Bluesky continues to beef up its video capabilities. The app’s latest update adds support for uploads of up to 3 minutes, a notable expansion from its previous limit of one minute. The change should give video creators on Bluesky much more flexibility in what they can post. It will also likely be appreciated by fans of Flashes, the new Bluesky-based photo and video app.
The update also brings some much needed inbox-management tools to Bluesky DMs, with the addition of a new “requests” section for incoming messages from users you don’t know. You’ll also now be able to reject incoming chats, which should help reduce the number of spammy DMs that have been flooding many users’ inboxes in recent weeks.
The latest Bluesky update rolled out as CEO Jay Graber appeared onstage at SXSW for a keynote about the growing decentralized social media platform, which has just under 33 million users. Graber, who was wearing a t-shirt emblazoned with a Latin slogan “mundus sine caesaribus” (a world without Caesars) — an apparent play on Mark Zuckerberg’s affinity for Roman Empire-inspired attire — spoke about why Bluesky is “billionaire-proof” compared with other apps.
Zuckerberg’s shirt translates to “All Zuck or all nothing.” Graber’s says “A world with no Caesars.”
Screenshot via X
“If a billionaire came in and bought Bluesky or took it over, or I decided tomorrow to change things in a way that people really didn’t like, then they could fork off and go on to another application,” she said. “That openness guarantees that there’s always the ability to move to a new alternative, still using the same network. There’s much less tolerance in the ecosystem for a very heavy-handed change.”
She also opened up about how Bluesky is thinking about its business model and generative AI. On the business side, she once again said the company is “exploring subscriptions” as well as paid “developer services” for those who build experiences on top of Bluesky. In a similar vein, she also said the company was considering how it could eventually turn some of its features, like moderation services or custom feeds, into a “marketplace” where the company may get a cut of potential transactions.
When it comes to large language models, she said the company was “working with some partners on developing a framework for user consent, for how they want their data to be used for generative AI.”
This article originally appeared on Engadget at https://www.engadget.com/social-media/bluesky-adds-3-minute-video-uploads-and-inbox-management-features-220317950.html?src=rss
Bluesky continues to beef up its video capabilities. The app’s latest update adds support for uploads of up to 3 minutes, a notable expansion from its previous limit of one minute. The change should give video creators on Bluesky much more flexibility in what they can post. It will also likely be appreciated by fans of Flashes, the new Bluesky-based photo and video app.
The update also brings some much needed inbox-management tools to Bluesky DMs, with the addition of a new “requests” section for incoming messages from users you don’t know. You’ll also now be able to reject incoming chats, which should help reduce the number of spammy DMs that have been flooding many users’ inboxes in recent weeks.
The latest Bluesky update rolled out as CEO Jay Graber appeared onstage at SXSW for a keynote about the growing decentralized social media platform, which has just under 33 million users. Graber, who was wearing a t-shirt emblazoned with a Latin slogan “mundus sine caesaribus” (a world without Caesars) — an apparent play on Mark Zuckerberg’s affinity for Roman Empire-inspired attire — spoke about why Bluesky is “billionaire-proof” compared with other apps.
Zuckerberg’s shirt translates to “All Zuck or all nothing.” Graber’s says “A world with no Caesars.”
Screenshot via X
“If a billionaire came in and bought Bluesky or took it over, or I decided tomorrow to change things in a way that people really didn’t like, then they could fork off and go on to another application,” she said. “That openness guarantees that there’s always the ability to move to a new alternative, still using the same network. There’s much less tolerance in the ecosystem for a very heavy-handed change.”
She also opened up about how Bluesky is thinking about its business model and generative AI. On the business side, she once again said the company is “exploring subscriptions” as well as paid “developer services” for those who build experiences on top of Bluesky. In a similar vein, she also said the company was considering how it could eventually turn some of its features, like moderation services or custom feeds, into a “marketplace” where the company may get a cut of potential transactions.
When it comes to large language models, she said the company was “working with some partners on developing a framework for user consent, for how they want their data to be used for generative AI.”
