How Short-Term Activists Create Long-Term Value

Activist hedge funds are often seen as the epitome of all that’s wrong with capitalism. They cut investment, fire employees, and break contracts to boost the short-term stock price, and cash out before the long-term value destruction comes to light.

It’s certainly possible to find examples of this. And such stories make for good journalism so will be reported most prominently. Cases in which an activist quietly created long-term value don’t make for exciting reading, just as “The Brooklyn Bridge failed to collapse today” won’t make a great headline.

The repeated tales of asset-stripping lead many commentators to suggest that these activists must be stopped. Hillary Clinton advocates a sharply higher capital gains tax on shares held for fewer than two years. The “Loi Florange” in France gives extra voting rights to investors that hold stock for more than two years, to hinder allegedly “short-term” activists from wrenching control.

But we can’t base policy on a couple of high-profile anecdotes. To truly understand the effects of activist hedge funds, it’s necessary to look at all the evidence – to study hundreds of cases, in different industries, across different time periods. This is the role of academic research. While academics are often viewed as disconnected from reality — and are indeed less informed about one particular company than (say) a board member — this “disconnect” allows them to undertake large-scale research, unbiased by ties to one particular firm.

And a decade of research by professors Alon Brav (Duke) and Wei Jiang (Columbia), and their coauthors, shows that activist hedge funds create value in both the short run and the long run. Their seminal study, coauthored with Frank Partnoy (San Diego) and Randall Thomas (Vanderbilt) found that activism leads to firm value increasing by 7 per cent, with no long-term reversal. Operating performance, payout to investors, and chief executive turnover all rise.

Higher payout is often viewed as “smoking gun” evidence of short-termism. However, this payout may be of cash that would otherwise have been wasted on chief executives’ pet projects or salaries. Indeed, the higher payout and chief executive turnover may explain why executives sometimes lampoon activists – not out of concern for long-term value, but instead to entrench themselves and enjoy the quiet life.

The increase in operating performance runs counter to the common belief that hedge funds only create value by piling on debt. Even so, it might result from over-working employees, compromising product quality, or breaching long-term contracts. So a second paper, with Hyunseob Kim (Cornell), investigated its source. It finds operational performance rises because of an increase in plant-level productivity, which in turn stems from higher labour productivity. But, interestingly, the rise in labour productivity is despite working hours not rising and wages not falling. Moreover, productivity also improves in plants sold by hedge funds – thus, such disposals are not asset stripping, but reallocating assets to buyers who can make better use of them.

Brav and Jiang’s newest paper, with Song Ma (Yale) and Xuan Tian (Indiana), studies innovation. This is the smoking gun that hedge funds will fire if they are short-termist – R&D hits the bottom line today, and its benefits don’t arise until many years in the future. And they do cut R&D. But despite the reduction in innovation input, innovation output actually improves, in terms of both the number and quality of future patents.

Investment is absolutely critical for the twenty-first century firm. Equally critical, however, is for the debate to focus on investment output rather than input. Commentators often compare the level of investment across countries, or between private and public firms, assuming that high investment is necessarily a good thing. But it takes no skill to simply spend money.

Responsible companies don’t invest willy-nilly; they do so judiciously. In the English Premier League last season, Leicester City invested far less money than Manchester City, has certainly invested better. Just as spendthrift behavior is not clearly optimal in sports, cutting investment and using the money saved for dividends and repurchases – which can be reallocated to other companies with better growth opportunities – can sometimes be good for both firms and society, in both the short term and long term.

How can this be, since activist funds typically have short holding periods, of about 20 months? Because short holding periods don’t imply short horizons. Even in 20 months (far from a flash of time), hedge funds can make improvements with long-lasting impact, similar to a consultant or turnaround specialist hired for a few months. Their short holding periods give them a sense of urgency, and the option to exit gives them teeth that can overcome managerial entrenchment.

The key characteristic of an investor isn’t so much its holding period as its stake. Only investors with large stakes will have sufficient “skin-in-the-game” to truly engage with a firm, and undertake restructurings that increase productivity and investment efficiency for the benefit of the firm and society as a whole.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Mom's Spot-On Comics Show How 'Crazy-Making' Parenting Really Is

When art teacher Amy Camber became a mom six years ago, she started drawing comics as an outlet for her daily parenting frustrations.

