intentionally made a “direct threat” to a U.S. senator.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Educating Your Child About Gun Control

What are some ways parents can help educate their children on gun control and violence? originally appeared on Quorathe knowledge sharing network where compelling questions are answered by people with unique insights.

Answer by Michelle Sandberg, Pediatrician, founding board member Moms Demand Action for Gun Sense in America, on Quora.

When discussing gun violence or other potentially frightening topics with children, it’s important to present information in an age-appropriate way that a child can understand. Start by asking a child what they have already heard or know, and what questions they have.

Especially for young children it is best to avoid graphic images and details. Young children may be frightened by violent images on television and social media — try to keep them protected from those visuals as much as possible.

For older children and adolescents who want to watch the news, it is best to watch with them. This allows you to stop and pause for discussion and questions as needed. Given the exposure older kids and teenagers have to news and graphic images through social media, it is helpful to be aware of what is out there and talk to them in advance about frightening topics like mass shootings. The reality is that children will hear about major events, and it’s much better for them to hear about it from a parent or trusted adult than from another child.

Regardless of age, it is best to be as straightforward, honest, and direct as possible (without going into unnecessary graphic detail). Tell your child that it is okay for them to be upset about violent incidents. Reassure them that you are there for them and will do your best to explain, discuss, answer questions, and help them process difficult information.

This question originally appeared on Quora. – the knowledge sharing network where compelling questions are answered by people with unique insights. You can follow Quora on Twitter, Facebook, and Google+. More questions:​

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Remembering a Great Artist

During the 1960s, three great artists used nature as their canvas: Yves Klein painted the sky, Robert Smithson sculpted the earth, and Nicolas Garcia Uriburu painted the water. Strangely, the one of these that spawned a movement was not Uriburu’s artistic protest of our pollution of nature, but Smithson’s incursions into the wilderness.

2016-06-28-1467152865-5313773-UriburuColoracindelGrandCanal.jpg
Nicolas Garcia Uriburu, Coloration of the Grand Canal in Venice (1968).
We would like to thank the website of Nicolas Garcia Uriburu and the Universidad del CEMA for the images shown.

Nicolas Garcia Uriburu pioneered environmental art in 1968, when he shocked the art world by dyeing Venice’s Grand Canal green on the eve of the Biennale. He went on to color the Seine in Paris, the East River in New York, the fountains in Trafalgar Square, and many more urban waterways. Joseph Beuys joined him to color the polluted waters of the Rhine.

2016-06-28-1467153148-5301729-image5.jpg
Nicolas Garcia Uriburu with fellow Argentine artist Luis Felipe Noe at Unversidad del CEMA.

Uriburu lived in Paris and New York in the late ’60s and early ’70s. But he missed his native Argentina, so he returned to Buenos Aires, even though it meant declining an offer to join Leo Castelli’s gallery in New York. He spent the next four decades making art that celebrated the natural beauty of Latin America, and protested its destruction. As recently as 2010, he teamed with Greenpeace to make a coloration to object to the filth and stench that remain a legacy of Buenos Aires’ now abandoned port in La Boca.

2016-06-29-1467223975-1327992-P165pulmonverdedelmundo.jpg
Nicolas Garcia Uriburu, Pulmón Verde del Mundo (1981).

Uriburu’s return to Argentina was Latin America’s gain, but North America’s and Europe’s loss. Nicolas was by nature reserved, shy, and dignified, and he lacked the enormous thirst for fame that drove the voluble and self-promoting Smithson. So perhaps this simple difference in personality led to the early establishment of Earth Art, and the corresponding lag in the development of Environmental Art.

2016-06-29-1467221627-4390806-UriburuandAndyWarholNewYork19692c.jpg
Nicolas Garcia Uriburu with Andy Warhol, New York (1969).

Nicolas was a wonderful artist, and a wonderful person. When I first visited his studio, he did not dismiss me as someone who had no standing in the art world, who could not help his career. Instead he responded to my interest in his art, patiently and carefully answering questions about his career, his practices, and his relationships with art world luminaries – Restany, Arman, Warhol, Smithson, and others – in the ’60s and beyond. He lectured at Universidad del CEMA as the first recipient of our Creative Careers Award, and attended the subsequent lectures by other major Argentine artists – Marta Minujin, Luis Felipe Noe, Gyula Kosice, Eduardo Stupia. It did not come naturally to Nicolas to engage in extended discussions of his works, for his instinct was to make art that spoke for itself. But he saw that I enjoyed hearing about his remarkable experiences, so he overcame his reticence, and was always a gracious host when I visited Buenos Aires. He was also always willing to take time to advise Julio Elias and me about art events at CEMA. And in magic moments he quietly expressed his pride in what he had achieved with his art.