This article originally appeared on Engadget at https://www.engadget.com/social-media/bluesky-adds-3-minute-video-uploads-and-inbox-management-features-220317950.html?src=rss
Apple is planning to dramatically rethink the look and feel of its operating systems with the introduction of the next version of iOS, iPadOS and macOS, according to Bloomberg.
The redesign is meant to make using the company’s software more consistent, and will impact “the style of icons, menus, apps, windows and system buttons,” Bloomberg writes. The changes may take loose inspiration from visionOS, the mixed-reality operating system of the Vision Pro. The headset featured a slightly different style from Apple’s other software, with a focus on translucency, floating interface elements and rounded app icons.
As Bloomberg notes, Apple hasn’t dramatically rethought the look of any of its software since iOS 7 and macOS Big Sur, so tweaks would be notable. When it was released in 2013, iOS 7 was the first version of the iPhone’s operating system overseen by former Chief Design Officer Jony Ive, and when Big Sur came out in 2020, it was the first version of macOS to run iPad apps and work on Apple’s custom silicon. There don’t seem to be any equally big shifts paired with iOS 19, iPadOS 19 and macOS 16, beyond the company’s ongoing work on Apple Intelligence, which isn’t available in all of its apps yet.
Apple Intelligence was introduced alongside iOS 18 and includes a host of new AI-powered features for working with audio, images and text, on top of a revamped version of Siri that can use apps for you. Most of those features shipped — though not at launch — save for the new Siri, which Apple recently announced will now be available “in the coming year.”
This article originally appeared on Engadget at https://www.engadget.com/mobile/apple-is-reportedly-planning-a-major-redesign-for-ios-19-and-macos-16-202804091.html?src=rss
Season two of HBO’s The Last of Us is just a month away, and as such the hype cycle kicked into full gear this past weekend. A full trailer finally arrived on Saturday during a panel at SXSW with the show’s creators and cast (not to mention an in-depth preview in Variety), and both that trailer and the panel discussion reinforced at least one major change coming this season: more action.
That could fix one of the bigger complaints fans had about season one, which garnered tons of praise from critics and fans alike. While season one brought the Infected to life in terrifying fashion, there were long stretches of the show where they simply weren’t around, making them feel like less of an ever-present threat. The new trailer shows off the town of Jackson, where Joel and Ellie settled at the end of season one along with his brother Tommy, under a massive siege of Infected, the kind of battle that might take up an entire episode. And show creators Craig Mazin and Neil Druckmann hinted that Infected would play a bigger role this season, not just in numbers.
“It was important to us to always move the ball forward with the infected,” Mazin said during the SXSW panel. “It’s not a question of just more, but something else that is meaningful to what is going on so they don’t just become NPCs. So definitely an escalation, we’re careful about it because we know we have space yet to go [in future seasons].” And in response to the panel’s moderator noting the balance between action and drama, Druckmann pointed out that, for the showrunners, “everything is drama, even the action scenes. They all have to be character-driven.”
To that end, the trailer showed off a new-but-old way for the infection to spread that wasn’t present in the first season: spores. Anyone who played the games noted the absence of spores as a transmission for infection in the first season, but Mazin exclaimed “spores? They’re back!” when talking about how the Infected were evolving for the new season. “There had to be a dramatic reason to introduce [spores] now,” Druckmann said, “and now there is.” Unsurprisingly, he wasn’t more forthcoming about the details.
I didn’t really object to the lack of spores in season one; it felt more like a game mechanic than something crucial to the plot. But there are a few story beats in The Last of Us Part II that I can recall where having spores around leads to a crucial plot reveal, and I’m looking forward to seeing how they get integrated here, and what the on-screen excuse will be for not seeing them before now. Similarly, I chalked the smaller number of Infected up to changes made to translate a video game to a show, though I feel like the first season could have had one more big throw-down — but I feel like season two will answer those complaints and then some.