“I think we hear a lot about how wonderful and rewarding parenting is and while that is absolutely true, it can also be immensely challenging, crazy-making and isolating,” she told The Huffington Post, noting that she wanted her parenting comics to be an honest reflection of the harder moments.

“But I also wanted to them to make me laugh because, in all honesty, sometimes the challenges are so incredibly absurd there’s not much else you can do,” she added.

Now mom to a 6-year-old son and 3-year-old daughter, Camber has infinite creative fodder for her parenting comics, which are highly autobiographical. 

“By sharing my sometimes ridiculous, embarrassing or even sad experiences, my wish is to create connections with people who have experienced or felt something similar,” Camber explained, adding that she hopes parents can laugh and feel “less isolated” while reading her comics. 

Keep scrolling and visit the artist’s blog for more of her spot-on parenting comics.

type=type=RelatedArticlesblockTitle=More Spot-On Parenting Comics: + articlesList=5762c398e4b05e4be86107e6,57b1fb5ae4b007c36e4f86ea,57394508e4b060aa781aa288

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Teen Gives Epic Speech After School's Assembly On Skirt Lengths

After attending a school assembly about girls’ skirt lengths, a teen in Australia gave a perfect speech to some of her classmates.

Faith Sobotker, a 15-year-old student at Kambrya College, told The Huffington Post that her school required girls from year seven to year 10 to attend an assembly on Aug. 18. According to Sobotker, a vice principal told the students that it wasn’t “ladylike” to wear their skirts “so short,” and that wearing said skirts the way the female students do showed that they had “no self-respect or integrity.”

After the assembly ended, Sobotker shared her thoughts on the assembly with her peers, which her friend caught on camera. In the video, which has been viewed more than 297,000 times on Daily Life’s Facebook, Sobotker perfectly captured the absurdity of shaming girls for the length of their skirts.

“People know that I have legs, I have knees, I have thighs, OK?” she said.

The teen also noted that “we don’t live in the ‘50s anymore” and addressed the damage that can be done to young women by focusing so much on what they wear. 

“I’m looking for equality,” she said. “I’m looking for being able to show off my body without being sexualized. I am 15 years old. You do not get to sexualize me like that.”

As Mashable Australia pointed out, Kambrya College is one of 71 Australian schools involved in a “porn ring,” which includes boys sharing nude photos of female students without their permission. The Huffington Post reached out to Kambrya College for comment, but has not heard back to confirm whether this discovery was the motivation behind the assembly. 

Whatever the reason for it, Sobotker is “sick of the sexism.” She told HuffPost that what sparked her response to the assembly was the assumption that she and her classmates wore their skirts for the boys, and that wearing an item of clothing a certain way determined their self-respect.

In her speech, she stressed that she doesn’t want these sexist outlooks to affect how girls view their bodies:

“I do not want these girls to be growing up in a society where they need to believe that their body [has] … to be a certain way, because they can be however they want to be,” she said. “They can be however makes them comfortable and confident.” 

H/T Cosmopolitan

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

How To Spot A Liar

img {float: right;}We all lie. Anyone who says otherwise is a liar.

We stretch or embellish the truth to get ahead or to protect the feelings of others–every day.

There are some lies that do not matter too much, but some people take stretching the truth to an extreme. It may be tricky to distinguish between those that embellish the truth and those who outright lie, but it is important in many situations to spot a liar.

 Why Do We Lie?

A first step in spotting a liar is to understand the motivation behind the lies. There are some common reasons to lie:

  • To protect ourselves from consequences (I did not have sex with that woman!)
  • To protect others from consequences (My child could not have done that…!)
  • To enhance a story (No kidding, the fish was THIS big!)
  • To make someone feel good (No, those pants don’t make you look fat.)
  • To gain something (such as a used car salesperson hawking a “lemon.”)
  • To hurt others (use of gossip to climb the corporate ladder or to feel superior).

Understanding the different reasons for lying can help you spot lies if you consider the circumstances. That knowledge will allow you to look more critically at your personal interactions.

How Does a Liar Act?

The brain is not wired to lie. It takes mental effort to lie. (Source: Kircher, 1981; Vrij, Fisher, Mann, & Leal, 2000.)

