Scientists have leveraged data gathered using the Atacama Large Millimeter/submillimeter Array (ALMA) in a new study. The information gathered suggests that previously displaced gases can re-accrete onto galaxies. That process can slow down the process of the galaxy dying from ram pressure stripping and could create unique structures more resistant to its effects. Researcher William Cramer says that much of … Continue reading
This week, Cherlynn and Devindra dive into the toxic mess at Activision Blizzard with Senior Editor Jessica Conditt. California is suing the company over its frat boy culture, something we’ve seen at many gaming companies over the years. What’s actually going on, and what does it mean for the gaming industry as a whole? Tune in for our thoughts! Also, we chat about Facebook’s metaverse ambitions, some new chip plans for Intel and… Xbox Krispy Kreme donuts.
Listen below, or subscribe on your podcast app of choice. If you’ve got suggestions or topics you’d like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!
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What’s happening with the Activision Blizzard walkout? – 1:25
Facebook has started mentioning “the metaverse” a lot – 21:18
New Samsung S-Pen for foldables – 26:16
Intel is doing some interesting marketing to keep up with its competition – 32:33
New earbuds from Nothing (the company) and Master & Dynamic – 37:50
Working on – 44:46
Pop culture picks – 49:52
Credits
Hosts: Cherlynn Low and Devindra Hardawar
Guest: Jessica Conditt
Producer: Ben Ellman
Livestream producers: Julio Barrientos, Owen Davidoff, Luke Brooks
Graphics artists: Luke Brooks, Kyle Maack
Music: Dale North and Terrence O’Brien
If you’re not an audiophile, navigating the world of speakers and home entertainment can be insufferable. Everyone’s got an opinion, and it’s easy to get turned around by buzzwords like “simulated height” or “360-degree immersive sound.” What if all you want is a system that does its job, won’t look hideous in your…
Robotics researchers from the University of Maryland have created a 3D printed soft robotic hand. One of the biggest problems with robotic hands so far is that they lack the dexterity required to perform some tasks. The researchers have created a soft robotic hand that is agile enough to play the Nintendo video game Super Mario Bros. and win. Soft … Continue reading
Bahrain Raid Xtreme (BRX) has announced that it is redesigning its off-road vehicle called the Prodrive Hunter to meet the new T1+ regulations announced by FIA. T1+ is a top class of the Dakar 2020 off-road race alongside the T1-E class. BRX notes that it has redesigned the Prodrive Hunter specifically to meet the regulations of the new class. The … Continue reading
The gymnast’s low-key celebration clip has racked up millions of views on TikTok.
Bioengineers at Rice University have leveraged 3D printing and smart biomaterials to create a new implant for Type 1 diabetics that produces insulin. The breakthrough is the result of a three-year partnership between researchers and the Juvenile Diabetes Research Foundation. Researchers used insulin-producing beta cells made from human stem cells to create an implant able to sense and regulate blood … Continue reading
Yes, you can finally upgrade your SSD storage on the PS5 — a console that already demands pretty huge game file sizes. It’s a whole lot more complicated than plugging in a USB drive, however. First up, you have to be a PS5 beta user in the US, Canada and parts of Europe. Then, you need a PCIe Gen4 SSD for read speeds of 5,500MB/s or higher — there are options from Samsung, Western Digital and Seagate.
But that’s not the end of things. Sony notes in its guide to SSD upgrades that you also need to factor in the PS5’s cooling mechanism. This means you might have to add a heatsink to your SSD or choose a compatible SSD with the cooling structure built-in.
Oh, it has to be the right-sized heatsink, too. And Sony suggests doing the whole installation in a well lit room, flashlight “optional.” It literally says that.
Did you buy a next-gen console so you didn’t have to think too much about these kinds of things? Well, sorry. It’s time to measure a heatsink. The feature will roll out to non-beta PS5 users later this year.
(TLDR: The Western Digital Black SN850 heatsink model should work if you want to upgrade your PS5 storage.)
