Until yesterday, FBI chief James Comey seemed like a pretty savvy internet user. The guy knows that you’re supposed to cover your webcam with tape to hide from the NSA and WhatsApp is a fantastic way to communicate securely—even if he hates you for using it. But when the numbnuts set out to make a series of secret…
The LG G6 Is Too Damn Simple
Posted in: Today's ChiliIt’s hard to stand out in the smartphone world, especially if your phone doesn’t do anything unique. LG knows this and has never shied away from trying new ideas. It was one of the first companies to make use of curved screens, and last year, it released an insane smartphone with a “magic slot” that let you plug in…
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BRUSSELS, March 31 (Reuters) – U.S. Secretary of State Rex Tillerson, in his first NATO meeting in Brussels, told allies that the United States will uphold previous agreements and ensure the alliance has the capability to defend itself, including from Russian aggression.
He also pressed allies to meet a defense spending goal of 2 percent of gross domestic product, urging each country to either meet or have a plan in place to fulfill funding commitments to NATO by a May summit of NATO leaders.
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On March 16, President Donald Trump released his budget proposal for the fiscal year of 2018, which included plans to eliminate all funding for the National Endowment for the Arts and the National Endowment for the Humanities. The news, though not quite a surprise, was a devastating blow for the countless Americans who cherish the necessity of creative expression and a vibrant cultural community.
New York-based artist Ventiko had already embarked upon her project “Phos Hilaron: From the Masses Rise the Saints” before Trump officially announced his agenda to slash the NEA and NEH. But Trump was certainly on the artist’s mind when she began to photograph beloved members of her creative community and frame them as patron saints.
“The thing that really inspired me was the election,” Ventiko told The Huffington Post. “This series was the result of wanting and needing to take action. I had to reclaim my power. I’ve been blessed to know so many talented people and this was my chance to actually exalt them.”
Ventiko enlisted 30 of her friends, collaborators and muses to serve as the subjects of her divine series. “I was brought up Jewish,” she explained, discussing her interest in religious imagery. “When I was younger, there wasn’t a lot of iconography in my moral teachings. I’ve always been drawn to the communication of morality through imagery and have played a lot with the subversion of symbolism.”
For the project, subject and artist collaborated to determine which “patron saint” the model would embody. The unorthodox roster of holy ones includes everything from “Patron Saint of Beauty” to “Patron Saint of Gender Fluidity” and “Patron Saint of Night Night.” The subjects donned full costumes and makeup to wholly personify each holy figure.
Far from the traditional cast of holy saints, Ventiko’s creative idols are individuals of all ages, genders, races and styles. The fantastical series captures all the different ways people can embrace the holy spirit ― be that spirit of tea time or 5th Avenue.
Ventiko then attached each image to a votive candle, and arranged the lot of them in Chinatown Soup gallery. Together, the illuminated portraits converge to form a divine altar with one foot in the New York art scene, the other in the sacred beyond. The glittering lights illuminate the ongoing importance of art-making in a time when the future of creative innovation is riddled with uncertainty.
For the artist, however, the holy homages respond more to Trump’s agenda in general than the proposed elimination of the NEA. “I really wanted to showcase the beauty of difference and individuality,” Ventiko said. “It’s about owning our stories, owning our truths. Not ‘if you come from this place you are a terrorist,’ or separating people out with walls. There is room for all of us us to establish our identities and to be who we are.”
“Phos Hilaron: From the Masses Rise the Saints” runs until April 2, 2017 at Chinatown Soup in New York.
Tina Fey, Alec Baldwin, Mahershala Ali, Amy Poehler and a whole host of other stars are teaming up for Stand for Rights: A Benefit for the ACLU. Join us at 7 p.m. Eastern on Friday, March 31, on Facebook Live.
You can support the ACLU right away. Text POWER to 20222 to give $10 to the ACLU. The ACLU will call you to explain other actions you can take to help. Visit www.hmgf.org/t for terms. #StandForRights2017
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McDonald's Will Use Fresh Beef On Some Hamburgers, And Wendy's Isn't Having It
Posted in: Today's ChiliMcDonald’s announced Thursday it will start using fresh beef instead of frozen patties in Quarter Pounder burgers next year at most locations, but they didn’t get to enjoy the applause long.
Other burger purveyors like Wendy’s and Shake Shack already use fresh beef in their products, and McDonald’s still plans to use frozen patties in Big Macs and other burgers. Wendy’s wasn’t about to let McDonald’s bask in the news unchallenged:
Ouch. Like many other fast-food chains, McDonald’s has recently made a whole host of menu changes designed to boost its reputation among ingredient-conscious diners, including switching to cage-free eggs (a decade-long process) and swapping the corn syrup in its buns for sugar (which isn’t any better for your body).