In a conversation, a liar will cover up truthful responses and attempt to maintain credibility. Most liars monitor the other person’s reaction to their story. Other liars will self-monitor their own actions or words to maintain the appearance of innocence.

All of this activity takes additional mental effort and that mental effort has been shown scientifically to manifest in physiological changes. The polygraph and the latest advancement in lie detection, the ocular-motor deception test, are based on this fact. (Sources: American Psychological Association, 08/2004 and Journal of Experimental Psychology: Applied, 09/2012)

Typical physiological changes include:

  • Increase in heart rate, blood pressure, rate of respiration
  • Skin temperature changes – face may flush, hands get cold
  • Pupils dilate
  • Increase in cognitive load
  • Possible voice fluctuation or change in speech response rate

Paying attention to these physical changes may help you detect a liar in a conversation, but all of them, except pupil changes, may be difficult to detect if the other person is comfortable about lying. However, pupil dilation changes are slight, but involuntary. If a person telling more serious lies, most of these physiological changes can become more obvious. Physical reactions to lying typically increase according to the seriousness of the lie. The more serious the lie, the more serious the symptom.
 
Can You Spot a Liar?

While paying attention to another persons’ body language might clue you in to a potential lie, it is by no means a guarantee that they are lying. Contrary to what you might expect, an experienced liar often comes across as helpful and truthful and puts more effort into impressing those with whom they speak.

Behaviors such as averting the eyes, touching the body or face, or covering the eyes or mouth while speaking have not been found to be reliable indicators of deception, especially with someone aware of these tells. Indeed, sometimes what is initially seen as a sign of deception may really be a symptom of nervousness, anxiety, or stress stemming from the conversation.
 
Tips to Spot a Liar
 
Because it can be difficult to spot a lie solely based on a person’s physiological changes, it is important to look for other telltale signs.

Lag in response time
Liars may have a mental lag after being questioned in order to concoct the cover-up. Consequently, they can be slower to respond initially to questions or comments.
 
Nervous?
A nervous liar may tend to talk too fast, give too much information, show unusual gestures, or avoid eye contact. If the reason for lying doesn’t introduce as much guilt, the liar is less likely to get nervous.
 
Compared to What…?
Ask about other things with more serious consequences and compare them to the topic of discussion. Issues with more serious consequences invoke stronger reactions. If you suspect someone may not be telling the truth, try upping the stakes in the conversation and then pay attention to their physical reaction.
 
Complicate it
Because lying takes so much mental focus, liars tend to try to stick to simple stories, and avoid complexity that might trip them up. So if you suspect a liar, ask more complex questions. Complexity increases the need for a liar to think on their feet to create the cover-up and may make it easier to spot the lie.
 
Put It In Reverse
Along similar lines, you can also ask for a story to be told in reverse order. A liar will tend to rehearse his/her story from start to finish and not from finish to start. If the story is a lie, the order of the story’s events will likely become jumbled or confusing.

Prior or Later Events
If you suspect a story is made up but want further evidence, you can also ask about events they either led up to or followed the story. Because lies often have a specific beginning and end, when asked about events that either led up to or followed the story liars may have trouble coming up with an answer.

Evidence
If you indicate that you have various types of evidence that prove the story to be false, such as a photo or witness, a liar will sometimes confess based on their belief that they have been caught.
  
The Honest Person Problem

While there are many signs that a person is lying, the fact that a person is displaying some of these signs is not necessarily a guarantee that they are. Truthful individuals, under stress, often demonstrate many of the stereotypical behaviors erroneously believed to be associated with deception: speech errors, fidgeting, and gaze aversion. So even if someone seems to be displaying signs of deception, it is important to look a little deeper before assuming that they are.
 
Do These Tips Really Work?
 
While the tips given here may help you discern some lies from truth, it is in no way a failsafe method to detect deception in others. In fact, studies show that most people can spot a liar 54% of the time. You might as well flip a coin. (Source: Bond & DePaulo 2006)

It may be better, under some circumstances, to seek professional assistance.

Note: This article and the opinions expressed here are from Russ Warner, VP of Marketing at Converus, makers of EyeDetect, an innovative, new lie detection solution.

