The findings from an independent review board suggest that NASA’s quest to return samples from Mars is riddled with challenges and seemingly impossible to accomplish under the current cost and schedule expectations.
Foldables have come a long way since the original Galaxy Fold went on sale back in 2019. They’re smaller, they’re tougher and while they still aren’t a great option for people on a budget, they’re now more affordable too. (Well, kind of.) And with more device makers getting into the space, there are a wider range of options than ever before. So if you’ve been thinking about buying your first foldable phone (or upgrading from an older model), here’s a guide covering the best models on sale today.
Note: For this guide, we’re focusing on devices that are widely available in North America and Europe. That’s because while there are even more options for people who live in Asia (especially China), they are often difficult to buy from abroad and may not support your local carriers.
When evaluating foldables, we consider the same general criteria as we do when we’re judging the best smartphones. Devices need to have good battery life (at least a full day’s use), bright displays (peaks of at least 1,000 nits), sharp cameras and responsive performance. That said, foldable phones come in different shapes (and sizes); there are varying designs that may appeal to different types of people.
For those who prefer more compact and stylish devices, flip-style foldables resemble old-school namesakes but with flexible interior displays (typically six to seven inches diagonally) and smaller exterior screens. Alternatively, for power users and people who want to maximize mobile productivity, there are larger book-style foldables (with seven to eight-inch main displays) that can transform from a candy bar-style phone to essentially a small tablet when opened.
Aside from their displays, the biggest difference between foldable phones and more traditional handsets is durability. That’s because while some models like the Pixel Fold and Samsung’s Galaxy Z line offer IPX8 water resistance (which is good for submersions of up to five feet for 30 minutes), their flexible screens – which are largely made from plastic – present some unique challenges.
Most foldables come with factory-installed screen protectors. However, unlike regular phones, users are instructed not to remove them without assistance from approved service centers. Thankfully, Samsung does offer one free screen protector replacement for its foldables, while Google charges between $29 and $129 depending on the warranty status of your device. That said, while we can’t do long-term testing for every foldable phone on the market, after personally using the Galaxy Z Fold 3 and Z Fold 4 each for a year, I’ve found that Samsung’s pre-installed screen protector tends to start bubbling nine to 12 months after purchase. So you’ll probably want to factor in that your foldable may need some sort of servicing after about a year unless you plan on removing the screen protector entirely (which is possible, but goes against most manufacturers’ instructions).
Furthermore, foldable phone owners need to be mindful about keeping sharp objects away from their flexible displays, as rocks, keys or even pressing down very hard with a fingernail can leave permanent marks. In the event that you need to get a flexible screen serviced, you’re potentially facing a much higher repair bill when compared to a typical phone (up to $500 or more depending on the model and the severity of the damage). In short, while the ruggedness of foldable phones has improved a lot, they’re still more delicate than traditional handsets, which is something you need to account for.
Despite a growing number of challengers, Samsung’s Galaxy Z Fold line remains the best flagship foldable on sale today. On the Z Fold 5, Samsung introduced its new Flex Hinge, which has slimmed down the phone’s dimensions while allowing it to close completely flat. It boasts blazing performance thanks to its Qualcomm Snapdragon 8 Gen 2 chip, excellent battery life and the flexible main display’s brightness is the best you can get with a peak of 1,750 nits. And, thanks to new multitasking gestures and updated taskbar, its capacity for mobile productivity is simply unmatched. If that’s not enough, unlike most of its competitors, the Z Fold 5 offers native stylus support, though you have to shell out extra for one of Samsung’s S-Pens (and a case if you want somewhere to stash it). The biggest downside is that with a starting price of $1,800, the Z Fold 5 is still extremely expensive. — Sam Rutherford, Senior Reporter
Read our full review of the Samsung Galaxy Z Fold 5
While the Z Fold 5 may be our favorite big foldable overall, the Pixel Fold isn’t far behind. Its wider design means its 5.8-inch exterior display feels a lot more usable than the Z Fold 5’s skinnier 6.2-inch Cover Screen. Additionally, that extra width results in a flexible main panel with a landscape orientation, so it’s super easy to open the Pixel Fold and launch straight into watching a TV show or movie; no need to rotate the device. And, despite being Google’s first foldable device, the Pixel Fold (12.1mm) is thinner than Samsung’s alternative (13.4mm) while boasting better camera quality and a longer 5x optical zoom. The phone also has IPX8 water resistance and Google’s excellent Pixel-only software including features like the Hold for me, Call Screener, the Pixel Recorder app and more. — S.R.
