Homes and infrastructure were torn apart by catastrophic winds and major storm surges swept through southwestern Florida on Wednesday as Ian made landfall centered just north of Fort Meyers. Potentially record-breaking rainfall also caused severe flooding elsewhere in the state.
A handful of Democratic lawmakers led by Massachusetts senator Elizabeth Warren added their name to a growing chorus of activists calling on the Federal Trade Commision to slam the brakes on Amazon’s $1.7 billion iRobot acquisition. The lawmakers warned the deal if allowed to go through, would harm consumers and,…
A venture capital firm funded by the CIA has officially placed its bets on bringing back extinct species like the woolly mammoth and the thylacine, according to a public portfolio released this month and spotted by The Intercept.
It’s been nearly a year and a half, but you’ll soon get to find out what happens next in Mythic Quest. Apple has revealed that season three of its game developer comedy series will debut on TV+ November 11th. There aren’t more details about the plot, but the new episodes follow the impact of a studio shakeup. And of course, you can expect up-to-the-minute technology jokes. Let’s just say there’s a creative reinterpretation of “NFT.”
The series was created by and stars Welcome to Wrexham subject Rob McElhenney as Ian, with Charlotte Nicdao as Poppy. The show has drawn attention not just for making game development an enjoyable topic for a TV series, but its connection to the industry — Ubisoft is involved in the production alongside Lionsgate and 3 Arts Entertainment.
As it is, Apple has a number of high-profile season releases due this fall. The second season of spy production Slow Horses arrives December 2nd, while the immigrant anthology Little America (the work of husband-and-wife team Kumail Nanjiani and Emily V. Gordon) continues December 9th. Apple now has a string of well-known shows in the pipeline, even if Ted Lasso remains its biggest attraction.
Komplete, Native Instruments’ flagship music production bundle, has a little bit of everything. That’s always been part of its appeal. It’s pricey, but you get monstersynths, a top-notch drum sampler, a virtual guitar rig and Kontakt — which is also a sampler, but calling it one seems incredibly reductive. Native Instruments is still one of the biggest names in the music software world, but it’s an increasingly crowded and competitive market. And much of it is moving towards a subscriptionmodel (even Native Instruments). So this year the company is adding some new software in hopes that customers will come back for at least one more big-ticket purchase.
Komplete 14 is the first version to be released since Native Instruments (NI) joined Soundwide, a collection of brands including Izotope and Plugin Alliance, among others. As such, one of the biggest additions to the Komplete library (at least in the $599 Standard version and higher) is Izotope’s Ozone 10 Standard. This mastering plug in has legions of fans thanks to its powerful feature set and simple interface. But for many, the biggest selling point is it’s AI-powered mastering assistance. Many amateur musicians (myself included) rely on Ozone to master their tracks. You simply play the loudest bit of your song, click a button, and the plugin will suggest a starting point for mastering including compression and EQ. You can then accept the settings, tweak them to your liking or toss them and start from scratch.
Native Instruments
The new partnership also allowed Native Instruments to beef up the bundle with a handful of smaller items from Plugin Alliance and Brainworx like bx_Oberhausen, bx_Crispytuner and LO-FI-AF. None of these instruments or effects individually are likely to convince you one way or another that Komplete’s more expensive versions are worth the outlay. But I don’t know anyone who is going to complain about having too many plugins.
The only issue is it might not be immediately clear to many users how to get access to those. They’re not in the Native Access manager. Instead you’ll have to go to your products and serials list on the NI site to get the “Plugin Alliance Bundle for Komplete 14” code. Then you’ll head on over to Plugin Alliance and redeem it the code and download a separate plugin manager. Hopefully at some point the two platforms will be integrated to remove the addition steps.
Native Instruments
The big centerpiece of Komplete, as always, is Kontakt. The new version — seven — isn’t a giant departure for this industry stalwart. The browser has been updated for better compatibility with HiDPI displays and improved search and filtering tools. The factory library has also been overhauled to take advantage of the graphical overhaul and for better sound. The process of building your own Kontakt instruments has also been simplified with improved creator tools.
Kontakt 7 may not be a significant change from version six, but if you spring for the more expensive versions, like the $1,199 Komplete Ultimate or $1,799 Komplete Collector’s Edition, you do get some unique and powerful expansions like Lores, Ashlight, Kinetic Toys and, one of my personal favorites, Piano Colors. The latter combines samples of a grand piano, various synths and textures, along with effects and modulation tools to create complex sounds that walk the line between organic and synthetic.
Native Instruments
The one piece of bad news here is that Kontakt 7, while it is technically included in Komplete 14, isn’t available yet and wont ship until some point in October. Komplete 14 is available now starting at $199 for the basic Komplete Selects package, and going all the way up to $1,799 for Komplete Collector’s Edition.
Is this the year to skip the upgrade to the latest new iPhone, or does the iPhone 14 Pro have a feature set so interesting you’re gonna need to drop the cash?
Sometimes, Things Are Good. It’s not often, so it’s important to recognize when they are and celebrate those moments, which I why I absolutely beg you take two minutes out of your day to watch this trailer for the upcoming anime series Urusei Yatsura. Here’s why.
I’ve visited a lot of schools as the founder of Girls Who Code. When we launched our afterschool clubs program in 2015, I went on tour, visiting our programs from the wealthiest zip codes in the country to the poorest pockets of America. Many of the students I met —a disproportionate number of them Black and…
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