Newsweek to drop print edition after December 31st, gives the digital future a warm hug

Newsweek to drop print edition after December 31st, gives the digital future a warm hug

It’s no secret that print media is on its way out, as many regional and niche publications have had to either find a path through the digital wilderness or fold completely. We’re still not used to national publications facing that ultimatum, though, which makes Newsweek‘s fresh decision to drop its print edition after December 31st both unusual and a bellwether. Anyone still yearning for the magazine’s content after the presses stop will have to turn to the purely digital Newsweek Global or its The Daily Beast sibling, no matter how attached they are to the outlet’s 80-year history with paper. The explanation for the cutoff remains a familiar story: print readership is dying on the vine and expensive to maintain, while web and tablet adoption is growing quickly enough that Newsweek believes it can make the switch without taking a long-term financial hit. Whether or not the transition works, it’s evident the periodical knows its identity must be wrapped around an online presence — figuratively, not literally.

Filed under: ,

Newsweek to drop print edition after December 31st, gives the digital future a warm hug originally appeared on Engadget on Thu, 18 Oct 2012 11:59:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceThe Daily Beast  | Email this | Comments

Newsweek to halt print edition, go all digital

Physical media has long been in a battle for its life, and this includes print publications. We’ve already seen other newspapers and magazine go the all-digital route, but today Newsweek announced that it’s ending its print edition and will be going on digital starting in 2013. The publication also said that they could be facing job cuts in the process.

December 31 will be the publication’s last issue, and they will move entirely to a new digital format using the name Newsweek Global, which will be a subscription-based online magazine optimized for tablets and browsers. The Daily Beast, Newsweek‘s sister site, will be posting some of the content. The site is said to have seen a 70% increase in traffic this year to 15 million unique monthly visitors.

Editor-in-Chief Tina Brown and CEO Baba Shetty say that the publication has “reached a tipping point at which [they] can most efficiently and effectively reach [their] readers in all-digital format.” Both Brown and Shetty clarified that Newsweek is simply “transitioning,” and aren’t saying goodbye to it.

However, it’s expected that the publication will be “streamlining” its editorial and business operations, which means it expects to lay off a number of its staff. Nothing is final, and the decision makers are still working things out, but Brown said that there will be “many options to choose from” in 2013.

[via The Daily Beast]


Newsweek to halt print edition, go all digital is written by Craig Lloyd & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Google Play Music and Movies purchasing reaches Google TV, patches a media strategy hole

Google Play Music and Movies reach Google TV in full, patch a hole in Google's media strategy

It’s been one of the more conspicuous omissions in the media hub space: despite Google Play being the cornerstone of Google’s content strategy, you couldn’t truly use the company’s music or movie services through Google TV without depending on content you’d already paid for elsewhere. As of a new upgrade, the ecosystem has come full circle. Viewers with Google TV boxes can at last buy or rent directly from Google Play Movies and Google Play Music, and the content will be indexed in the TV & Movies section alongside third-party video services and traditional TV. The upgrade also helps Google’s TV front end play catch-up with its mobile counterpart by adding automatic app updates and subscriptions. While device owners may have to wait a few weeks as the upgrade rolls out, the addition signals a big step forward for a platform that has normally leaned heavily on others for help.

Filed under: , ,

Google Play Music and Movies purchasing reaches Google TV, patches a media strategy hole originally appeared on Engadget on Mon, 08 Oct 2012 14:14:00 EDT. Please see our terms for use of feeds.

Permalink The Verge  |  sourceOfficial Google TV Blog  | Email this | Comments

The CD turns 30 today

Exactly 30 years ago, the first commercially-released CD album hit store shelves. On October 1, 1982, Billy Joel’s sixth studio album, 52nd Street, was re-released to the public. The album was originally launched in 1978, but it was selected for re-launch on the all-new digital compact disc to coincide with the release of the first CD player, the Sony CDP-101.