Druckmann also said part of the reason the Infected weren’t more present was simply that the showrunners “weren’t exactly sure what we were doing.” That’s not in terms of the story, but specifically in terms of showing the Infected on screen. “What should Infected look like? How much should be practical effects? How much can be VFX? Now, we know what we’re doing and we swung for the fences,” he said. “In the game, we talk about how Jackson has had these attacks, but now we get to show it. And the reason we do it is we show you what’s at stake, not for individuals but for an entire community.”
The notion of community plays into the overarching story that Mazin and Druckmann want to tell in season two. Druckmann said that the first season followed Joel and Ellie and was a lot about them against other communities, like the group in Kansas City or David’s flock of followers late in the first season. “Now, we get to see them settled in Jackson, that’s their home, and there’s a love there for a community,” Druckmann explained. “That gets us into tribalism… what happens when you go against another group and you don’t see the humanity in them and how far will that take you, especially when they hurt someone you love.”
HBO
Mazin followed that up by noting that the show has tried to investigate “the cost of love” and is now trying to create a sense of a larger, communal love and how a smaller, tighter group can fit into it. “What happens if someone in your tight group is taken from you, and you feel alone? One thing Ellie said in season one was the thing she’s most afraid of is ending up alone,” Mazin said. “So all these characters have to face this potential threat of being alone, and without a tribe, and then what do you do?”
The other big theme that came out of the panel focused on how new cast members Kaitlyn Dever (Abby), Isabela Merced (Dina) and Young Mazino (Jesse) would fit in with returning stars Bella Ramsey (Ellie), Pedro Pascal (Joel) and Gabriel Luna (Tommy).
“Yes, [the new cast] came in like badasses,” said Pascal before then turning to Ramsey. “But you make it so easy, and so welcoming. I think we all really looked to Bella this time around as far as the cast is concerned. And this kind of open permission to be ourselves and to partner together in the scenes… I think it is the sort of unspoken leadership that made it such an easy, horrifying place to step into.” With his ever-present Dad-style humor, Pascal followed that by saying “The story was horrifying. Not Canada.”
“They’re not new to me, because we’ve lived all this time together and it was seamless… and I feel rather protective of you guys, and I love you guys, and you gave us everything,” Mazin said. “Not a weak link in the chain,” Druckmann interjected before Mazin went on to say how much he was looking forward to shooting with them yet again.
Ramsey spoke to how well the new cast integrated itself during season two’s filming. “I think it’s such a hard thing to do, to come into a world and a show that’s already really established, it must be so intimidating and these people just came in and made it their own and fit in so well,” they said. “Izzy brought a lot of joy and laughter and made everyone laugh consistently… it’s just a joy to work with all three of these guys.”
HBO
Kaitlyn Dever owned up to the anxiety the shoot produced, saying that stepping into a world that was so beloved was “nerve-wracking and anxiety-inducing” — and that’s without mentioning the online hate that the character she’s portraying (and its voice actor) received in 2020 when The Last of Us Part II was leaked two months before its release. Dever didn’t get into that specific hornet’s nest during the panel, but did say that “there are so many expectations going into this, and it’s just a matter of balancing that and also coming to it with my own ideas and building the character with Craig and Neil.”
The cast was an undeniable highlight of the first season of The Last of Us — everyone on the show absolutely killed, regardless of whether they were in six episodes or were on the screen for six minutes. Projecting familial friendliness during a press tour is one thing, but the love and respect the actors have for each other as well as Mazin and Druckmann has been continually obvious over the last few years, particularly between Ramsey and Pascal.
A fan shot a clip of Pascal watching the season two trailer during the panel, and he clearly gets emotional at the end of it, leaning over and giving Ramsey a big bear hug. As much as the show might be, on the surface, about fungal zombies, it only works because of the relationships between the characters on screen, whether that’s Joel and Ellie or now Ellie and Dina or Abby and her WLF crew. Assuming everyone gets that right in season two, the show should satisfy again — regardless of how many Infected are on screen.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-last-of-us-season-two-promises-a-lot-more-action-alongside-devastating-drama-170044014.html?src=rss
If you’ve picked up an iPad in the last five years or so, the new iPad Air will not surprise you. It is, in every way but one, identical to the iPad Air that Apple released last spring. The only difference is that the latest iPad Air has the M3 chip inside, instead of the already-capable M2. Even the (extremely muted) colors appear identical this year. Besides the 13-inch screen option Apple added last spring, the iPad Air is barely different from the one that was released way back in 2020.
