Ask anyone who plays video games extensively, and they more than likely have at least two studios they go to bat for. We all have developers who, in our eyes, can’t really do any wrong (even though they can and sometimes do); maybe it’s because they were responsible for a life-changing gaming experience, or maybe it’s…
In more than ways than one, The Acolyte is being poisitioned as a different Star Wars show than the other live-action offerings. Not only is it winding back the clock to the High Republic era, it’s also doing something different on the action front with some Force-powered martial arts similar to wuxia films. Now we…
New trailer for Dead Cells: Immortalis gives us a first real look at the animated series
Posted in: Today's ChiliA full trailer just dropped for the upcoming animated show based on the popular game Dead Cells, and it looks like the creators have made a few unexpected choices. For one, the Beheaded can apparently talk.
Dead Cells: Immortalis is being produced by Bobbypills, the studio behind the game’s animated trailers, and the French streaming service, Animation Digital Network. Along with the trailer, the series now has a release date: June 19. It’ll come out in French first, with English subtitles, before getting an English-language release later this year, according to Dead Cells developer Motion Twin.
The trailer shows a different animation style than we saw in the teaser that came out last year when the series was first announced. As hinted back then, the main character — who the show introduces now as “The Chosen One” — takes on the purple-flame-headed Bobby design. He’s accompanied by a character named Laurie Esposito, Guardian of the Truth. There’s an overall silliness to the trailer, too, so while it looks like there will be plenty of action, don’t expect the show to take itself too seriously.
This article originally appeared on Engadget at https://www.engadget.com/new-trailer-for-dead-cells-immortalis-gives-us-a-first-real-look-at-the-animated-series-180440816.html?src=rss
I knew what to expect from the Surface Pro 10 for Business the minute Microsoft announced it: A faster processor with a neural processing unit (NPU) inside the same case as the Surface Pro 9. As the first “AI PC” Surface devices, the Pro 10 for Business tablet and its more traditional sibling, the Laptop 6, seemed disappointing. And the fact that you could only buy it on Microsoft’s website, or through enterprise resellers, made it seem as if the company was trying to hide its shame.
But after testing the Surface Pro 10 tablet (I’ll omit the “For Business” part of its name for the rest of the review, you get it), I realized Microsoft just wanted to make a PC upgrade to appease IT workers. It’s boring; there aren’t any major new features to learn, and your company’s existing Windows software will all work just fine. No alarms, no surprises.
I can accept this Surface Pro 10 for what it is because we know Microsoft has some intriguing consumer-focused Surface hardware on the horizon. The company has invited media to an event in Seattle on May 20th (a day before its Build conference begins), where we expect to see some consumer-focused Surface devices powered by Qualcomm’s new Snapdragon X Elite chips. It makes sense for Microsoft to take a bigger risk with its consumer hardware, instead of the machines IT workers need to manage.
What’s new in the Surface Pro 10 for Business?
Both the Surface Pro 10 and Laptop 6 for Business are powered by Intel’s new Core Ultra chips. These are the company’s first processors to include an NPU for handling AI tasks. Admittedly, there aren’t many AI-driven features in Windows 11 yet, but we’re expecting to see Microsoft sell some new AI capabilities at Build.
For now, having an NPU means you can use Windows Studio Effects, which can glam up your video chats with blurred backgrounds and other features. By tapping into your NPU, instead of your CPU or GPU, Windows 11 can also handle those tasks more efficiently, and without slowing down the rest of your system. Who wouldn’t want that?
Design-wise, the Surface Pro 10 is almost exactly the same as the Pro 9 — the 13-inch 120Hz PixelSense screen returns, and Microsoft is still relying on its clunky kickstand to prop up the tablet. But at least the company shoved in a new 1440p webcam with a wider field of view, which should lead to clearer video chats.
Geekbench 6 CPU | 3DMark Wildlife Extreme | Cinebench R23 | |
Microsoft Surface Pro 10 for Business (Intel Core Ultra 5 135U, Intel graphics) | 2,085/8,827 | 2,546 | 1,555/7,153 |
Microsoft Surface Laptop 6 for Business (Intel Core Ultra 7 165H, Intel Arc graphics) | 2,351/12,531 | 4,200 | 1,662/10,298 |
Microsoft Surface Pro 9 5G (SQ3, Adreno 8cx Gen 3) | N/A | 2,959 | 575/1,866 |
What’s good about the Surface Pro 10?
