The New Puerto Rico

The Puerto Rico you knew was a tropical destination. White sandy beaches and vibrant blue hues from the sky were the picturesque scene you’d expect. Pastel colored houses and people chattering about in the cobblestone streets of Viejo San Juan were just the norm.

The Puerto Rico I experienced two months ago was true to the new stigma of debt, poverty, and disparity. Everyone knows the U.S. territory is suffering with a debt toll of $70 billion. From years of mismanagement by the government, the people of Puerto Rico are left with this tiresome burden.

What news reports do not show is just how desolate Condado, Piñones, and Isla Verde have become. Granted I stayed mainly in the country’s capitol, where one would expect it to be populous and buzzing during the vacation season. Surprisingly, I saw nothing but vacant bars, restaurants, and rooftops during “happy hour”. Taxi drivers were nothing short of desperate for their next customer. It was apparent Puerto Rico had become deserted. Even as a first timer I knew something was off. It wasn’t until my friend said, “Last time I came here there were so many people. I’ve never seen the streets so empty” that I came to terms with how bad the island was suffering.

The debt crisis in Puerto Rico has not only crippled the country but it has crippled the tourism industry tenfold. Abandoned hotels and apartment complexes stood high while overlooking the North Atlantic Ocean. Endless “For Sale” signs displayed without a consumer base financially able to buy. The most shocking part was the actual absence of tourists. Puerto Rico is no longer the quick Caribbean getaway it once was. While close in proximity to the United States it is apparent we aren’t going there. Not only have the Puerto Rican government and its people given up but Big Brother America has closed its doors as well.

Puerto Rico cannot sustain a tourism industry when their own flee to the United States to seek refuge for the centuries old notion of the “American Dream”. Puerto Rico is in crisis and they need help.

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Bitcoin's Big Ethereum Problem

“A man always has two reasons for doing anything: a good reason and the real reason,” as J.P. Morgan succinctly put it a century ago.

The same applies to finance today, and the attacks against the Ethereum team from a minority of Bitcoin users continue to surprise and amuse me.

I own Bitcoin and support the project. I own Ether and support the project. But what’s clear is that some influential people in the Bitcoin community are tickled by Ethereum in a way I’ve not seen before. The price of Bitcoin unexpectedly dropped more than 3 percent over the last 24 hours, and hashrate is declining.

Yesterday listening to a series of Ethereum developer presentations in San Francisco – running the gamut from using the blockchain to run an energy “micro-grid” that requires no centralized power plant or utility company, to a playful “Ethereum birthday faucet” that awarded people a small amount of Ether whenever they sent money to the contract yesterday.

No one seemed particularly threatened by Ethereum Classic, but it was discussed, and one person told me they weren’t aware of any well-known developers working on Classic. When I asked if any real money was involved in Classic, the name I heard was Barry Silbert.

Silbert is founder and CEO of the Digital Currency Group and creator of the Bitcoin Investment Trust. The Trust describes itself as “invested exclusively in bitcoin & derives its value solely from the price of bitcoin.”

Looking for more information on Silbert’s choice to support Ethereum Classic, I came across the following recent exchange on his Twitter account:

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To little old me, at least, I fail to understand how cynical calculations about how much a pre-fork orphan chain might make for someone over the next six months is “philosophically” grounded.

And I continue to believe that listing failed orphan chains as “currencies” on major crypto exchanges is a very bad idea. Not only because it makes things more difficult and confusing – which perhaps is where the “philosophical” love for Ethereum Classic is coming from – but because Classic has a hashrate so low that a group of activist miners could, if they wanted to, 51% attack and destroy Classic. Ethereum Proper, on the other hand, has significant hashrate… making it a smart contract platform less likely to be compromised by activist miners than its weak castaway orphan.

But I’ll admit, I have not “scienced the shit” out of this as Mr. Silbert has, so maybe I am in the wrong. He has not replied to my requests for an explanation or clarification of why he is suddenly so “philosophically” passionate about Ethereum Classic, when the year-old Ethereum smart contracts platform did not interest him.

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Washington Teen Broke Up With Girlfriend Before Deadly Shooting: Reports

A University of Washington student accused of killing three people and injuring a fourth in a shooting at a house party had recently broken up with one of the victims, according to news reports.

Allen Ivanov, 19, was arrested shortly after the Saturday morning attack in Mukilteo, just outside Everett, Washington, KOMO News reported. He is being held at the Snohomish County Jail on two murder charges and one charge of aggravated murder, according to online records.

Family and friends of the deceased identified them at a vigil as Anna Bui, Jake Long and Jordan Ebner. A fourth victim, Will Kramer, was hospitalized in serious condition, the Seattle Times reported. 

Kiley McReynolds, a friend of Bui’s through the school choir, told the Times that Bui and Ivanov dated for more than a year.

