Trans Employee Sues McDonald's For 'Extreme Sexual Harassment,' Discrimination

A former McDonald’s employee is suing the company and a franchise owner after she says she was sexually harassed and subjected to discrimination on the job because she identifies as transgender. 

In a May 25 lawsuit, La’Ray Reed claims her superiors at a McDonald’s in Redford, Michigan, subjected her to “extreme sexual harassment and disparate treatment.” The 25-year-old, who worked at the franchise full-time between April and August 2015, said she was referred to as a “boy-slash-girl” and relegated to using an unused bathroom that had been serving as a storage closet because she is trans. She also claims her genitals groped.  

“I am transgender, but I have never dealt with anything like that, especially in the work field,” Reed said in a video released Thursday by the workers’ rights group Fight for $15, which is locked in a legal battle with McDonald’s to improve employee pay and conditions. She noted that her hours were slashed, and she was eventually fired, after she spoke to a manager about the abuse. “They actually took me off the schedule,” she said in the clip, which can be viewed above. “So with that being said, it was even more stressful, even more depressing.” 

Though McDonald’s has a history of supporting the LGBTQ community, several queer advocacy groups said the lawsuit implied that the company’s inclusive efforts may be hypocritical. “McDonald’s can’t pinkwash its record of harassment and discrimination against LGBTQ workers with a fry box and a parade float,” Pride at Work executive director Jerame Davis said in a press release. “It will take a real commitment to equality and better treatment for its workers to address the horrific allegations in these complaints.” 

Reed, who is seeking damages for loss of wages, emotional pain and loss of self-esteem, filed the lawsuit in an effort to “show that trans lives matter,” said attorney Anthony D. Paris of the Sugar Law Center for Economic and Social Justice in an email to HuffPost. 

“She wants to stand up for herself and the other employees of a billion dollar industry, to show that it’s not okay to sexually harass and discriminate against the employees who work for you,”wrote Paris, who is representing Reed. “She wants them to know it’s not okay to treat their employees that way, and they can’t get away with it.”

Reed “knows she is not the only person,” he continued. “It’s happened to others and its gone on for too long, so she is standing up for herself and for others.”  

HuffPost has reached out to McDonald’s for comment on the lawsuit. A company spokesperson told the Detroit Free Press, “As a company, we are committed to the well-being and fair treatment of all people who work in McDonald’s restaurants and discrimination of any kind is completely inconsistent with our values.”

“As this is an ongoing legal matter involving an independent owner operator,” the spokesperson continued, “we cannot comment further.” 

Read the full complaint filed by Reed below. 

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A Brother And Sister Fall For The Same Guy In This New Indie Comedy

A brother and a sister fall for the same guy in the heartfelt new comedy, “I Love You Both,” and HuffPost has an exclusive clip from the film. 

Released on iTunes, Amazon and other streaming services June 9, “I Love You Both” follows Krystal (played by Kristin Archibald) and Donny (Doug Archibald, who is Kristin’s real-life brother), who are forced to confront a lifetime of codependency when they start dating Andy (Lucas Neff), who identifies as bisexual. The millennial siblings remain in denial about the fact that they’re both seeing Andy until he picks one of them ― a decision that could have a disastrous impact on their relationship.

In the clip above, Andy and Krystal enjoy a game of Heads Up while Donny looks on disapprovingly as he observes the obvious chemistry between his twin sister and his lover.

The Archibalds began developing “I Love You Both” when they recalled a time when they both liked the same guy, Doug Archibald told HuffPost. Their relationship is considerably more functional than Krystal and Donny’s, however. “As a director it was nice because we have many shared memories that helped me direct her and also I know what makes her feel certain ways,” he said. “But also it was amazing because she did things I never expected, too, even though I know her as well as anyone can know someone.” 

The writer-director shrugged off the suggestion that the depiction of a bisexual man falling for two opposite sex siblings was in any way stereotypical or problematic. “The movie is just a very realistic scenario where a bisexual person meets two people who are just alike ― because they are twins and codependent ― so he naturally likes both of them,” he said. “He doesn’t lead on both of them. He does his best to take cues from them. And we can’t expect him to be perfect.”