Read our full review of the Google Pixel Fold
Packing a faster Snapdragon 8 Gen 2 chip, better cameras and longer battery life, the Galaxy Z Flip 5 is our favorite compact foldable. This year, Samsung even added its new Flex Hinge, which makes the phone thinner while also eliminating the gap between its screen when closed. Also, thanks to its larger 3.4-inch exterior display, the latest model can do much more without needing to open it up. You can even run full Android apps, though you’ll have to mess around with Samsung’s Good Lock software first. Its display is also brighter and more colorful than what you get from rivals, and starting at $1,000, it’s not that much more expensive than a more conventional high-end phone. — S.R.
Read our full review of the Samsung Galaxy Z Flip 5
While the Razr+ (or the Razr 40 Ultra for those outside North America) may not be quite as sophisticated as the Galaxy Z Flip 5, what it lacks in tech it makes up for with its personality. It’s available in three colors, with the magenta model featuring a soft vegan leather back. In addition, its exterior display features a neat cutout that wraps around its cameras and compared to Samsung’s flip-style foldable, it’s actually a touch easier to use. There’s no need to fool around with extra settings just to view all your favorite Android apps. And for those who are nostalgic for the original Razr from the early 2000s, Moto even included an easter egg that features a retro UI. Unfortunately, its water resistance is much less substantial, as it’s only rated to withstand spills or small splashes. — S.R.
Read our full review of the Motorola Razr+
The non-plus Moto Razr (aka the Razr 40 internationally) is the company’s first attempt to make a more affordable flip-style foldable. Starting at £800 (U.S. pricing still TBA), it’s one of the least expensive options on sale today. However, it features a much smaller 1.5-inch exterior display along with a slower Snapdragon 7 Gen 1 chip and somewhat underwhelming cameras. On the bright side, it features the same display you get on its more expensive sibling. The one difference is that it’s limited to 144Hz instead of 165Hz due to its less powerful processor. And, similar to the magenta Razr+, all the colors of the basic Razr (Sage Green, Vanilla Cream, Summer Lilac) come with a soft vegan leather back. — S.R.
Read our full review of the Motorola Razr
As mentioned earlier, there’s an abundance of exotic – and often more advanced – foldables well beyond the Samsungs and Motorolas of the world. However, you either need to have access to phone importers or actually live in Asia, and don’t mind sideloading missing Google apps on your own.
The best overall book-style foldable is none other than the Xiaomi Mix Fold 3, which packs Qualcomm’s latest Snapdragon 8 Gen 2 processor, four Leica-enhanced rear cameras (including a 5x zoom periscope) and a 4,800mAh battery within its surprisingly slim body – 10.86mm when folded, and 5.26mm when unfolded. Xiaomi even goes as far as boasting a 500,000-fold durability – more than doubling that of the Galaxy Z Fold 5. Despite its absence in the western markets, the Mix Fold 3’s newly-added 50W wireless charging option would be much welcomed over there. The phone comes with a protective case for both halves of the body, with the rear shell offering a kickstand for easier video playback and video calls. One Hong Kong-based specialist can send a Mix Fold 3 to the US from around $1,500 with shipping included, which is still much cheaper than Samsung’s equivalent. — Richard Lai, Senior Reporter
Another worthy contender is the Honor Magic V2, which currently holds the title for the slimmest foldable phone available. We’re talking about just 9.9mm thick when folded, and a mere 4.7mm thick when opened, but it’s still a full-blown flagship device. Weighing at just 231g (8.15oz), this is the lightest book-style foldable phone as well. Funnily enough, the Magic V2 also packs the largest battery capacity in this category, offering 5,000mAh of juice thanks to Honor’s silicon-carbon battery – a breakthrough tech in the mobile industry. The obvious trade-off here is the missing wireless charging feature, but you do get a durability rating of 400,000 folds. Sadly, due to limited availability, the Magic V2 costs slightly more – around $1,670, shipping included, from the same Hong Kong shop. — R.L.
If you’d prefer a smaller flip-style foldable from overseas, the Oppo Find N3 Flip is the only triple-camera option at the time of writing this guide. While others only offer a main camera and an ultra-wide camera, the Find N3 Flip benefits from an additional 32-megapixel 2x portrait shooter next to its 3.26-inch external screen (and you still get a 32-megapixel selfie camera on the inside). As a bonus, this clamshell has a physical mute switch, a whopping 600,000-fold durability and a generous 4,300mAh battery. That said, wireless charging is again a no-show here. You can pick up a Find N3 Flip in either black, gold or pink, and importing from Hong Kong should cost around $1,090 with shipping included. There’s no price advantage in this case, so it’s more about how much you want Oppo’s designs, features and accessories than anything else. — R.L.
This article originally appeared on Engadget at https://www.engadget.com/best-foldable-phones-160030013.html?src=rss
Content creators have become a key segment in the mirrorless camera industry, and Sony fully embraced them back in 2020 with the launch of the ZV1 camera. It has since added no less than four models to its ZV lineup, with the latest being the 12-megapixel full-frame ZV-E1 — its most capable model by far.
