GoPro CEO Nicholas Woodman on building a Google Glass-style wearable: don’t count on it

GoPro CEO Nicholas Woodman on building a Google Glassstyle wearable don't count on it

Unless you’ve been living under a rock for the past couple years, odds are you’ve seen one of Nicholas Woodman’s little cube cameras strapped to someone’s chest or stuck to a car. Today at TechCrunch Disrupt 2013, the GoPro CEO was asked if he’d be interested in moving beyond the cube and mount form factor and into something more svelte, Glass-like, even. While he found value in Google Glass’ ability to shoot first-person video, Woodman isn’t so keen on such a device due to its limited use case (it can really only be worn on your face). “The Google Glass form factor doesn’t provide the versatility that has been so key to GoPro’s success,” he said, before going on to extol the virtues of having a camera that can be mounted on your chest, your car or pretty much anywhere. Essentially, he sees the fact that GoPro can provide any point of view for video as a key selling point for his cameras.

Instead, Woodman sees Glass (or other such wearables) as an excellent way for folks to interact with GoPro cameras. He pointed out the camera line’s functionality with current smartphones — using a handset as a remote control, or previewing and sharing footage, noting that wearables could provide similar features, only in hands-free fashion. So, we won’t see any new GoPro models meant solely for wearing, but you can bet we’ll be seeing a GoPro Glass app at some point.

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New Olympus Mirrorless Camera Plans to Eat Other Mid-Size Shooters for Lunch

New Olympus Mirrorless Camera Plans to Eat Other Mid-Size Shooters for Lunch

Olympus has a new flagship mirrorless model: The just-announced OM-D E-M1. It arrives in October, and we likey.

    



This Intense Carbon Fiber RED Dragon Camera Will Film Game of Thrones

This Intense Carbon Fiber RED Dragon Camera Will Film Game of Thrones

In case you forgot, the RED Dragon is the latest 6K video-recording, insane dynamic-range-producing, probably-fire-breathing camera. This particular model is cased in carbon fiber, and will be put to the test filming the next season of Game of Thrones.

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Olympus’ OMD E-M1 flagship ILC arrives with new sensor, Four Thirds lens support for $1,399

Olympus' OMD EM1 flagship ILC arrives with new sensor, Four Thirds AF support for $1,399

Olympus has just announced its top-of-the-line OMD E-M1 camera that squeezes the ruggedness of its E-M5 predecessor into a smaller package, while adding some tempting new capabilities. There’s a brand new 16.3-megapixel sensor, for starters, that dispenses with the optical low-pass filter of the previous model and uses the new TruePic VII image engine to kill artifacts, instead. Olympus claims that results in more resolution and sharpness, while also keeping noise and color fading to a minimum at high ISOs. Another big addition is the “Dual Fast” autofocus system that permits faster focusing and 6.5 fps shooting in continuous focus mode (10 fps with single AF). Also, you can now autofocus with non-native Four Thirds lenses using phase detection, and there’s better support for Olympus’ Zuiko lenses — like the new M.Zuiko 12-40mm f2.8 model shown above. Other features include 1080p/30fps video, an updated 2.36 million-dot EVF, a tweaked 5-axis image stabilizer and built-in WiFi.

Though more compact than before, the new body has extra dials and switches, including a dedicated HDR button with two selectable modes (one or two stops above and below normal). On top of remaining dust- and waterproof, the E-M1 is now also freezeproof and guaranteed to function down to 14 degrees Fahrenheit. As before, that’ll let you take it into dusty, wet and now cold environments without fear of damaging sensitive optics or electronics. That aspect may have been the OMD E-M5’s killer feature, and with numerous performance improvements and those classic good looks, the E-M1 may actually top its forerunner — no mean feat. It’ll arrive next month for $1,399 (body only). %Gallery-slideshow83566%

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Tokyo cab company’s backseat cams notice forgotten gear if you don’t

DNP Tokyo cab company uses cameras to

Soon enough, if you leave something in one of Kokusai Motorcars Co.’s Tokyo taxis, you’ll know it before the cabbie drives away. Cameras under the front seats, in the trunk and on the ceiling record what the passenger and cargo area look like before a fare gets in. If the cams notice an item that wasn’t there when they get out, an alarm sounds so you get your stuff back sooner rather than later. Handy, right? If you’re worried about privacy, this apparently won’t capture clear facial images and the equipped cabs will have signs denoting the system’s presence, according to The Wall Street Journal. At ¥50,000 (roughly $500) this relatively cheap idea could keep you from losing a cellphone to a cab ever again. Kokusai hopes to have its fleet of 3,100 cars outfitted by next spring, but we can’t help but wish it was in place before this month’s Tokyo Game Show.

