Rocky Flats Made Nukes. Then It Made A Mess. Now It's About To Become A Public Park.

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ROCKY FLATS, Colo. ― Plutonium, named for the Roman god of the underworld and the dwarf planet at the edge of the solar system, is one of the world’s most dangerous elements. Inhaling just one particle will bombard internal organs, particularly the lungs and liver, with harmful alpha radiation for decades. For the most part, it isn’t naturally occurring. But until just over a decade ago, it was plentiful in this 5,000-acre patch of rolling hills and grasslands.

From 1952 to 1989, this picturesque sanctuary was home to a factory that produced plutonium triggers for nuclear weapons ― a lot of them. Nearly all of the approximately 70,000 nuclear weapons produced in the United States include a part made at Rocky Flats.

It was designated as a Superfund site in the early 1990s, and the radioactive materials have been removed. It’s scheduled to open to the public for the first time next summer.

But rather than welcoming the prospect of thousands of new acres for recreation, some Coloradans are suing to stop it.

Five environmental groups and community organizations filed a lawsuit in May to prevent the U.S. Fish and Wildlife Service from moving forward with plans to build a visitors center, hiking trails and other recreational infrastructure on the site, saying the government hasn’t scrutinized the property closely enough to begin construction. The suit argues that it’s difficult to prove a site is “clean enough” after removing 40 years’ worth of nuclear waste ― and, what’s more, that USFWS hasn’t met its legal obligation in demonstrating that cleanliness to the public.

“You have highly contaminated plutonium-laced soil that’s down deep that is going to eventually migrate to the surface and be blown into the region. It’s a concern,” said Randall Weiner, a Boulder-based lawyer representing the plaintiffs in the case. “At a minimum the agency should be looking at issues like that… before they open the refuge to the public.”

Rocky Flats’ rocky environmental road

The Rocky Flats Plant had a long record of environmental blunders, aided by a Cold War-era government eager for more nuclear weapons at any cost.

“Things were blatantly unsafe. There were blatant violations of procedure,” Jacque Brever, a nuclear technician at the plant, recalled for a book on Rocky Flats published in 2004. “It was the height of the nuclear weapons production era… Everything was compromised for the sake of nuclear weapons production.”

Brever had approached the FBI as a whistleblower on the plant’s violations. She said her fellow workers thanked her by contaminating her protective equipment with radioactive material. She ultimately developed thyroid cancer and died in 2015.

In 1957 and 1969, out-of-control fires at the factory nearly resulted in catastrophe. Both fires sent plumes of radioactive waste into the air, contaminating miles of land downwind. Officials never notified the public of the first fire ― only acknowledging it more than a decade after the fact, when scientists from the nearby University of Colorado tested land near Rocky Flats and noted that the plutonium contamination was “the highest ever measured near an urban area, including the city of Nagasaki.”

The second fire received only passing mention in the press, though it was the costliest industrial accident in U.S. history at the time. A May 12, 1969, clip from the Rocky Mountain News noted:

A fire at the Dow Chemical Co. Rocky Flats plant Sunday released a small amount of radioactive plutonium contamination, a plant spokesman said. He said the fire broke out in a production building. The cause of the blaze was not known.

The plant was particularly prone to fires ― more than 200 occurred over the course of 40 years ― as weapons-grade plutonium can spontaneously combust. Those fires, along with inadequate storage procedures and regular day-to-day operations, also released uranium, beryllium, tritium and carbon tetrachloride, a carcinogenic cleaning solvent, into the area.

And not in trace amounts, either. Under the oversight of Dow Chemical and, later, Rockwell International, plant operators lost track of more than 2,600 pounds of plutonium and other radioactive material, as documented in later lawsuits and a Government Accountability Office assessment. In 1990, a full 62 pounds’ worth of plutonium was found distributed in the vents and piping of one building at the plant ― reportedly enough to manufacture six or seven nuclear bombs. Dow and Rockwell argued that just because they couldn’t find the unaccounted-for material didn’t mean they’d disposed of it improperly.

The facility left behind more than 8,000 different chemicals, many of which leached into the soil. One outdoor area alone housed around 5,000 30- and 50-gallon steel drums of plutonium and uranium-contaminated waste. These corroding drums leaked an estimated 5,000 gallons of contaminated waste oil.

The raid

On the morning of June 6, 1989, more than 70 armed agents from the FBI, the Environmental Protection Agency and the Department of Justice stormed Rocky Flats as part of “Operation Desert Glow.”

Jon Lipsky, a retired FBI agent who led the raid, told HuffPost they used a ruse to get inside the highly secured facility.

“A week before, the ‘Earth First’ environmental group tried to take down a nuclear power plant in Arizona,” Lipsky recalled. “So we used that to call for a security briefing.”

Once inside, the FBI revealed there was no briefing. Instead, they said, a federal judge in Denver had signed a warrant that morning to allow them to search the complex. It was the first time in U.S. history that one federal agency raided another.

Lipsky’s primary target was Building 771.

One of 800 structures on the site, Building 771 was built in the early 1950s as a plutonium foundry, for metallurgical research and recovering plutonium from other scrap metal. Work there occurred around the clock, three shifts a day, for nearly four decades, processing as much as 1,100 pounds of plutonium per month.