World’s Biggest Liar photo by Alan Cleaver / CC BY-SA 2.0
Polygraph machine photo by Gabriel Rodríguez / CC BY-SA 2.0
Pinocchio photo courtesy of Wikipedia.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

7 Ways to Take Your Content Marketing to the Next Level

Online marketing is all about the content. Content marketing is an essential part of building your business. How else will people find your content — and by extension your website. Part of converting is a good content plan that allows people to find you and decide that you offer something valuable enough to buy.

But is your content marketing as effective as it could be? If you are struggling a little bit with getting your site to the next level, here are seven ways you can improve:

1. Start with Quality

In the past, content marketing was a quantity game. While quantity can help, don’t forget about quality. Search engines — and consumers — are more sophisticated than they were 10 years ago. Quality content is a must if you want to stand out. Even if you post less frequently, you can see results if the content is high quality. This means including in-depth, useful pieces. While it’s tempting to give in and focus on the click-bait, at some point you need to provide value to your audience.

2. Check Your Grammar

While you might not be completely error-free all the time (we all make mistakes), you want to do your best to use proper spelling and grammar. Proofread your content before releasing. This goes beyond looking at website copy and blog posts. When content marketing, it also includes your social posts. You want everything to look as clean as possible.

3. Post Consistently

Start with a smaller number of posts if you aren’t sure you will be able to maintain quality output. These days, it’s more about expectations and consistency than it is about making a big splash and then tapering off. If your readers and customers know that you will post consistently once a week, and your information will be high-quality, they will be more likely to return. They will even look forward to what you have to say.

4. Research Your Topics

Just because you think something is a great idea for your content marketing strategy doesn’t mean that it is. Instead, research your topics. There are plenty of tools out there that can help you analyze results of different topics. You can even figure out which are likely to do well using keywords or URL. Research to make sure that your chosen topics are going to convert well with your audience before you commit.

5. Take Advantage of A/B Testing

It can be a little tedious to use A/B testing with your content. However, effective content marketing includes keeping metrics on what works and what doesn’t. Pay attention to things like short articles and long articles, which headlines seem to do better, and which topics your readership prefer. Compare different efforts so you can refine your topics and approach to become more effective.

6. Optimize Your Website

Make sure your website is optimized for search engines. You want people to find you, and to stick around. Don’t forget to optimize your social posts as well. Content marketing that goes to the next level requires a great deal of planning on optimization. You need to coordinate what goes on your website with your social sharing.

7. Know Your Audience

Understand what you audience is looking for and deliver. You don’t need to try to appeal to everyone. In fact, you are likely to fail if you try that approach. Instead, consider who is likely to buy your product or service, and focus your content on what is likely to be useful and relevant to that segment of the population.

 

7 Ways to Take Your Content Marketing to the Next Level was originally published on Due eCash Blog by Miranda Marquit.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

The Perception of Perfection on College Campuses

When I was a little girl I loved looking in the mirror. I loved being able to admire the little girl who was standing in front of me. It was intriguing. If I had imperfections I didn’t see them because I hadn’t been trained to see them. In fact, as a little girl, everything I saw in the mirror was perfect. Oh what I would give to be a little girl again.

In 2011 it was reported by the American Society for Aesthetic Plastic Surgery (ASAPS) that 15 percent of all procedures in the U.S. were performed on patients under age 21. It has been cited that this increase in plastic surgery and body enhancements were due in part to the glorification of famous curvaceous celebrity women such as Beyonce, Kim Kardashian, J-LO and a host of other women. While these women may or may not have ever had any cosmetic surgery ever done on their bodies these celebrity women have opened up the doors to a new wave of relatively safe body enhancements from breast augmentations to even butt bleaching. It seems that if you don’t like an aspect of your body it can easily be changed with one procedure.

As the pressure to be perfect continues to rise across the country it has been reported that on college campuses 40% of women don’t like how they look. How did we get here? How did we become a generation that simply refuses to love the skin there in? Do we blame ourselves? Our parents? Or do we point at the one place that shapes us the most, the media.

Rather you realize it or not we are shaped by the media around us. We consume many hours in our day on the internet, driving by billboards, pop up ads on our cell phones, social media, television and traditional print. It is estimated that we are exposed to 500 ads a day. It has become the marketer’s goal to cover every blank space possible with advertisements or brand logos. With this increase in advertisements has also come an increase in pressure. The New York Times reported that suicide numbers have increased on campuses across the country due to the anxiety and depression related to the pressures of being perfect. The pressure to be perfect is real.

