Tiny Guitars are Finger Pluckin’ Insane

I’ve tried playing the guitar on a few occasions in my life, but I always got frustrated with proper fret placement that I like to blame on my fat fingers rather than my lack of coordination. So when I saw these miniature guitar models from Japan, I realized that things could be a whole lot worse for me.

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These 10 inch-tall Guitar Legend models from Media Factory are incredibly detailed 1/8th scale versions of authentic electric and bass guitars, from brands including Fender, Gretsch, Ovation and Zemaitis.

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Each one is small enough to fit in the palm of your hand, but no detail has been left out – other than the ability to actually play them. Depending on the model, they include accessories such as tiny guitar stands and cases as well.

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They’re available from Amazon Japan or Media Factory for ¥1,764 (~$17 USD) each, but the guys at White Rabbit Express can import them to other countries for you if you’re interested.

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Korg’s KR Mini rhythm controller puts a backing band in your gig bag (video)

DNP Korg's KR Mini

Sometimes a metronome just won’t cut it when you’re playing an instrument alone. That’s where Korg’s KR Mini comes in, providing the galloping metal beat that bridges into a poppy chorus for your bass, guitar or keyboard jam session. You can even chain the unit’s nine presets — 8-beat, 16-beat, dance, jazz, Latin, metal, pop, R&B and rock — together with a plethora of fills to make your own backing tracks to shred along to. The box’s 16 velocity sensitive-pads do double duty too, allowing for finger drumming if none of the onboard loops do the trick.

If you need inputs to run your existing effects pedal-board or foot controls into, the KR Mini has you covered there too. No monitor? No problem. The built-in speakers can provide the sound you need at a moment’s notice, with a trio of AAs providing the juice if you aren’t near a wall outlet. Considering the company’s storied drum machine-heritage, it’s cool to see Korg honoring that legacy with this latest KR model. The Mini ships in November for $79.99, and while it may not be the ego-free backing band of your dreams, it probably comes close.

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Via: Create Digital Music

Source: Korg

Duke Ellington: Jack The Bear

This is gonna be a classy Friday night. You don’t have to groove to Duke Ellington all the time, but when you do you should turn on Jack The Bear. This chart showcases Jimmy Blanton (Jack the bear…get it?), a bassist who at 22 brought the band to a new level in the early 1940s. Even if you hate 32-bar form and blues choruses, or you think pretentious nonsense is happening right now, listen to the end of the track for the bass solo. That’s what it sounds like when someone nails it. [Amazon, iTunes, Spotify]

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Korg announces Volca analog synth series, we go eyes-on

Korg announces Volca analog synth series, we go eyeson

Korg’s love of the mini-analog synth clearly remains strong as it’s added three more new ones to the fold — the Volca Beat, Volca Bass and Volca Keys (the clue to what they do is in the names). While some firms take a pro product and work down, making cheaper versions, Korg seems to take a different approach. It did the stripping-back thing when it launched its popular Monotron synth. Since then, it’s incrementally developed it back up into a whole category of its own, the latest iteration of which we apparently see before us here. The trio of mini-synths clearly take inspiration from the Monotribe groovebox that came before them, but are a step up in terms of design. Brushed metal finishes give them a vintage, almost Stylophone feel. The Volca Bass, in particular, looks almost too much like the legendary Roland TB-303 to be coincidence, and if we didn’t know better, we’d say the color scheme of the Beat echoes the TR-808. As we happened to be in Frankfurt, we couldn’t resist getting out hands on them, or as you’ll see past the break, at least trying to.

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Roland TB-303 Sushi: Bass Fishin’

The Roland TB-303 bass sequencer is one of electronic music’s founding fathers, which had its heyday in the early 1980s, and later became the backbeat to just about every piece of house and rave music ever recorded, and is still popular with musicians today. And while Roland is no longer making this seminal synthesizer, at least you can now eat one. Say what?

What you’re looking at here isn’t a synthesizer at all, but a delicious Japanese sushi dish, prepared to look like a TB-303.

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I’m not sure what all of the ingredients are, but there’s definitely plenty of rice, and some salty salmon roe in place of the LEDs. In the immortal words of Blondie, Eat to the Beat!