Elizabeth Bishop once wrote that ‘There are some people whom we envy not because they are rich or handsome or successful, although they may be any or all of these, but because everything they are and do seems to be all of a piece, so that even if they wanted to they could not be or do otherwise.” This was true of Nicolas. His creativity brought him great and richly deserved success, but he never lost his humility before his subject and his discipline. He lived his life in a state of grace, and he generously shared it with others.

2016-06-29-1467221036-7821086-garcia66adriana.jpg
Nicolas Garcia Uriburu with Adriana Lauria at Universidad del CEMA.

Nicolas loved everything that was indigenous to Latin America, and he loved art. His studio and home were filled with South American folk and modern art, and his own magnificent works celebrating the natural forms and colors of South America. He is revered in Latin America, his art is prominently displayed in its museums, and he will be remembered throughout the continent. I can only hope that the North American and European art worlds will rediscover his art, celebrate its glory, and follow him in making art that praises the beauty of nature.

2016-06-29-1467222133-1401972-UriburuGreenRhine1981Beuys.jpg
Nicolas Garcia Uriburu and Joseph Beuys executing a coloration of the Rhine (1981).

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Three Things You Didn't Know About The History Of Photography

What are some of the most interesting things about the history of photography? originally appeared on Quorathe knowledge sharing network where compelling questions are answered by people with unique insights.

Answer by Sarah Meister, Curator, Department of Photography, MoMA, on Quora.

There are so many! But I’ll begin with three:

1) For a variety of reasons (cultural, economic, social, technical), throughout the history of the medium a significant percentage of the greatest photographers have been women. In fact, it is possible to tell a coherent history of photography featuring only women artists: in 2010 I organized Pictures by Women: A History of Modern Photography (with two of my colleagues at MoMA) that did just this. There is a series of audio commentaries by and about artists included in the exhibition that Quora readers might enjoy. (I also wrote a blog post about the show.) In 1971 Linda Nochlin provocatively posed the question, “Why have there been no great women artists?” pointing to a structural bias in the definition of “artist” that overlooked achievements in fields such as photography.

2) The dialogue between photographs made for practical purposes and those intended by their creators to be works of art is uniquely vibrant and significant in the history of photography. MoMA collects and exhibits photographs across this spectrum, and I confess I’m often more interested in historical works that might be described as vernacular: snapshots, commercial assignments, news photos, studio portraits… everything other than self-consciously artistic objects.

3) I’ve been working at MoMA for a long time now, and there are still aspects of photography’s history that surprise and amaze me. I mentioned Gertrudes Altschul in a question about lesser-known photographs: in the 1950s she was a member of an incredibly inventive group in São Paulo called the Foto Cine Clube Bandeirante. As extraordinary as her individual achievement remains, I’m struck by the great number of talented amateur photographers associated with the group whose names were unknown to me even a year ago, and the dynamic contemporary network in which they operated that was in active dialogue with photographers around the world whose work I have long admired, such as Otto Steinert and his Fotoform group in Germany.

This question originally appeared on Quora. – the knowledge sharing network where compelling questions are answered by people with unique insights. You can follow Quora on Twitter, Facebook, and Google+. More questions:​

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Singer Ryan Beatty Says He's 'Proud To Be A Raging Homosexual'

YouTube sensation and pop singer Ryan Beatty has opened up about his sexuality in a boldly-worded Instagram post. 

The 20-year-old declared himself a “raging homosexual,” on Tuesday in a caption alongside a photo of a pink balloon which read “gay power.” 

“It’s taken 20 years of suffocating in the closet for me to become comfortable enough to say it, but now I can breathe,” he wrote. “I did it!” 

Beatty, who rocketed to fame in 2012 with his debut EP, “Because of You,” continued the conversation on Twitter. To his over 390,000 followers, he wrote:   

It’s going to be a big week for Beatty. The singer, who boasts over 320,000 YouTube followers, is gearing up for the release of his new single, “Passion,” on July 1. 

Thrilled to see you living an authentic life, Ryan! 

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Artificial Intelligence (AI) And Global Geopolitics

Artificial Intelligence (AI) And Global Geopolitics
– From “Atoms for Peace” to “AI for Mankind” –

Artificial Intelligence (AI), a top priority for the ubiquitous American tech companies, for Industry 4.0 or digital China, is already reshaping global business, but this major scientific and technological disruption will also deeply impact the relations between powers.

While narrow AI has moved from the labs to our daily lives, informed personalities like Stephen Hawking, Nick Bostrom, Bill Gates or Elon Musk have rightly raised concerns about the risks inherent to a strong AI capable of equaling or even surpassing human intelligence.