It uses the same sensor as the $3,500 A7S III, a video-focused camera that’s also a low-light marvel. However, the ZV-E1 costs $1,300 less, so of course it’s missing some key features like an electronic viewfinder (EVF), dual high-speed card slots, a mechanical shutter and some physical controls.
At the same time, the ZV-E1 has some functions that the A7S III lacks, surprisingly enough. Most of those are in the area of AI, and very useful for vloggers, like auto-framing, advanced subject detection and dynamic stabilization. With the sensor and AI features combined, it’s not a spoiler to say that this camera is both a mini A7S III and a powerful vlogging camera at the same time. The sheer number of advancements also make it a technological tour de force.
The sensor might be the same, but the ZV-E1 looks radically different from the A7S III. Instead of Sony’s classic A7-style mirrorless form, the body is squat and chunky like an A6700 or full-frame A7C. It’s also significantly smaller and weighs a third less than the A7S III at 483g, making it Sony’s smallest full-frame camera to date.
Sony boasts that it’s built of recycled plastic, and that makes the camera feel significantly cheaper and less grippy than the A7 series. The grip is also smaller, but I was still able to get a reasonably firm grasp considering the lighter weight. Despite the lower-end materials, it is dust and moisture resistant.
As we’ve seen on numerous recent cameras, there’s a switch for photos, video and slow & quick, and each has its own dedicated settings. It has a prominent red record button on top, and like Sony’s other mirrorless vlogging camera (the APS-C ZV-E10) it has a zoom rocker for supported zoom lenses, and also works with Sony’s “Digital Zoom” feature.
Other than that, it’s significantly stripped down compared to the A7S III. While it does have a few vlogging-specific buttons like Product Showcase and Background Defocus, there’s just a single control dial on top (at the back) and no dial on the front – making it difficult to operate the camera using physical controls in full manual mode.
That said, the ZV-E1 is one of Sony’s first cameras that can be fully operated using touch controls. Most of the key settings (shutter speed, aperture, ISO, etc) can be changed in that way, and it also lets you tweak the display settings by swiping left or right. And of course, the LCD screen fully articulates for vloggers, though it’s a bit low-res at 1,030K dots.
Where the A7S III’s 9.44 million-dot EVF is the best on the market, there’s no viewfinder at all on the ZV-E1. I missed that feature when shooting on bright days, but the EVF does have a “sunshine” mode that automatically maxes out brightness.
It uses the same battery as Sony’s flagship models, so you get a generous 95 minutes of 4K 30p video recording and 570 photos on a charge. Luckily, the USB-C Gen 3.2 port lets you charge while shooting, and also supports high-speed transfers.
Along with headphone and mic ports, it’s got a micro rather than a full sized HDMI port, which isn’t ideal for a vlogging camera. It has just a single high-speed UHS-II card slot. Oddly the lack of a fast CFexpress type A slot doesn’t appear to limit video capture compared to the A7S III.
As you’d expect for a camera based on the powerful A7S III, video specs are impressive. It can handle 4K UHD video at up to 60 fps, though it’s lightly supersampled from the 12-megapixel, 4,240 x 2,832 sensor – so it’s slightly less sharp than higher-resolution Sony cameras like the A7 IV. Thanks to a recent firmware update, it can also shoot native 4K at up to 120 fps with no supersampling.
You can choose from high- and low-quality MP4 longGOP options, all with up to 4:2:2 10-bit color depth and 280 Mbps data rates. There’s also an I-mode at up to 4K 60p with 4:2:2 10-bit color that offers a more fluid editing experience with no transcoding. That setting uses higher data rates at up to 600Mbps (60 fps), so it requires expensive, high-speed V90 UHS-II cards.
Sony’s S-Log3 boosts dynamic range to 14-plus stops, and you can preview footage using Sony’s LUTs or install your own. If you don’t want the hassle of log, S-Cinetone also boosts dynamic range and is easier to tweak and edit later on.
What about overheating? Since it lacks the thermal capabilities as the A7S III, continuous recording times are shorter, particularly at 4K60 and up. In that mode you can expect less than an hour depending on the outside temperature. Content creators might be OK with that, but event shooters may need to look elsewhere.
When it comes to autofocus, the ZV-E1 actually outshines the A7S III. That’s because it uses Sony’s new AI processor introduced in the A7R V, so it behaves more like that model –- particularly when it comes to image tracking.
It can now track human heads and bodies, not just faces and eyes. And besides people, it has specific settings for animals, birds, insects, cars, planes and trains. Unfortunately it does lack an auto setting, so it can’t automatically select the type of subject — you have to dive into the menus and do that yourself.