Ultimately, Archibald sees “I Love You Both” as “a comedy about siblings” as opposed to a queer-specific narrative. “It would be nice to reach that person who wouldn’t normally watch a movie with a gay or bisexual main character, but takes a chance on ours and is maybe changed in a small way,” he said. “Maybe that’s our film’s place in the world.” 

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Judge Declares Mistrial In Bill Cosby Case

A Norristown, Pennsylvania, judge declared a mistrial in a court case that accused entertainer Bill Cosby of sexually assaulting a former employee of his alma mater in his home in 2004. 

Cosby, 79, could have been convicted of three felony counts of aggravated indecent assault that carry a maximum penalty of 10 years in prison. 

Judge Steven O’Neill declared the mistrial Saturday morning after the jury of seven men and five women failed to reach a unanimous consensus on a verdict after 52 hours. Journalist Dana DiFilippo documented Cosby’s reaction to the verdict:

Prosecutors had four months to decide whether to retry the case or abandon it, though reporters on the scene said the Montgomery County district attorney’s office already plans to retry Cosby.

Jurors first told O’Neill they were deadlocked on Thursday after 30 hours of deliberations that started Monday. He gave them the standard instruction to continue deliberating without compromising any of their individual beliefs.

The case centered on the accusations first made in 2005 by Andrea Constand, 44, a former director of operations for Temple University’s women’s basketball team. She testified that Cosby molested her at his home near Philadelphia in 2004 when she was incapacitated from three pills that the comedian gave her and said would help her relax. 

Jurors had heard testimony over six days, with Constand serving as the prosecution’s star witness. She denied claims from the defense that she’d had a consensual affair with Cosby. She said she went to Cosby’s home outside of Philadelphia because he was a mentor offering career advice. 

“He was a Temple [University] friend,” Constand said of Cosby. “Somebody I trusted. A mentor. And somewhat of an older figure to me.”

Cosby did not testify in his defense, and his lawyers called only one witness before resting their case on Monday. Their strategy instead focused on pointing to discrepancies in the version of events provided by Constand and other prosecution witnesses during cross-examination. 

Constand acknowledged that some of her answers had shifted since her initial statement to police. For instance, Constand admitted that she and Cosby had been alone on occasions prior to the night in question, contrary to what she told investigators more than a decade ago. 

On Thursday, Cosby’s spokesman Andrew Wyatt argued that the deadlocked jury proved jurors were “conflicted about the inconsistencies.”

In recent years, 60 women have accused Cosby of sexual misconduct, but the statute of limitations had expired in most of those cases. Only Constand’s claims led to criminal charges.

This is a developing story. Please check back for additional information. 

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Laverne Cox Opens Up About Cisgender Actors Playing Transgender Women

With Season Five of “Orange Is The New Black” released earlier this month, Laverne Cox has a lot to say about her groundbreaking role in the Netflix hit, which earned her an Emmy nomination in 2014.

Always opinionated and wonderfully energetic, Cox, in an interview with me on SiriusXM Progress, opened up about so much else, too ― including trans actors like herself playing non-trans roles, and cisgender male actors playing transgender women.

“Prisons are working exactly the way they’re supposed to,” she first explained bluntly, in discussing how her character, Sophia Bursett, a transgender prison inmate, spent much of Season 4 in solitary confinement, a reality faced by so many transgender women of color in prison. “Prisons have existed, really, as this new Jim Crow. As a way to enslave black people. And that brutality is working exactly as it’s supposed to.”

Though someone like her could be a success today, Cox said, our institutions, including our electoral system ― as reflected by the 2016 presidential race ― are haunted by slavery.

“I think when we look at America, a country we love, a country where ― I mean, my story is not possible, I think, anywhere else in the world, that a black trans woman from Mobile, Alabama, can be living this dream out loud on an international level,” she reflected. “It’s pretty remarkable. I love this country. But the truth of this country is that it was built on the backs of slaves. And even something like the Electoral College was designed to keep southern states from letting northern states get too much power, so they could keep slaves. The Electoral College is this antiquated thing that we need to let go of.”

And on the topic of what roles transgender actors should play and whether or not cisgender men ― like Matt Bomer, currently embroiled in controversy regarding his role in the new film “Anything” ― should play transgender women, Cox expounded a great deal.

