Fossil is officially getting out of the smartwatch business. Following months of speculation about the future of its Wear OS smartwatch lineup, which hasn’t seen a new model since 2021’s Gen 6, the company confirmed to The Verge on Friday that it’s abandoning the category altogether. There won’t be a successor to the Gen 6, but existing Fossil smartwatches will still get updates “for the next few years.”
In a statement to The Verge, a spokesperson said Fossil Group has “made the strategic decision to exit the smartwatch business,” citing the industry’s evolving landscape. “Fossil Group is redirecting resources to support our core strength and the core segments of our business that continue to provide strong growth opportunities for us: designing and distributing exciting traditional watches, jewelry, and leather goods under our own as well as licensed brand names.”
Fossil has been pretty quiet about its smartwatch plans lately, after an initial few years of steady releases, and the decision is going to come as a disappointment to anyone who’s been holding out hope for a Gen 7. While they were known to struggle in the battery life department, Fossil smartwatches are some of the nicest looking out there.
This article originally appeared on Engadget at https://www.engadget.com/fossil-is-done-making-smartwatches-but-will-keep-releasing-updates-for-a-few-years-161958128.html?src=rss
This year, at least some countries will have to say goodbye to the Netflix Basic subscription tier, the last cheap(ish) way to watch Netflix without ads. While the streaming giant had already severed the $12 Basic subscription tier for new or returning subscribers, anybody who chose to keep paying their monthly tithe…
Nickelodeon’s Avatar: The Last Airbender saw Aang and the rest of Team Avatar travel the world so he could master all four elements from different bending masters. For all they went through, there was always a looming threat overhead in the form of Sozin’s Comet, a celestial phenomenon which served as a massive power…
With a healthy dose of heart and whimsy, the Sundance documentary Seeking Mavis Beacon follows two young Black women who are devoted to finding the original model for Mavis Beacon Teaches Typing. If you touched a computer during the ’80s or ’90s, there’s a good chance that Mavis helped you get comfortable with a keyboard. Or at the very least, you might remember her from the program’s original 1987 cover: a smiling, elegant Black woman dressed in a cream-colored outfit. She embodied style and professional poise — it was as if you could be just as capable as her if you bought that program.
It’s no spoiler to say that “Mavis Beacon” didn’t really exist – she was a marketing idea crafted by a group of white dudes from Silicon Valley. But the program’s cover star was real: Her name was Renee L’Esperance, a Haitian model who was discovered while working at Saks Fifth Avenue in Los Angeles. After her image helped make Mavis Beacon Teaches Typing a success, she retreated from the spotlight, reportedly heading back to retire in the Caribbean.
Seeking Mavis Beacon
The documentary’s director and writer, Jazmin Jones, as well as her collaborator, Olivia McKayla Ross, start with those basic details and set out to find L’Esperance like a pair of digital detectives. From a home base in a rundown Bay Area office – surrounded by tech ephemera, a variety of art pieces and images of influential black women – they lay out L’Esperance’s reported timeline, follow leads and even host a spiritual ceremony to try and connect with the model.
I won’t say if the pair actually end up finding L’Esperance because it’s the journey that makes Seeking Mavis Beacon such a joy to watch. Jones and Ross both grew up with the typing program and felt a kinship toward the character of Mavis Beacon. It was the first program to prominently feature a Black woman on the cover (a move that reportedly caused some suppliers to cut their orders), so it made the technology world seem like somewhere young Black women could actually fit in. Beacon’s digital hands also appear on-screen, as if she’s gently guiding your fingers to the correct letters and positioning.
To help uncover more details about the whereabouts of Mavis Beacon, Jones and Ross set up a hotline and website for anyone to submit clues. Some of those calls are featured in the film, and they make it clear that her digital presence inspired many people. The film opens with references to Beacon throughout culture, including one of my favorite bits from Abbott Elementary, where Quinta Brunson’s over-achieving teacher is far too excited to spot the typing icon in a school crowd. I was reminded of my own childhood experience with Mavis Beacon Teaches Typing, spending free periods at school and idle time at home trying to get my typing speed up. By middle school, typing felt as natural as breathing. And yes, I would also have freaked out if I saw the real Beacon in person.
While the documentary doesn’t seem out of place at Sundance, which is known for innovative projects, it also sometimes feels like a piece of experimental media meant for YouTube or an art show filled with impossibly cool twenty-somethings. (At one point, Ross attends a farewell ceremony for one of her friends’ dead laptops, which was hosted in an art space filled with people dressed in white. That’s the sort of hip weirdness that will either turn you off of this film, or endear you to it more.)
