You can buy a luxury gold watch and expect it to work for as long as there’s a watch repair store around, but if you shell out tens of thousands of dollars on a piece of tech like that infamous solid gold Apple Watch, you should expect that—eventually—that product will be dead, defunct, useless, and only worth the…
The rise of streaming and the switch to remote work means that in the past few years, more people are using mics than ever before. Which in turns means that lots of companies are looking to get into the space, and the latest entrant is well-respected game accessory manufacturer SteelSeries. Though the company’s probably best known for its headsets, it just might change that perception with its $180 Alias and $330 Alias Pro gaming microphones, available today.
Upfront I’ll admit I’m not a streamer, but I do make regular use of a microphone in both podcasting and regular Dungeons & Dragons sessions on Discord. And, like so many during the pandemic, I found myself in an endless array of remote meetings over Zoom, Google Meet, Microsoft Teams, WebEx, and whatever else companies want to throw out there. Even in the year 2023, it’s a pain in the ass. My go-to mic for the past few years has been the Elgato Wave:3, which I admire for its excellent audio and solid build quality. But in use it hasn’t always been a dream; weirdly enough I never got it to work properly with USB headsets, even those made by its parent company Corsair. And switching between apps, even with the Elgato software installed, wasn’t always a smooth process. I’ve started so many meetings with my computer outputting to the wrong device (usually the internal laptop microphone, which as you can imagine, is crap).
SteelSeries looks to simplify all that with its GG software, which automatically works with all SteelSeries hardware. I plugged in the Alias and it was detected immediately; I didn’t have to adjust the settings in any app or on my system. Within seconds I was on a call with a friend on Messenger, and Discord automatically made the adjustment on its own as well. In 2023 I would expect audio software should just work, and GG fits the bill. It has lots of built-in customization for things like lighting so you don’t have to be a programmer to make your setup look cool. It also lets you set levels program by program, with multiple outputs so you can have what your stream hears be different from what you hear on your end. It’s just a good level of control that allows professionals (as well as amateurs) fine-tune their stream to their liking.
Of course, solid software wouldn’t be anything without the hardware to back it up, and the Alias and Alias Pro are high-quality, extremely attractive microphones to have on your desk. They’re both oblong pills suspended by elastic cords in a ring-shaped stand. It’s easy enough to remove and mount on a boom arm, and both models of the Alias come with a clip to attach it to your existing arm, or you can purchase one from SteelSeries.
From there the two mics have different features: the entry-level Alias has a volume dial and mute button right on its front, while the Pro outsources those to the included mixer, which requires external power (it comes with an AC adapter). The mixer has two dials, which can be customized in the GG software, and two buttons for muting mic and headset audio. (They feel extremely nice to push.) The biggest difference, however, is where the Pro gets its name from, and that’s the XLR connection in the back. That’s a higher-end connector than most users will need, but professionals looking to add a speciality gaming microphone into their mix will appreciate it. The mixer also comes with two USB ports so you can do dual PC streaming.
As I am not a professional audio person I stuck with the regular Alias, which connects to your setup using USB-C. It also has a single headphone jack for plugging in a headset, and I appreciated the mic stand design for keeping the cords tidy. When you plug in the mic it’ll start working right away; you’ll know because the front of the mic is outfitted with LED lighting that will show your levels. If the single bar of lights rises into the red, you know you’re clipping. When the mic is muted, a big red “X” is displayed on the surface, so there’s absolutely no question about the state of your recording.
In chatting with friends and family over various chat programs, the reports I got was that my audio was clear and loud, though one podcasting friend did think I did sound a little off at times — possibly because I got too close to the mic. At a normal distance I sounded fine. By my own reckoning through headphones, I thought it sounded great — on par with the audio I get from the Elgato Wave: 3 though a little more sensitive as it picked up the occasional ambient sound, like my typing. This isn’t unusual when I’m using a mechanical deck, but in this case it was the spongier membrane keyboard on my laptop. It can be mitigated by simply moving the devices further apart, if you have the space to do so.
Overall I think it’s a good piece of hardware to have on my desk; one of those accessories that makes you excited to record a stream, podcast or anything else you can imagine. You don’t need good tools to start creating, but the SteelSeries Alias is one of those that makes you want to make something because it’s such a delight to use.