 “My experience as a trans woman playing a trans character is that I have found that audiences not only have empathy for the character that I play but they find themselves having empathy for the actor who plays that character,” she said. “And I think there’s a lot of evidence that this moment happening with me and ‘Orange’ has created an enormous amount of social change. Right? I mean, like just look at the resume! The proof is there.”

She then pointed to a recent essay by Emmy-nominated transgender writer, actress and producer Jen Richards, “Why Straight Men Kill The Trans Women They Love.”

 “Jen Richards said that she believes that when cisgender men or non-transgender men play trans women it sends a message to people who don’t know trans folks that trans women are really men,” Cox explained. “And then, as brilliant as Jefffrey Tambor is, as brilliant as Jared Leto is, and all these actors who play trans women, when people who don’t know anything about trans folks and trans women see the very sexy Jared Leto and his beard accepting an Oscar for playing a trans woman, the message that it sends is that trans women are really men. So when men find themselves attracted to trans women they have anxiety about that because of their own internalized homophobia and transphobia and they’ve gotten this message that trans women are really men and then this leads to violence. [Jen Richards] contends that this leads to violence against trans women. And I think she makes a really strong argument.”

But Cox isn’t an an absolutist ― “I would never want to tell another actor that they should or shouldn’t play a part” ― and would leave it to actors to make their own decisions. She simply wants them to think more about the outcome, the effect.

“Art is art,” she said. “And artists should have the freedom to do whatever we want. But there are consequences to that. There’s freedom of speech and freedom of expression, but there’s consequences to that speech. So Jen Richard’s arguments I think are worth considering when we think of casting trans folks. And I think that trans folks should not just be playing roles that are expressly trans. I just did a pilot for ABC and played a part that was not written as trans. But the producers, after looking at lot of different actors, thought that the qualities that I have as an actor would lend themselves to this character. And it didn’t get picked up but they loved what I did and I tested very well with audiences apparently, which is exciting to hear.”

All of these issues, very dear to her, are part the basis for Cox’s desire now to create her own scripted television show. It’s not something she’s ready to offer many details about, she said, but it’s been a “long-term goal” she’s currently working on.

“So that’s, hopefully, the future of trans folks acting,” she continued. “That we are cast as roles that we are right for. There a lot of trans stories to tell. We’ve only tapped the surface. And that’s why I want to create my own show.”

Which means much more of Laverne Cox to look forward to ― something we can all celebrate.

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'Dragonball FighterZ' looks dangerously close to the anime

There have been so many Dragonball (Z or otherwise) games that it’s hard to tell most of them apart. While the latest Xenoverse titles attempted to spin out Akira Toyama’s characters into alternate universes with online play, Dragonball FighterZ is a…

The Morning After: Weekend After E3 Edition

Hey, good morning! You look fabulous.

Welcome to the weekend. The E3 2017 show floor has closed, but gaming news will continue to flow all weekend as we wrap up our coverage of the event. Of course, that’s not the only thing that happened this week,…

This Robot Plays the Marimba Way Better Than You Can

A while back engineers at the Georgia Tech Center for Music Technology built a robot that can play music. Mason Bretan’s robot goes by the name Shimon, and is a four-armed, marimba-playing robot with some serious smarts. Over the years, it’s been seen playing a variety of pre-programmed tunes, but more recently, it’s learning how to compose its own music.

It has a vast library of songs that it uses to help it write the music that it plays – about 5,000 songs from composers like Beethoven, Miles Davis, The Beatles and many many more. Thanks to machine learning algorithms, you can give this bot the opening four measures of a song, and it will use its knowledge to improvise its own tune and play it.

Shimon will perform in a concert at the Aspen Ideas Festival at the end of the month if you want to see it live. The music it plays is pretty easy on the ears. If you liked what you heard, here are a couple of additional videos of Shimon performing some lengthier improvised tracks:

[via Georgia Tech News]

Cerebral Palsy Didn't Stop This College Junior. Obamacare Repeal Might.

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HILLIARD, Ohio ― Justin Martin, 21, is in many respects a typical junior at Kenyon College. He lives in an off-campus apartment, which he shares with six other guys. He’s majoring in English, helps run a student improv group, and last semester he took five courses instead of the usual four ― a “terrible idea,” he now concedes. Sometimes he pulls all-nighters to write papers or study for exams, drawing sustenance from soda and chocolate-covered almonds. And sometimes he stays up late just to have long arguments with his roommates ― like over whether it’s OK to ban campus speeches by white supremacists (Martin says no) or whether the seventh Harry Potter novel was the worst (Martin says yes).