That makes this iPad exceedingly easy to review — everything I wrote last May when I reviewed the 13-inch iPad Air M2 applies here. I like that it has a long-lasting battery, plenty of power, a reasonable amount of base storage and a front-facing camera on the landscape edge. The 13-inch model is still fairly large, but it’s thin and light enough to hold without issue — though if you prefer holding an iPad to using it with a keyboard, you’re probably better off with the 11-inch model. The Apple Pencil Pro released last year is a nice upgrade for serious visual artists. I don’t like that it still relies on Touch ID instead of Face ID, and I think it’s time the iPad Air had a better display.
Given that the M3 chip is the main change here, it’s worth giving it a little more attention. Geekbench 6 scores show that the iPad Air with the M3 is about 16 percent more powerful in both single- and multi-core scores. That’s pretty impressive given that the M2 iPad Air is less than a year old, but it’s not something that’ll radically change how you use the device. It does mean it’s a little more future-proof, though, and I’m always happy about that. In real use, the iPad Air handled multitasking through my workday, playing games, transcoding video and trying out various Apple Intelligence features with absolutely no hiccups and slowdowns.
Apple has been aggressive about putting extremely powerful chips in the iPad Air and Pro lineups for a few years now, and it’s nice that you basically never have to worry about slowdowns. And the newer chip had no ill effects on battery life — I easily got eight hours during a workday with the Magic Keyboard connected the whole time, and close to the 10 hours Apple promises when doing more causal activities or watching video.
Nathan Ingraham for Engadget
Apple also fixed one of my two major complaints about the last iPad Air. It has a new Magic Keyboard modeled after the much-improved one that was introduced alongside the iPad Pro M4. It’s thinner and lighter than the old iPad Air keyboard, has a row of useful function keys and the trackpad is a bit bigger. These aren’t major changes, but they are enough to make me much happier with the keyboard experience this year. It doesn’t have a few niceties you’ll find on the iPad Pro Magic Keyboard, though: The top case is smooth plastic rather than aluminum, the keys aren’t backlit and the trackpad has a physical click rather than haptic feedback. However, this keyboard is also $30 cheaper than the one it replaces. It’s still wildly expensive — $269 for the 11-inch Air and $319 for the 13-inch model.
The iPad Pro M4 on the left and the iPad Air M3 on the right. The iPad Pro’s keyboard has a slightly bigger trackpad.
Nathan Ingraham for Engadget
In fact, this whole package I’m trying is wildly expensive. The 13-inch iPad Air with 1TB of storage and 5G connectivity costs $1,449, and that’s not including the keyboard. However, a comparably specced iPad Pro costs, wait for it, $2,099 without its keyboard. The 13-inch Air starts at $799 with 128GB of storage, a price that seems fair to me. Similarly, the 11-inch Air at $599 feels like a great value and has numerous meaningful improvements over the basic iPad.
With the new iPad Air so similar to last year’s model, I started thinking about the compromises that Apple makes to keep the price of the Air at a more approachable level, and whether those are reasonable in 2025. The major advantages the iPad Pro M4 has over the iPad Air M3 are: a much better OLED display with a higher refresh rate, more storage space on the base model, a more powerful chip, better speakers and microphones, Face ID instead of Touch ID, a thinner and lighter design, a LiDAR sensor and a few extra photo and video capture capabilities. The iPad Pro also offers a nano-texture front glass option (to reduce screen glare) on the 1TB and 2TB models, and those models with more storage also have 16GB of RAM instead of 8GB.