Subject tracking sets a new speed and reliability standard for mirrorless cameras, nailing autofocus consistently – even in tricky settings with fast moving subjects. That’s hugely important for vloggers, who often work alone. That said, even Sony’s system isn’t perfect, as it can occasionally lose a subject’s eyes in busy backgrounds.
AI powers other features too. For example, the built-in microphone is now directional, and can automatically aim toward the front, rear or all around, based on subject detection.
A key AI feature lets you digitally zoom an extra 1.5 times without much noticeable loss in quality. It works with the zoom rocker, and unlike with past ZV implementations, includes full subject tracking. That ability to zoom smoothly and automatically scale the image powers other features as well
That starts with the ZV-E1’s in-body stabilization. Optical-only offers 5 stops, enough to smooth handheld video without much movement. Active stabilization considerably boosts performance, but adds a slight 1.1x crop. However, dynamic stabilization is new and quite remarkable. It adds a 1.3x crop, but can effectively remove bouncing from footsteps, making it like using a dedicated gimbal – albeit with some loss in sharpness. With that feature, the ZV-E1 is the first camera that can really match the smoothness of the latest GoPro action cams.
The digital zoom teams up with subject tracking on two other new features as well. One is the Framing Stabilizer, which crops into the image, steadies the shot and keeps the subject in the center of frame, allowing for dolly-like smoothness.
Auto Framing, meanwhile, gives the illusion of camera movement. It first digitally zooms into the subject, then tracks it within the frame. You can choose a small, medium or large crop, different tracking speeds and more. You can even send an uncropped video to HDMI so you have two versions.
It also carries vlogger-centric features seen on other ZV models, including Product Showcase and Auto Depth of Field. As before, the latter automatically defocuses the background by instantly opening the aperture as much as possible. Product Showcase, meanwhile, ignores eye detection and quickly shifts focus to any foreground object brought in front of the camera. Finally, Breathing Compensation uses a slight digital zoom to maintain constant framing when changing focus.
As mentioned, 4K 30p and 60p video is slightly softer than Sony’s 30-megapixel A7 IV due to the lower resolution. On the plus side, the absence of pixel binning means no there’s no aliasing or other ugly artifacts that can ruin a shot.
The other positive aspect is far less rolling shutter than the A7 IV at the full sensor width. That means you can make quick pans or film fast-moving subjects without worrying about skewed video.
Apart from sharpness, image quality is superb. It delivers nearly 15 stops of dynamic range in C-Log3 mode, up there with the best mirrorless cameras. That allows for plenty of detail in dark shadows and bright highlights, even on sunny or dark days. S-Log3 mode, meanwhile, gives editors room to tweak video. Sony’s colors are accurate, though skin tones can lack the warmth I’ve seen on Canon models.
The ZV-E1 can’t be beat in low light. It has dual native ISOs at 640 and a whopping 12800. That allows for low-noise video all that way up to ISO 25,600, and manageable levels even at 51,200 – letting you shoot by moonlight or candlelight. In fact, Sony’s FX3 cinema camera with the same sensor was recently used to shoot a feature film called The Creator, specifically because it’s so good in low light.
Since it doesn’t have an EVF or mechanical shutter, I wouldn’t recommend the ZV-E1 for photography alone. That said, like the A7S III, it’s more than competent in a pinch.
The AF works just as well with photography, and has the same features and tracking modes. So you can count on this camera to grab sharp photos, even when shooting bursts at up to the maximum 10 fps or in low light. It’s actually a pretty good street photography or travel camera, as it’s small, silent and discreet. And with so little skew, I rarely missed the mechanical shutter.
Photo quality is outstanding, particularly in very low light. RAW images can easily be tweaked, even at high ISOs, and colors are accurate. The biggest drawback is again the lack of sharpness. That means there’s not a lot of room to crop into photos later, so you’ll want to get your framing right when you take the shot.
With all that it can do, Sony’s ZV-E1 is the best vlogging camera on the market and its rivals aren’t even really close. It delivers everything creators need like 4K 120p video, high dynamic range, unbeatable low-light capability, great ergonomics, the best AF on the market and a boatload of useful AI features. The main drawback is a lack of sharpness — but that’s only really noticeable if you’re pixel peeping.
The ZV-E1 costs $2,200, so its rivals include the $2,200 Panasonic S5 IIx, the $2,500 Canon EOS R6 II and Sony’s own $2,500 A7 IV. All of those cameras have sharper 4K video and electronic viewfinders, so they’re better hybrid cameras for both photography and video
The ZV-E1 beats them in nearly every other way, though, while breaking new ground with its innovative AI features. If you’re a content creator looking for a full-frame camera in that price range, I’d highly recommend the ZV-E1.
This article originally appeared on Engadget at https://www.engadget.com/sony-zv-e1-review-the-best-vlogging-camera-to-date-by-a-big-margin-140055155.html?src=rss
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