While it may seem like the celebrity men and women that you have grown to love are incredibly perfect it is worth noting that they too deal with the pressures of being perfect. They too are often body shamed and ridiculed because they are not “perfect enough”. Imagine that

The question now remains, how do we as a generation overcome the pressures of being perfect? I think it’s quite simple, we have to realize that nobody is. Despite what you see in magazines and despite what you see on television nobody is perfect. If we can all accept that we aren’t and will never be perfect beings perhaps we can take great strides in making this world a place where we can love ourselves just the way God created us to be.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Black Lives Matter, Peter Sellars, Street Dance, Cops… It's A Long Story

Relations between law enforcement and the African American community are perhaps the most complex and painful issue facing the nation today.

Dance, of all things, to the rescue.

Reggie “Reg Rocc” Grey invented a dance form based on Jamaican street dance.
A chance encounter with legendary director Peter Sellars has led to a collaboration that now brings street dance to audiences across the country…along with conversations between the dancers, top law enforcement issues, and other interested parties.

The show is called FLEXN, and it appeared last week at Jacobs Pillow in the Berkshires.
Sellars took time to speak to HuffPost about what FLEXN means to him, why he got involved, and why he sees it as a means for bridging what seem like unbridgeable gaps in American society.

Michael: How did you first encounter FLEXN, and what attracted you enough to decide to work with them?

Peter: I was rehearsing the St. Matthew Passion with the Berlin Philharmonic in the Park Avenue Armory in Manhattan. Up on the second floor was this extraordinary group of dancers. I immediately saw the virtuosity of those performers, who are just extraordinary. You don’t see that twice in a lifetime.

Michael: What did you notice specifically?

Peter: I saw the kind of detail and brilliance and charged poetry of their dance vocabulary, that it was really capable of rendering such an incredible, emotional span of human emotion, and that, like most African American art, its basis was joy. And so, whatever they were recounting, the performance was exhilarating. Of course, that’s what you always hope for when you see something for the first time.

Michael: Once you got involved, what was your role?

Peter: I just invited them to make dances about things that were happening in their lives. I said, “Please, for tomorrow, would everyone bring in a dance that’s about your current job, or a job you’ve had,” or “Bring in a dance about someone in your family,” “About giving a tangerine to your two-year-old daughter,” and things like that, just really interesting detailed autobiographical things.

Michael: These workshops weren’t happening in a void.

Peter: Hardly. Our workshop began three days after Eric Garner was choked to death. And during our first week came Michael Brown and Ferguson. So inevitably, that subject matter and that content found its way into our work quite intensely.

People were bringing in pieces about their encounters with law enforcement, their encounters with the criminal justice system. And we then got to the place of solitary confinement, and what would solitary confinement do to you? I asked everyone to make a dance based on solitary.

Michael: How was the music chosen?

Peter: The performers have all chosen their own music. Regg Roc Gray, my collaborator and the founder of the group and, really, the great master of this type of dance, said to the dancers, “Choose a song you’re going to dance to the rest of your life.”

Michael: It sounds a bit like the way A Chorus Line came together.

Peter: The content of FLEXN is the content of the Black Lives Matter movement, which is the most important discussion going on in America at this moment. And so, it’s not, if I could say, self-absorbed, and just about the lives of the individual performers.

This is an art form coming out of an African American tradition, where it’s the community itself holding the art form, and the community itself supporting the individual artist. So even the solo numbers are held by the whole company in a beautiful way, and that’s so rare.

Michael: How did you and Regg Roc Gray work together? How did you divide responsibilities for the development of the show?

Peter: Regg is the leader of the group, and it’s not an exaggeration to say that he is a kind of father figure to the other performers. Regg has created this dream concept: D-R-E-A-M, Dance Rules Everything Around Me. So the group is a real haven for a group of people who depend on Reggie very, very deeply. So that’s already the dynamic.

My role was not telling anyone what to do; it was more, really, genuinely interested and asking questions. And obviously, if you ask a better question, you’ll get a better answer. So that is what I do.
It was interesting to have somebody whose eyes were really from the outside. I didn’t know certain things, and I genuinely had to ask. Things got clarified or deepened or sorted out exactly because I was asking those questions. The performers were deeply responsive when they realized that someone was watching very closely.