But in one respect, Martin is unique on the Kenyon campus and rare among college students in general. He has cerebral palsy, the disease that severely impairs muscle movement. Martin cannot walk or care for himself without assistance. His life in college ― getting to room with his fellow students, carrying a more-than-full course load ― is a testimony to many things, including supportive administrators and his own stubborn determination. But, Martin says, none of this would be possible if it wasn’t for the help of government programs. And perhaps the most important among them is Medicaid, the federal-state health insurance program that provides coverage to the needy, including people with disabilities.

Most people think of Medicaid as a program for able-bodied, non-elderly adults and their children ― a form of “welfare” that some Americans tolerate and others resent because they think, rightly or wrongly, that it’s subsidizing people too lazy to work. But one-third of the program’s spending is on people with disabilities. Although they account for a much smaller fraction of Medicaid enrollees, there are roughly 9 million people in this category, and almost all have unusually severe health care needs. On average, Medicaid spends more than four times on somebody with disabilities than it does on an able-bodied adult.

Martin is living at his family’s home on the outskirts of Columbus for the summer. When I visited him there recently, he pointed out some of the places that Medicaid money goes. There is the lift-and-pulley system that operates along a track in the ceiling, similar to the one in his campus apartment. It takes him from his bedroom into the bathroom when he needs to use the toilet or take a shower. To get around, he uses a motorized wheelchair that can change its shape in order to stretch out his legs or make him stand. For longer trips, there’s a van with a lift for the wheelchair. Martin can’t be truly alone, because he requires help with some basic functions ― a list, he frequently notes, that includes “wiping my butt.” That means paying for caregivers who, at school, must be on call around the clock. 

Buying and installing the equipment costs many thousands of dollars. Paying those caregivers costs many thousands more, on an ongoing basis. Martin’s father, who lost his factory job several years ago, drives trucks for a living. His mother, who used to work in state government, now has a job at a university. That position provides health insurance, but the plan, like most commercial insurance policies, wouldn’t cover the array of equipment and services Martin needs ― especially the ones that allow him to live independently. Medicaid, in combination with some other government programs, does. And now some of that coverage is at risk because of Republican efforts to repeal the Affordable Care Act.

The American Health Care Act, the bill that the House of Representatives passed in May and that the Senate is now using as the basis for its repeal legislation, would cut approximately $1 trillion from federal health plans over the next decade, according to the Congressional Budget Office. Although few people realize it, a portion of that cut has nothing to do with “Obamacare” per se. It’s the creation of a different funding formula for Medicaid that would affect the entire program. The purpose of this change is to limit the money Washington sends to the states in order to finance their programs. Conservative lawmakers want to scale back the funding even more, either in the repeal bill itself or in subsequent legislation.

The champions of this legislation, including Trump administration officials like Health and Human Services Secretary Tom Price and Republican leaders in Congress like House Speaker Paul Ryan (R-Wis.), deny that these cuts would hurt people like Martin. They say eliminating recent Medicaid expansions and putting the program on a tighter budget would ultimately make it more financially sustainable. And they say that states, given more flexibility over how to manage Medicaid within their borders, would respond by finding ways to innovate. “We believe strongly that the Medicaid population will be cared for in a better way under our program,” Price said during a CNN interview in May.

It’s impossible to disprove these claims. But Medicaid’s history offers reason to be highly skeptical. Funding for the program is already threadbare. And plenty of state officials ― mostly, though not exclusively, Republican ― already want to reduce their share of Medicaid appropriations even more. Cuts at the federal level could embolden these officials, or merely force them to respond in kind because of how the program’s financing works. Either way, coverage for disabilities would be a likely target for cuts, in part because that coverage represents such a large fraction of program spending now.

It’s almost incomprehensible what would my life look like without these services, because there would be no ‘my life’ without these services.
Justin Martin describes how Medicaid has influenced his life

Martin knows all about this because he’s watched such efforts play out in Ohio, as state lawmakers have tried to limit spending on programs that affect him. And although he realizes that Medicaid has some big problems, as all large programs do, he thinks few people understand the critical role it plays for people like him ― or the threat that even relatively modest funding cuts pose.

