“I beg more white parents to acknowledge that nonwhite children have never had the luxury of feeling comfortable every second of every day.”
The Flash has been through several speedsters (both fairly good and pretty bad), alien invasions, and universe ending crises through its lifetime. Lest you think the current eighth season would be the last of the CW’s Scarlet Speedster, you are mistaken, because the show is coming back for season nine.
Epic Games has some important allies in its bid to overturn a court ruling that cleared Apple of violating antitrust laws. CNET and FOSS Patents report Microsoft, the Electronic Frontier Foundation and the attorneys general of 35 states have filed briefs supporting Epic’s case with the US Court of Appeals for the Ninth Circuit. The states argued the district court mistakenly claimed the first section of the Sherman Act (a cornerstone of US antitrust law) didn’t apply to unilateral contracts like the terms Apple set for developers. The court also didn’t properly weigh the damage of Apple’s claimed anti-competitive behavior versus the benefits, according to the brief.
Microsoft, meanwhile, noted that it still had reason to be concerned about Apple’s “extraordinary gatekeeper power” despite its size, citing its own interest in maintaining competition and innovation. This included allegedly anti-competitive behavior beyond the rules affecting Epic. Apple’s effective ban on cloud gaming services in the App Store is believed to hurt Xbox Game Pass Ultimate, as an example. Microsoft also disputed the district court’s view that Apple’s in-app payment requirement wasn’t an anti-competitive effort to tie products together.
The EFF, meanwhile, echoed the states’ concerns about weighing harmful effects while offering parallels to Microsoft’s interpretation of tying. The foundation also said the district court made errors when it presumed customers were fully aware of Apple’s policies when they joined the company’s platform.
Apple remained confident in its chances. In a statement to CNET, the company said it was “optimistic” the district court’s ruling would be upheld and maintained its view that it was providing a “safe and trusted” App Store offering a “great opportunity” for creators. Epic has declined to comment.
Briefs like these won’t guarantee success for Epic — the appeals court isn’t obliged to consider them. This is a strong showing of support, however, and it won’t be surprising if Microsoft, EFF and the states influence the decision. If Epic wins its appeal and doesn’t face further challenges, Apple may have to further reform the App Store.
There’s a delicate balance between vigilance and prioritizing other parts of our physical and mental health. Here’s what to know.
In the film After Yang, a father goes to great lengths to save his daughter’s best friend. It just so happens this bestie is a humanoid robot, or technosapien, named Yang. He’s practically a member of the family, but at the end of the day, he’s basically an appliance. Can he be easily replaced, and what’s the value of his artificial life? Like a cross between Black Mirror and Spike Jonze’s Her, After Yang explores humanity and existence through the lens of technology, while director Kogonada (Columbus) crafts a vision of the future that feels truly distinct.
After a virtuoso opening sequence, where families compete in a virtual dance contest in their living rooms, Yang (Justin H. Min) malfunctions. He’s not just some robotic butler; he’s a culture technosapien meant to help Jake’s adoptive daughter, Mika (Malea Emma Tjandrawidjaja), learn about her Chinese heritage. Mika has a stronger relationship with Yang, who practically raised her. And for reasons that aren’t clear at the start, Jake is a bit disconnected from his family and struggling through a mid-life crisis. (Running a traditional tea shop in the future would do that to you.) Saving Yang is both an attempt to connect to Mika, and to appease his overworked wife Kyra (Jodie Turner-Smith), who’s concerned about her listless husband.
Stories around artificial beings and androids aren’t anything new — they stretch back to early Jewish legends of golems, Mary Shelley’s Frankenstein, and Fritz Lang’s Metropolis. But these days, it feels as if it’s only a matter of time until we’re living alongside our own personal androids. Robotic vacuums are smarter and more affordable, we’re regularly shouting voice commands at our phones and smart appliances, and even Tesla claims it’s working on an AI-powered humanoid robot (though at this point, that’s basically just a marketing stunt). So it’s worth exploring how androids could affect our family lives, where they take on roles of childcare and companionship.
