Intel confirms new internet-based television streaming product, ‘working with entire industry’ to launch this year

Intel confirms new internetbased television streaming product, 'working with entire industry' to launch this year

Welp, the rumors are true. Erik Huggers, Corporate VP & GM for Intel Media, just sat down here at D:Dive Into Media 2013 in order to confirm that Intel’s getting into the set-top / TV provider business, and everything will be delivered to your home using your existing broadband internet connection. Straight from the man’s mouth:

“We have been working for around a year now to setup Intel Media — it’s a new division that includes a lot of people from outside of the company. We’ve hired people from Apple, Netflix, Google, BBC, etc. We’re aiming to develop an internet television platform. My opinion is that not many of those rivals have cracked it — have truly delivered.

For the first time, we’ll deliver a few things to consumers. We’ll deliver a new consumer electronics product under a new brand. It’s associated with Intel, but you’ll have to wait to hear what exactly that is. It’ll be an Intel-powered device with beautiful industrial design. Where it really gets interesting is here — we’re working with the entire industry. It’s an over-the-top service, delivering network channels, pay-TV channels, catch-up television, on-demand, and a host of applications.”

He also affirmed that the box (and service) would launch “this year,” and while the box won’t provide Intel’s “entire vision” at launch, a fair amount will be. That should include live television, on-demand, and catch-up. We’re guessing it’s the app ecosystem that’ll take some time to truly develop.

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Samsung details Innovation Centers in San Francisco and New York, focusing hard on software + hardware marriage

Samsung

David Eun, presently serving as EVP at Samsung’s Open Innovation Center after stints at AOL, Google, Time Warner and NBC Entertainment, just took the stage here in Dana Point, California during the opening night of D:Dive Into Media 2013. Given the media / content focus of the event, the conversation between Eun and host Kara Swisher revolved almost entirely around Samsung’s role in the world of content, production, connectedness and distribution. Starting things off with a bang, he affirmed that Samsung is opening two new Innovation Centers that’ll act as idea accelerators. In a way, this is Samsung getting into the funding game, which certainly adds a new twist to an industry that has largely been dominated by angels that aren’t necessarily a part of a major corporation.

Initially, one will be opening up in the Bay Area, while the other gets planted at an undisclosed location in New York City. Eun noted that in the past, Samsung was “focused on manufacturing hardware,” but it realized some time ago that you “have to get both hardware and software right.” He stated that the company as a whole has been “investing quite significantly over the past few years on software,” and turning to how it impacts content, he explained an internal company process that aims to gather insight about consumers. Not necessarily in the creepy, privacy-invading kind of insight, but in the way of discovering what consumers want, but don’t yet have in the marketplace.

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European Publishers Council wants Google to pay for media use region-wide

European Publishers Council wants Google to pay for media use continentwide

Google may have already agreed to fund French publishing efforts, but the European Publishers Council’s director, Francisco Pinto Balsemao, doesn’t think the search giant offered enough of an olive branch. He believes Google and similar content aggregators should compensate publishers across Europe, as they’re reportedly profiting from ads sold against content that’s ultimately available for free. He didn’t give a ballpark figure or explain just what represents compensation-worthy circumstances. Balsemao’s statements don’t amount to an order, whatever the intentions — Google doesn’t have to worry just yet. When the EPC lead has the weight of 26 major content providers behind him, however, Google can’t dismiss his words as daydreaming.

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Source: Reuters

Vimeo introduces content ratings for videos, keeps its platform in check

Vimeo introduces content ratings for videos, keeps its platform in check

Vimeo’s certainly made its presence felt inside multiple media-delivery mezzanines, but the video service isn’t forgetting all about the basics: its own platform. As such, Vimeo today announced some more changes to its website, which will see the introduction of a content rating system for published videos. The most recent alterations, as seen in the picture above, add an assessed rating badge to a user’s video, making it a requirement to brand any uploads as “All Audiences,” “Mature,” or “Not Yet Rated.” According to Vimeo, these content ratings are “the first step along a path that will make Vimeo more accessible to more audiences,” adding that sometimes it’s a a good idea to let folks know “if a face is going to explode or if someone is going to take their jean shorts off.”