“Really there’s not a single area of my life that hasn’t at some point come into contact with Medicaid dollars,” Martin says. “It’s almost incomprehensible what would my life look like without these services, because there would be no ‘my life’ without these services. It gets impossible to disentangle.”

How Medicaid Quietly Became So Essential

Medicaid has been around for a little more than 50 years. For most of that period, it has been something of a political afterthought. Former President Lyndon Johnson didn’t even mention Medicaid when he signed the bill creating it, instead focusing on Medicare, the program for seniors that the same legislation authorized. Over time, Medicaid grew gradually and frequently without fanfare, with lawmakers like former Rep. Henry Waxman (D-Calif.) quietly slipping amendments into larger pieces of legislation in order to expand eligibility or services for children and low-income adults. 

Sometimes people with disabilities benefitted directly from such initiatives. And sometimes they benefitted indirectly from other policy changes. Legislation in the early 1970s created a new federal standard for disabilities and, in the process, made millions of people with mental or physical impairments eligible. In the late 1990s, the Supreme Court ruled that states had an obligation to provide people with disabilities a chance to live independently. Most states used their Medicaid programs to comply, by expanding their versions of the program to cover more services outside of institutions, whether in the home or in the community more generally.

All of these expansions have filled critical needs. Lawmakers added coverage of extra medical screenings for children in response to studies showing that poor nutrition, exposure to environmental hazards, and other conditions associated with poverty put these kids at much greater risk of disease and developmental delays. (These screenings would later yield the data that allowed a Michigan public health expert to expose the Flint water crisis.)

A similar rationale was behind the expansions of services for people with disabilities. The changes followed exposure of wretched conditions in group homes ― and a growing realization, backed by science, that people with mental and physical limitations can not only live at home but also hold jobs and participate in everyday activities.

The transformation for people with disabilities has been dramatic, if still incomplete, as Martin knows. “Do you want to live independently in your home with your family or in college, or do you want to live in a crappy group home with black mold in the walls that looks like it’s about to keel over any second?” he says. “That’s really the stark reality of what we are dealing with here.”

Providing these services generates large bills. Because Medicaid is an entitlement, the federal government’s commitment to paying those bills is open-ended. Washington offers matching funds to states and, as long as states abide by the program’s rules, the federal government provides however much money it takes to cover everybody who becomes eligible. Over the years, that’s become more and more expensive. Today the program accounts for roughly 10 percent of the federal budget. For states, it’s 15 or 20 percent of total spending, on average, depending on how you count.

Republican Plans Represent A Fundamental Change

Conservatives have responded to Medicaid’s growth by fighting to limit the government’s financial exposure. In the 1990s, then-House Speaker Newt Gingrich (R-Ga.) and Republicans proposed that the federal government give state officials fixed sums of money each year, based on a predetermined formula, regardless of how expensive care for the Medicaid population had gotten or how many had enrolled. The effort failed, but the idea of transforming Medicaid funding has been a cornerstone of Republican budgets under now-House Speaker Paul Ryan (R-Wis.). It’s a crucial, if underappreciated, feature of the American Health Care Act. Under the legislation’s terms, states would have two options for Medicaid funding going forward ― a newly modified version of the Gingrich “block grants” or a system of “per capita caps.”

Under the per capita caps, the federal government would use a predetermined formula to set the level of its contribution towards state Medicaid programs. That contribution would be on a per-person basis, so that the total federal contribution would vary with enrollment ― rising as more people sign up for the program, falling as fewer do, and thereby making the system more sensitive to changing economic conditions than a block grant would be. House Republicans also set the caps at levels designed to soften their blow ― by, among other things, allowing for the relatively higher expenses from Medicaid’s aged and disabled population. At least initially, the caps might be high enough that the federal contribution would come close to what most states would spend otherwise.