In spite of its lack of updates, the Surface Pro 10 is still a reliable and capable hybrid tablet. It delivered fast performance, a great display and excellent battery life. Here are my favorite things about it:
Intel’s Core Ultra 135U chip is slightly faster than the 12th-gen processors used in the Surface Pro 9: It reached 5,772 points in PCMark 10, compared to its predecessor’s 4,010 points.
That Core Ultra chip’s NPU also makes the Pro 10 more future-proof. It’ll be ready to tackle AI features as they appear (developers like Adobe and Audacity are already working on several).
Microsoft’s PixelSense display still looks fantastic, with bold colors and enough brightness to use outdoors in direct sunlight.
While I would have liked to see a newer design, its case still feels shockingly slim and sturdy. It feels like an iPad, even though it’s running Windows 11.
The Surface Pro 10 lasted 12 hours and 19 minutes on the PCMark 10 Modern Office battery benchmark. That’s better than the vast majority of ultraportables we’ve seen this year, and it’s only an hour less than the latest Dell XPS 13.
What’s not good about the Surface Pro 10?
For a machine that starts at $1,200 though, the Surface Pro 10 is lacking in a few key ways:
For a “Pro” device, it has too few ports for accessories.
Its trademark kickstand is just a pain to live with now. It’s still awkward to hold on your lap, and it also makes the Pro 10 impossible to use on small surfaces (like my beloved standing desk laptop riser).
The Surface Pro Keyboard is still sold separately, and it’s still far too expensive at $140 (there are also pricier models if you really want to punish yourself). Nobody will ever buy a Surface tablet on its own! Microsoft’s inability to recognize this basic truth has haunted these systems since their inception.
It may be undercut by the upcoming consumer-focused Surface Pro 10. Qualcomm’s Snapdragon X Elite chips are Arm-based, so they’ll have to run an Arm version of Windows 11 and rely on emulation for older apps. But their NPUs also offer 45 TOPS (trillions of operations per second) for AI tasks, while the Core Ultra chips only hit 10 TOPS on their NPUs. These differences may not mean much for the next year or so, but they may make the Snapdragon Surface Pro 10 more future proof as we see more AI features roll out.
Should you buy the Surface Pro 10 for Business?
At this point, you’re better off waiting to see how Microsoft’s new consumer-focused Surface hardware performs before investing in either the Pro 10 or Laptop 6. But, as I said at the start, these systems aren’t really meant for consumers anyway. They exist to give IT workers a way to update their inventory without having to significantly shift their workflows.
This article originally appeared on Engadget at https://www.engadget.com/surface-pro-10-for-business-review-a-safe-upgrade-for-it-workers-172033986.html?src=rss
It’s Cannes season, and along with advanced screenings of upcoming movies, studios are looking at what films to buy for domestic or international distribution. One of the films on the market during the festival is The Monkey, which found a US distributor in Neon.
Several models of Beats headphones and earbuds are deeply discounted right now in a deal from Amazon, including the noise-canceling Studio Buds, which are nearly half off. The limited time deal also includes the option for two years of AppleCare+ coverage. The Beats Studio Buds with AppleCare+, which would normally cost $180, are only $100 right now. If you don’t want AppleCare+, you can get them for even cheaper, at a record-low $80 compared to the usual price of $150. The deal applies to five colors: Black, Moon Gray, Red, Sunset Pink and White.
The Beats Studio Buds are a good option for anyone looking for true-wireless, noise-canceling earbuds that perform well but won’t break the bank. They offer fast pairing for both iOS and Android devices, and will work with both operating systems’ Find My networks so you can track them down if ever misplaced. They also support Spatial Audio for tracks that come in that format. The Beats Studio Buds get about eight hours of battery life without active noise-cancellation enabled, and around five hours with it turned on.
If you’re looking for earbuds to use while you’re working out, the Beats Fit Pro, also on sale, may be a better option. These are among our top picks for true-wireless earbuds. The Beats Fit Pro earbuds (without AppleCare+) have dropped down to $160 in the current sale. This model is normally priced at $200, and comes in a slew of colors. The Fit Pro buds have a wingtip to help keep them securely in place while you’re exercising, and come with features like active noise-cancellation and adaptive EQ.
Also on sale right now are the wireless Powerbeats Pro earbuds, which hook onto the ear, and over-the-ear headphones including the Studio Pro, Solo3 and Solo4. These also come with the option to add AppleCare+.