[via Ableton Live School via Wired Italy]

Skullcandy’s Crusher headphones teased, soon to vibrate wubs into your head for $100

DNP Skullcandy's Crusher headphones teased, soon to vibrate wubs into your head for $100

Skullcandy hasn’t made any official headphone-related announcements at CES — but that doesn’t mean there isn’t news to share. We’ve just been tipped about a bass-pumping followup to its non-defunct Skullcrusher headphones, set to release as the Crusher. The circumaural cans are said to be designed and engineered in-house, though they do look similar to Logitech UE’s over-ears. As we understand it, the “crushing sensation” is handled by a vibrating unit inside of each earcup that’s independent from its actual 40mm speaker drivers. Impressively, we’re told that the lowend will still pump out if the battery dies unlike similar offerings, such as Sony’s Pulse gaming headset. An on-earcup control lets you dial in your preferred level of wub, and the earcups can collapse for storage. Naturally, a detachable 3.5mm cable with an inline remote / mic is also included. Expect these to hit shelves during March clad in your choice of black, white or red for a cool 100 bones. That’s all we’ve got for now, so keep it locked to our coverage of the show while we try to spot ’em ourselves.

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MechBass Grooves on Some Muse

Despite the increasing number of robotic musical acts, I’m still always tickled by the idea of a band that does away with the human element, and puts robots in their rightful place – to entertain their masters. The latest robot musician – a mechanical bass-playing ‘bot.

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Engineering student James McVay created the MechBass as his honors project at New Zealand’s Victoria University. The robot uses a set of four individual bass strings along with a motorized pick wheel to jam out its tunes.

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A linear-motion system moves a pitch-shifter that frets the strings by applying pressure to them, and a servo-controlled damper mechanism can stop the strings from vibrating quickly. Optical pickups then capture the sounds, and send them to an audio circuit and amplifier.

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The whole system is controlled using MIDI signals and an audio programming language called ChucK, so it can play pretty much any tune that can be played on a bass. A custom controller board using an ATMega328 processor acts as the bridge between the software and the hardware.

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But don’t just take my word for how cool this thing is. Here’s a video clip of MechBass pounding out the intense bassline of Muse’s Hysteria.

While I don’t know if it’ll be replacing Flea in the Red Hot Chili Peppers anytime soon, I’m still totally impressed by MechBass’ musical talents.

Check out complete details on the build here (PDF).

[via Wimp]

This Crazy Bass Guitar Robot Shreds Like a Total Machine

We’ve all heard of drum machines, but you’ve probably never heard of a bass machine. Appartently at least one exists, and it’s awesome. More »

Sony ships new Extra Bass headphone lineup to the US, delivers that Direct Vibe to your brain

Sony ships new Extra Bass headphone lineup to the US, delivers that Direct Vibe to your brain

If you’d like your Sony headphones to be a little less judgmental, we’ve got good news. The company’s MDR-XB400, MDR-XB600 and MDR-XB800 Extra Bass headphones, along with the MDR-XB60EX in-ears, have arrived in the US for those who want low-end frequencies without the talent show branding. All four carry Sony’s newer Advanced Direct Vibe to emphasize the sub-bass notes of “today’s music styles” (read: electronic and hip-hop) as well as a serrated cord that keeps the cord tangling to a minimum. Working your way up the range mostly improves the frequency range, which starts at an already bass-heavy 5Hz to 22kHz in the XB400 and scales up to a tooth-rattling 3Hz to 28kHz for the XB800; you’ll also see the sensitivity jump from 100dB/mW to 106. Provided you don’t mind tweaking software to occasionally recover some treble, the entire collection is ready to wobble your head at prices that range from $60 for the starter XB400 headphones to $150 for the XB800.

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Sony ships new Extra Bass headphone lineup to the US, delivers that Direct Vibe to your brain originally appeared on Engadget on Wed, 03 Oct 2012 01:11:00 EDT. Please see our terms for use of feeds.

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These Sony Headphones Should Give Good Bass For Your Buck [Headphones]

Sony knows its way around audio—its noise canceling cans scored well in our battlemodo and we somehow loved the gross celebrity headphones too—and these latest headphones seem pretty good and won’t commit a robbery on your bank account. Relatively, at least. More »