Anticipating the emergence of an even more powerful and increasingly autonomous AI reinforced by quantum computing, these engaged voices are asking for a collective reflection upon what could constitute an external challenge to mankind, a technology which could dominate its creator.

The recent win of the AlphaGo computer program over the Korean Go champion Lee Sedol was indeed a strong signal of the rapid development of machine learning at the intersection of computer science and neuroscience.

However, a more immediate danger connected with the advancement of intelligent machines is an AI fracture enlarging what is already known as the digital divide. While AI’s algorithms and big data increase the productivity of a small segment of the global village, half of the world population still does not have access to internet. “Don’t be evil” can be Google’s slogan, but exponential technologies carry with them the risks of unprecedented inequalities.

While AI’s social and political effects are often discussed the geopolitical implications of the “Fourth Industrial Revolution” have been surprisingly absent from the public debates.

How AI could affect the Sino-Western relations and, more specifically, the Sino-American relations, the major determinant of today’s international order? For decades, nuclear weapons stood as the frightening symbols of the Cold War, will AI become the mark of a 21st century Sino-Western strategic antagonism?

For humanity, the atomic age has been a time of paradoxes. In the aftermath of the 1945 Hiroshima and Nagasaki nuclear bombings an arms race involving the most lethal weapons defined the U.S.-Soviet relations in what constituted also a permanent existential threat to human civilization. But, analysts will also argue that it is the Mutually Assured Destruction (MAD) doctrine acting as a deterrent among rational actors which prevented a direct conflict between the two superpowers.

As the 2015 Plan of Action for Iran’s nuclear program demonstrates, 70 years after Hiroshima and Nagasaki, world powers actively collaborate to avoid nuclear proliferation even if North Korea appears to be a counter example of this dominant trend.

But the Sino-Western convergence of views on the issue of nuclear proliferation does not apply in the cyberspace. Despite a certain level of interconnection between some private Chinese and American internet companies and financial institutions, the overall Sino-American relations in the cyberspace are characterized by strategic mistrust.

Besides, in space science and in the exploration of the universe, the U.S. and China are unfortunately following two separate courses. While China prepares to operate her own modular space station, the International Space Station (ISS) shows that in this strategic field the West can work with Russia but that Sino-Western synergies are almost impossible to reach.

Any responsible approach to AI has to take into account the combined lessons of the atomic age, of the digital dynamics and of the space exploration. Should a Western AI and a Chinese AI develop on two separate trajectories one would dangerously increase the risks of creating an irreversible Sino-Western strategic fracture for AI does not increase power in a limited quantitative manner but it modifies its nature.

In this context and following the appreciation of the interactions between AI and global politics an International Artificial Intelligence Agency should be established inspired by the International Atomic Energy Agency (IAEA).

It is in the “Atoms for Peace” address to the United Nations General Assembly that U.S. President Dwight D. Eisenhower (1890-1969) proposed in 1953 the creation of the IAEA. Today, our actions must be guided by the spirit of “AI for Mankind”.

A United Nations International Artificial Intelligence Agency involving academics, private businesses, the world civil society and, of course, the governments should at least give itself the following four objectives.

First, it has to create the conditions for AI’s awareness across our societies and for a debate to take place on AI’s ethical implications. Scientists, engineers, entrepreneurs, legal experts, philosophers, economists have to analyze AI from all possible angles, its future(s), its potential effects for humanity.

Second, this international body should take all possible actions to prevent an AI fracture which would dangerously enlarge the digital divide. One can’t accept to have, on one side, a tiny segment of humanity making use of a series of Human Enhancement Technologies (HET) and, on the other side, the vast majority of the world population becoming de facto diminished, what transhumanism revealingly abbreviates as H+ can’t be a plus for a few and a minus for all the others.

Third, the agency should ask for transparency in the AI research at both the governmental and the company level. The issue of nuclear proliferation and therefore the creation of the International Atomic Energy Agency (IAEA) followed the secretive Manhattan Project and the use of nuclear bombs to end the war in the Pacific, if humanity really wants to protect itself from the military use of strong AI and its tragic consequences it has to define a set of rules and policies which would maintain research within reasonable and collectively accepted limits. The IAEA imperfectly manages an existing threat, the AI agency would aim at preventing the realization of what could be an even greater danger.

Fourth, an international AI body should encourage knowledge sharing and international cooperation. Elon Musk’s OpenAI initiative is certainly a constructive force encouraging openness and collaboration but the “AI for Mankind” ideal can not depend only on a group of private entrepreneurs.

Artificial Intelligence, more than any other technology, will impact the future of mankind, it has to be wisely approached on a quest toward human dignity and not blindly worshiped as the new Master of a diminished humanity, it has to be a catalyst for more global solidarity and not a tyrannical matrix of new political or geopolitical divisions.