Michael: I’m wondering whether the conversation that you had — I was there Wednesday night — is of equal importance to the performance, just the way it sets the stage.

Peter: The onstage conversation puts the content in the air. And then, as always, dance and poetry lift things beyond the current events discussion. But the current events discussion is extremely important for the audience, because we’re so trained in America today not to really believe anything, and in the arts, we’re trained not to connect what we’re seeing to people’s real life experiences. So I think that beginning part of the evening really does announce what we’re doing and why we’re doing it.

Michael: What has the been the reaction of law enforcement to FLEXN?

Peter: Extremely positive. They see an opening for dialogue, and they are taking part – the Police Commissioner of New York City, among others, is taking part in the on-stage discussions. So the police see this as a way to connect and discuss difficult issues that they might not have had before.

To see a post-performance conversation at Jacobs Pillow with Peter Sellars and Reggie (Regg Roc) Gray with Jacob’s Pillow Scholar-in-Residence Nancy Wozny, August 19, 2016, following a performance of “FLEXN,” go to https://www.youtube.com/watch?v=a1Z0YhK7zg4

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

New Images Show Exactly How Zika Virus Devastates A Fetus' Brain

New research that documents the devastating effects of Zika virus in early pregnancy shows just how destructive the disease can be to a growing fetus.

The new study, which was published in the journal Radiology, contains the largest collection to date of brain scans in fetuses and newborns with Zika virus. It details the different kinds of brain abnormalities that can occur in a developing fetus, causing the birth defect microcephaly. 

The scans emphasize the importance of regular imaging over the course of a pregnancy, as a fetus that appears normal during early gestation may have signs of the infection during a later scan. The images also show that just because an infant may be born with a normal-sized head, rather than the abnormally small head typical of microcephaly, it doesn’t mean their brain has escaped damage from the infection.

Most doctors will likely never see, let alone treat, a pregnant woman with Zika. But as the number of pregnant women with Zika virus continues to rise in the U.S. and its territories, and as the virus continues to spread in Florida, these images are an invaluable window into the slow-motion destruction that happens inside a fetus’ brain and will affect the child for the rest of his or her life.

Microcephaly is caused by several distinct brain abnormalities 

The study was conducted by Dr. Fernanda Tovar-Moll, vice president of the D’Or Institute for Research and Education and professor at Brazil’s Federal University of Rio de Janeiro. She recruited 17 fetuses or newborns of women who had documented Zika virus infection, as well as 28 fetuses or newborns in women with presumed Zika virus, and scanned them over the course of the pregnancies and afterward with fetal MRIs, ultrasound scans and post-birth brain CT scans.

Tovar-Moll found that the brain abnormalities in both groups of participants were very similar in that nearly all participants showed signs of ventriculomegaly, which is a condition in which the ventricles of the brain — four interconnected, fluid-filled spaces that cushion the brain — swell and become larger than normal. In three fetuses who appeared to have a normal head circumference, this was only because their ventricles had enlarged so much that the extra volume was making up for the loss in brain matter.

In the set of photos below, fetal MRI scans taken at 36 weeks pregnancy (figures b-d) show extreme, asymmetric ventriculomegaly with a sloping forehead and a thin brainstem and spinal cord. This leads to the wrinkled, folded look of a Zika-affected newborn’s head, as the swelling from the ventriculomegaly causes the skull to enlarge before decompressing and collapsing on itself.

Figures E-F are CT images from one day after birth, and show that the severe asymmetric ventriculomegaly has persisted, along with dense calcifications throughout the brain that can disrupt the organ’s normal processes.

Figure G was a CT image obtained six weeks after birth, and image H is a photo of the newborn’s face with skin folds and an asymmetrical skull. 

Other similarities between the groups in the study included abnormalities in the corpus callosum, a broad band of nerve fibers that connect the two hemispheres of the brain and allow the two sides to communicate with each other. Almost all of the newborns had calcium deposits inside the brain, and all of them had reduced brain matter.

Head size can fluctuate throughout pregnancy

Co-author Dr. Deborah Levine, the director of the Obstetric and Gynecologic Ultrasound at Beth Israel Deaconess Medical Center and senior deputy editor of the journal Radiology, which published this study, says that the research mainly focuses on Zika virus infections that happen in the first trimester. This is a time many agree is the most perilous for a developing fetus, which is why the cases detailed in the report are among the most severe examples of Zika virus-caused brain damage.