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This article originally appeared on Engadget at https://www.engadget.com/beats-headphones-and-earbuds-with-applecare-are-on-sale-at-amazon-154735059.html?src=rss
OpenAI’s Superalignment team, charged with controlling the existential danger of a superhuman AI system, has reportedly been disbanded, according to Wired on Friday. The news comes just days after the team’s founders, Ilya Sutskever and Jan Leike, simultaneously quit the company.
The following article discusses spoilers for the first season of X-Men ‘97.
I was excited about the return of the ‘90s Saturday morning cartoon version of the X-Men. Still, I wasn’t sure Marvel, under the auspices of Disney, could deliver on the flavor of the original while also making a modern show that older fans, now adults in their 30s and 40s, could enjoy. And X-Men ’97 is a total play on our nostalgia, which makes it even odder that it delivers. And is better than the original in pretty much every way.
And of all the Marvel baubles that needed some affection, the X-Men arguably needed it most. The ten-episode run managed to cram in so many plotlines, cameos, comic sagas, villains, plot twists and even deaths that, at times, it was hard to process everything — but I utterly loved how relentless it all was. X-Men ‘97 goes hard, especially if you’re already an obsessive fan.
When Marvel first launched an all-you-can-read comic book app, I went in hard on the X-Men back catalog, especially stories by Chris Claremont and Grant Morrison, two of my favorite writers. X-Men ’97 mines a lot of my favorite characters and stories. Magneto is put on trial, and begins a (brief?) redemption arc, Jean Grey turns out to be a clone, and the cartoon crammed a roughly-year-long comic arc, Inferno, into a single episode. Other arcs either included wholesale, or with some riffs, include Lifedeath, Fatal Attractions, Motendo, Operation: Zero Tolerance and more.
The highlight of this first season (a second is already underway) has to be the crushing episode 5, where the mutant nation of Genosha is devastated by a high-powered sentinel mothership… thing. Just before the attack destroys mutant adults, mutant children and eventually even an X-man, Cable, the time-traveling son of Scott Summers and Jean’s clone. (See: Inferno, mentioned above) reappears to stop the attack. But he fails again and his mother dies.
Magneto is left helpless as mutants are slaughtered and he’s forced to relive the genocide he suffered as a child. Eventually, Gambit sacrifices himself and lights up the entire robot with his mutant ability. This is after Rogue reignites a romance with Magento, changes her mind, and decides to be with Gambit. As I said, each episode is a lot.
I may be alone in this, but I still prefer the older series’ animation style and look. A cartoon can look a little scrappy, in my opinion —or maybe I’m just 39 and also not a Disney executive. The majority of the action scenes are great, too. Cyclops is finally not done dirty and gets to thrive in fights. There are some great combination attacks comparable to the iconic fastball special.
Sometimes, the show can feel a bit too “anime” (And I love anime, don’t at me!), where the ridiculous scale of the fight removed a lot of my interest in it. Cool, Bastian has metal wings in the final episode. Yes, yes, very cool. But didn’t one of his super sentinel underlings wipe the floor with the X-Men mid-series? And did we need the Phoenix to reappear (again!) so that Jean can save her 50-something son from the future? Probably not.
But, it’s the X-Men. It wouldn’t be the X-Men without this kind of nonsense.
I also adored the attention to detail. How Storm changed back to her original comic-book attire, Rogue transitioned to her green and white look, Magneto wore the same black-and-white costume while on trial, just like the original comic book. X-Men ’97 doesn’t miss the chance to sprinkle in other Marvel characters, too. Captain America pops up a few times, we spot an out-of-costume Spider-Man, with Mary Jane Watson, watching the fall of Asteroid M. The Silver Samurai, who got his own episode in the original series, stares on as Tokyo loses power due to Magneto’s attack on the whole of Earth.
In other episodes, an aged Polaris, Rachel Grey and more mutants briefly appear in a vision of the future. The series is bursting at the seams with references, easter eggs and surprises. Did you know that Bastian is briefly, obliquely, on-screen during the horrific attack on Genosha, long before he’s revealed as the X-Men’s primary antagonist? Well, he is. It’s a show that’s ripe for debate and discussion in an era of Reddit, Discord and YouTube reactions.
Marvel Studios President Kevin Feige stipulated that both the cast and the music had to return for the project to happen. I’m glad it did and I’m glad the theme song still slaps.