Jake’s journey to fix Yang isn’t much different than what we’d go through to get a computer or smartphone repaired today. He tries to contact the store he bought it from, but it’s no longer in business. Yang was also refurbished, which opens the door to surprising issues (something used electronics buyers are all too familiar with).
It turns out Yang had more than one previous owner, and he basically lived a long (and somewhat tragic) life. He was also an experimental model that could record small portions of memories, similar to the small bits of videos we see in Apple’s Live Photos. As Jake learns more about Yang, he realizes that he was a thinking being with a fully formed personality. He’s not just a helper bot following his programming, he was also endlessly curious about the world around him.
After Yang is a quiet film, filled with contemplative silences and Farrell’s forlorn eyes (not a bad thing, to be clear). Kogonada manages to build a world that feels dramatically different from our own, without the flashy holograms and special effects we see in lesser sci-fi films like the Ghost in the Shell remake. Everyone wears loose, robe-like outfits. There’s a strong Japanese influence throughout all of the environments, from the Muji-esque minimalism and organic materials in their homes, to natural wood and small gardens in self-driving cars. It’s a world far more advanced than ours — genetically optimized clones also appear — but it’s also in harmony with nature, like near-future sci-fi through the eyes of Hayao Miyazaki.
The fusion of the natural and man-made world mirrors the way an artificial being like Yang starts to become more human. It’s clear that he’s driven by some sort of artificial intelligence, but the film doesn’t say if his designers also managed to replicate a form of consciousness. Yang is programmed with facts about China, as well as language lessons for Mika, but he speaks more like a wise friend than a robotic teacher.
Like Blade Runner, it seems as if Yang is fully aware of his own limitations. He can show emotion and feelings towards people, but he probably doesn’t have the full range of human emotion. He also chases the unknowable, like the way Farrell’s character finds himself drawn to sell and explore the world of tea, even though he’s not a huge tea fanatic. It’s clear that both characters are searching for some meaning in their lives, but Yang has made peace with his existence in a way that Jake admires (and struggles with himself).
In a world where we actually have robotic companions, it’s not hard to imagine that we’d form deep bonds and mourn them when they’re gone. Losing your robot could eventually be as traumatic as losing a dear pet. But that would also reflect a world where our androids can also profoundly affect our lives. They’d be more than appliances – they’d be family.
A grim year of judicial rulings awaits liberals on abortion, affirmative action, guns, the administrative state and more.
Twitter is no longer taking action on tweets spreading misinformation about the 2020 US elections, the website has revealed to CNN. Elizabeth Busby, the company’s spokesperson, told the news organization that the social network hasn’t been enforcing its “civic integrity policy” when it comes to content about the Presidential elections for almost a year now — since March 2021. Busby said that’s because the policy was meant to be used within the duration of an event and that President Biden has already been in office for more than a year.
The website amended its civic integrity policy before the Presidential elections to add labels to tweets with “false or misleading information intended to undermine public confidence in an election or other civic process.” In some cases, Twitter could remove tweets under the policy. The rules cover tweets “inciting unlawful conduct to prevent a peaceful transfer of power or orderly succession.” If you’ll recall, former President Trump was banned on the social network following the 2021 Capitol attack after deciding that his tweets can be used to incite violence. The rules also cover unverified information “election rigging,” which the administration’s opponents are echoing until this day. In fact, YouTube has just removed a copy of a TV ad by Missouri Rep. Billy Long that claims “the Democrats rigged the election” in 2020.
YouTube spokesperson Ivy Choi explained the Google-owned website made it clear that “false claims that widespread fraud, errors, or glitches changed the outcome of the 2020 US presidential election” are prohibited on the platform. Long said YouTube’s action was “un-American and straight from the communist playbook,” though, and that it just proves “Big Tech certainly has and will continue to influence elections.”
Federal prosecutors say the ex-Minneapolis cops didn’t follow training when they failed to act to save Floyd’s life as fellow officer Derek Chauvin kneeled on his neck.
Cher recorded “Thank You For Being A Friend” for NBC’s upcoming tribute to the TV icon.
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