But the whole point of introducing a per capita cap is the same as introducing a traditional block grant ― to apply some kind of limit to what government spends on Medicaid. The wonky particulars of the formula (like using 2016 as a base year for calculations) mean that, over time, the gap between those caps and the expense of maintaining today’s coverage levels would likely grow, and that’s assuming the cap in the House bill doesn’t change. Conservative senators are already lobbying hard to tighten it. Even if they don’t succeed, the mere existence of a cap would give lawmakers a simple, potentially more palatable method for dialing back federal contributions in the future. Having brought the cap into existence, they could simply lower it. The federal budget proposal that the Trump administration released last month calls for doing just that.

It’s like cutting your fire department budget while your house is on fire. It doesn’t get rid of the fire. It just gets rid of your firetruck.
Martin on Republican plans to cut funding for Medicaid

The Republicans most enthusiastic about these cuts, and the intellectuals who agree with them, say that restricting the money that states get for Medicaid would prod them into eliminating waste and spending their dollars more judiciously. Even the program’s most ardent defenders would concede it could use improvement. But overall, Medicaid is already an extremely lean program, paying less for medical services than either Medicare or private insurance does. The program’s total, per-beneficiary costs are also rising less quickly than those costs in those other insurance programs.

Medicaid’s most glaring weakness is that many beneficiaries struggle to find specialists willing to accept such low payments ― an issue that Republicans frequently cite when they defend their agenda, as if their reforms would make the problem better. In reality, spending less on Medicaid is bound to make that problem worse. The same goes for other parts of Medicaid that specifically serve people with disabilities and currently have waiting lists because they lack funding to handle more enrollees. (Some conservatives have suggested the Affordable Care Act has made the waiting lists longer, by diverting state money into the expansion of coverage for able-bodied adults. The data does not support this.)

“Cuts in disability spending don’t make the overall number of disabled people requiring services in the state go down,” Martin notes. “Those people are still there. There’s just less money for them. … It’s like cutting your fire department budget while your house is on fire. It doesn’t get rid of the fire. It just gets rid of your firetruck.”

What GOP Plans Would Mean For People With Disabilities

It’s impossible to predict exactly how each state would respond if federal matching funds for Medicaid began to decline. Republicans are telling the truth when they say their proposal would give state officials more discretion over how to allocate Medicaid funds. In theory, those officials could leave services for people with disabilities alone while seeking cuts elsewhere. A few states might actually use the cuts as an impetus to rethink the structure of their Medicaid programs, in order to deliver better, more efficient care. When the right conditions exist, states have found ways to innovate before.

But if history is any indication, the vast majority of states would respond in cruder, simpler ways. They would probably start by trimming further what their programs pay to care providers. After that, they would likely seek to reduce coverage itself. Benefits for people with disabilities would be an obvious target, because that’s where so much of the money is and because key services like home- and community-based care are among those Medicaid treats as optional, making it technically easy for states to scale them back.

“They’re not optional for [the beneficiary] but they’re optional for the state,” says Andy Schneider, who spent decades working on Medicaid in Congress and for the Obama administration before joining the faculty at Georgetown University. “And the state is going to be under relentless pressure, year after year, to find ways to reduce its spending.”

It’s even possible that cutting federal contributions to Medicaid could have precisely the opposite effect that conservatives hope it would ― stifling innovation, like the ongoing effort to move people out of institutions, rather than fostering it. “Those reforms require upfront investments in order to produce savings over the long-run, something states can’t do when they have to make immediate across-the-board cuts in response to the House bill’s cost-shifts,” Edwin Park, vice president for health policy at the Center on Budget and Policy Priorities, says.

We know where the cost lies in Medicaid ― it lies with the aged and disabled.
John Corlett on the people Medicaid cuts would harm the most

Advocates in Ohio are similarly wary of promises that the Republican health care bill would spare people with disabilities from harm. “We know where the cost lies in Medicaid ― it lies with the aged and disabled,” John Corlett, who ran the state’s Medicaid program before he became president of the Center for Community Solutions, says. “They are vulnerable, they are the most dependent on those Medicaid services, and the effect on them could be much more profound.” In fact, says Michael Kirkman, executive director of Disability Rights Ohio, the real question is how, not whether, the reductions have an impact. “I am confident that cutting Medicaid funding to the state will harm people with disabilities in some fashion, I just don’t know what that is at this point,” he says.

