Native Instruments’ new Maschine Studio controller keeps your eyes on the music

Native Instruments unveils Maschine Studio music controller with dual displays

When you’re focused on music editing, you don’t want to switch back and forth between a computer screen and a hardware controller. With Native Instruments’ newly unveiled Maschine Studio, you won’t have to. The peripheral expands on the original Maschine with dual color displays that let musicians edit patterns and samples without having to glimpse at the host PC. The upgrade also adds new editing controls, and a revised Maschine 2.0 software suite simplifies plug-ins. Maschine Studio will ship on November 1st for $999, although you won’t have to buy one to get the new software. NI promises that anyone who buys a Maschine or Maschine Mikro from now on will get a free update to 2.0; existing owners can also pay $99 for an upgrade.

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Source: Native Instruments

Photoshop and Premiere Elements 12 now available, learn editing preferences

Photoshop and Premiere Elements 12 now available, learn editing preferences

Adobe’s Creative Cloud not your thing? Photoshop and Premiere Elements 12 have just arrived to please your subscription-averse (and beginner-level) nature. The latest version of the outfit’s photo suite features Content-Aware Move for shifting objects within a photo and having the resulting gaps filled in, the ability to correct flash reflections in animals’ eyes and 64-bit support for Macs. Elements Mobile Albums are new to this release as well, and they let users view, edit and share photos on mobile devices through the firm’s Revel solution. Premiere Elements boasts motion tracking to move graphics, text and effects with objects, upwards of 250 sound effects and more than 50 soundtracks that rearrange themselves to fit the length of footage. Both the video and photo editing packages sport Auto Smart Tone, which learns a user’s editing preferences and serves them up in a one-click option.

While both programs have picked up a healthy share of upgrades, the pricing model remains unchanged. Mac and Windows versions are now available online from Adobe for $100, or $150 when purchased in a bundle. Upgrades are set at $80 for each, or $120 when the pair are snapped up together. As for boxed copies of the software, they’ll be available soon form brick-and-mortar shops and online retailers.

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Source: Adobe (1), (2)

Google+ Now Works as a Serious Photo Editor (If You Use Chrome)

Google+ is now rolling out many of the image adjustment tricks included in its Auto Awesome feature as manual tools—if you use the right browser.

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Black Betty 2K camera can shoot, cut and upload video with built-in Mac Mini

Black Betty digital camera shoots 2K digital video, edits with builtin Mac Mini

The Black Betty company has just hit the scene with a cinema camera that pulls an astounding trick — it’s got a freaking desktop computer jammed into the body. Camera-wise, there’s a 2/3-inch 2K sensor with a 16mm lens mount developed by Silicon Imaging and used in films like Slumdog Millionaire. That’ll capture 2K or 1080p, 160-500 ISO footage at up to 30fps (or more for lower resolutions), and bring 11 stops of dynamic range via CineForm compressed RAW files. The feature that made us triple-take, though, is the built-in Apple Mac Mini with a special dock for swapping in and out 2.5-inch SSDs. That Mini isn’t just for recording, either, you can leverage its semi-portable power to edit and even upload videos in-camera. And, if you’d like, you can detach the camera head and 7-inch, 720p monitor from the computer and tether it via ethernet. It can only be rented for now, but No Film School said the 10-pound heft made it very well balanced, and it sports a nice retro look, too — who knew a sideways Mac Mini could double for a movie camera magazine?

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Via: No Film School

Source: Black Betty Cameras

Wikipedia mobile editing exits beta

The good folks at the Wikimedia Foundation have been toying with the concept of mobile editing for some time now, attempting to tap into the 15-percent of its user base who read the open encyclopedia on mobile devices. It’s a growing segment of the population that includes potential readers in developing nations where handsets are far more prevalent than desktops. Of course, mobile editing has been a hard puzzle to crack, given the complexity of tools and the limitations of screen real estate on such devices, but Wikimedia’s been toiling away with beta versions for a while, after mastering photo uploading. Now it’s finally ready to open it up to all users with an account. For more info on getting started, peep the source link below.

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Source: Wikipedia

Chrome OS dev channel gains Quickoffice powers, lets users edit native Excel and Word files

Chrome OS dev channel gains Quickoffice powers, lets users edit native Excel and Word files

Chrome OS hardware continues to proliferate, and on the software front, Google continues to add features to the platform in the hopes of persuading more folks to exit the traditional PC paradigm. Today marks a significant step in achieving that latter goal, as the dev channel of Chrome OS has received the ability to edit Excel and Word files thanks to Quickoffice integration. While it’s not ready for public consumption just yet, it shows that Google’s getting close to fulfilling its promise to deliver native doc editing to the Pixel and other Chromebooks.