According to the Daily Mail, which spoke with an unnamed friend of Ivanov’s, Ivanov called the friend about two hours after the 12:30 a.m. attack, saying “I just killed my ex-girlfriend.” The person claimed that Ivanov had been depressed over his recent breakup with Bui and bought an AR-15 rifle only last week.

A woman who said she was Ivanov’s mother was sobbing when reached by the Times. “I am sorry,” she told the paper, declining further comment.

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Susan Gemmer told the Times that her 18-year-old granddaughter, Alexis, was at the party and at one point called her while hiding in a closet.

“We were texting back and forth, telling her to stay quiet, stay calm, we’re on our way. She kept saying, ‘They’re dead, they’re dead, I saw them, I was right there and I saw them,’” Gemmer said.

Gemmer said her granddaughter saw Ivanov enter the party of about 15 to 20 friends and walk through the house and to a fire pit out back. Once there, he shot two people. He then made his way to the roof, where others were gathered.

When Alexis tried to escape through the garage with a young man who lived at the house, Gemmer said the shooter began shooting at the man from the roof. That’s when she hid in a closet and called her grandmother.

In a chilling premonition to the attack, an Instagram photo posted to an account named @allenivanov Monday shows a rifle and three bullets.

You can’t run with me ☹️

A photo posted by Allen Ivanov (@allenivanov) on Jul 25, 2016 at 6:49pm PDT

Two days before the shooting, two cryptic posts appeared on a Twitter account bearing Ivanov’s name and photo.

“First and last tweet. I’ve been through it all,” one tweet read.

A second read: “What’s Ruger gonna think?” It’s not clear if the tweet was referencing the firearm company Sturm, Ruger & Co., which is commonly known as Ruger.

LinkedIn page appearing to belong to Ivanov lists him as a computer science and engineering student and software engineer for a startup laser tag system called Skirmos. He described it as “your favorite first-person shooter video game in real life.”

In a Facebook post, Skirmos said they are “shocked and disturbed” by the events and voiced support for tighter gun control.

“Allen Ivanov has worked with us and been our friend and colleague for a number of years,” they said. “That said, this event is another example of our need for gun reform in this country. No person should have the opportunity to possess a firearm that can discharge a weapon 20 times in short succession.”

Mukilteo police could not immediately be reached for comment.

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Curt Schilling's defunct game studio won't face criminal charges

Curt Schilling’s 38 Studios has run into plenty of trouble since declaring bankruptcy in 2012, not the least of which is an SEC lawsuit this year. However, criminal cases won’t be contributing to its headaches. The Rhode Island State Police have de…

AMD's sub-$200 gaming video cards launch in early August

AMD said that the Radeon RX 480 would be followed up by lower-cost models this summer, and it’s acting on that promise in a timely fashion. Both the RX 470 and RX 460 (not pictured above) are now slated to arrive on August 4th and August 8th respect…

Europe's space agency will beam your message to Polaris

The European Space Agency (ESA) is collecting messages from people around the world to send to a place we’ll never set foot on: Polaris. All you’ve got to do to send your thoughts to the North Star is head over to the “A Simple Response to an Element…

The White Man's Domain

Even though it’s unfair to use ethnicity or economic demographics as the basis for assessing the virtues of a particular sport, we can’t deny that doing so offers its own set of rewards, one of which is the opportunity to pass judgment on a whole range of stuff.

You have your regular, everyday snobbery (pride in belonging) and your meta-snobbery (pride in forbidding others to belong), and then you have your anti-snobbery (pride in NOT belonging). Holding “country club” sports like swimming, golf and tennis in contempt is a prime example of anti-snobbery–the diametrical opposite of snobbery. Makes sense, if you think about it.

Consider: When we look at the spectator gallery of a major golf tournament, what do we see? Answer: No matter what state we’re located in (or what country for that matter), we see an ocean of white faces. And why wouldn’t we? Isn’t golf, along with swimming and tennis, the domain of white people?

How actually “white” are these sports? Well, if we throw out Eldrick (“Tiger”) Woods, Arthur Ashe, and the phenomenal Williams sisters, they tend to be pretty much ALL white. Seriously. Besides the aforementioned athletes, are there any notable people of color? And is it not unreasonable to suggest that Serena and Venus were the best tennis players of all-time, and that Tiger was the greatest golfer? Just askin’.

Which brings us poolside. Has there ever been a world-class black swimmer? Of course there hasn’t. That’s because African Americans don’t generally belong to country clubs, and because black parents don’t generally sign up their kids for expensive private swim lessons while they’re still toddlers.

Not to take anything away from Michael Phelps (World’s Fastest Caucasian Swimmer), but shouldn’t his gold medal victories have had little asterisks attached to them–little asterisks signifying that, impressive as those victories were, they were won exclusively against white men?

