This Hacked-Together 2k Cinema Camera Has a Mac Mini Brain

This Hacked-Together 2k Cinema Camera Has a Mac Mini Brain

Video cameras are so last decade. Cinema cameras are the hot new thing. While companies like Canon, Blackmagic, and Sony are vying for the love of movie-makers, two ambitious Bostonians decided to build their own camera from the ground up, with a little help from a Mac Mini.

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Google taps film students with Glass Creative Collective

Google taps film students with Glass Creative Collective

Glass hasn’t exactly been revered for its brilliant image quality, but that’s not stopping Google from making a push among budding filmmakers. The Glass Creative Collective, a partnership with film and design schools, is intended to familiarize students at a handful of institutions with the video-capture wearable. Several colleges, including the Rhode Island School of Design, UCLA and the University of Southern California are on board — students will reportedly begin exploring the device as a filmmaking tool beginning this fall. Glass could be a fit for documentary filmmaking, and for capturing point-of-view footage, of course, but performance limitations would likely prevent it from taking on a starring role in any production. We’re a bit skeptical that the Creative Collective will be a booming success, but Google’s promised to circle back with results once the program gets off the ground.

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Via: CNET

Source: Google Glass (Google+)

Hard to Believe This Super Sharp Footage Was Shot with a Palm-Sized Camera

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‘Samsara’ creators Ron Fricke and Mark Magidson discuss the digital filmmaking divide (video)

'Samsara' creators Ron Fricke and Mark Magidson discuss the digital filmmaking divide video

We’ve set up shop in a conference room above Third Avenue in Manhattan, a Canon 5D trained on Ron Fricke and Mark Magidson. I find myself apologizing awkwardly for the setup, several times. There’s a long boardroom table in the middle and a customary junket breakfast spread to the right. It’s about as plain as meeting rooms come, save for a few movie posters lining the walls, advertising films distributed by the indie film company that owns the space. Hardly ideal for our purposes, but here were are, all clumped into a single corner, with the director and producer of Samsara flanking a cardboard poster for their movie, leaned atop a stand. It’s not the welcome befitting the creators of a big, beautiful sweeping cinematic masterpiece. But they’re tired — too tired to care about such things, perhaps. They dismiss such apologies, clip their lavaliere microphones on over their shirts and sit down.

Fricke motions to the single SLR seated atop a tripod, explaining that he used the same model on a recent commercial shoot. “We have a solid background grounded in shooting in film, and that just stays with you,” he adds. “When I’m shooting like with a 5D, like what you’re using now to shoot this interview, I’m working with it like it’s a 65 camera. It’s my frame of reference, my background. I’m just wired that way.” The world of filmmaking has changed dramatically in the two decades since the duo first unleashed Baraka on the world, a non-narrative journey across 25 countries that became the high-water mark for the genre and a staple in critics’ lists and film school syllabi.

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‘Samsara’ creators Ron Fricke and Mark Magidson discuss the digital filmmaking divide (video) originally appeared on Engadget on Mon, 15 Oct 2012 14:00:00 EDT. Please see our terms for use of feeds.

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