At the heart of the building was an incinerator. The FBI believed Rocky Flats’ corporate manager at the time, Rockwell International, was using this incinerator to illegally burn hazardous waste ― and that the Department of Energy, which ultimately oversaw operations at the plant, was ignoring it.

A report commissioned in 1992 to help guide cleanup efforts attempted to track down and document every recorded safety incident in the building’s history. The resulting paper is 32 pages long and includes everything from the mundane (“Employee playing volleyball. Sprained ankle”) to the alarming (“Flowmeter ruptured, operator sprayed with contaminated caustic and steam”).

Decades later, cleanup crews would nickname the most radioactive section of Building 771 the “infinity room,” because the radiation there exceeded their Geiger counters’ ability to measure it ― causing them to warn instead of an “infinite” amount of radiation.

A 1994 ABC News investigation declared Building 771 “the most dangerous building in America.”

Ultimately, the raid led to a four-year federal grand jury hearing, which indicted Rockwell and eight individuals for their environmental crimes. Then-U.S. Attorney Michael Norton refused to sign the indictment, however, instead negotiating a plea agreement in which Rockwell settled with the DOJ for $18.5 million and no individuals were held accountable.

Curiously, prosecutors also withdrew charges related to the illegal incinerating, claiming that Allen Divers, the military analyst who initially examined the evidence, later changed his mind and found it inconclusive. When The Associated Press reached Divers for comment in 2004, however, he disputed that claim.

The cleanup

On Sept. 28, 1989, the EPA added Rocky Flats to its list of highly polluted sites in need of extensive, federally funded cleanup. The “Superfund” list ― and the cash that accompanies the designation ― is reserved for the worst offenders, typically sites that pose an immediate threat to human health.

The cleanup of Rocky Flats, the largest Superfund effort completed to date, began in earnest in 1995. The “infinity room” area was coated with lead paint to block radiation. Potential sources of tainted groundwater were redirected to holding ponds and kept from flowing any farther downstream. 

Over the course of 10 years, workers removed more than 21 tons of radioactive, weapons-grade nuclear material from the site. That would be enough to fill every rail car on a train 90 miles long, The Denver Post noted in 2005. The cleanup cost $7 billion.

The contamination extended far beyond the plant itself.

At one point in Building 771’s history, a drain line flowed directly out of one of the most contaminated rooms and into nearby Walnut Creek. Just over a mile downstream, Walnut Creek then emptied directly into Great Western Reservoir, which until 1997 was the primary water source for the city of Broomfield, population 50,000. Nearby Standley Lake, which provided water for an additional three cities, was also contaminated.

In addition to environmental destruction, there was a human cost. Many of the roughly 4,500 people who worked at Rocky Flats were exposed to significant amounts of radiation and contracted life-threatening illnesses as a result.

The effects also extended downwind. A decades-long study by the Colorado Department of Public Health and Environment released in 2017 found that populations as far as 16 miles downwind of Rocky Flats experienced higher-than-expected rates of lung, esophagus, colorectal, and prostate cancer. There wasn’t clear evidence that Rocky Flats was to blame for the health problems, but a class action suit related to property damage has recently resulted in more than 10,000 claims; homeowners could see the first settlement checks arrive as soon as this fall.

Building 771 is expected to remain closed to the public indefinitely, along with some 1,300 acres at the heart of the refuge.

However, the EPA and the Colorado Department of Public Health and Environment stand by the safety of the rest of the property. U.S. Fish and Wildlife has offered free public tours of the site on a regular basis since last summer, proudly touting the deer and elk populations that call it home, as well as the Preble’s meadow jumping mouse ― an endangered species that inhabits the refuge.

“We are confident in the results,” David Lucas, who manages the refuge for USFWS, told a crowd of concerned citizens in May. “If we determined that it was not safe, we wouldn’t have our employees out there.”

By law, the EPA has to conduct an environmental review of the property every five years to ensure the land is still safe. The next review should be completed by late summer.

The site has been “thoroughly characterized, remediated, and sampled after remediation to confirm any remaining residual levels were below levels of concern,” EPA communications manager Richard Mylott told HuffPost in an email.

Mylott said the land included in the refuge is part of a security buffer zone around the facility added in the 1970s, and thus “was unaffected by hazardous wastes” and is now “suitable for all uses, with no restriction.”

The EPA and the Colorado Department of Public Health and Environment say they have millions of data points, including from soil samples and surface water runoff tests, indicating that the land used for the new refuge is safe.

Mylott said the main risks at the site are “natural hazards” like “rattlesnakes, lightning, falls, etc.”

Carl Spreng, the Rocky Flats project manager for the Colorado Department of Public Health and Environment, agreed with that assessment, emphasizing the sheer amount of data that supports their argument. A comprehensive evaluation of the area’s air, soil, groundwater, and surface water was compiled in a 23-volume study in 2006, he said, and conditions have only improved since then as the area has regrown vegetation.

Spreng said that CDPHE considered both drinking groundwater and ingesting dirt as potential “exposure scenarios,” and determined they only carry a low risk of “residual contamination.”

“The final remedy decision was based on millions of data points collected from the air, surface and sub-surface soil, surface water and groundwater,” Spreng said. “The majority of the site is now on the verge of becoming a new asset that can be enjoyed by the people of Colorado.”