This article originally appeared on Engadget at https://www.engadget.com/steelseries-starts-out-strong-with-its-first-dedicated-gaming-microphones-140041321.html?src=rss
The rise of streaming and the switch to remote work means that in the past few years, more people are using mics than ever before. Which in turns means that lots of companies are looking to get into the space, and the latest entrant is well-respected game accessory manufacturer SteelSeries. Though the company’s probably best known for its headsets, it just might change that perception with its $180 Alias and $330 Alias Pro gaming microphones, available today.
Upfront I’ll admit I’m not a streamer, but I do make regular use of a microphone in both podcasting and regular Dungeons & Dragons sessions on Discord. And, like so many during the pandemic, I found myself in an endless array of remote meetings over Zoom, Google Meet, Microsoft Teams, WebEx, and whatever else companies want to throw out there. Even in the year 2023, it’s a pain in the ass. My go-to mic for the past few years has been the Elgato Wave:3, which I admire for its excellent audio and solid build quality. But in use it hasn’t always been a dream; weirdly enough I never got it to work properly with USB headsets, even those made by its parent company Corsair. And switching between apps, even with the Elgato software installed, wasn’t always a smooth process. I’ve started so many meetings with my computer outputting to the wrong device (usually the internal laptop microphone, which as you can imagine, is crap).
SteelSeries looks to simplify all that with its GG software, which automatically works with all SteelSeries hardware. I plugged in the Alias and it was detected immediately; I didn’t have to adjust the settings in any app or on my system. Within seconds I was on a call with a friend on Messenger, and Discord automatically made the adjustment on its own as well. In 2023 I would expect audio software should just work, and GG fits the bill. It has lots of built-in customization for things like lighting so you don’t have to be a programmer to make your setup look cool. It also lets you set levels program by program, with multiple outputs so you can have what your stream hears be different from what you hear on your end. It’s just a good level of control that allows professionals (as well as amateurs) fine-tune their stream to their liking.
Of course, solid software wouldn’t be anything without the hardware to back it up, and the Alias and Alias Pro are high-quality, extremely attractive microphones to have on your desk. They’re both oblong pills suspended by elastic cords in a ring-shaped stand. It’s easy enough to remove and mount on a boom arm, and both models of the Alias come with a clip to attach it to your existing arm, or you can purchase one from SteelSeries.
From there the two mics have different features: the entry-level Alias has a volume dial and mute button right on its front, while the Pro outsources those to the included mixer, which requires external power (it comes with an AC adapter). The mixer has two dials, which can be customized in the GG software, and two buttons for muting mic and headset audio. (They feel extremely nice to push.) The biggest difference, however, is where the Pro gets its name from, and that’s the XLR connection in the back. That’s a higher-end connector than most users will need, but professionals looking to add a speciality gaming microphone into their mix will appreciate it. The mixer also comes with two USB ports so you can do dual PC streaming.
As I am not a professional audio person I stuck with the regular Alias, which connects to your setup using USB-C. It also has a single headphone jack for plugging in a headset, and I appreciated the mic stand design for keeping the cords tidy. When you plug in the mic it’ll start working right away; you’ll know because the front of the mic is outfitted with LED lighting that will show your levels. If the single bar of lights rises into the red, you know you’re clipping. When the mic is muted, a big red “X” is displayed on the surface, so there’s absolutely no question about the state of your recording.
In chatting with friends and family over various chat programs, the reports I got was that my audio was clear and loud, though one podcasting friend did think I did sound a little off at times — possibly because I got too close to the mic. At a normal distance I sounded fine. By my own reckoning through headphones, I thought it sounded great — on par with the audio I get from the Elgato Wave: 3 though a little more sensitive as it picked up the occasional ambient sound, like my typing. This isn’t unusual when I’m using a mechanical deck, but in this case it was the spongier membrane keyboard on my laptop. It can be mitigated by simply moving the devices further apart, if you have the space to do so.
Overall I think it’s a good piece of hardware to have on my desk; one of those accessories that makes you excited to record a stream, podcast or anything else you can imagine. You don’t need good tools to start creating, but the SteelSeries Alias is one of those that makes you want to make something because it’s such a delight to use.