Recent history in the state suggests these fears are well-founded, as Martin can attest. In 2015, as a high school student, he testified before state officials about the potential impact of a proposal to eliminate Medicaid payments for some of his care workers. Earlier this year, he was back in Columbus to protest yet another proposed cut to home care workers ― this time, with a posse of Kenyon classmates alongside him. “There are few people who deserve to be at Kenyon every day, few who have fought to be here and worked their assess off to be here the way that Justin has,” one said of Martin. Another testified about his own disability, autism, and how seeing Martin on campus gave him the courage to be more open about it.

Martin’s activism has generated coverage in local papers and, of course, the Kenyon Collegian, though he has mixed feelings about the publicity. “I don’t want to be the person that has to talk about politics and defend my basic humanity over and over again. You know, I have friends, I watch movies, I eat a lot of Cool Ranch Doritos. Everybody deserves to live a life independent from politics,” he says.

But Martin also knows that many people are even more dependent on Medicaid than he is. “I’m actually sort of an easy case when it comes to disability. [Medicaid benefits] allow me to live a full and happy life, allow me to be clean and independent and safe. But they don’t literally, fundamentally keep me alive. They’re not oxygen, or life-saving medication.” And many of the people who depend on those things, Martin knows, “don’t have the luxury of going down to the state house to speak.”

The Medicaid Debate Is Bigger Than Medicaid

The alternative to cutting Medicaid, as Republicans now propose, is funding it at current levels or beyond. That entails its own tradeoffs. Money for the Affordable Care Act’s Medicaid expansion comes primarily from cuts in what Medicare pays providers and insurers, along with taxes that fall on the wealthy and health care corporations. Republicans plan to repeal those taxes. The rest of Medicaid draws on general revenue, which means the federal government pays for it with some combination of taxes, reduced spending elsewhere and higher deficits.

Martin has thought a lot about how to defend such a large fiscal commitment to Medicaid in the current political climate ― a time when the House speaker recalls dreaming up Medicaid cuts as a college student while jabbering over a keg of beer, and a candidate for president openly mocks a reporter with disabilities yet still manages to win the election. One answer is that misfortune can happen to anybody; in Martin’s case, the misfortune was an extremely premature birth and a damaged cerebellum. And when misfortune can happen to anybody, everybody benefits from a truly protective safety net.

Another answer is that society is richer, metaphorically and literally, when people with disabilities are able to study, work and contribute their skills and talents. For Martin, that means becoming an English teacher, ideally at a public school. “What appeals to me about public education is you take everybody,” he says. “You take the people that get passed over, because I was that kid.”

But ultimately the debate over Medicaid’s future is really a debate over whether America should keep trying to fulfill the basic promise it has made over the past half-century ― not just to those with disabilities but to all groups covered by Medicaid, and to seniors in Medicare, and most recently to the children and working-age adults who have gotten insurance through the Affordable Care Act’s expansion of coverage. It’s the promise that access to health care ought to be a right, something every person should have regardless of financial or physical status, and that the American public as a whole will find some way to meet that obligation.

The essence of the Republican argument on health policy, once you strip away all the jargon and step away from all the policy minutiae and see the agenda as one, unified whole, is that America can’t or shouldn’t make that kind of commitment. Whether you agree with that position is a question of values and priorities, not facts. For people like Justin, your answer matters a lot.

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Someone Trolled A GOP Senator By Signing Him Up To Nickelback Emails

Sen. Ben Sasse (R-Neb.) is not diggin’ this at all.

On Friday, he tweeted that someone had signed several of his email accounts up to Nickelback promotional newsletters. “It’s. Not. Funny,” he wrote:

Whilst signing people up to spam email is never to be condoned, Sasse does have major form in trolling the Canadian rock band himself.

Over the past 16 months, he’s repeatedly used Twitter to poke fun at the group:

It’s also not the first time someone has added Sasse to the band’s mailing list:

Sasse claimed the office of Sen. Orrin Hatch (R-Utah) was behind the latest prank:

Hatch’s office hasn’t confirmed its role in the joke, but did use the opportunity to indulge in some more trolling:

Sasse saw the funny side, as did many of his Twitter followers:

Some, however, used the exchange to quiz both Sasse and Hatch over the GOP’s health care reform:

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John Avildsen, Oscar-Winning Director Of 'Rocky,' Dead At 81

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(Reuters) – John Avildsen, the Oscar-winning director who made Hollywood’s quintessential underdog story in 1976 boxing saga “Rocky” with a then-unknown Sylvester Stallone, and crafted another inspiring tale in “The Karate Kid,” died on Friday at age 81, his family said.