But no matter how much data officials present, Lipsky says he’ll remain skeptical unless it’s independently verified. He now works for an activist organization called the Rocky Flats Technical Group, helping sift through the Rocky Flats documents archived at the University of Colorado to surface anything relevant.

He says the government misled the public about Rocky Flats for decades, and he has serious doubts about the quality of the data itself and the government’s methodology. A 2006 Government Accountability Office report seems to support Lipsky here, but only partially: While the GAO doesn’t directly challenge the data itself, it does criticize the Department of Energy for failing to independently verify any of it during the cleanup process.

The GAO also called out the DOE for reducing the size and scope of the site survey for radioactive particles from “a 100 percent verification strategy,” in which every area likely to be contaminated was surveyed, to a “90 percent confidence level,” in which at least 90 percent of the contamination was remediated.

At least five Colorado-based environmental groups and community organizations agree with Lipsky’s assessment. In May, they filed suit, seeking to halt the construction of trails at Rocky Flats under the National Environmental Policy Act. As one of the nation’s first environmental laws, NEPA requires government agencies to assess the likely impact of their activities before starting most major construction projects. The plaintiffs in last month’s suit argue that Fish and Wildlife didn’t conduct an adequate evaluation under this law. They contend that the agency needs to start over, beginning with an environmental review.

Lawyers for USFWS were expected to respond to the suit last Friday. The agency directed HuffPost’s questions about the suit to the DOJ, which didn’t immediately provide a response.

“You need to do an environmental analysis before you put in bike trails or a visitors center,” Weiner, the Boulder lawyer representing the plaintiffs, told HuffPost. “You need to do this even if it was perfectly pristine ground, but it’s especially important at a place like Rocky Flats, where some people have concerns about lingering plutonium.”

A Fish and Wildlife spokesperson declined to comment for this article, citing the ongoing lawsuit. A source with knowledge of the matter said USFWS doesn’t have any immediate plans to begin construction of trails at Rocky Flats, and that the public will be notified when they do.

Wes McKinley, a rancher from southeast Colorado who served as the foreman on the grand jury that voted to indict Rockwell International in 1992, also has concerns about lingering plutonium contamination at the site.

He published a book in 2004 about his experience on the grand jury, breaking a court order that jurists were under not to reveal evidence they reviewed in the course of the trial.

McKinley pushed environmentalists to collect their own samples at the site in 2010. The samples were shipped to a lab in Boston, where two of them ― one from soil near Rocky Flats, and one from a crawl space in a nearby home ― tested positive for what McKinley identified as “breathable particles of plutonium.”

“I suggested these citizen tests because after the grand jury reviewed a lot of damaging data about Rocky Flats, it got sealed in the grand jury vault and I’m not allowed to tell people about it,” McKinley told Westword, a local news outlet, at the time. “Since [the Department of Energy] is hiding its damaging data, I figured we’d just collect data ourselves.”

In 2004, a consortium of academics from Denver-area colleges conducted a more rigorous sampling of soil at 28 locations in a wider range around the site. They concluded the land to the immediate east of the plant showed “10-100 times higher” concentrations of plutonium than normal.

Though plutonium concentrations dropped off sharply farther away from the plant, inhaling just one radioactive particle has been linked to a dramatically increased risk of cancer and other debilitating ailments, according to the Centers for Disease Control and Prevention. And soil in the area around Rocky Flats can travel long distances, hurried along by what are known locally as “Chinook” winds known to reach hurricane strength.

Two feet of concrete should be poured over the 6,000 acres, and we should post someone to pray there 24 hours a day.
Wes McKinley

Lipsky also points out that there are still 2,600 pounds of plutonium and other radioactive material unaccounted for at the site.

“It’s still missing, so where is it?” he asked. “Is it powdered all over the plant site still? We don’t know. Is it in a railcar or a semitruck in one of the tunnels out there? I don’t know.”

McKinley has proposed a solution to what he describes as both an environmental and ethical failure: “Two feet of concrete should be poured over the 6,000 acres, and we should post someone to pray there 24 hours a day.”

“My grandfather homesteaded at this very place where I now live,” McKinley wrote to his lawyer in 1997, explaining why he felt compelled to risk a possible prison sentence and speak out about his time on the grand jury.

“He came here with a fine mule, a good milch cow and a worn out wagon. The air was clear, the water was pure and a desirable woman soon joined him,” he wrote. “Women, mules, and milch cows are just as good or better today than they were then. But the air and water are killing us.”

Lipsky has his own idea about how to make Rocky Flats an appropriate place for a refuge, and it doesn’t involve as much concrete ― though he says he’ll never go out there no matter what they do.

“If they want to open this place up,” he said, “then clean it up with independent verification. Make everybody happy.”

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Meet The 'Nasty Stitches' Making Embroidery And Knitting Political

Knitting, stitching and weaving have long required skills historically deemed feminine: patience, prudence, diligence, domesticity, docility. The ability to follow directions attentively, to work in the home, to remain relatively quiet and still.

Before the Industrial Revolution and the arrival of mass production, women gathered in knitting circles to painstakingly create clothing, blankets and other soft goods for their homes and families. Knitting and its sister crafts were designated as “women’s work,” implicitly inferior to men’s work, whatever that may be. Yet the activities that indirectly oppressed women, by keeping them indoors and occupied, also served to ignite creativity, agency and rebellion. Women used their time together to exchange ideas and forge connections, to test their abilities and express themselves in new and exciting ways.