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Source: Vimeo

Sony’s Ultra High Definition TV will come with world’s first 4K delivery system

Sony's Ultra High Definition TV will come with world's first 4K delivery system

If there’s $25,000 or so burning a hole in your pocket and room in your living room for Sony’s 84-inch XBR-84X900 Ultra HDTV, but you’re worried about a lack of 4K res content to play on it, allow us to put your mind at ease. Sony’s Ray Hartjen has picked up the blogging pen and revealed each of the supersized sets will ship with “the world’s first 4K Ultra HD delivery solution, complete with pre-loaded, native 4K entertainment.” There’s no specifics on what the pack-in content will be (or what form the “delivery system” will take), but he says it will include full length feature Hollywood productions exclusive to purchasers, probably courtesy of Sony Pictures. We’re told to expect more details after Turkey day, so stay tuned.

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Source: The Sony Blog

Slingbox 350 & 500: Content Place-shifting Gets a 1080p Upgrade

There are plenty of apps that allow you access to some of your content when you’re away from home, but what if you want to access all of it at the same time? The new Slingboxes might fit the bill, since they will allow you to do that.

slingbox streamer content dvr

The Slingbox 350 and 500 offer support for place-shifting video in up to 1080p quality, as well as integrated IR emitters for controlling set-top boxes from across the globe, and without ugly wires hanging from the box. The 350 model works over a wired Ethernet connection, while the 500 has built-in Wi-Fi, as well as HDMI input/output and SlingProjector technology to wirelessly share media from a smartphone, tablet or TV.

slingbox streamer content dvr color

The Slingbox 350 sells for $180(USD) while the 500 sells for $300. Both of them look unique, instead of basic, ubiquitous black boxes.

slingbox streamer content dvr 500

[via Uncrate]


BBC announces YouTube original content channels for science, nature

DNP BBC YouTube

Hot on the heels of YouTube’s launch of 60 new original content channels, the BBC has announced that it will be partnering with Google’s video service to present two of those. The UK broadcaster said it will introduce a nature channel, with content coming from its BBC Earth Productions unit, and a science channel featuring Top Gear presenter James May “and his crack team of scientists.” The new portals will come online in 2013, and “Auntie Beeb” has also redesigned its six current YouTube stations and added new clips from Top Gear (season 18) and other original programs, too. All that comes along at the same time as the refreshed iPlayer — another way the company’s been creative with technology, lately.

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BBC announces YouTube original content channels for science, nature originally appeared on Engadget on Mon, 08 Oct 2012 09:41:00 EDT. Please see our terms for use of feeds.

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YouTube advances cash for 60 more original channels in Europe and the US

YouTube to advance more cash for original channels in Europe and the US

Google pulls in nearly $2 billion a year in YouTube advertising revenue, but that’s still a drop in the bucket compared to the $60 billion earned by broadcast networks. To rely less on viral cat videos or “Gangnam Style” breakouts, the company has announced that it’s advanced funds to content producers like Jamie Oliver and Michael Cera to create 60 new original channels in France, the UK, Germany and the US. That’s in addition to the 100 channels it already created last year, and Mountain View also said it would take that original launch up a notch in 2013 by providing even more funds to the most successful efforts by artists like Jay Z and Amy Poehler. The company didn’t say exactly how much cash would be raining down to all those channels stateside or abroad, but considering the amount it recently spent just marketing them, you may want to pull the trigger on that new cinema camera, after all.

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YouTube advances cash for 60 more original channels in Europe and the US originally appeared on Engadget on Mon, 08 Oct 2012 01:33:00 EDT. Please see our terms for use of feeds.

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Zeebox adds Viacom to its list of second-screen partners

 Zeebox adds Viacom to its list of secondscreen partners

We love riffing on TV shows like a latter-day MST3k, which means that companies are desperate to harness our homespun satire to their own ends. Second-screen start-up Zeebox has inked a deal with MTV and Comedy Central owner Viacom, offering exclusive content in exchange for on-screen advertising. That said, we’re not sure if the promise of behind-the-scenes clips would be enough to draw us away from just cattily judging the Project Runway contestants on Twitter, where we’re less likely to be moderated into oblivion.

Continue reading Zeebox adds Viacom to its list of second-screen partners

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Zeebox adds Viacom to its list of second-screen partners originally appeared on Engadget on Thu, 04 Oct 2012 16:00:00 EDT. Please see our terms for use of feeds.

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Why I Pay for Content (And Why That Makes Me Feel Like a Sucker) [Piracy]

In 2001 I downloaded five songs by a now-defunct “folk rock duo” from the internet. The band was obscure, its albums not stocked at the small-town music stores nearby or the Walmart 25 minutes up Route 1. iTunes didn’t exist yet. Amazon was still a bookstore. So I fired up LimeWire and snapped them up for free. More »