It’s always fun seeing how huge-budget Hollywood films were shot, and what equipment they use. SetLife magazine created a list of just what cameras and lenses were used on each film nominated for 2014 Best Picture and Best Cinematography nominees. It’s not without some surprises.
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About a year after the CompactFlash Association announced the CFast 2.0 draft spec, SanDisk has revealed its new Extreme Pro CFast 2.0 memory card. The first of its kind, SanDisk says read speeds of up to 450MB/s and write speeds of up to 350MB/s make it the world’s fastest memory card, period. Speed isn’t the only improvement either, as the cards claim a tougher, pinless design and even unique serial numbers that owners can register with customer support. For now however, its use is going to be quite limited. The only camera ready for it at launch is the just-announced Arri Amira, although the Arri XT and Classic (with the XR module) cameras can also use it with an adapter. For those still using traditional CompactFlash storage for their 4K shooting the company is stretching the limits there too, with a new 256GB card that it says has the highest capacity ever. That extra storage will cost you however, with a price of $1,809 for the new 256GB version. There’s no word on a price for the CFast 2.0 cards or their USB 3.0-equipped reader, but pro videographers in the US and Europe should be able to find them soon at specialty shops and Arri-authorized locations.
Filed under: Storage
Source: SanDisk (1), (2)
One of the strangest corporate espionage stories in recent memory has come to a conclusion with a confidential settlement between cinema cam makers Red and Arri. It started when a former Arri honcho, Michael Bravin, pleaded guilty to hacking into email accounts at his ex-employer, camera distributor Band Pro Film & Digital. Red founder Jim Jannard claimed his personal account was also compromised during the attack and that other Arri executives were aware of it. As a result, Red sued its competitor for “unfair competition based on email hacking, invasion of privacy, conversion, misappropriation of trade secrets and unlawful trade practices, among other charges.” In a post on Red’s user forum, Jannard said “we are very happy with the terms of the settlement with Arri and glad to have this behind us.” He added that a separate suit filed by Band Pro against Arri has yet to be concluded, saying “hopefully they will settle in a way that Band Pro is as happy as we are.” Whether Red will be equally gleeful at the conclusion of its recent clash with Sony remains to be seen.
Filed under: Cameras
Source: RedUser
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