Jones shows us screen recordings of her own desktop, where she may be watching a TikTok alongside her notes. Instead of a full-screen video chat with another person, sometimes we just see a FaceTime window (and occasionally that reflects Jones’ own image looking at the screen). Finding Mavis Beacon tells its story in a way that digital natives will find natural, without locking itself exclusively into screens like the film Searching.
As is true for many first features, the film could use some narrative tightening. Jones and Ross’s investigation stalls at several points, and we’re often just left adrift as they ponder their next steps. The pair also occasionally appear too close to the story, or at least, that’s how it seems when we see Jones tearing up while pleading to meet with L’Esperance.
But I’d argue that’s also part of the charm of Seeking Mavis Beacon. Jones and Ross aren’t some true crime podcast hosts looking to create content out of controversy. They’re young women who found comfort in one of the few faces in tech that looked like them. With this film, Jones and Ross could be similarly inspirational for a new generation of underrepresented techies.
This article originally appeared on Engadget at https://www.engadget.com/seeking-mavis-beacon-review-sundance-documentary-140049830.html?src=rss
This year, at least some countries will have to say goodbye to the Netflix Basic subscription tier, the last cheap(ish) way to watch Netflix without ads. While the streaming giant had already severed the $12 Basic subscription tier for new or returning subscribers, anybody who chose to keep paying their monthly tithe…
With a healthy dose of heart and whimsy, the Sundance documentary Seeking Mavis Beacon follows two young Black women who are devoted to finding the original model for Mavis Beacon Teaches Typing. If you touched a computer during the ’80s or ’90s, there’s a good chance that Mavis helped you get comfortable with a keyboard. Or at the very least, you might remember her from the program’s original 1987 cover: a smiling, elegant Black woman dressed in a cream-colored outfit. She embodied style and professional poise — it was as if you could be just as capable as her if you bought that program.
It’s no spoiler to say that “Mavis Beacon” didn’t really exist – she was a marketing idea crafted by a group of white dudes from Silicon Valley. But the program’s cover star was real: Her name was Renee L’Esperance, a Haitian model who was discovered while working at Saks Fifth Avenue in Los Angeles. After her image helped make Mavis Beacon Teaches Typing a success, she retreated from the spotlight, reportedly heading back to retire in the Caribbean.
Seeking Mavis Beacon
The documentary’s director and writer, Jazmin Jones, as well as her collaborator, Olivia McKayla Ross, start with those basic details and set out to find L’Esperance like a pair of digital detectives. From a home base in a rundown Bay Area office – surrounded by tech ephemera, a variety of art pieces and images of influential black women – they lay out L’Esperance’s reported timeline, follow leads and even host a spiritual ceremony to try and connect with the model.
I won’t say if the pair actually end up finding L’Esperance because it’s the journey that makes Seeking Mavis Beacon such a joy to watch. Jones and Ross both grew up with the typing program and felt a kinship toward the character of Mavis Beacon. It was the first program to prominently feature a Black woman on the cover (a move that reportedly caused some suppliers to cut their orders), so it made the technology world seem like somewhere young Black women could actually fit in. Beacon’s digital hands also appear on-screen, as if she’s gently guiding your fingers to the correct letters and positioning.
To help uncover more details about the whereabouts of Mavis Beacon, Jones and Ross set up a hotline and website for anyone to submit clues. Some of those calls are featured in the film, and they make it clear that her digital presence inspired many people. The film opens with references to Beacon throughout culture, including one of my favorite bits from Abbott Elementary, where Quinta Brunson’s over-achieving teacher is far too excited to spot the typing icon in a school crowd. I was reminded of my own childhood experience with Mavis Beacon Teaches Typing, spending free periods at school and idle time at home trying to get my typing speed up. By middle school, typing felt as natural as breathing. And yes, I would also have freaked out if I saw the real Beacon in person.
While the documentary doesn’t seem out of place at Sundance, which is known for innovative projects, it also sometimes feels like a piece of experimental media meant for YouTube or an art show filled with impossibly cool twenty-somethings. (At one point, Ross attends a farewell ceremony for one of her friends’ dead laptops, which was hosted in an art space filled with people dressed in white. That’s the sort of hip weirdness that will either turn you off of this film, or endear you to it more.)
Jones shows us screen recordings of her own desktop, where she may be watching a TikTok alongside her notes. Instead of a full-screen video chat with another person, sometimes we just see a FaceTime window (and occasionally that reflects Jones’ own image looking at the screen). Finding Mavis Beacon tells its story in a way that digital natives will find natural, without locking itself exclusively into screens like the film Searching.