The history of textiles, then, is a history of feminine dissent told in a visual language that outwardly conforms to feminine standards and ideals. The radical chronology includes Gee’s Bend quilts, made in the 1800s by female slaves living on a cotton plantation to keep their children warm. And artists like Faith Wilding, Wanda Westcoast and Susan Frazier, who reclaimed the domestic sphere as a point of feminist art activism through the 1972 collaboration “Womanhouse.”

The most recent manifestation of craft’s political prowess appeared in the form of “pussy hats,” worn en masse at the Women’s March protests that swarmed the globe following President Donald Trump’s election. The pink, knitted caps marked with two cat-like ears embodied the spirit of what writer Betsy Greer defines as “craftivism” ― using crafts to create a more peaceful and just world. 

Ed Victori and Celine Mo, of the Bushwick-based gallery Victori + Mo, were among the many protesters who hit the streets in defiance of Trump’s long history of disrespecting and allegedly groping women in January 2017. The streets swarmed with protesters identifying as “nasty women” ― an allusion to Trump’s dig at Hillary Clinton, callously uttered during a presidential debate. 

With their current exhibition “Nasty Stitches,” Victori and Mo honor knitting’s longtime affiliation with feminist activism while broaching political concerns women and other marginalized communities are fighting for today. The show spotlights four contemporary artists whose works are soft in texture and piercing in nature ― Caroline Wells Chandler, Elsa Hansen, Sara Sachs and Katrina Majkut. 

Initially, the seedling concept of “Nasty Stitches” came to Mo in a dream. “I dreamed we did a show called ‘Crochet All Day,’ where we’d serve Rosé all day,” she told HuffPost in an interview. The exhibit’s final iteration swaps unlimited wine for an activist message that pervades the works’ subjects and media.

“Artists are revitalizing the knitting tradition and putting it into a contemporary context,” Victori told HuffPost. “We want to create this story around femininity, while addressing what is at stake under the current administration.”

One featured artist is Caroline Wells Chandler, who crochets rainbow figures who appear to be consistently leaping through the air at all times. The fibrous friends don superhero-esque capes and cowboy chaps, their flattened physiques unable to be categorized by binary understandings of gender.

Chandler, who identifies as queer and trans, learned to crochet while caring for his aging grandparents. He appreciated the communal space the art form provided, its repetition leaving space for reflection and communication. “Crochet is inherently a social way of making art,” he said in an earlier interview with HuffPost.

Artist Elsa Hansen creates hand-stitched tableaus that conjure pop culture personas, tiny renderings that feature iconic figures like Daniel Day-Lewis, Jimmy Buffet and, yes, Trump, reduced to worry-doll size, arranged methodically like pill bottles on a shelf. Katrina Majkut cross-stitches objects related to sexual health in crisp detail, from condom wrappers to IUDs to the surgical tools used in performing an abortion. Perhaps more than any other artist on view, Majkut alludes to the political history of the medium, using a traditionally feminized territory to discuss issues that affect women directly. 

Also on view is artist Sara Sachs, the mother of famed contemporary artist Tom Sachs. She learned to cross-stitch at around 8 years old, taught by her own mother. “She had learned cross-stitching from her mother at a similar age so it was kind of a legacy, though I didn’t think of it in those terms when I was a child,” Sachs wrote to HuffPost. “My fingers just felt good while I was stitching and it put me in sort of a reverie.”

Sachs worked as a nurse; the exposure to human bodies and the tools used to inspect them served as unlikely artistic inspiration. “Instead of being horrified by the gore I witnessed when assisting in surgical procedures, I was struck by the beauty of the human form in all of its aspects,” she recalled. “Also, the design simplicity and craftsmanship of the medical instruments impressed me profoundly.” The soft and handmade quality of her artworks contrasts sharply with the incisive and mass-produced origins of her inspiration. 

Now in her mid-60s, Sachs recalls working in a time when knitting was immediately delegated to the realm of craft, which was deemed subordinate to art, implying that so-called women’s work lacked the rigor and erudition of male-dominated fields like painting and sculpture. “It’s thrilling to see what was, until recently, dismissed as a mere craft now being validated,” she said. 

The younger artists in “Nasty Stiches,” as Victori explained, “didn’t have to experience their work being stomped on” quite as much. But still, they are painfully aware of the perpetuating misogyny, homophobia and inequality that plague both the art world microcosm and the world beyond it. 

“Among the many things that are disheartening about the current political environment,” Sachs said, “is the attempt to silence women and have them revert to their voiceless places in the sewing circles of the past. To the extent I and others can advance needlework as an art, we are pushing back against those that would silence us. As modest as that effort might seem, if we all pushed back in our own way, the impact could be dramatic.” 

“Nasty Stitches” runs until July 23, 2017 at Victori + Mo in New York. 

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Woman Replaces Her Mom’s Family Photos With Replicas Featuring Her Dog

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Marissa Hooper’s mom has been on high alert for the past year.

And it’s all Marissa’s fault.