But because of this, the study doesn’t provide any insight on what mild Zika virus infection would look like, or what might result from an infection that occurs in the second or third trimesters.

Levine emphasized that just because three fetuses appeared to have normal head circumferences that hid serious brain damage, the same brain damage may not necessarily be the case for other babies who appear “normal” when born to mothers who experienced a Zika infection. It’s still an open question what effects prenatal Zika virus infection will have, if any, on babies that have a normal head circumference.

“If a baby’s born and looks normal, we’re going to hope that baby is normal,” she said. “But this paper doesn’t answer that question, because don’t know later on how the babies will develop.”

The study also underscored the importance of serial ultrasounds throughout the course of the pregnancy, as abnormalities may appear early on and then seem to disappear, or abnormalities may not be apparent until very late in the pregnancy. The U.S. Centers for Disease Control and Prevention recommends multiple ultrasounds as part of prenatal care for women infected with Zika virus. 

“We have some fetuses that had been followed over time, where the head size was initially normal, and then it started dropping off the growth curve,” Levine explained. “And then we had a case where the head size was initially small and then became normal, and it ended up that this was not reassuring because the reason the head size was normal was that the ventricles were so large.”

In the photos below, the ultrasound images obtained at 30 weeks of pregnancy (figures a-h) show an abnormally small head circumference, calcifications, a small corpus callosum, and a three-dimensional image that shows a sloping forehead. Figures i-k are fetal MRI scans obtained at 29 weeks of pregnancy, and figure l shows the baby after birth.

Zika virus can destroy more than the brain

In addition to brain abnormalities, some babies in this study also showed signs of severe arthrogryposis, joint malformations that prevent normal flexion and extension. Some scientists are proposing that arthrogryposis be added to the list of conditions that are encompassed in the term “congenital Zika virus syndrome,” a disease that describes all the birth defects caused by exposure to Zika virus in the womb. 

The photos below depict a baby whose joint contractures were detected in ultrasound at 17 weeks, though the baby’s head circumference remained in the normal range until 21 weeks. Figure A shows calcifications and ventriculomegaly. Figures B and C are reconstructions of what the baby’s soft tissue and bone structure would look like. Figures D and E are post-mortem CT images that confirm ventriculomegaly, calcifications, and other abnormalities. Figure F is a photo of the newborn, who died less than 48 hours after birth. 

While the research findings are targeted more toward the medical community that may one day treat a baby exposed to Zika virus in the womb, the images and descriptions of the severe damage caused by the disease emphasize just how crucial it is for women living in areas affected by Zika virus to take steps to prevent mosquito bites or sexual transmission of the virus.

If pregnant women do suspect that they’ve been exposed to Zika virus, either because of travel to an affected area or sex with someone who has traveled, they should go to their doctor right away to request a test, and follow up with regular prenatal care that will monitor the fetus’ growth throughout pregnancy. 

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Sales Down, Prices Up is Spreading

2016-08-24-1472053827-3150333-image1.jpg

Here are some headlines and article titles I pulled up today in my feed reader:

Desert housing market: Sales dip, but prices rise in July

Low inventory driving Wisconsin home prices up

Home prices go up in Mass. in July, while sales were down

Tight inventories push Coulee home prices up

I could have probably found a dozen more easily. The evidence is clearly telling us that home prices are rising, but this is accompanied by low inventories. Supply and demand tells us that rising demand will lift prices, but that’s not what we’re seeing in many markets. Instead we’re seeing low inventories creating competition among buyers, and this lifts prices.

Why the low inventories? Plenty of reasons can be found, each of them probably contributing to the situation:

B

  • aby boomers staying in their homes instead of selling; often because they can’t find anything of value to buy in replacement.
  • Parents with college age kids and even graduates staying at home due to student debt, lack of down payments and generally just a lack of desire to own a home.
  • A lot of homes, though they have finally come out of underwater status after the crash, are still not showing enough equity to get their owners eager to sell.
  • General uneasy feelings about jobs and the economy. People tend to want to maintain rather than make changes in their lives.

Whatever the reasons, there just isn’t a rush of sellers into the housing market. As long as this low inventory situation exists, any buying pressure at all will tend to lift prices. The question now may be “what will draw sellers back into the picture and what will happen to prices if they do return?”

