Your garden-variety multiplex probably resembles a concrete box with interiors sporting giant movie ads and sterile seating areas. But there are still a number of surviving theaters that show off the glamour and scope of cinema in its heyday. Photographer Franck Bohbot’s recent series documents just that.
The announcement last year that Los Angeles would be replacing its high-pressure sodium streetlights—known for their distinctive yellow hue—with new, blue-tinted LEDs might have a profound effect on at least one local industry. All of those LEDs, with their new urban color scheme, will dramatically change how the city appears on camera, thus giving Los Angeles a brand new look in the age of digital filmmaking. As Dave Kendricken writes for No Film School, "Hollywood will never look the same."
It’s always fun seeing how huge-budget Hollywood films were shot, and what equipment they use. SetLife magazine created a list of just what cameras and lenses were used on each film nominated for 2014 Best Picture and Best Cinematography nominees. It’s not without some surprises.
First Google Play Books made its way to iOS. Then Google Play Music
There may be a recent resurgence of interest in silent film
Netflix is no stranger to making original TV anymore, but it seems it has bigger plans than that: it’s floating the idea that it’ll foot the bill for a “big” movie, which would appear in theaters and on Netflix at the same time.
Today’s moviegoers are a jaded bunch—it seems to require 3D visuals and advanced audio systems just to get a rise out of them. But it wasn’t always this tough in Tinseltown; there was once a time when something as basic as color film was sufficient to blow an audience’s collective mind.
Rumor has it that Netflix will begin testing enhanced content and extra features, first for its orig
Posted in: Today's ChiliRumor has it that Netflix will begin testing enhanced content and extra features, first for its original shows such as House of Cards , then DVD extra-style content from partner providers if it goes well.
If the movie industry wonders why piracy seems to persist, here’s one possible answer: people pirate ’em because they don’t have the option of paying for a legal copy online.
Before digital took over, a theater’s projectionist used to be an essential part of the business. Their mastery of the equipment made a trip to the movies possible. A series of photos by Joseph O. Holmes documents the remains of a dying profession.