Hasta La Gadget!

As a kid, Alx Preston spent a significant amount of time as a member of the audience, watching his brother sing in choir and opera groups. One night, he found himself sitting in a pew at the heart of a large, elegant church, letting the sounds of yet another performance wash over him. He was tired. He also happened to be playing a lot of The Legend of Zelda: Ocarina of Time at home.

“I kind of fell into a dream state,” Preston said. “I was playing a lot of Ocarina of Time at the time, and so the vocals of that mixed with this kind of fantastical vision of going through a forest. I think for me that Ocarina of Time was one of those formative games that really allowed me to see what was possible within the medium.”

Preston was the creative energy behind Hyper Light Drifter, a pixelated 2D title that helped define a generation of neon-coated indie hits in the mid-2010s, and he’s the founder of LA-based studio Heart Machine. He and a growing team of developers have been working on their sophomore release, Solar Ash, since late 2016. It’s a third-person, 3D game set in a dreamlike sci-fi space called the Ultravoid.

Annapurna Interactive

To put it in terms of Zelda titles, Hyper Light Drifter is A Link to the Past, and Solar Ash is Ocarina of Time.

“[Ocarina of Time] was really the game that felt so much bigger and limitless in its scope and scale and adventures,” Preston said. “It built a believable world that I could live in and it was 3D, and so of course I always had some idea I might jump into 3D.”

Today, publisher Annapurna Interactive announced Solar Ash will hit PC and PlayStation platforms on October 26th, five years after Heart Machine began working on it.

“Hyper Light was a way for me to get started, it was a way for me to be more grounded and put together a crew and understand, can I do this? Can I actually make games?” Preston said. “And so having answered that question, then the natural next step for me was something in 3D. Can I put something out there that really opens up the world and makes you feel like you can truly escape into something, a creation that is otherworldly, that you otherwise wouldn’t have the experience of? A lot of my childhood was spent escaping into those bigger experiences.”

Hyper Light Drifter was a deliciously difficult 2D action RPG, and at first glance, Solar Ash looks like the third-person, 3D interpretation of that same game world. It’s bright and ethereal, with an emphasis on massive enemies and rapid-fire mechanics. The protagonist, Rei, is a slender assassin on a journey to save her home from the Ultravoid, a supermassive black hole hungry for whole planets.

Even though it’s 3D, Solar Ash looks so similar to Hyper Light Drifter that Preston has had to clarify whether it’s a sequel a few times over. To be clear, it’s not. But to be fair, Preston has personally contributed to the confusion.

Annapurna Interactive

“I did ambiguously say it’s in the same universe,” Preston said. “Not like Marvel Cinematic Universe, but literally in a universe. So a million galaxies away, technically sure. It’s still in a universe. So it’s kind of a goof way of saying it. I would say that there are connected threads between the games, because I am who I am as a creator, as an artist… but it’s its own game, it’s its own identity in many ways. It’s not trying to say ‘I’m a sequel’ or anything like that to Drifter.”

Solar Ash is an action platformer with Heart Machine’s DNA baked into its code. It doesn’t attempt to do too much, and the team instead has focused on implementing a handful of core mechanics and making them feel as perfect as possible. Solar Ash is filled with radioactive environments and grotesque enemies, and it’s all about fluidity and agility, surfing through the ruins of lost civilizations at the center of a black hole.

There are about 25 people on the Solar Ash team, including Hyper Light Drifter and It Follows composer Rich Vreeland, otherwise known as Disasterpeace. That’s a bigger dev team than the original Hyper Light Drifter crew, but then again, Solar Ash is a bigger game.

“For Drifter and for Solar Ash, there are similar threads of really focusing on the core elements that are impactful and getting as much mileage out of those as we possibly can,” Preston said. “Because we have a small team making a big-ass project, and the team has been excellent in carrying through on everything that we could. Everyone’s done incredible heavy lifting and worn a lot of different hats, as you have to do on this scale of team, for this scale of project.”

As Heart Machine’s second game, there’s a lot riding on Solar Ash. Preston has established his brand as an innovative, thoughtful developer, and Solar Ash is his chance to defend it — not only in the court of public opinion, but in his own mind.

“Audience expectation absolutely factors into it, but for me I’m my own worst critic,” Preston said. “Like any artist, like any creative person, you hate your own work until you don’t and then you let it go. I mostly focused on, how do we feel we’re succeeding internally? Rather than, what is the audience going to expect out of that? Or, what kind of score will you get on Metacritic?”

Of course, if Solar Ash ends up feeling like a trippy sci-fi extrapolation of Ocarina of Time, it should be a success on all fronts.

Sunshine Mills has announced another dog food recall over potential contamination with aflatoxin, a naturally occurring toxin that results from the growth of a mold called Aspergillus flavus. According to the latest recall notice, the levels of aflatoxin in these products may exceed the acceptable limits, potentially putting dogs at risk if too much of the toxin is consumed. READ: … Continue reading

The last time we saw Stray was in the form of a cinematic trailer Sony shared in 2020 that highlighted the game’s futuristic neon-soaked setting and adorable feline protagonist. At the time, we didn’t get to see the game in action, a fact that Annapurna Interactive has now remedied. The publisher shared a slice of gameplay footage from the title during its recent showcase and said it would release Stray sometime in early 2022.

In the opening moments of Stray, our feline protagonist finds himself injured and separated from his family. Gameplay involves using his physical abilities as a cat to navigate the environment and solve puzzles. In the time-honored tradition of duos like Ratchet and Clank, partway through the adventure, you’ll meet a drone named B-12. They will allow you to converse with the city’s other robotic inhabitants and interact with certain objects in the environment. The cat has a playful side to his personality, and you can do things like scratch furniture, interact with vending machines and rub up against the legs of the robots you meet. Good stuff.

When Stray comes out next year, it will be available on PlayStation 4, PS5 and PC. Developer BlueTwelve Studio promised to show off more of the game before then.

The last time Jessica Mak released a game was in 2012 when they worked with Sony’s Santa Monica Studio to create Sound Shapes. The game went on to become one of the PlayStation Vita’s standout gems, in part thanks to an unforgettable soundtrack that featured contributions from Shaw-Han Liem of I Am Robot and Proud fame, Indie Game: The Movie composer Jim Guthrie and Beck.

After nearly a decade since the release of Sound Shapes, Mak is working with Annapurna Interactive on a new project, the publisher announced on Thursday during its developer showcase. The game doesn’t have an official name or release date yet, but Mak shared some details about the project. 

Like Everyday Shooter and Sound Shapes, music will play a central part in the experience, and part of the reason Mak took a break from making games was to become a better musician.”The music, for me, is very much as important as the game part of it,” Mak said. They went on to describe the game as an action-adventure experience that they hope will surprise players.

Twitter’s Spaces is getting another update that makes the audio feature easier to share and discover. Now, users will be able to compose a new tweet directly from the Space, which will link to the audio chat and any accompanying hashtags. While it was previously possible to compose new tweets while listening to a Space, having the composer directly in the space will allow participants to more easily tweet about the conversation as it’s happening.

On iOS, Twitter is also adding new “guest management” controls, that allows hosts to more easily view who is in a Space and who has requested to speak. Finally, the company is adding a new search feature to the Spaces tab it started testing in June. Now, instead of just a curated list of active Spaces, users with access to the tab will also be able to search for Spaces by title or the name or handle of a host. (No update on when more people will have access to the Spaces section of the app, though.)

Twitter has been steadily updating Spaces since introducing the Clubhouse competitor late last year. The company has recently added support for a web version of the feature and has started experimenting with allowing hosts to sell tickets to the conversations.