Artist Sculpts SpongeBob As A Human, Creating Stuff Of Nightmares

Unless you’ve been living in a pineapple under the sea since 1999, you know who SpongeBob SquarePants is.

And you know the beloved cartoon sponge looks like this:

You may also be aware that SpongeBob has a friend, a starfish named Patrick, who looks like this:

You may not know, however, who Miguel Vasquez is.

He is a 21-year-old 3D artist from Ontario, California, who decided to take it upon himself to digitally sculpt what SpongeBob and Patrick would look like if they were real-life humans.

Let’s just say that his rendering is quite a bit to take in.

Vasquez told HuffPost that he’s always had an obsession “with popular fictional characters turned into somewhat realistic alternative versions.”

He said he would find himself Google image-searching things like “real life Homer Simpson” or “SpongeBob human form” and would stumble upon a few portrayals, but they never pleased what he describes as his “erratic taste.”

So, in April he decided to take it upon himself to create his own interpretations using 3D sculpting software.

Vasquez uploaded his creepy creations to ArtStation, an online showcase platform for artists, just last week. Thanks to a Twitter user named Max Goof, the photos made their way on to the popular social media platform on Wednesday and, needless to say, some people were taken aback.

Others pointed out a relevant flaw in Vasquez’s designs.

But Vasquez doesn’t seem to mind these kinds of reactions. He told HuffPost that the project was done purely for fun and freaking people out was the “plan all along.”

He does have one regret, however.

“My first initial take was to give SpongeBob pimples instead of holes on his face, since he is portrayed human here,” he said. “But I went with the holes instead.”

Oh, thank Squidward he didn’t!

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Naomi Watts' Latest Trick: The Ukulele

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Because they embody characters will all sorts of talents and experiences, actors get to learn a lot of nifty skills. Naomi Watts, for example, picked up the ukulele and video games ― sort of ― for her new movie, “The Book of Henry,” which opens this weekend.

Watts plays a single mother named Susan who cedes most adult responsibility ― you know, paying bills and cleaning and managing the family’s stock trading ― to her precocious 11-year-old Henry (Jaeden Lieberher). If she’s not scurrying to her waitressing job or schlepping her kids around in a beat-up station wagon, Sarah is probably playing violent video games or imbibing with her lush co-worker (Sarah Silverman). Not that she doesn’t adore her sons (she also has Henry, an 8-year-old played by Jacob Tremblay); she just plays a little fast and loose with the whole parenting thing. 

One night, while tucking Henry and Peter into bed, Susan pulls out a ukulele and serenades them with a rosy sleepy-time song. That required a double whammy for Watts, who doesn’t play the ukulele and feels “very, very uncomfortable” singing.

“As an actor, you get to learn little bits of things through these characters,” she told HuffPost last month at the movie’s New York junket. “I remember one time I had to learn to ride a unicycle. Another time I hard to learn to play an Erik Satie piece on piano. And this time, the ukulele. But I don’t even know if I can still play it.”

Watts shot “The Book of Henry” in late 2015. Opening this weekend, the film is the latest addition to the actress’ busy 2017 slate, which started with festival holdovers “Chuck” and “Three Generations,” continued with a top-secret role in the “Twin Peaks” revival, and revs up even more with the lead role on Netflix’s forthcoming “Gypsy” and as the eccentric mother in the adaptation of Jeannette Walls’ best-selling memoir The Glass Castle

Watts is well aware that not all of these projects will find an instant shelf life. “Chuck” and “Three Generations” have already failed to crack $1 million at the box office. “Twin Peaks” may not be a ratings bonanza, but it’s a conversation-starter online thanks to its rabid fan base. And “The Book of Henry,” for all its tone-shifting madness, has the added credential of being the latest project from Colin Trevorrow, the director of “Safety Not Guaranteed,” “Jurassic World” and next year’s “Star Wars: Episode IX.” 

“You just never know if people are going to be willing to receive it at that particular time,” Watts said. “It’s always a risk and it’s very painful when things don’t work out in the way that you’d hoped because you put so much into it, you really do. I never take on a project where I just sort of phone it in — I have to bleed for it.”

At least she can cross “ukulele” off her bucket list. 

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Bogart's In St. Louis Is Taking BBQ Experimentation To The Next Level

All month long we’re giving you behind-the-scenes access to the country’s top pitmasters, hog farmers, sauce makers, smoke experts and meat connoisseurs and capturing it all live across Zagat and HuffPost social channels. Tune in every day to ask questions, learn BBQ tips and keep tabs on the action.

Have a favorite ‘cue joint of your own? Instagram it with hashtag #ZagatBBQNation and at the end of our trip we’ll declare a People’s Choice Winner.

 Check out the full Periscope footage here:

Bogart’s earned a lot of early buzz when it opened because the team behind it — pitmaster Skip Steele and general manager Niki Puto — were veterans of Pappy’s Smokehouse, one of the most well-known barbecue spots in St. Louis.

But the place has since earned its keep, thanks to Steele’s ability to both master the classics (don’t sleep on the apricot-glazed baby-back ribs), while also experimenting with new ways to serve barbecue. The Sausage Fatty, a spicy, flavor-filled take on breakfast sausage, is a perfect example of this.  

The storefront is simple and relatively unadorned, allowing you to focus on what matters — the insanely strong smell of apple and cherrywood smoke drifting into the restaurant from the backyard smoker. If there’s a line (which there probably will be), wait in it — chances are, someone from the restaurant will come out with free samples of brisket.

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Disney World Temporarily Stops Monorail After Piece Breaks Off

The monorail at Walt Disney World was evacuated Friday after it was forced to stop near Epcot Center.

Park visitor Jim Parker says he was standing underneath the train when a metal chunk fell from it and landed approximately 10 feet from him.

In a series of tweets, he explained what he saw:

It is still not clear what part of the monorail fell.

The Reedy Creek Fire Department was called to the scene, according to local outlet WESH.

Passenger Leighton Shields tweeted out several videos of the experience, including of emergency vehicles arriving to the area.

Shields’ monorail car became so hot that passengers removed the emergency windows, according to another tweet she posted. 

Once things got moving again, passengers were taken to a station and allowed to exit, according to the Walt Disney World News Today blog.

Walt Disney World did not immediately respond to HuffPost’s request for comment.

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HP Envy 34 AiO Review , original content from Ubergizmo. Read our Copyrights and terms of use.

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