It all started in the summer of 2016 when Marissa, a 21-year-old college student from Texas, was home for the summer. One day, she was hanging out on her parents’ couch with her older sister, Cristina, who no longer lives at home. The sisters were looking at their parents’ vast collection of family photos when Cristina was struck by a question.

“My sister looked over at me and asked if I thought [our parents] went around and looked at all of these pictures when they missed us,” Marissa told HuffPost. “Or if they would even notice if we moved them around.”

And just like that, the mischievous Marissa saw an opportunity to have a little fun with her folks.

She began looking around the house for little objects she could use as costumes and props. Once she had the perfect materials, she grabbed the family’s two-pound Chihuahua, Dixie.

A post shared by Dixie Hooper (@pix_of_dixie) on Jun 20, 2017 at 12:34pm PDT

Using Dixie as her model, Marissa then recreated two family photos, one showing her grandmother …

… And the other showing her sister as a kindergartener.

“I made the pictures similar at first glance,” Marissa told HuffPost. “So they might actually be hard to notice.”

Marissa also notes that her parents have several “big book shelves that take up entire walls” in the Hooper family home. Each is decorated with trinkets and tons of photos, so anything out of the ordinary wouldn’t be noticeable at first glance. (In fact, little Dixie is hiding in plain sight in the image below.)

After Marissa snapped the photos, she waited until her mom, Kathryn, was out of the house and placed the Dixie replicas in front of the original photos.

It took Kathryn two weeks to notice the swap.

“Embarrassingly, she found it while company was over and knew immediately it had to be one of us playing a joke on her,” Marissa said.

“She was showing off some pictures to people who were walking through the house, and was trying to awkwardly hide these pictures because she didn’t want them to think that that’s what she did in her spare time.”

After the guests left, Marissa said that her mom walked around the house closely inspecting every frame.

Kathryn’s been pulling this stunt for about a year.

“I’m convinced she’s paranoid I change something every time I come home,” Marissa said.

Since the college she attends is just a two-hour drive from her parents’ house, she’s home pretty often. But Marissa has restrained herself ― until last week, when she decided to make another Dixie replica.

She used her own high school graduation photo:

This time, though, Kathryn was prepared ― just two days after Marissa switched out the photo, she got this text from her mom:

Naturally, Marissa found the whole thing hilarious and decided to post photos of her Dixie replicas and her mom’s text to Twitter over the weekend.

The post quickly went viral, receiving 73,000 likes and 31,000 retweets.

As for little Dixie, she seems to be a pretty happy participant in the pranks.

“I don’t have to use treats or anything to get her to look at the camera. She’s very good at sitting there and being ready,”  Marissa said of the 7-year-old dog. “She’s a natural, what can I say?”

To see more of Dixie, check out her Instagram here.

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No One Is Happier 'Bachelor In Paradise' Is Back Than Ashton Kutcher

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For someone who’s starred in his fair share of romantic comedies, Ashton Kutcher hasn’t tired of the genre. Instead, he’s leaned all the way in to become a card-carrying member of Bachelor Nation. 

The actor doesn’t play when it comes to the reality dating show, so, naturally, he geeked out during a “Good Morning America” segment, which aired the day after ABC announced “Bachelor in Paradise” would resume filming following an investigation into misconduct on set.

“I’m so happy ‘Paradise’ is back,” Kutcher told the hosts. “I was worried. I was concerned.”

Production on the fourth season of “Bachelor in Paradise” halted earlier this month amid an investigation into allegations of inappropriate sexual activities between contestants Corinne Olympios and DeMario Jackson. On Tuesday, Warner Bros, ABC’s parent company, concluded the official investigation into the incident and determined the footage “does not support any charge of misconduct by a cast member.”

As “Bachelor in Paradise” doesn’t premiere until later this summer, Kutcher is more than happy to watch the franchise’s flagship series, given he and wife Mila Kunis popped up in a recent episode to help Rachel Lindsay find love. 

“Monday night, it’s like a religion in our house,” he said. “In fact, I haven’t watched this week [of ‘The Bachelorette’] because I was here and [Mila] was there and so we’re saving it, because this is our thing.”

“It’s unbelievable, that show. It’s like the greatest social experiment of all time,” he added. 

Of course, every good “Bachelor” fan knows that lovingly making fun of the show and contestants is the only way to watch, so Kutcher and Kunis have developed a viewing strategy to keep things interesting. 

“We turn the volume off and we watch the one-on-one dates, and then she does the voice of the girl and I do the voice of the guy,” Kutcher explained. “It’s literally, like, ‘Are you gonna eat the chicken? No, I’m not gonna eat the chicken.’ You ever notice they never eat on that show?!”

Um, can someone please order this show straight to series? 

Watch Kutcher’s full interview below. 

For more “Bachelor” goodness, subscribe to HuffPost’s “Here To Make Friends” podcast, where hosts Claire Fallon and Emma Gray break down every moment of your favorite reality dating series.

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Rep. Steve Scalise Is Now In 'Fair Condition' And Starting Rehab

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House Majority Whip Steve Scalise (R-La.) has been upgraded from being in a serious condition to a fair condition, his official Twitter account announced, adding he “continues to make good progress.”

Scalise’s official Twitter account shared the update from the MedStar Washington Hospital Center just after noon on Wednesday. On Saturday, Scalise underwent another surgery and was showing gradual signs of improvement.