— Mat Smith
Intel’s very own desktop PC series gets a little more compelling. The new NUC 11 Extreme, AKA Beast Canyon, is a lot like last year’s NUC 9 Extreme. But it’s a bit cheaper and more flexible, thanks to its faster 11th-gen Intel CPU and support for full-sized GPUs. It’s bigger, yes, but that ability to work around full-sized GPUs makes it a genuine, if expensive, gaming PC desktop option. Devindra Hardawar puts it through its paces. Continue reading.
Finally, a game you play as a cat. After being teased in 2020, we finally get to see the game in action — and news it will arrive next year. Gameplay involves using physical abilities as a cat to navigate the environment and solve puzzles. You can also scratch furniture. Continue reading.
Nothing’s long-teased launch product is almost here. Its transparent-cased wireless earbuds look cool, ring in at $100 and, perhaps a little surprisingly, sound pretty good. The Ear 1s are a little temperamental with connectivity — and pricier headphones sound better — but Nothing has delivered some stylish buds that will come to the US next month. Mat Smith tests them out. Continue reading.
Black Widow star Scarlett Johansson is suing Disney over the company’s decision to release the movie in theaters and on Disney+ simultaneously. Johansson claims this was a breach of contract. In the suit, Johansson says Black Widow was supposed to be released exclusively in theaters, per her deal with Marvel. A large portion of Johansson’s salary was tied to its box office success.
The move to launch the film on Disney+ may have impacted Black Widow‘s performance in theaters. According to Variety, it’s on track to become one of the lowest-grossing Marvel movies to date, based on box office sales. Continue reading.
‘What Remains of Edith Finch’ will hit iOS on August 16th
AMD’s Radeon RX 6600XT is its next flagship 1080p GPU
Engadget Deals: Apple’s MacBook Air M1 is on sale for $850 right now at Amazon
Tesla update adds Disney+ streaming and a Car Wash mode
Facebook’s next product will be its long-awaited Ray-Ban smart glasses
The BBC has announced that Chris Chibnall (pictured, center), Doctor Who’s executive producer, and its star, Jodie Whittaker (pictured, right), will leave the series in 2022. A trio of specials through next year would herald the pair’s departure from the long-running series. This, then, seems like an ideal time for Doctor Who to undergo the radical shakeup it so desperately needs. I don’t agree with The Guardian’s recent piece saying that the series needs to be off the air for a while, but it is very clearly time for the show to evolve again.
This is in part because Doctor Who under Chibnall has been such a waste: the showrunner’s work before taking the job, while popular and award-winning, had always left me cold. My initial apprehension was calmed, somewhat, by the news emerging from the production of the revived series’ 11th run. Chibnall also deserves credit for hiring the first two writers of color in the show’s nearly sixty year history. The fact that many of the episodes had an explicit focus on material social history suggested a bright new direction for the series. The Woman Who Fell To Earth, too, was a blisteringly confident debut and all seemed well.
And then, yeesh. As good as Chibnall is at birthing some truly inspired ideas, the quality of his execution is terrible. He struggled to flesh out the quartet of lead characters and failed to offer them real stakes to deal with. And for all of the era’s emphasis on diversity, the content of each episode seemed to be far more backward-looking. I’ve written before about Chibnall often appearing to make the argument opposite to the one he thinks he’s making. Unless he intended to say that polite protest is the only good protest, Amazon’s treatment of its staff is good, actually, and that we can all benefit from the spoils of colonialism.
Naturally, the casting of a woman in the central role encouraged the usual petulance from those corners of the internet. Sadly, I think that the actors involved have all performed miracles trying to make anything Chibnall writes remotely believable. And Whittaker’s departure before she could work with another executive producer will be yet another tragically wasted opportunity in this era. I hope that this bad-faith criticism doesn’t force the production team to make a “safe” choice for the next Doctor.
The big secret to Doctor Who’s endurance is both the malleability of its premise and its knack for reinventing itself. Every few years, often as the show’s creative team changed, it would become an almost entirely different show. You could argue that this lack of sentimentality has been the case since the show’s first mission-switch, which happened in its fifth episode. The revived show has been using a version of the Buffy the Vampire Slayer template since 2005, and it’s starting to wear a bit thin.