And in no way is this observation meant to be solely sociological or legalistic. It isn’t about fairness or equal opportunity or the U.S Constitution. It’s about performance. Competitive excellence. Basically, we’re posing the question: Why should we pay attention to a sport that’s more or less “restricted” to white people? After all, don’t we want to see the very best athletes compete?

Take baseball for example. What if the major leagues were still segregated? What if Jackie Robinson, Willie Mays, Bob Gibson, Henry Aaron, Barry Bonds, Reggie Jackson, et al, hadn’t been allowed to play? Now that we know how talented these men were, and what contributions they made to the game, think how diminished baseball would be without them.

This thought–about achieving excellence in competition–should dominate our viewing of the swim events in the upcoming Olympic Games. Instead of gushing over Michael Phelps, we should take a moment to consider the dozens of young black men living in Harlem or South Central Los Angeles who, had they taken up swimming, would be kicking ass.

Again, this is nothing against Michael Phelps. After all, it’s not his fault that swimming is a privileged kid’s sport, a white kid’s sport–just so long as Phelps is humble enough to realize that there’s some black kid out there capable of leaving him in his wake. Just as Henry Aaron was “capable” of breaking Babe Ruth’s home run record.

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Shake Your Booty to Brukdown and Punta Rock in Belize

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Ancient cannons stand guard over a Caribbean island.

Chances are you’ve seen the oft-played TV commercial about gorgeous places to settle down in Belize on the Caribbean coast of Central America. In the ad, we learn about the laid-back style of living there on idyllic, palm-dotted islands and along the mainland’s sugary white beaches – but for some reason, all to a rather dreary mood set by elevator music.

Actually, visitors to Belize (formerly British Honduras) will hear several peppy brands of homegrown music.

One is called “brukdown,” said to mean something like “broken down calypso.” Whatever it means, you can’t help shaking your body line to lively, accordion-backed tunes like “Good Mawnin’ Belize,” played there each morning on a number of radio stations to help get their listeners’ juices flowing for the day. A particularly spunky brukdown ditty is “Run, Mr. Peters, Run” recorded by the father of the genre, Wilfred Peters.

Tagged “the King of Brukdown,” Peters and his Boom and Chime band entertained brukdown lovers all over the world before he died a few years ago at 79.

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Belizean supermarket sells farm-fresh fruits and veggies.

Another popular booty-shaker along the coastal villages of Belize (and also in nearby Guatemala, Honduras and Nicaragua) is “punta” music. This one comes from a mish-mash of cultures, starting with the Carib Indians whose ancestors from South America started migrating up the chain of Caribbean islands thousands of years ago. Later on, African blacks from a wrecked slave ship ended up on the island of St. Vincent, bred with the Caribs and produced a race of “Black Caribs” (aka “Garifunas”).

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Garifunas settled on the pristine beaches of Belize.

The cultural stewpot next boiled over with French spices when the tricolor flag was raised over St. Vincent. Then, English mutton was stirred in for body when Great Britain’s Union Jack replaced the tricolors. The Brits – to punish the Black Caribs/Garifunas for siding with the French in several wars – moved them to the Honduras Bay island of Roatan, after which a good number of them drifted over to settlements on the Central American mainland.

Garifuna villages along the coast of what’s now Belize popped up in 1802, prompting a national holiday celebrated each year.

The holiday’s superstar, of course, is punta music (which over the years evolved to today’s “punta rock”). Its distinctive African-style call-and-response singing is backed by maracas and drums made from hollowed tree trunks covered on one end by animal hides.

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Youngsters celebrate a holiday.

A note to tourists: If you’re lucky enough to be in Belize on Nov. 19, don’t be surprised to see thousands of Garifunas parading, partying, dancing and otherwise celebrating their Afro-Caribbean/French/British roots. That day is their annual “Garifuna Settlement Day,” marking the settlement of the villages long ago on the beaches of Belize.

Photos by Bob Schulman.

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Sarah Jessica Parker Says That in Her New <i>Divorce</i>, She Also Breaks Up With Carrie Bradshaw

In the first episode of HBO’s new comedy Divorce, Sarah Jessica Parker’s Frances tells her best girlfriend how good the sex has been with her illicit boyfriend.

Fans of Sex and The City, Parker’s last HBO series, might want to mark that moment, because thas naughty little confidence is as close as Frances gets to Carrie Bradshaw.

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“From the moment I read the pilot, I thought Frances was her own person,” Parker told TV critics in Beverly Hills Saturday. “She was so distinct from not only Carrie, but any other character I have ever played.”

In Divorce, which premieres Oct. 9 at 10 p.m. ET, Frances is a suburban wife and mother who realizes she has fallen out of love with her husband Robert (Thomas Haden-Church).