During a GOP team baseball practice in Alexandria, Virginia, last week, Scalise was one of several people shot by suspect James T. Hodgkinson. He was shot in the hip and taken to the MedStar Washington Hospital Center. His injury indicated that the bullet had “travelled across his pelvis, fracturing bones, injuring internal organs and causing severe bleeding,” the hospital said in a statement.

Scalise’s current status of “fair” means that a patient’s “vital signs are stable and within normal limits. [The] patient is conscious but may be uncomfortable. Indicators are favorable,” according to the American Hospital Association. 

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Alabama Won't Help Disenfranchised Citizens Understand If They Can Now Vote

After Alabama clarified a law from its white-supremacist days that now could potentially extend voting rights to thousands, the state’s top election official said he’s not going to make any additional effort to help those affected register or understand the changes.

In May, Alabama Gov. Kay Ivey (R) signed legislation outlining which specific felonies constituted “moral turpitude” and would disqualify someone from the right to vote. The original law, enacted in 1901, disenfranchised anyone who had committed any crime considered to involve moral turpitude ― a broad definition that for much of the 20th Century was used it to keep blacks off voting rolls.

The Supreme Court found the language unconstitutional in 1985, and state lawmakers altered it to apply only to felonies. But which felonies were severe enough to disenfranchise an individual remained undefined until the new law was passed.

The Southern Poverty Law Center estimated the change could affect thousands of people convicted of felonies that now won’t constitute moral turpitude. Prior to the clarification last month, more than 250,000 people were disenfranchised in Alabama, which included 15 percent of the state’s black population and less than 5 percent of its white population.

Advocates praised the move, but said more work needs to be done to educate people about the change. People told by an election official in the past they were ineligible to vote may now be eligible. It’s also unclear what kind of legal process those need to go through to get on the rolls, said Artur Davis, the executive director of Legal Services Alabama.

But Alabama Secretary of State John Merrill (R) told HuffPost he was unaware of people being incorrectly told they couldn’t vote. While the state will continue its usual efforts to encourage people to register to vote, Merrill said he wasn’t going to make an effort to focus on those whose felony convictions will no longer disqualify them ― or may not have been reason enough to block them from registering in the past.

“I’m not going to spend state resources dedicating to notifying a small percentage of individuals who at some point in the past may have believed for whatever reason they were disenfranchised,” he said. “But I am going to continue to spend state resources to promote the opportunity for all citizens to determine their eligibility and to assist them in becoming registered to vote and obtaining a photo ID so they can participate in whatever level they’d like to.”

Danielle Lang, a lawyer at Campaign Legal Center in Washington representing 10 plaintiffs suing the state over the moral turpitude law, said she has a growing list of people who were disenfranchised but would now be eligible to vote under the clarified law. The reason people believed they were ineligible to vote, Lang said, is that they received a letter from the state telling them that.

“This is confusion that was wrought by the state,” she said. ″Under this newfound definition, it turns out [some] do have the right to vote. I don’t see how anyone would know that unless they’re kind of legislative junkies.”

“This is confusion that was wrought by the state.”
Danielle Lang, lawyer for the Campaign Legal Center

 

People affected by the new law may have to learn about it from Legal Services Alabama and the state’s ACLU chapter, which will jointly hold at least three clinics this summer on the changes. The changes define fewer than 50 crimes ― including murder, kidnapping and rape ― as constituting moral turpitude.

Still, there’s ample room for confusion. People convicted of felonies not defined as moral turpitude can apply to have their voting rights restored only if they pay paying certain fines and legal fees and meet other qualifications.

“Even though there is a new law restoring the right to vote to many people who’ve been disenfranchised, that right doesn’t automatically restore itself,” Davis said in an interview. “There has to be guidance from the state of Alabama on what the disenfranchised individual has to do to literally get back on the voter list.”

Merrill said the ACLU and Legal Services Alabama were better suited to contact the people who would be affected by the new law. But Lang said federal law required the secretary of state’s office to keep records of everyone who had been blocked from registering to vote, meaning Merrill could easily handle the task.

“The state created this problem by having an unconstitutional and arbitrary system of disenfranchisement,” she said. They’ve taken a step to fix it. But when there are legal wrongs, there’s a responsibility to fully remedy those harms.”

 

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Emma Watson Is Hiding Copies Of 'The Handmaid's Tale' Around Paris

If you’re in Paris on Wednesday, keep your eyes peeled for a copy of The Handmaid’s Tale and/or Emma Watson ― the actress is bopping around the City of Lights with books in hand. 

The “Beauty and the Beast” star played bookish Belle in the live-action adaptation of the film, and her portrayal is clearly inspired by a real-life love of books. In partnership with the charity Book Fairies, Watson is wandering around the streets of Paris with 100 copies of Margaret Atwood’s dystopian fiction. 

The Book Fairies project was launched in March by Cordelia Oxley and has more than 5,000 people sharing copies of The Handmaid’s Tale of across 100 countries, according to The Bookseller.

“We are thrilled to welcome Emma once again as a book fairy, this time in Paris,” Oxley told the publication. “We are having fun finding great places to hide ‘The Handmaid’s Tale’ and look forward to hearing from people who find them.”

Finders of Watson’s treasures have been excitedly tweeting all day:

And, truly, who wouldn’t be psyched to find such an influential book hidden by such an incredible person?!