David Gosset is director of the Academia Sinica Europaea at CEIBS and founder of the Euro-China Forum. He has established the New Silk Road Initiative.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Waiting for My José Julio and Sylvia Stamps

The mestizo and the queer exist at this time and point on the evolutionary continuum for a purpose. We are a blending that proves that all blood is intricately woven together and that we are spawned out of similar souls.

Gloria Anzaldúa, from Borderlands/La Frontera: The New Mestiza

I still pay my bills and stay in touch by mail. For this purpose, I “curate” my stamps, and gravitate toward commemorative figures that have impacted my life&#8212César Chávez, Janis Joplin, Celia Cruz, Ray Charles, artist Martín Ramírez, and Harvey Milk&#8212folks like that.

Harvey Milk served as the first openly gay person to be elected to public office in California, and served nobly and effectively as a San Francisco City-County Supervisor for 11 months before being assassinated in November 1978, together with Mayor George Moscone. His tragic death elevated Milk into iconic and martyr status within the gay community and its support communities, and rightly so.

But, before Harvey Milk there was José Julio Sarria. Born in San Francisco in 1922, Sarria went on to serve as a sergeant in the U.S. Army during WWII. After his discharge in 1945, Sarria became one of the most famous drag queen entertainers in his hometown. After years of activism in the gay community, during which he helped found the League for Civil Education and the Society for Individual Rights, two of the first gay rights organizations in the country, Sarria stepped in to solidify, in 1965, a loose alliance of social groups into the International Court System. The Court supports LGBT communities in the U.S. and internationally&#8212from HIV/AIDS awareness programs, to organizing Pride parades and building community centers. In celebrating the organization’s 50th anniversary, President Obama noted, “Your organization’s pursuit of inclusion reminds us not only of our founding principles, but also of our human ability to connect with others when they need us.”

In 1961, José Julio Sarria ran for the San Francisco Board of Supervisors, the first openly gay man to run for public office in the state, paving the way for Harvey Milk’s successful run for the same office years later. Not surprisingly, Sarria actively campaigned for Milk. One could argue that Sarria was equally the seminal, pioneering force as Milk. His legacy is certainly as impactful and lasting, if not more so. At the close of Pride Month, I think it important that we recognize and celebrate the lives and accomplishments of Latino and Latina LGBT leaders who, in different ways, raised our level of awareness and advocated for social, economic, political and cultural justice for their community, for our community.

Recently, President Obama designated a small area surrounding New York City’s Stonewall Inn as the newest National Monument, the first to highlight the history of the LGBT community. On June 28, 1969, patrons fought back against what had become a pattern of selective police persecution, leading to a series of riots that gave birth to the LGBT Movement. Among the Stonewall protesters was Sylvia Rivera. Born Ray Rivera in 1951, she went on to co-found the Gay Liberation Front and the Gay Activists Alliance, and, later, the Street Transvestite Action Revolutionaries, a group dedicated to helping homeless young drag queens and trans women of color. Rivera passed away in 2002. A photograph of Rivera currently hangs in the Smithsonian’s National Portrait Gallery. Luis Carle’s photo portrays her at New York City’s Pride March in 2000, seated next to partner Julia Murray and activist Christina Hayworth.

The list of Latina and Latino LGBT activists is long and distinguished, one that probably begins with Tony Segura, who founded New York City’s Mattachine Society in 1955, and also includes the aforementioned Gloria Anzaldúa, writer Cherríe Moraga, and Washington, D.C.’s own José Gutiérrez.

On Thursday, June 16th, in recognition of LGBT Pride Month, the Smithsonian Latino Center organized Recovering Latinx LGBT History: Dan Guerrero with the Editors of Queer Brown Voices, a public program highlighting the personal narratives of Latinx LGBT activism. The program was moderated by playwright, actor and producer Dan Guerrero and featured Uriel Quesada, Leticia Gómez and Salvador Vidal-Ortiz, activists and editors of Queer Brown Voices. Program participants and audience members did their best in the wake of the horrific massacre at Orlando’s Pulse Night Club only five days previous.

Some 90 percent of the Orlando shooting victims were Latina and Latino, mostly Puerto Rican. The island’s economic decline has transformed Orlando into a major receiving community for these economic migrants. It is beyond tragic that the shooter chose Latin Night to perpetrate mass murder at Pulse. As investigators continue to unearth the circumstances and the shooter’s motives, I think it important for us non-LGBT Latina and Latino allies to rally to the support of our LGBT community. As Gloria Anzaldúa reminds us, “We are a blending that proves that all blood is intricately woven together and that we are spawned out of similar souls.”

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.