Nathan Ingraham for Engadget
In almost all cases, I don’t have any issue with those features staying exclusive to the iPad Pro. But after using the iPad Air for a bit, I think it’s time Apple finds a way to improve on the screen. In fact, I think there’s a solid solution waiting in the wings: deploy the mini-LED display that Apple used in the iPad Pro from 2021 and 2022. That screen refreshes at up to 120Hz, the same as others that Apple brands as ProMotion-capable, and max brightness when watching movies was 1,000 nits — and could jump up to 1,600 nits for HDR content. Brightness when not watching video maxed out at 600 nits, like the iPad Air, but given how popular iPads are for watching video, this would be a major improvement.
Chances are that between the higher refresh rate and improved brightness, Apple feels the mini-LED screen would still be too close to the iPad Pro’s OLED panel (which remains shockingly nice, probably the best portable screen I’ve ever seen). And Apple never made a mini-LED display for the 11-inch iPad Pro, so it would have to develop something new for the smaller iPad Air.
There are plenty of reasons not to do it, but I think the iPad Air deserves a better screen. In fact, I’d be happy enough if Apple just gave me the same screen with a higher refresh rate. The company still reserves that feature for its most expensive “Pro” devices, but the landscape is a lot different in 2025 than it was in 2020. Plenty of midrange phones have 90Hz or 120Hz screens. Of course, Apple has never really cared about what other manufacturers do; it has pretty consistent rules about what devices get what tech. The iPad Air’s screen is essentially the same as the one on the MacBook Air, while the more expensive iPad Pro, MacBook Pro and iPhone Pro lines all get higher refresh rates. That’s just where we’re at, but I’m ready for it to change.
Nathan Ingraham for Engadget
Of course, I also need to admit that the iPad Air’s screen remains quite lovely. Apple has fine-tuned its LCD tech to within an inch of its life, and it shows in the vibrant colors, overall sharpness and great viewing angles. Sure, I notice that blacks aren’t as “truly black” as they could be with an OLED or mini-LED, but I’m not sitting around thinking about that when I watch movies or play games. I just enjoy what I’m doing without fussing over screen specs.
The lower refresh rate is more noticeable in day-to-day usage — you’re constantly touching, swiping and scrolling through content on an iPad, and it just does not feel as fluid. My main devices are a MacBook Pro, iPhone 14 Pro and iPad Pro, all of which use ProMotion. Stepping down to the iPad Air is just a bit of a bummer. And while Apple clearly feels it doesn’t always have to respond to larger industry trends, it’s hard to imagine it sticking with 60Hz screens for most of their products much longer.
Nathan Ingraham for Engadget
My other major quibble with the iPad Air is Touch ID. At this point, Face ID really does not feel like a “Pro” feature. Excluding the iPhone SE lineup, every new iPhone since 2018 has had Face ID, but you still need to spend $1,000 or more to get it on an iPad. That feels a little extreme! Touch ID is fine, but there are a lot of sites and services I often need to log in to for work and having to constantly reach up and touch the top button is a bit of a hassle. Especially compared with just making sure my face is in frame with the front camera. This probably felt like more of a pain during my review, since the iPad Air is brand new and setting up requires a ton of logging in to various apps. Still, Face ID definitely does not feel like a feature that needs to be locked to Pro devices at this point.
Nathan Ingraham for Engadget
Everything else you need to know about the new iPad Air is covered in my review from 10 months ago, but I’ll sum it up. I think the Air remains a clear upgrade over the base iPad — I appreciate its improved display, stronger performance, more robust multitasking experience and better accessories. Not to mention the 13-inch Air is the only way to get a big-screen iPad without breaking the bank. I’m glad Apple built a better keyboard too, and if you have an older iPad Air, the new keyboard will work with it.
But the new iPad with the A16 chip is also better than its predecessor because Apple has fixed a number of issue with it since 2022. The price is lower, storage is doubled and the dumb Lightning Pencil charging situation is now gone. If you don’t care about Apple Intelligence, more advanced multitasking and a better or bigger screen, a lot of people looking for “just a good iPad” won’t miss the Air’s upgrades, especially if they’re saving $250.
However, for people who want more from their iPad, the Air is just as easy for me to recommend as it was last year. You can get 80 percent of the iPad Pro experience for a lot less money, and the vast majority of buyers aren’t going to miss the Pro’s extra features.