Watson has gone on book-hiding adventures many times over the past few months, most notably highlighting books written by female authors. We can’t wait to see where she appears next!

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Demi Lovato On Her Career: I Wouldn’t Start So Young If I Could Do It Again

At 24, Demi Lovato feels she’s “lived a lot longer than I have.” 

The singer spoke briefly about her more than 17 years in the entertainment industry during an interview at Cannes Lions on Monday. Lovato attended the event to discuss her upcoming YouTube docuseries “Demi Lovato: Simply Complicated.”

“I feel like I’m at a pivotal point in my life, I’m turning 25,” she said about why she decided to do a series that follows her daily life. “I’m looking at my future and my past, and I want to share that with my fans.”

When asked about her past as a child star, Lovato said she would’ve preferred to begin her career later in life.

“I wouldn’t start that young if I could do it over again,” said Lovato, who began acting at age 8. “I don’t regret anything but it was difficult to transition from being a child star to transforming into a mainstream artist. It’s something that is very challenging.”

“You have to find your identity,” she continued. “For so long you’ve been kind of molded into something and now you’re expected to figure out who you are very fast and in front of the entire world. So it’s definitely been difficult but it’s been a learning experience and I’m still figuring out who I am every day.”

The former Disney star told Nylon magazine in 2016 that being successful at a young age contributed to the self-harming behavior she struggled with as a teenager.

“My parents tried to control me, but I’d be like, ‘Oh, really, I’m grounded? Well, I pay the bills,’” Lovato said. “They did the best they could. And I think that’s why a lot of young stars struggle when they’re making money or providing for their family.” 

“I thought that if I was adult enough to get there, then I could party like an adult,” she added. “And obviously, I couldn’t.”

Watch Lovato’s full interview at Cannes Lions below. 

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All Hail Bellatrix Lestrange, The 'Female Monster' 'Harry Potter' Needed

“I killed Sirius Black! I killed Sirius Black!” Bellatrix Lestrange chants with the cadence of a deranged preschool teacher butchering nursery rhymes for sport in “Harry Potter and the Order of the Phoenix.”

Bellatrix is high off murdering Harry Potter’s godfather and only living “family” member, but the real joy is rubbing it in. You coming to get me?” she taunts Harry. “He knows how to play. Itty-bitty-baby-Potter.” Her words are punctuated with feral cackles, uttered through teeth caked in plaque, the residue of her time spent wasting away in Azkaban. 

When I read the “Harry Potter” books growing up, I had a strange affinity for Ms. Lestrange. Yes, she is a psychopathic Death Eater who worships the Dark Lord and reaps pleasure from the suffering of innocents. But Lestrange also embodies a combination of power, liberation and an unabashed lust for life (and death) I found enticing. Even while using the Cruciatus Curse to scramble the brains of noble wizards beyond salvation, she’s always having the most fun in the room. 

Lestrange is a villain, and a deliciously cruel one at that. And yet, in fables and fantasies, antagonists are often the female characters endowed with the most agency, freedom and style. As Leslie Jamison wrote of the “evil stepmother” figure that reappears in classic fairy tales time and time again: “She is an artist of cunning and malice, but still — an artist.”

There is something, if not admirable, at least enthralling about a woman who rebels against norms and expectations to feed her own delusions and desires, who embraces the inner “female monster” so many fight to suppress.

In the books and films, Bellatrix is a pure-blood witch born in 1951 to the House of Black, an established and powerful wizarding family in the Potterverse. She studied at Hogwarts in the Slytherin House and winds up serving Lord Voldemort as a Death Eater, his most fanatic and devoted follower by many accounts. 

Readers first learn about Lestrange through a flashback to one of her most heinous offenses. During the First Wizarding War, when Voldemort is in hiding, Bellatrix tortures Neville Longbottom’s parents while interrogating them for information on his whereabouts, tormenting them to such a degree that both lose their minds. The couple is then sent to St. Mungo’s Hospital for Magical Maladies and Injuries for the rest of their days. 

For her crimes, Bellatrix is sentenced to a lifetime in Azkaban, though she escapes after 15 years. Her incarceration is said to have wreaked havoc on her physical and mental states ― though her previous appetite for torture reveals her conscience was already nonexistent. In a cultural landscape that often supplies female characters with a specific motivation behind their cruel intentions (revenge! love! betrayal!) it’s strangely thrilling to follow a woman who was born vile without excuse or explanation. 

Physically, Bellatrix possesses the Black family line’s dependably handsome genes, endowed with long dark hair, heavily lidded eyes, long eyelashes and a strong jaw. Yet prison takes its toll on her good looks. Upon release, Bellatrix is described as having a “gaunt and skull-like face,” with hair that’s “unkempt and straggly.” In looks alone, Bellatrix exists between easy stereotypes or descriptions. She’s a beauty and a hag, attractive and repulsive, the hyperbole of a woman who, after spending years deteriorating in a magical penitentiary, has dared to “let herself go.”

Bellatrix is 30 years old when she is locked up; she breaks free at 45. The maturation she missed out on while incarcerated is evident in how she comports herself ― basically, like a big, evil baby. She is “incredibly infantile,” actor Helena Bonham Carter ― who played Lestrange in the film franchise ― said in an interview, as evidenced through her consistent baby-talk and predilection for sticking out her tongue.