[Image credit: Wikimedia Commons]

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Source: Wall Street Journal

Olympus OM-D E-M1 Hands-On: So Hot You Won’t Believe It’s Mirrorless

Olympus OM-D E-M1 Hands-On: So Hot You Won't Believe It's Mirrorless

The interchangeable-lens OM-D E-M1 is so much camera you won’t believe it’s mirroress. The E-M1 is the successor to 2010’s E-5, the last Olympus camera with a mirror box and an optical viewfinder. I just shot with one of the first units in the world at the Oly launch event in New York, and I’m certain that almost no one needs a DSLR anymore. This camera is a serious business photography machine.

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What It’s Like To Watch an Entire Football Field on an Über-Wide Screen

A few weeks ago, news of Panasonic’s ambitious ultra-widescreen four-camera system had us trying to desperately imagine what it must be like to watch an entire sporting event on a single 64:9 panorama. But thankfully we don’t have to strain our imaginations any further, because Panasonic has posted some sample footage of a football game shot with the prototype camera system.

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New firmware gives Canon’s Cinema EOS camera line a prodigious 80,000 ISO

Firmware update gives Canon's Cinema cameras 80,000 ISO

Those who shelled out big bucks for one of Canon’s Cinema EOS cameras will be glad to know they’ve just been blessed with a significant firmware upgrade. Owners of the EOS C500, C300, C100 and 1D C 4K models will all see a huge increase in light gathering, with the maximum ISO jumping from 20,000 to 80,000. That’s one of the highest ISO settings on a pro camcorder, and you’ll now be able to roll through the entire ISO range in 1/3 stop increments instead of a full stop at a time, too. Meanwhile, the top of the line C500 model will get new DCI-P3+ and Cinema Gamut color options, along with a new high-speed, 120fps shooting mode at 4,096 x 1,080. The C300 will also get a new Wide DR color gamut and all the models will get various tweaks and bug fixes. For the finer details, check the source.

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Via: NoFilmSchool

Source: Canon Europe

IFA 2013 wrap-up: Galaxy Note 3, Xperia Z1, smartwatches, lens cameras, 4K displays and more

IFA 2013 wrap-up: Galaxy Note 3, Xperia Z1, smartwatches, lens cameras, 4K displays and more

We reckoned IFA would be an exceptionally busy show, and now that we’ve combed through all of our coverage and condensed it here, it’s clear the event lived up to our expectations. Sure, the venerable CES may have topped IFA in show floor square feet, but the announcements in Berlin generated perhaps even more excitement than those that came out of Las Vegas in January. A pair of high-profile smartwatches, two titanic smartphones, a duo of lens cameras, 4K displays and a bevy of hands-ons await you in a neat, yet massive, roundup after the break.%Gallery-slideshow83286%

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Instant Wild satellite cameras protect animals through crowdsourcing (video)

Instant Wild satellite cameras protect endangered animals through Raspberry Pi video

Remote cameras are useful to wildlife conservationists, but their closed (or non-existent) networking limits the opportunities for tracking animals around the clock. The Instant Wild project’s cameras, however, are designed to rely on the internet for help. Whenever they detect movement, they deliver imagery to the public through Iridium’s satellite network. Anyone watching the cameras through the Instant Wild iOS app or website becomes an impromptu zoologist; viewers can identify both animals and poachers that dedicated staff might miss. Maintenance also isn’t much of an issue, as each unit is based on a Raspberry Pi computer that can run for long periods on a single battery. The Zoological Society of London currently operates these satellite cameras in Kenya, but there are plans underway to expand their use to the Antarctica, the Himalayas, Indonesia and Sri Lanka.

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Source: Cambridge Consultants, Edge of Existence