Avildsen had been suffering pancreatic cancer at Cedars-Sinai Medical Center, his son, Anthony, said by phone.

Avildsen won the Academy Award for best director for “Rocky” while the film was named best picture and other successes included the “The Karate Kid” series in the 1980s. He directed seven actors to Oscar nominations.

In the years before “Rocky,” Avildsen won praise for two dark character studies: “Joe” (1970) with Peter Boyle and Susan Sarandon and “Save the Tiger” (1973) starring Jack Lemmon, who won the Academy Award for best actor for the role.

He also had his share of career setbacks, directing some clunkers and being fired as director of 1970s classics “Saturday Night Fever” and “Serpico” because of disputes with producers.

“Rocky” proved to be as much of an underdog success story as the fictional Philadelphia boxer Rocky Balboa portrayed by Stallone, who wrote the screenplay. Stallone was an obscure actor at the time but stubbornly refused to allow studios to cast anyone but himself in the role. Producers Robert Chartoff and Irwin Winkler consented to let him take the role under Avildsen’s guidance.

“Rocky” was made for a modest $1 million and generated $225 million in ticket sales to became a cultural phenomenon, with a series of unforgettable characters and scenes and a blend of romance with pugilistic action.

The film centers on charismatic champion Apollo Creed, played by Carl Weathers, plucking Balboa, known as “The Italian Stallion,” from obscurity for a dream shot at the world heavyweight boxing title.

Rocky, who earns money as a collector for a loan shark, falls in love with the mousy Adrian (Talia Shire), the sister of his miserable friend Paulie (Burt Young), and gets help from a gruff trainer named Mickey (Burgess Meredith) who long felt Rocky had wasted his considerable potential.

Avildsen took the “Rocky” job only because funding fell through for another movie he was set to direct.

“My friend sent me this (”Rocky”) script and got me to read it,” Avildsen told the Birmingham, Alabama, News in 2000. “And on the third page, this guy is talking to his turtles, and I was hooked. It was a great character study.”

There were low expectations. “It had to be done in 28 days for less than a million bucks, and nobody bothered you because there was so little money involved,” Avildsen said. “There was no anticipation of it being anything but on the bottom bill of a drive-in in East Podunk.”

“Rocky” was nominated for 10 Oscars and won three, with Stallone taking the best actor award. In accepting the Oscar for best director in March 1977, Avildsen told the audience, “I guess what ‘Rocky’ did was give a lot of people hope and there was never a better feeling than doing that.”

Avildsen’s professional stumbles included tangling with stars John Belushi and Dan Aykroyd on the comedy “Neighbors” (1981), then made the crass male-stripper movie “A Night in Heaven” (1983).

His next film, “The Karate Kid” in 1984, triumphed with an underdog theme similar to “Rocky” as a bullied teenager played by Ralph Macchio overcame the odds with the help of a wise martial arts master, played by Pat Morita. He also directed “Karate Kid” sequels in 1986 and 1989.

Avildsen returned to the “Rocky” franchise to direct the critically panned “Rocky V” (1990) about a protégé who turns on Rocky. Avildsen intended for the Rocky character to die in the film but studio bosses disagreed. “They told me James Bond doesn’t die. Superman doesn’t die. Rocky doesn’t die,” Avildsen told USA Today in 2014. “So Rocky didn’t die. But the movie died.” 

Avildsen also directed Burt Reynolds in the likable caper “W.W. and the Dixie Dancekings” (1975), George C. Scott and Marlon Brando in the thriller “The Formula” (1980), Morgan Freeman in school drama “Lean on Me” (1989) and the apartheid tale “The Power of One” (1992).

Avildsen was born on Dec. 21, 1935, in Oak Park, Illinois. After serving in the military, he made industrial films for companies and worked as an assistant to directors, including Otto Preminger before directing his first film in 1969, “Turn On to Love.”

(Additional reporting by Alex Dobuzinskis in Los Angeles; Editing by Bill Trott)

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