“Dear Bellatrix, who likes to play with her food before she eats it,” Dumbledore says, referring to her penchant for torturing her victims before killing. The script for “Harry Potter and the Half-Blood Prince” refers to her as a “mad child.” After being imprisoned during a woman’s “peak years,” Bellatrix exists simultaneously in the before and after, scrambling the usual categories that separate a woman from a girl. 

Women are used to being infantilized; we’re assumed to be juvenile, then patronized and underestimated as a result. Bellatrix takes this gendered stereotype to its monstrous extreme, becoming part-girl, part-hag, who will giggle like a giddy schoolgirl as she inflicts unbearable pain onto her victims. She collapses the space between what men desire and what they fear, the appealing young girl and the undesirable old woman, leaving her allies and enemies torn between desire and horror. 

She can be scary, definitely kids are scared of her,” Bonham Carter said when describing the character. “But also has a part of her that they wouldn’t mind being her, in the sense that she’s really naughty, she gets away with everything … She’s very liberated. It was really fun to play her because she is just completely abandoned. I just let go, really.”

Because of her traditionally feminine attributes, as a reader I sometimes found myself empathizing with Bellatrix. She is known among magical circles, for example, for being a bit on the batty side, as psychopathic Death Eaters ― and powerful women ― can be. Despite being one of the most powerful wielders of Dark Magic in the “Harry Potter” universe, she is still constantly undermined and overlooked by her fellow Death Eaters, written off as a hysterical woman. Bellatrix plays up her unhinged persona, again contorting a weakness into something so fearful it becomes a strength.

The most glaring example transpires when Bellatrix desperately tries to warn her fellow Death Eaters not to trust Severus Snape, believing him to be loyal to Dumbledore over Voldemort. Of course, she’s right, as Snape reveals only after Bellatrix is dead. If heeded, her intuition could have uprooted the entire course of the story, though instead she’s just laughed off. 

Bellatrix is killed in the final battle at Hogwarts. Aside from Voldemort himself, she’s the last Death Eater standing. Molly Weasley eventually does the job, screaming “Not my daughter, you bitch!” as she strikes her with a fatal curse. It’s a battle between a loving mother of seven and an unruly girl-hag embroiled in an unrequited love affair with a noseless Dark Lord ― or as Molly put it, a “bitch.”

“I really enjoyed killing Bellatrix and I really enjoyed having Molly do it,” J.K. Rowling said in an interview. “You have two very different kinds of female energy there, pitted against each other.” Not surprisingly, love wins out over a bottomless lust for human suffering, and probably for the best. But Bellatrix dies with a “gloating smile” still frozen on her face, perhaps preferring death over Molly Weasley’s domestic bliss. 

“She just doesn’t act the way a mother is supposed to,” Leslie Jamison writes of the evil stepmother. “That’s her fuel, and her festering heart.” Yet even a malicious stepmother has more maternal instinct in her bones than Bellatrix, who murders her own niece without hesitation. 

With Bellatrix Lestrange, Rowling creates a monster whose attributes are culled from feminine tropes and stereotypes both desired and reviled. She’s the femme fatale, the hysterical woman, the mad child and the hag. Her inherent contradictions ― intelligence and flightiness, power and subservience, beauty and repulsiveness, childishness and decay ― contribute to her fearfulness.

Rarely are women, fictional or otherwise, given the space to embody paradoxical selves at once. This, in part, is what makes Bellatrix so menacing, along with her unquenchable thirst for torture, murder and Dark Arts. 

From June 1 to 30, HuffPost is celebrating the 20th anniversary of the very first “Harry Potter” book by reminiscing about all things Hogwarts. Accio childhood memories.

 

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Gay Couple Recreates Pride Photo 24 Years Later And It's Perfect

Two gay men who’ve been together for more than two decades recreated a photo of their first Pride march ― and have effectively melted hearts across the internet.

Nicholas Cardello and Kurt English took the original photo at the March on Washington, D.C. in 1993, which was held to raise visibility and advocate for the LGBTQ community. The second photo ― almost identical to the first ― was shot at the Equality March for Unity & Pride in Washington earlier this month.

he couple made a massive impact with a tweet of the two side-by-side photos earlier this week, which was cheekily captioned “it’s just a phase.”

The pair first met in 1992, and the rest was history.

“People ask how we lasted for 25 years? That is a good question especially since the structure of our society is set up to pull us apart,” the pair told HuffPost. “We have decided to promote positive change in society by coming out to our families, at work, on social media, and with neighbors. We also decided to involve ourselves with groups that positively influence politics such as Equality Florida, Lambda Legal, and the American Civil Liberties Union. It takes work, no denying it, but in the end Love Will Win!”  

Cardello and English had no idea that their story would resonate with others in such a profound way. 

“We could never have imaged the incredible response to this that we received,” they continued. “We were deeply touched by people’s personal stories and comments from around the world about the challenges that they experience in their personal lives and in their particular cultures. Many times we have been moved to tears by reading the comments.”

They also told HuffPost that they think the photos are especially important since we see so few examples of same-sex couples growing old together in entertainment and the media.

“The youth needs to see that it is possible to find a loving partner ― and that the relationship can last,” they said.

 

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