This article originally appeared on Engadget at https://www.engadget.com/steelseries-starts-out-strong-with-its-first-dedicated-gaming-microphones-140041321.html?src=rss
“As he pocketed items, I’d surreptitiously scan our surroundings, mortified, hoping nobody else had noticed.”
The naysayers will tell you privacy is a lost cause. Don’t listen to them. Protecting your information is about taking small but meaningful steps, and thanks to a free new app from Consumer Reports, it’s easier than ever before. The non-profit just rolled out a tool called Permission Slip. Downloaded it, enter a few…
With Google’s next-gen flagship launching just around the corner, this felt like an apt time to visit the iPhone 15/15 Plus and see what this “first tier” model offers alongside its counterpart in the Android world. At its core, the iPhone 15/15 Plus are all the best bits of the iPhone 15 Pro/Pro Max without debut…
The FCC hit Dish Network with a $150,000 fine for failing to properly dispose of a defunct satellite after its mission ended. It’s the first such penalty the agency has enforced as it attempts to crack down on the growing problem of space junk in low Earth orbit (LEO). Decommissioned satellites and other objects pose a collision risk for other instruments operating in these lower altitudes. In LEO, debris travels at thousands of miles per hour, meaning even a millimeter-sized scrap can pose a serious threat.
While Dish and the FCC had an agreed-upon deorbit plan for the company’s EchoStar-7 satellite, which launched in 2002 and was scheduled to be retired in May 2022, it started running out of fuel earlier than expected. Dish was supposed to maneuver the satellite into the designated graveyard orbit about 186 miles above where it had operated. But, EchoStar-7 only made it about 76 miles up. The company realized in February 2022 that its propellant was too low to carry out the plan, and the satellite was abandoned there.
The FCC is calling the penalty a “breakthrough settlement” after Dish admitted fault and agreed to pay a fine. At $150,000, the fine is merely a slap on the wrist, but it could serve as a warning as the number of commercial satellites in LEO continues to rise rapidly. There’s already close to 10,000 tons of junk orbiting Earth as of last year, and as companies like SpaceX vie to pump thousands more satellites into space, it’s only getting more cluttered by the day.
This article originally appeared on Engadget at https://www.engadget.com/the-fcc-has-begun-fining-companies-over-their-dead-satellites-153516781.html?src=rss
The singer-songwriter was only 18 years old at the time. Drake was 23.
After a disheartening failure in December 2022, the return flight of Europe’s Vega-C rocket has been pushed to late 2024. The delay, just revealed by the European Space Agency, stems from a required redesign of the rocket’s motor nozzle.
Another day, another streaming service price hike. Those who sign up for the ad-free Discovery+ plan starting today will now pay $9 per month, up from $7. The ad-supported plan isn’t changing in the US, though, as it will still cost $5.
There’s a similar price hike in Canada, as the ad-free plan is going up from $7 CAD to $9 CAD. Those north of the border will need to pay extra for the ad-lite plan too — that’s increasing from $5 to $6 per month.
Existing subscribers will still pay their existing rate for another month. The price increase will be applied to their account on their next billing cycle on or after November 2.
It’s the first time that Discovery+ has increased prices on monthly plans in the US and Canada since the service debuted in the countries in January 2021. The price hike “will allow us to continue to provide can’t miss-stories in the food, home, relationships, true crime, paranormal genres — plus so much more,” Discovery+ said in a press release and an email to users.
Along with generating more revenue from subscribers, Warner Bros Discovery may be using the price increase to push customers to switch to a Max subscription instead. Max includes all of the Discovery+ content and much more. It’s a pricier affair, though, with the base ad-supported plan costing $10 per month.
We’ve seen many streaming services increase prices in recent months, including various music services. The Disney+ premium and Hulu ad-free plans will become significantly more expensive next week. Netflix, meanwhile, looks set to increase prices again after the actors’ strike ends, according to a Wall Street Journal report.
This article originally appeared on Engadget at https://www.engadget.com/the-discovery-ad-free-plan-now-costs-an-extra-2-per-month-155507156.html?src=rss
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