My main caveat is that this iPad Air feels like a slightly-upgraded stopgap ahead of a bigger redesign, much as the iPad Pro was in 2022. That iPad went from an M1 to an M2 and got some nice software updates, but was largely the same as its predecessor — and then Apple gave it a massive update a year and a half later. The iPad Air M3 feels like it’s in a similar place, just waiting for a big refresh. I don’t think it’ll be too long before Apple has to update some of its older bits, particularly the display. If you’re the kind of person who really loves a good screen, it might be worth waiting another year to see if Apple finally brings faster refresh rates to more iPads.
This article originally appeared on Engadget at https://www.engadget.com/mobile/tablets/ipad-air-m3-review-a-modest-update-thats-still-easy-to-recommend-130045196.html?src=rss
According to The Hollywood Reporter, Netflix has tapped Fast & Furious director Justin Lin to direct its upcoming movie adaptation of BRZRKR, the popular comic by Keanu Reeves and Matt Kindt about an immortal warrior. Netflix first announced plans to create both a live-action movie and an anime based on BRZRKR back in 2021, with Reeves starring in the former and returning to voice his character in the animated show. But, we’ve heard little about the projects since. In the meantime, Reeves and author China Miéville dove back into the BRZRKR lore with The Book of Elsewhere, which was released last year.
There are still no details on when the Netflix adaptations will air, but we can safely expect both to bring violence and plenty of action. BRZRKR follows a half-mortal, half-god man known as “B” who has fought his way through 80,000 years of life. By the time he accepts a job killing for the US government, he’s very much over his immortality and looking for a way out. According to The Hollywood Reporter, Terminator Zero showrunner Mattson Tomlin is writing the script for the movie and the anime.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/the-netflix-film-adaptation-of-keanu-reeves-brzrkr-now-has-its-director-184902694.html?src=rss
According to The Hollywood Reporter, Netflix has tapped Fast & Furious director Justin Lin to direct its upcoming movie adaptation of BRZRKR, the popular comic by Keanu Reeves and Matt Kindt about an immortal warrior. Netflix first announced plans to create both a live-action movie and an anime based on BRZRKR back in 2021, with Reeves starring in the former and returning to voice his character in the animated show. But, we’ve heard little about the projects since. In the meantime, Reeves and author China Miéville dove back into the BRZRKR lore with The Book of Elsewhere, which was released last year.
There are still no details on when the Netflix adaptations will air, but we can safely expect both to bring violence and plenty of action. BRZRKR follows a half-mortal, half-god man known as “B” who has fought his way through 80,000 years of life. By the time he accepts a job killing for the US government, he’s very much over his immortality and looking for a way out. According to The Hollywood Reporter, Terminator Zero showrunner Mattson Tomlin is writing the script for the movie and the anime.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/the-netflix-film-adaptation-of-keanu-reeves-brzrkr-now-has-its-director-184902694.html?src=rss
ZTE has officially introduced its latest flagship smartphone, the nubia Z70 Ultra, at MWC 2025. Designed for photography enthusiasts and power users alike, the device pushes the boundaries of mobile imaging, performance, and design.
Building upon the legacy of its predecessors, the nubia Z70 Ultra delivers what the brand calls as “an unprecedented mobile photography experience”, thanks to its advanced Neovision AI Photography system. It features a custom 1-inch ultra-clear sensor, an optically stabilized periscope zoom lens, and an AI-enhanced hybrid imaging engine for stunning clarity and low-light performance.
A 50MP primary sensor (Sony IMX 9 Series), complemented by a 50MP ultra-wide camera and a 64MP telephoto lens, ensure professional-grade photography in every scenario. The AI-powered Super Night Mode and Astrophotography Mode allow users to capture breathtaking shots even in extreme conditions.
At the core of the nubia Z70 Ultra is the latest Qualcomm Snapdragon 8 Elite processor, paired with up to 24GB of LPDDR5X RAM and 1TB of UFS 4.0 storage. This powerhouse setup ensures seamless multitasking, ultra-fast processing speeds, and unmatched gaming performance.