The chain, which is the world’s largest purchaser of beef, has been testing fresh patties in select markets since 2015. The change to Quarter Pounders will roll out nationwide by the middle of next year, according to a press release.
Freezing meat does not affect its nutritional value, food safety expert CiCi Williamson told The Washington Post in 2013. Frozen meat should also look and taste the same as fresh meat — and possibly better, since freezing stalls the aging process — but chefs and consumers tend to prefer fresh meat anyway, according to the USDA-backed Sustainable Agriculture Research & Education program.
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Firefighters in Northern California are playing dodgeball in full gear for their training.
Orland Fire Department crews are donning a breathing apparatus that weighs more than 40 pounds to play the schoolyard game, reports NBC News. It’s so they learn how to better regulate oxygen supplies when tackling a blaze.
The department shared video of its unorthodox workout online Monday:
Dodging, ducking, dipping, diving and dodging in the heavy kit was “just another tool for training,” the department explained on Facebook.
It taught rookies and reminded veterans “how to regulate their oxygen use, as well as what it feels like to be in the gear working.”
They’ll be battling against White Goodman’s Globo Gym before you know it:
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Matthew Perry played Chandler Bing on “Friends” for 10 seasons. That works out to more than 200 episodes that he played the overly-sarcastic character, who regularly spit out zingy one-liners.
With so much material to choose from, if you thought narrowing down a favorite would prove to be an impossible feat for the actor, well, guess again.
On Thursday, the 47-year-old actor appeared on “Good Morning America,” where he was promoting his new mini-series, “The Kennedys After Camelot,” and revealed his all-time favorite “Friends” one-liner to the show’s hosts.
It turns out, Perry’s fave comes from Season 2’s “The One with Ross’ New Girlfriend,” during which Chandler is talking to Joey (Matt LeBlanc) about his longtime tailor.
“You should go see Frankie, my family’s been going to him forever,” Joey tells Chandler in the clip. “He did my first suit when I was 15… No, wait, 16. No, excuse me, 15. When was 1990?”
Chandler responds: “OK, you have to stop the Q-tip when there’s resistance!”
There might be some other one-liners that Perry actually likes better, though, because in January 2016 the actor revealed that due to his struggle with drug addiction while he was on the sitcom, he doesn’t remember filming about three seasons worth of the show.
“Oh, my goodness,” he said, when asked about his least favorite “Friends” episode. “I think the answer is, I don’t remember three years of it. So none of those … somewhere between Season 3 and 6.”
Tina Fey, Alec Baldwin, Mahershala Ali, Amy Poehler and a whole host of other stars are teaming up for Stand for Rights: A Benefit for the ACLU. Join us at 7 p.m. Eastern on Friday, March 31, on Facebook Live.
You can support the ACLU right away. Text POWER to 20222 to give $10 to the ACLU. The ACLU will call you to explain other actions you can take to help. Visit www.hmgf.org/t for terms. #StandForRights2017
— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.
Jennifer Lawrence is known for bringing a delightful dose of realness to high-fashion settings. And she’s at it again in Dior’s new fall 2017 ad campaign, wearing a message of feminism we can all applaud.
In the photos, Lawrence wears relaxed-fit jeans, necklaces including a choker and a “We Should All Be Feminists” T-shirt that retails for a not-so-casual $710, according to InStyle.
The shirt, a nod to author Chimamanda Ngozi Adichie’s famous TED talk, was sold on Saks Fifth Avenue’s website through March 28, but remains available in Dior boutiques through May 15, Us Magazine reports. A portion of the proceeds will go to Rihanna’s Clara Lionel Foundation, which funds educational programs around the world.
We should all be feminists, but it doesn’t have to cost so much to say it on a tee. Here are some cheaper alternatives.
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What Refusing To Fill Out A March Madness Bracket Says About Trump As A President
Posted in: Today's ChiliThe past two weeks of March Madness have brought the usual crowded sports bars, office pools, and buzzer beaters. But this year has been a bit different. For the first time since 2008, the president of the United States has decided not to join in the fun and submit a bracket.
For eight years as president, Barack Obama appeared on ESPN to reveal his picks in both the men’s and women’s college basketball tournaments. It was light-hearted and self-deprecating. Obama would lament his busted bracket from the year before, play favorites with a school that had a personal connection to him, and toss out some corny dad jokes. All around the country, sports fans would then compare their brackets to the president’s picks.