The very best situation would be that sellers will gradually come back, helping to keep supply and demand from getting out of whack the other direction. However, if the news of rising prices keeps dominating the headlines, a sudden return to more normal inventories could drag down prices, maybe a lot and very quickly.

I’m not one of those “bubble theorists.” It’s just one possibility. Suppose prices do take a hit; what about real estate investors? As we saw in the crash that began in 2006, it will depend on their investment niche and on leverage.

The Flipper
The real estate flipper could have homes in various stages of the deal process. The wholesaler who does no rehab is working the shortest timeline, and probably will be able to move their deals through to closing with little or no damage to their financial position.

The fix & flip investor will have a problem on homes that still have significant time left before the work is done and the sale closes. Even if they have a buyer contracted, the buyer could decide to let their earnest money go if the value of the home has dropped a lot before the deal is finished.

When it comes to leverage, things can get really ugly. The aggressive wholesaler or fix & flip investor may have multiple deals moving and get really smashed by sudden price declines. This is part of the game, risk versus reward tells us that the higher and fast profits of flipping will carry added risk.

The Rental Investor
I would expect rental investors to come out of our example situation pretty well. They aren’t wanting to sell, so a temporary drop in value really doesn’t get them excited. They do carry some risk however. If the price declines last long enough and bring down rents as well, then the leveraged rental investor could have a problem.

If rents drop enough to create a negative cash flow, a lot of rental investors will have a big problem. However, it’s unlikely to be the case if they’ve used leverage wisely and haven’t overloaded their inventory with low cash flow rentals.

We’ll all just keep doing what works, but doing it with due diligence.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Write What You Really Know

Contrast is a storyteller’s best friend. It helps us show what it is we want our readers to see. Just as a flashlight’s beam is clearly visible on a starless night, but virtually invisible on a bright sunny day, so too peace is easier to perceive when contrasted against war. So, if you are writing a love story, you will likely have your heroine feeling alone and unlovable for the majority of the story. That way, when she finally does find love, the reader will hopefully experience the same release of tension she feels when she finally believes she is worth of love.

I must remember the power and simplicity of contrast whenever I find myself trying to “figure out a story.” I hate figuring out stories. Whenever I start figuring out a story, I feel as if I’m in math class and someone has handed me a 70,000-word equation for which there is only one right answer, which is known only by acquisitions editors in New York. Unlike a lot of writers I know, I was pretty good in math, and it was fun to find the right answer, but I became a writer because I wanted to make a living asking question to which only I knew the answer.

Which is why I must remember contrast. Stories, whether fiction or non-fiction, can start seeming pretty complicated when I think they’re about what happens. That means I’m trying to untangle a knot of plot points and characters and settings. But stories aren’t about what happens. Stories about what it feels like when something is happening. Your readers won’t remember ninety percent of what took place in the stories you tell. But they will remember how that story left them feeling, because that is all that matters to any of us ever. We all want to feel good. Whether we believe it’s possible or not, we still want it. We arrange all the details of our lives with the sole intention of creating a life, like a story, that leaves us feeling as good as we can feel.

I know that because I’m human. I know that, because I know I would always rather feel good than bad. I would always rather feel curious than bored; I would always rather feel happy than unhappy; inspired rather than depressed. This never, ever changes. It is the one absolute, unending, never-dimming constant in my life. It’s so constant, I take it for granted. It’s so constant, I can start to believe life and all the people in it are far more complicated than they actually are.

If I can remember the simplicity of contrast, life and stories begin to make sense again. In the end a story is about the difference between one feeling and another. Stories are about the difference between feeling like I have no voice and knowing that I have a voice; or the difference between feeling weak and feeling strong; or feeling powerless and powerful. When I tell a story, I choose a difference I have known and experienced. Once I have known the difference between weakness and strength, between fear and love, between violence and peace, that knowledge is unquestionable; it is the resting place for my restless mind.

Write your stories about the feelings you know. If you have lived, you have learned the difference between one feeling and another. Your questions about your stories are usually questions about what you already know to be true. When you accept the simplicity of the difference between fear and love or hate and compassion, your stories will come together on their own, finding their form the way you find yourself when you cease to doubt what you have always known.

You can learn more about William at williamkenower.com.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.