This article originally appeared on Engadget at https://www.engadget.com/x-men-97-didnt-have-to-go-that-hard-140023964.html?src=rss
Since its Early Access release back in 2017, Motion Twin and Evil Empire’s Dead Cells has become one of the most popular roguelikes of the current gaming generation. The two studios may have recently ended development on the game, but it’ll still live on the form of the animated series, Dead Cells: Immortalis.
The following article discusses spoilers for the first season of X-Men ‘97.
I was excited about the return of the ‘90s Saturday morning cartoon version of the X-Men. Still, I wasn’t sure Marvel, under the auspices of Disney, could deliver on the flavor of the original while also making a modern show that older fans, now adults in their 30s and 40s, could enjoy. And X-Men ’97 is a total play on our nostalgia, which makes it even odder that it delivers. And is better than the original in pretty much every way.
And of all the Marvel baubles that needed some affection, the X-Men arguably needed it most. The ten-episode run managed to cram in so many plotlines, cameos, comic sagas, villains, plot twists and even deaths that, at times, it was hard to process everything — but I utterly loved how relentless it all was. X-Men ‘97 goes hard, especially if you’re already an obsessive fan.
When Marvel first launched an all-you-can-read comic book app, I went in hard on the X-Men back catalog, especially stories by Chris Claremont and Grant Morrison, two of my favorite writers. X-Men ’97 mines a lot of my favorite characters and stories. Magneto is put on trial, and begins a (brief?) redemption arc, Jean Grey turns out to be a clone, and the cartoon crammed a roughly-year-long comic arc, Inferno, into a single episode. Other arcs either included wholesale, or with some riffs, include Lifedeath, Fatal Attractions, Motendo, Operation: Zero Tolerance and more.
The highlight of this first season (a second is already underway) has to be the crushing episode 5, where the mutant nation of Genosha is devastated by a high-powered sentinel mothership… thing. Just before the attack destroys mutant adults, mutant children and eventually even an X-man, Cable, the time-traveling son of Scott Summers and Jean’s clone. (See: Inferno, mentioned above) reappears to stop the attack. But he fails again and his mother dies.
Magneto is left helpless as mutants are slaughtered and he’s forced to relive the genocide he suffered as a child. Eventually, Gambit sacrifices himself and lights up the entire robot with his mutant ability. This is after Rogue reignites a romance with Magento, changes her mind, and decides to be with Gambit. As I said, each episode is a lot.
I may be alone in this, but I still prefer the older series’ animation style and look. A cartoon can look a little scrappy, in my opinion —or maybe I’m just 39 and also not a Disney executive. The majority of the action scenes are great, too. Cyclops is finally not done dirty and gets to thrive in fights. There are some great combination attacks comparable to the iconic fastball special.
Sometimes, the show can feel a bit too “anime” (And I love anime, don’t at me!), where the ridiculous scale of the fight removed a lot of my interest in it. Cool, Bastian has metal wings in the final episode. Yes, yes, very cool. But didn’t one of his super sentinel underlings wipe the floor with the X-Men mid-series? And did we need the Phoenix to reappear (again!) so that Jean can save her 50-something son from the future? Probably not.
But, it’s the X-Men. It wouldn’t be the X-Men without this kind of nonsense.
I also adored the attention to detail. How Storm changed back to her original comic-book attire, Rogue transitioned to her green and white look, Magneto wore the same black-and-white costume while on trial, just like the original comic book. X-Men ’97 doesn’t miss the chance to sprinkle in other Marvel characters, too. Captain America pops up a few times, we spot an out-of-costume Spider-Man, with Mary Jane Watson, watching the fall of Asteroid M. The Silver Samurai, who got his own episode in the original series, stares on as Tokyo loses power due to Magneto’s attack on the whole of Earth.
In other episodes, an aged Polaris, Rachel Grey and more mutants briefly appear in a vision of the future. The series is bursting at the seams with references, easter eggs and surprises. Did you know that Bastian is briefly, obliquely, on-screen during the horrific attack on Genosha, long before he’s revealed as the X-Men’s primary antagonist? Well, he is. It’s a show that’s ripe for debate and discussion in an era of Reddit, Discord and YouTube reactions.
Marvel Studios President Kevin Feige stipulated that both the cast and the music had to return for the project to happen. I’m glad it did and I’m glad the theme song still slaps.
This article originally appeared on Engadget at https://www.engadget.com/x-men-97-didnt-have-to-go-that-hard-140023964.html?src=rss