Should you be among those on the dev channel of Chrome OS, you can enable the functionality now by going to chrome://flags, enabling document editing and restarting your machine. According to developer François Beaufort — the man who discovered the functionality — editing’s still a glitchy process, but the more folks that use the feature now, the faster the problems can be found and fixed. The power of productivity is in your hands, people, so get cracking squashing those bugs!

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Via: The Next Web

Source: François Beaufort (Google+)

Sony Anycast Touch live-broadcasting system hands-on (video)

DNP  Sony Anycast Touch livebroadcasting system handson video

The Anycast Touch is not only a sleeker incarnation of Sony’s all-in-one studio, with a slider design and a manageable-enough 6.6-kg (13-pound) body; it’s also the company’s first such system to feature a touchscreen interface. The machine sports two touch-enabled displays, allowing users to adjust audio controls, type via an on-screen keyboard and edit footage, among other functions. Video sources are assigned to one side of the panel, and tapping a particular input will bring up the footage in the middle preview window. It seems like an intuitive interface, especially given all the live-broadcasting controls on board — a six-input video switcher, a five-channel audio mixer, a built-in character and title generator, and a remote camera controller, just to name a few.

Aside from the touchscreens, built-in live-streaming capability is one of the Anycast Touch’s most unique features. On the show floor, Sony was sharing the product’s output with WiFi-enabled devices. According to the company, this functionality will be useful in educational settings, at houses of worship, corporate seminars and any other events intended to reach a broad audience. The Anycast could even help news producers scale back on their own gear, letting them trade those gigantic live trucks for live vans or sedans, for example. Pricing info isn’t set in stone, but Sony says the MSRP will be less than $20,000 when the device ships at the end of summer. There’s simply a ton of functionality here, so we definitely recommend checking out the studio-in-a-box in action in our hands-on video after the break for a bit more detail.

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Open source video editing program needs help on Kickstarter, offers immortality in return

Open source video editor seeks help on Kickstarter, offers immortality in return

Forget having kids. Forget mind-transfers. Real immortality lies in naming a video transition after yourself. No, seriously. To make eternity happen, you simply need to donate $500 to Jonathan Thomas’s Kickstarter project and in return he’ll let you create and name a transition effect in a new cross-platform version of his free, open source video editing program, called OpenShot. Currently Linux-only, it supports regular timeline-based video editing with layers and compositing, transitions, effects, titles and support for a wide range of AV formats courtesy of the usual open source codec libraries. If it reaches its $20k goal, Thomas will start work Windows and Mac OS editions alongside Linux, anticipating a beta release before the end of the year. Smaller donations will receive more minor possessions in the afterlife, such as your name in the credits. Bigger pledges — of up to $10,000 — will flip things around slightly and require Jonathan Thomas to sell you his soul. Go get it, Pharoah!

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Source: Kickstarter

Software Edits out Moving Objects in Videos: Videoshop

Adobe Photoshop CS 5 and CS 6 have a set of features called Content Aware. They automatically fill in gaps or selected areas in images as if those gaps or parts were never there. It’s not perfect, but it can be a time saver for many operations. This prototype software is like Content Aware for videos – it can edit moving subjects out of a video while the background remains more or less untouched.

video background inpainting by mpii

Researchers from the Max Planck Institute for Computer Science and University College London’s Computer Science department developed the wonder software. From what I can understand, the program works by marking the subject(s) to be removed and the one(s) to be retained. Then, for each affected frame, the program will look at a source frame elsewhere in the video where the background is not blocked by the object to be edited out, and use this source material to “inpaint” the section back into the image.

I think the software works best when the moving object to be edited out is over a static background, i.e. it won’t be as effective when there are like a hundred people moving and you want to remove someone from the foreground.Watch the video for a demo (and a way better explanation):

How awesome is that? I don’t know how much of the process is automated though. Head to MPII’s website for more information on the program.

[via MPII via Ubergizmo]

Draft cloud editor saves writing in stages, imports from just about anywhere

Draft cloud editor saves work in stages, imports from just about anywhere

Although web-based editors like Google Docs are wonderful for writers who don’t have a save shortcut hardwired in their muscle memory, they’re lousy for anyone who’s interested in seeing major revisions on the road to a final copy. Nathan Kontny’s new Draft web app might be far more helpful for those creators who work step by step. It lets writers declare given document versions as mid-progress drafts, and offers editing side-by-side with older versions to see just what’s new in the current session. The app also avoids some of the lock-in that comes with cloud services by allowing imports and syncing with Box, Dropbox, Evernote and Google Drive. There’s no easy way to directly publish online as this stage, but if you’re only concerned with producing a masterwork in the cloud from start to draft to finish, Kontny’s web tool is waiting at the source link.

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Via: TechCrunch

Source: Draft