The 6.85-inch AMOLED display boasts a 1.5K resolution, 144Hz refresh rate, and Dolby Vision support, delivering vibrant colors and smooth animations. A 6150 mAh battery with 120W ultra-fast charging ensures long-lasting endurance, keeping users powered throughout the day.
AI-Powered Features
The nubia Z70 Ultra integrates AI-driven enhancements across its software ecosystem, including an AI-powered photography assistant, real-time translation, voice interaction, and scene recognition for intelligent image optimization. The NeoVision Pro Mode offers pro-level controls for photographers, while AI-enhanced video stabilization ensures smooth recordings in any condition.
With support for Wi-Fi 7, dual 5G connectivity, and advanced cooling technology, the device is designed for peak performance, whether gaming, streaming, or capturing high-resolution content.
Specs
Feature
Details
Network Technology
Dual SIM (nano SIM + nano SIM)
Chipset
Snapdragon 8 Elite Mobile Platform
Operating System
Nebula AIOS
Display
6.85 inches, 2688×1216 AMOLED, 144Hz, UDC Screen
Rear Camera
35mm main camera: 50MP, Sony IMX 9 Series, Adjustable Physical Aperture, OIS; Ultra-wide camera: 50MP, 1/2.88″, 6P, f/2.0, AF; 70mm telephoto camera: 64MP, AF, OIS
Front Camera
16MP Under Display Camera
Charging
6150mAh (Typical value), 80W
Memory
12GB + 256GB 16GB + 512GB 24GB + 1TB
Connectivity
WIFI 802.11a/b/g/n/ac/ax/be, Wi-Fi 7 Bluetooth 5.4
Employees of the General Services Administration, which manages government real estate and certain IT efforts, have been given a custom chatbot from Elon Musk’s DOGE to help automate tasks, according to a new report from Wired, with an internal memo telling workers it can be used to “draft emails, create talking points, summarize text, write code.” The chatbot, GSAi, gives users a choice of three models — Claude Haiku 3.5 (the default), Claude Sonnet 3.5 v2 and Meta Llama 3.2 — and is ultimately meant to be used to “analyze contract and procurement data,” Wired reports.
The GSA is one of the many agencies that have been affected by the federal government’s mass job cuts, and has so far let go upwards of 1,000 workers, sources told NPR in a report published this week. That includes roughly 90 people from its tech branch, according to Wired. In memos about the new chatbot seen by Wired, workers were told not to input “federal nonpublic information,” personally identifiable information or “controlled unclassified information.” It was reportedly tested among a smaller group last month before rolling out to the roughly 1,500 workers who now have access, with plans to expand down the line.
This article originally appeared on Engadget at https://www.engadget.com/ai/doge-has-reportedly-started-rolling-out-a-custom-chatbot-to-automate-some-government-tasks-211616079.html?src=rss
Employees of the General Services Administration, which manages government real estate and certain IT efforts, have been given a custom chatbot from Elon Musk’s DOGE to help automate tasks, according to a new report from Wired, with an internal memo telling workers it can be used to “draft emails, create talking points, summarize text, write code.” The chatbot, GSAi, gives users a choice of three models — Claude Haiku 3.5 (the default), Claude Sonnet 3.5 v2 and Meta Llama 3.2 — and is ultimately meant to be used to “analyze contract and procurement data,” Wired reports.
The GSA is one of the many agencies that have been affected by the federal government’s mass job cuts, and has so far let go upwards of 1,000 workers, sources told NPR in a report published this week. That includes roughly 90 people from its tech branch, according to Wired. In memos about the new chatbot seen by Wired, workers were told not to input “federal nonpublic information,” personally identifiable information or “controlled unclassified information.” It was reportedly tested among a smaller group last month before rolling out to the roughly 1,500 workers who now have access, with plans to expand down the line.
This article originally appeared on Engadget at https://www.engadget.com/ai/doge-has-reportedly-started-rolling-out-a-custom-chatbot-to-automate-some-government-tasks-211616079.html?src=rss
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