This year, the Trump White House declined ESPN’s offer to continue this tradition, saying instead: “We look forward to working with ESPN on another opportunity in the near future.”
Similarly, Trump turned down an invitation to throw out the first pitch at the Washington Nationals’ home opener next week, citing a “scheduling conflict.” In the history of D.C. baseball, 13 presidents have thrown out the first pitch on 47 Opening Days.
Given the legislative battles on health care and a Supreme Court nomination, it would be easy to give Donald Trump a pass and say that he’s spending his time as he should – focused on fulfilling the policy promises he made on the campaign trail. But what Trump fails to understands that the modern presidency is more than just signing executive orders and holding rallies with supporters.
To be sure, hard-core Obama haters thought his ESPN appearances were a waste of time. And these people likely flipped the channel when Obama slow-jammed the news with Jimmy Fallon or read mean tweets with Jimmy Kimmel. But for most Americans, these appearances helped to personalize Obama, contributed to his high personal popularity, and in the case of “Between Two Ferns,” even served as a useful vehicle to promote his policies.
Like Ronald Reagan, Obama understood that the American people want to know their president is a regular guy. We want to see him throw out the first pitch (even in his dad jeans). We want to see him playing peek-a-boo with a baby in the Oval Office. We want to see him rooting for his home team – and not just because he’s friends with the owner.
Americans want to know that their president has a heart, a funny bone, and most importantly, a sense of himself. For example, when Reagan was asked about his advanced age, he would say that Thomas Jefferson thought age was irrelevant to public office. After a pause, Reagan would add: “And ever since he told me that, I stopped worrying.”
Over the past two months, Donald Trump has taken a different approach. When he has ventured off the White House grounds, he has stuck to the safe confines of lavish properties bearing his name, most prominently his Mar-a-Lago estate where membership costs $200,000.
Americans want to know that their president has a heart, a funny bone, and most importantly, a sense of himself.
Trump has steered clear of television appearances where he might be asked to do something spontaneous or goofy, choosing instead to be interviewed by friendly reporters on Fox News. He is skipping the White House Correspondents Dinner, a traditional setting for presidents to poke fun at themselves. And even at his campaign-style rallies, any humor is always directed harshly at his opponents.
Previous White Houses have issued proclamations and tributes on an almost daily basis to create a connection between the president and the events shaping the lives of the American people. In its first two months, the Trump White House has noticeably avoided these public sentiments.
Lunar New Year, which is celebrated by millions of Asian Americans, came and went without a proclamation. For Black History Month, Trump held an awkward roundtable discussion – the one where he praised Frederick Douglass – instead of a social event celebrating African American music and culture. When celebrities or noted political figures have passed away, the White House has not issued the usual statements expressing the thoughts and prayers of the First Family.
Clearly, this is an unusual president – one whose inaugural address eschewed the traditional sense of optimism and focused instead on “American Carnage.” In many ways, Trump the former TV star is more like the introspective Jimmy Carter, who once said, “If the American people wanted Bob Hope for their president, they should have elected him.”
Of course, none of this really matters – until it does. Connecting with the American people through everyday events is often a necessary predicate to connecting with them in times of crisis and sorrow.
Ronald Reagan learned this lesson after the Challenger disaster, as did Bill Clinton after the Oklahoma City bombing, and George W. Bush after 9/11. None of these presidents sought the role of comforter in chief, but all of them understood that in times of crisis, Americans turn to their president for reassurance.
For those of us who worked for President Obama, we remember his genuine pleasure at shooting a marshmallow cannon at a White House science fair. And we also remember how he channeled his grief after the Charleston shootings into a moving rendition of “Amazing Grace.”
In two weeks, the White House will hold the Easter Egg Roll, a tradition that dates back to 1878. In years past, Obama sat with children on the South Lawn, reading out loud “Where the Wild Things Are,” even acting out the growling, clawing, and rumpus making. If the last two months are any guide, Donald Trump will likely skip yet another opportunity to humanize himself. That is certainly his prerogative.
Trump will learn that his effectiveness as president depends on his ability to connect with the public on a broader scale. He doesn’t need to dance with Ellen Degeneres to make that connection. But if Trump wants to be seen as a real leader, he needs to show the American people that he laughs like us, cries like us, and acts like us.
Chris Lu is a senior fellow at the University of Virginia Miller Center. He served in the Obama Administration as White House Cabinet Secretary and Deputy Secretary of Labor. You can follow him at: @ChrisLu44.
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