It didn’t help that while Series 11 was designed to avoid any of the show’s dense backstory, Series 12 was at times incomprehensible to anyone but die hard fans. Chibnall, after all, devoted his series arc to validating a production gaffe in an episode that aired on January 24th, 1976. (And, in doing so, made the Doctor the Time Lord equivalent of Jesus, contradicting everything that we’d learned over the last six decades.) This was the worst kind of self-indulgent fan fiction, and hardly a bold new direction for a mainstream drama.
Unfortunately, the media landscape has changed, and competition has intensified beyond all belief. The BBC no longer has a monopoly on the conversation as it did — at least here in the UK — and is dwarfed by the streaming giants. Netflix, Amazon, Disney and others also have the wealth to offer the sort of creative freedom that once made the non-commercial BBC stand out among the crowd.
The knee-jerk reaction, I’m sure, will be to demand Doctor Who jumps on the bandwagon driven by Marvel’s recent streaming shows. That would be a mistake, because Who is at its best when it pushes away from whatever genre show is cresting into the mainstream that year. Financially, the BBC can’t compete with these mega-franchises, but the quality of its writing and its unique sensibilities, can. The one thing that the series could learn from those shows, however, is how to build every episode into an event.
This could mean that the show becomes a run of occasional specials with a longer running time, like a glorified movie of the week. Or it could, like the COVID-influenced 2021 season, be a shorter run of tightly-interconnected episodes. Chibnall may indeed stumble onto the template that helps revitalize the show going forward, but I’m personally hoping for something more radical.
For instance, if Doctor Who can’t succeed as a glossy, hour-long standalone drama, then why not go back to being a series of short serials? Netflix’s Russian Doll and the BBC’s I May Destroy You are both examples of (excellent) half-hour dramas that offer a break from the current prestige-drama template. It helps, too, that Doctor Who was run in this format for 25 of its first 26 seasons, and offers new — or at least different — methods for structuring a story.
It may also make it easier to binge during its long second life on a streaming platform. Think about it: how many times have you ducked watching a long episode of The Crown because it’s too much time to invest out of your day, but you’ll happily burn through four episodes of Brooklyn Nine-Nine without complaint. You could even get Michaela Coel to write it, although at this point I’ll settle for anyone who isn’t named Chris Chibnall.
A group of scientists has discovered two unusually red objects in the asteroid belt between Jupiter and Mars, and they may have originated from farther in the solar system. These objects — called 203 Pompeja and 269 Justitia — are redder than the reddest known objects in the asteroid belt and may have migrated to the area from beyond Neptune. If that’s true, then they could provide insight into the chaos of the early solar system and into how the solar system as we know it today came to be.
The team led by JAXA’s Sunao Hasegawa identified the objects through observations collected at the Infra-red Telescope Facility and Seoul National University Astronomical Observatory, according to the paper they published. As The New York Times points out, most objects in the inner solar system tend to reflect blue light, because they’re devoid of or have very little organic materials. Objects from the outer solar system such as the Kuiper belt, however, tend to be redder. That’s because they have a lot of organics like carbon and methane, which may have been the building blocks of our planet. As you may know, the Kuiper belt is the region extending from the orbit of Neptune where you can find remnants of our solar system’s formation.
If Pompeja and Justitia truly were transplants from beyond Nepture, then they’d serve as evidence for the hypothesis that a fraction of the asteroids between Jupiter and Mars came from the Kuiper belt. They’d also support the set of theories, called the Nice Model, on how our gas giants settled into their orbits. The Nice model says our giant planets formed closer to the Sun until an instability forced Neptune, Uranus and Saturn to move outwards and Jupiter to move inwards. The event would’ve caused asteroids rich in organic materials to scatter and move around the solar system.
Of course, more observations and evidence are needed to be able to prove that the two objects are from the Kuiper belt. The good thing is that since the asteroid belt is much closer to us than Neptune, it would take a spacecraft less time to reach them if ever Earth’s space agencies decide to send a probe to study them more closely.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
