You know the Hitchcock zoom effect: A camera on a dolly moves back or forward as the lenses zoom in or out, changing the field of view. French photographer Micaël Reynaud has created a new variation of the technique—which you can see above—combining the dolly zoom with slit-scan photography.
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From the wall of apartments in Rear Window to the Golden Gate Bridge in Vertigo, Alfred Hitchcock was nothing short of obsessed with architecture and space. Hitchcock exploited both to create incredible psychological tension in his films—our friends at Architizer take a look at his architectural legacy, below.
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