She launches the affair, then tells Robert she wants a a divorce. She tells him she doesn’t love him any more. She tells her friends she simply finds nothing interesting about him. She wants to break free and live her life, she explains, while she still cares about it.

Not something Carrie would ever have said.

Frances finds, however, that a clean, easy divorce is about as likely as disengaging the peanut butter from the jelly in your 8-year-old’s sandwich.

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For starters, she and Robert have two children, Lila (Sterling Jerins) and Tom (Charlie Kilgore), who were in full adolescent sullen mode even before it became clear Mom and Dad were falling apart.

“The reason that I was so interested in this landscape,” Parker said, “is because there’s so much to say about this period in a life, this attempt at divorce.

“There are things that are hilarious and devastating and disappointing, and people make bad choices and listen to bad counsel. They’re their own bad counsel.

“People are parasites on divorce. People live off it. They relish it. Friendships shift and change. Children are hurt, ruined. People behave in ways that are surprising and awful to themselves.”

While divorce is not an unknown topic on television, Parker said it has rarely been treated with this show’s blend of seriousness and humor, which in turn reflect the impact it would have on “a real family like this.”

A family whose world has no intersections with the world of Carrie Bradshaw.

“I don’t think we talked a lot about trying to make Frances different [from Carrie],” said Parker. “I was interested in the story of marriage, and by virtue of just that interest alone, the story was automatically different.

“Frances was so weary in ways that I had not seen or had a chance to play, and used language in a way I hadn’t ever, and had a relationship with a man and children in a way I’d never had a chance to do.”

Parker’s divorce from Carrie extends to the look and ambience of the show, she says, and even – gasp – what she wears.

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“I really wanted the look of cinema in the ’70s,” she said. “And that aesthetic, whether it was production design or costume design or the stock of film and music.

“Pretty much everything Frances wears is used, whether it’s from Etsy Vintage or thrift shops along the Northeast Corridor.

“She has an aesthetic that will be revealed more during the season, but fashion doesn’t dictate. She has to dress. For the most part, it’s required by law that when you walk into your place of work, to be dressed. So everything is utilitarian.

“And I think you see it in everything, in Thomas’ character, in our children’s clothing. The family is sort of isolated in a period without it being a period piece.”

Manana to Manolo.

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"Bad Moms" Has a Secret Weapon – Kathryn Hahn

Movie Review – Jackie K Cooper
“Bad Moms” (STX Entertainment)

“Bad Moms” is another in a series of adult comedies that are full of raucous humor, endless lines of profanity, and discussions of sex that go on forever. You have seen it in all of the last few movies Zac Efron has made; Tina Fey and Amy Poehler gave it a shot with “Sisters”, and Will Ferrell has tried to rebirth his career by doing movies like this. Most of those movies have had a core group of people who loved this type of humor but they failed to appeal to a wider audience.

“Bad Moms” actually has a plot, and that is unique. It also has a strong cast of mainly female actresses who know how to make a comedic line snap, crackle and pop. These ladies could teach that “Ghostbusters” group a thing or two about how to sell a line and a situation. Mila Kunis, Kristen Bell, Christina Applegate, Jada Pinkett Smith and Annie Mumolo show their talent, but the movie’s secret weapon is Kathryn Hahn.

Hahn never met a line she couldn’t make better by giving it a little extra spin. Hahn never met a situation she couldn’t make better with a raise of an eyebrow and a twist of her lips and/or hips. In this film she plays Carla, a single mom who is ready to party. She takes traditional mom Amy (Kunis) under her wing and teaches her how to fly high.

Breaking Amy out of her shell of despair for being a bad mom is what the movie is all about. Amy is trying to hold down a job, be a good wife, raise two kids and keep her sanity – all at the same time. At the start of the movie you see she is losing this battle. When she is at her low point she meets Carla and Kiki (Bell). These three women decide to surrender and become bad moms. It is crazy times from this point on.

The fact the movie has more profanity than it needs and more sexual situations and talk than you want is pretty much forgiven because the movie is really funny. It also shines a light on the women of today who are trying to do it all and are just tired of the hopelessness of the pace. They want someone to help them; they want someone to understand.

The movie is rated R for profanity and sexual situations.

The acting is good, the writing is hilarious, and the message is one that is needs to be heard. The only flaw is the film ends up a little bit too neatly with all the “i’s” dotted and “t’s” crossed. Some realism would have made the film more acceptable. But that is a minor misstep in a movie that is overall fun, fun, fun from beginning to end. And don’t forget to watch every move Hahn makes and listen to every word she speaks.

I scored “Bad Moms” a parental guidance 7 out of 10.

Jackie K Cooper
www.jackiekcooper.com

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