Research and development of the compact disc actually began well before 1982. Beginning in 1974, electronics company Philips wanted to create a whole new audio platform that was both small in size and better quality than vinyl records and cassette tapes. Three years later, the company finally established a lab where they would make CDs and CD players. They called them “compact discs” to follow along with their other naming conventions that they had, like the “compact cassette”.

At the time, Sony was also developing their own CD technology, but the two companies eventually merged their efforts and partnered up for the official consumer launch of the CD in 1982. Of course, CDs were met with a ton of skepticism at first. It wasn’t until several years later that CDs began to actually take off. Heck, I was still using cassette tapes in the 90s.

Even though the percentage of people in the world that use CDs is continually going down, you can’t deny that the format made a huge impact on the music industry. Even though nothing really outperforms the quality of a good vinyl record, newer platforms like CDs and MP3s are still extremely popular and are the go-to format for most music listeners these days.

[via The Next Web]

Image via Flickr


The CD turns 30 today is written by Craig Lloyd & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Adobe Digital Publishing Suite Single Edition gets cozy with Creative Cloud, code deficient designers rejoice

Adobe Digital Publishing Suite, Single Edition gets cozy with Creative Cloud

If you’ve been looking for a way to make publishing for the iPad much easier and erase the coding headaches, Adobe is looking to oblige. The software company has announced that its Digital Publishing Suite (DPS) Single Edition is now part of the Creative Cloud software collection. Not familiar with DPS? No worries. The program allows designers to create single-issue iPad publications (annual reports, brochures, portfolios, etc.) in InDesign and then export them to the Digital Publishing Suite App Builder for all of the requisite coding and finishing touches. When all is said and done, the user is left with an app that can be immediately sent to Apple for its seal of approval. Pretty neat, eh? The software will still be available on its own for $395 or as part of a $49.99 annual or $74.99 month-to-month Creative Cloud commitment. However, those upgrading from CS3 or later can opt in for $29.99 per month. If a few more details are what you’re after before signing up, consult the full PR below.

Continue reading Adobe Digital Publishing Suite Single Edition gets cozy with Creative Cloud, code deficient designers rejoice

Filed under:

Adobe Digital Publishing Suite Single Edition gets cozy with Creative Cloud, code deficient designers rejoice originally appeared on Engadget on Wed, 19 Sep 2012 00:01:00 EDT. Please see our terms for use of feeds.

Permalink   |   | Email this | Comments

Nook heads to UK to convert e-reading nation

It’s time for Barnes and Noble to make an effort to cross the sea as their Nook lineup is ready and willing to spread across the entirety of the UK this summer. The company has been working with a variety of UK retailers and has struck a collection of deals to stock several models of the Nook e-reader tablet lineup this Fall. Starting in mid-October the Nook Simple Touch as well as the Nook Simple Touch with GlowLight will be popping up both online and in physical shops across the nation.

This move will have the UK being the first location outside of the USA where Nook e-reader devices have been sold. With Barnes & Noble making it clear that their last financial year brought in $933 million for the Nook lineup alone, it’s no wonder they’re expanding out beyond the shores of the United States. The Amazon Kindle lineup is already sold throughout the UK, and this book retailer is gnawing at the bit at a chance to join in on the fun.

Be sure to check out our Nook Simple Touch with GlowLight review to see what you’ll be grabbing very soon!

The Nook Simple Touch as it exists today is a tablet device with a 6-inch display working with e-ink technology for easy reading both indoors and out. This device is currently out only in the USA and also has 2GB of flash memory, build-in wi-fi connectivity, and 2GB of RAM. You also get a microSD card slot for memory expansion and easy movement of files to and from other devices.


We’re expecting this device to be released in essentially the same price range as the original and will be working with nook.co.uk as well for digital content. You’ll be able to both download new reading material from the web and load 3rd party content with the microSD card slot once this device heads your way soon!