As is true for many first features, the film could use some narrative tightening. Jones and Ross’s investigation stalls at several points, and we’re often just left adrift as they ponder their next steps. The pair also occasionally appear too close to the story, or at least, that’s how it seems when we see Jones tearing up while pleading to meet with L’Esperance.
But I’d argue that’s also part of the charm of Seeking Mavis Beacon. Jones and Ross aren’t some true crime podcast hosts looking to create content out of controversy. They’re young women who found comfort in one of the few faces in tech that looked like them. With this film, Jones and Ross could be similarly inspirational for a new generation of underrepresented techies.
This article originally appeared on Engadget at https://www.engadget.com/seeking-mavis-beacon-review-sundance-documentary-140049830.html?src=rss
This week on io9 The Bad Batch got us thinking about Dark Disciple, the Battle of Boz Pity, and so much Nightsister magic with the reveal that Asajj Ventress is the latest Star Wars character to cheat death. Read on for more on that, plus even more of our most-read stories of the week! —James Whitbrook
In October 2023, 23andMe admitted that it suffered a data breach that compromised its users’ information. The company has been hit with several lawsuits since then, and according to The New York Times, one of them is accusing 23andMe of failing to notify customers that they were specifically targeted for having Chinese and Ashkenazi Jewish heritage. They also weren’t told that their test results with genetic information had been compiled in curated lists that were then shared on the dark web, the plaintiffs said. 23andMe recently released a copy of the letters it sent to affected customers, and they didn’t contain any reference to the users’ heritage.
The lawsuit was filed in federal court in San Francisco after the company revealed that the hack had gone unnoticed for months. Apparently, the hackers started accessing customers’ accounts using login details already leaked on the web in late April 2023 and continued with their activities until September. It wasn’t until October that the company finally found out about the hacks. On October 1, hackers leaked the names, home addresses and birth dates of 1 million users with Ashkenazi Jewish ancestry on black hat hacking forum BreachForums.
After someone responded to the post asking access to “Chinese accounts,” the lawsuit said the poster linked to a file containing information on 100,000 Chinese users. The poster also said they had access to 350,000 Chinese profiles and could release more information if there was enough interest. In addition, the same poster allegedly returned to the forum in mid-October to sell data on “wealthy families serving Zionism” after the explosion at Al-Ahli Arab Hospital in Gaza.
“The current geopolitical and social climate amplifies the risks” to users whose data was exposed, according to the lawsuit, since the leaked information included their names and addresses. The plaintiffs want their case to be heard by a jury and are seeking compensatory, punitive and other damages.
This article originally appeared on Engadget at https://www.engadget.com/lawsuit-says-23andme-hackers-targeted-users-with-chinese-and-ashkenazi-jewish-heritage-132423486.html?src=rss
In October 2023, 23andMe admitted that it suffered a data breach that compromised its users’ information. The company has been hit with several lawsuits since then, and according to The New York Times, one of them is accusing 23andMe of failing to notify customers that they were specifically targeted for having Chinese and Ashkenazi Jewish heritage. They also weren’t told that their test results with genetic information had been compiled in curated lists that were then shared on the dark web, the plaintiffs said. 23andMe recently released a copy of the letters it sent to affected customers, and they didn’t contain any reference to the users’ heritage.
The lawsuit was filed in federal court in San Francisco after the company revealed that the hack had gone unnoticed for months. Apparently, the hackers started accessing customers’ accounts using login details already leaked on the web in late April 2023 and continued with their activities until September. It wasn’t until October that the company finally found out about the hacks. On October 1, hackers leaked the names, home addresses and birth dates of 1 million users with Ashkenazi Jewish ancestry on black hat hacking forum BreachForums.
After someone responded to the post asking access to “Chinese accounts,” the lawsuit said the poster linked to a file containing information on 100,000 Chinese users. The poster also said they had access to 350,000 Chinese profiles and could release more information if there was enough interest. In addition, the same poster allegedly returned to the forum in mid-October to sell data on “wealthy families serving Zionism” after the explosion at Al-Ahli Arab Hospital in Gaza.
“The current geopolitical and social climate amplifies the risks” to users whose data was exposed, according to the lawsuit, since the leaked information included their names and addresses. The plaintiffs want their case to be heard by a jury and are seeking compensatory, punitive and other damages.
This article originally appeared on Engadget at https://www.engadget.com/lawsuit-says-23andme-hackers-targeted-users-with-chinese-and-ashkenazi-jewish-heritage-132423486.html?src=rss
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