Nook heads to UK to convert e-reading nation is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Barnes & Noble to launch new devices in the UK this fall

Barnes & Noble has announced that it will be bringing its award-winning Nook line of eReaders and digital content to the UK starting this fall. The devices and content will be available in the United Kingdom through a new online storefront located at nook.com.uk. Expansion into the UK marks the first time Barnes & Noble has moved out of the US.

Barnes & Noble will also be offering its digital products and content to consumers in the UK through partnerships with other leading retailers. Specific retailers participating in the retail partnerships will be announced shortly. For now, Barnes & Noble simply states that the UK partners are expected to support the Nook through established physical and online channels.

Among the first products, that Barnes & Noble will offer in the UK will be the Nook Simple Touch and the Simple Touch with GlowLight. The products will be available mid-October. The Simple Touch with GlowLight is the first E Ink device with an integrated light for reading in the dark. Both versions of the Simple Touch use a seven-inch display.

The Nook Store for the UK will have over 2.5 million digital titles, including top UK books, newspapers, and magazines. The content purchased within the UK will be available to users on various devices through the Nook Cloud. Additional details on the UK launch will be coming.


Barnes & Noble to launch new devices in the UK this fall is written by Shane McGlaun & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Def Leppard re-recording entire catalog while originals freeze

Band members of the legendary metal band Def Leppard have announced that they’ve reached an impasse with their record label and will be freezing sales of all original recordings of their music. What they’ve done instead of accepting an unfair amount of royalties, so they say, they’ve decided to record what are effectively covers of all their original songs that’ll then be pushed to iTunes et all in a much more direct way that’ll have them cashing in as much as possible. One would hope that they’ll do a bit better than KISS did with their latest double-album (one of which was all covers of old songs too) Sonic Boom.

Thus far Def Leppard have only revealed a couple of tracks: “Pour Some Sugar on Me” and “Rock of Ages”, but they’ve let it be known that a whole lot more is on the way. Universal Music Group is reportedly stopped from releasing any Def Leppard tracks from the original albums due to the contract between the label and the band. Def Leppard frontman Joe Elliott spoke to Billboard.com this week on the matter.

“When you’re at loggerheads with an ex-record label who…is not prepared to pay you a fair amount of money and we have the right to say, ‘Well, you’re not doing it,’ that’s the way it’s going to be. Our contract is such that they can’t do anything with our music without our permission, not a thing. So we just sent them a letter saying, ‘No matter what you want, you are going to get “no” as an answer, so don’t ask.’ That’s the way we’ve left it. We’ll just replace our back catalog with brand new, exact same versions of what we did.” – Elliott

You’ll be able to see many more tracks popping up in the near future if the first two singles continue to sell well. At the moment, Billboard has “Sugar” ringing in at 21,000 downloads in the USA while “Ages” has 5,000. Hopefully soon we’ll also be seeing Animal, Hysteria, and Love Bites – soon!

[via TechDirt]


Def Leppard re-recording entire catalog while originals freeze is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


EA aims to be a “100% digital” company

Say what you will about EA, but the company definitely seems to be thinking ahead. Head of EA Labels, Frank Gibeau, has told GamesIndustry in an interview that EA will “be a 100% digital company, period.” Talking about the gaming industry and the rise of digital media, Gibeau believes that selling digital products directly to the consumer via the internet is the way of the future.

Retail partners probably won’t be too thrilled to hear that, but it’s the way the industry is moving in general. Gibeau says that while retail is a “great channel” and that the company has “great relationships” with its partners, EA will respond to customers who want to get games directly from the source.

Naturally, the company won’t completely abandon retail: “[I]f customers want to buy a game at retail, they can do that too. We’ll continue to deliver games in whatever media formats make sense and as one ebbs and one starts to flow, we’ll go in that direction.” Gibeau goes on to say that digital is the fastest growing segment of EA’s business, and that the company is preparing for the advent of streaming games via the cloud from the likes of Gaikai and OnLive.


EA aims to be a “100% digital” company is written by Ben Kersey & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.