Custom Cases for Candy Lifestyle

Ever reached into your bag to grab a packet of chewing gum to find that it had been squashed? Ever bought a lollypop and wanted to eat it later but couldn’t find any where to put it? Ever wanted to eat that packet of chocolate balls but have been too embarrassed to let people know what you are eating?

With wooden product-specific candy cases from Sweet D Life you’ll be able to keep your snacks intact and eat them in style.

Pocky Case

Designed for classic candy brands like Mentos, Mintia mints, and more the cases protect your sweets and gum from damage and present them as more than just something quick to eat, though that may be more of a Japan-specific need since the whole packet isn’t being consumed at once.

Fits Chewing Gum Wallet Case

Made from African Mahogany using traditional Japanese wood craft techniques Sweet D Life offers a range of cases for smartphones, business cards, coins, wallets and candy.

Chuppa Chup Carry Case

Each wooden candy case has been specially designed to hold the packaging size of specific confectionary brand, and is also designed to work beyond just packaging and accomodate graphics as well.

Case for Morinaga Chocolate Balls

Meiji Choco Baby Case

By working with classic brands that don’t change packaging often, this works with the popularity of a handful of confectionary brands in Japan and assumes a high level of brand loyalty among the buyers of these cases.

Mintia Case

With prices ranging from 3000 to 8000 Yen (US$32 to US$87) for one case they aren’t cheap, but for devotees of a particular product it’s not unreasonable either.

Meiji Chocolate Case

Smarties Case

In a way Sweet D Life are endorsing frequent confectionary consumption and loyalty to a specific brand of sweets, but also the lifestyle of having the products and showing them off. It goes beyond the quick eat and dispose mentality.

Tube Case

Offering such elegant and stylish wooden cases for confectionary that usually costs less than 2oo Yen (US$2.5) is an interesting concept, but perhaps that’s exactly what makes the cases a bit cray to begin with. Protecting your cheap sweets with a $40 case is something you only do for style.

BEAMS Curates Fashionable Injury Supports

Last week on a visit to Tokyo CultuArt by Beams we were lucky enough to attend the last day of a “supporter” exhibition that was all about transforming medical treatment and limb supports into artwork and fashionable products.

The exhibition ran from February 1st to 20th, 2013 and showcased works by artists which combined leg supports, arm braces and cruches to create inspiring sculptures, photographs and designs. Artists such as GELCHOP, Peloqoon and Slaptone contributed works to the exhibition.

The artwork got us thinking about how injury support aids can add a level of design and customization that people will be more selective and sensitive to buying when they need medical care or have an injury. So far this market has been pretty much ignored and relegated to more depressing color schemes.

Think of the time you broke your wrist skateboarding, twisted your knee skiing, or had your foot run over by a dodgy taxi driver and then had to suffer several weeks with your limb encased in an ugly cast support, or found yourself stumbling around on dull-looking crutches.

Also for anyone unfortunate enough to have had to rent a pair of crutches or a wheel chair from a local hospital in Japan, you know that this can be quite costly. The most popular items in the shop is are colourful crutches on display for 8000 Yen (US$86) each, which may seem a bit expensive but when you think about their long term usage and visual appeal it is a cheaper and more attractive deal than what any hospital can offer.

With more people trying extreme sports and taking adventurous holidays combined with ageing populations worldwide the demand for orthopaedic injury supports is likely to rise. This is definitely an area that is untapped and has a lot of potential.

Tokyo Design Ah! Exhibition

February seemed to be the month of Art and Design exhibitions in Tokyo, after checking out the Japan Media Arts Festival last week we strolled over to the “Design Ah!” Exhibition in 21_21 Design Sight next to Tokyo Midtown Garden in Roppongi.

Based on the NHK Educational TV program with the same name, “Design Ah!” takes the show one step further with this interactive exhibition aimed at encouraging both young people and adults to think about design in their everyday life.

The curators hope to stimulate a ‘design orientated mind’ by showcasing works that reflect Japanese culture and encouraging visitors to experience design through audio and visual stimulus.

We came across some cool exhibits at Design Ah and wanted to share a few of the most interesting:

“Ah! in motion” by tha ltd encourages visitors to dance in front of the ‘ah’ phonetic symbol projected on the wall and watch as the ‘ah’ changes shape to match their movements.

“Furoshiki” or the art of folding cloth was demonstrated using simple instructional videos (produced by Taku Satoh Design and Etsuko Yamada from Musubi) where the visitor can learn and practice folding cloth to carry different items.

“Sushi Break Up!” by Tomohiro Okazaki deconstructs sushi into its various elements; separating each grain of rice, piece of fish and roll of seaweed.

“The many faces of sushi” by the Taku Satoh Design Office presents the diversity of food and objects associated  with Japan’s most famous dish.

Just Right also by Tako Satoh Design Office comments on what portion size is appropriate for sushi.

“Pouring Soy Sauce” is another work by Tako Satoh Design Office showing the mechanics of how soy sauce flows in the perfect way.

“School Break Up!” examines the objects and elements that are connected with the 6th Grade of Akasaka Elementary school in Tokyo and breaks it down into many items such as books, back backs, whiteboards and students.

“Dessin Ah!” also by tha ltd is an interactive design experience where children and adults are invited to finger draw the penguin statue in the middle of the circle on an i-pad. Artists can then see their drawing on the projector and can also understand the process they took to draw the penguin (or anything else they want as pictured above) as it is shown to them.

“Penguin Story” by Taku Satoh Design Office uses projection mapping to demonstrate moving images on the surface of three dimensional packaging as with this example of a packet of chewing gum. Visitors are expected to think about the future prospects of animated packaging designs.

Design Ah! runs from February 8th until June 2nd, 2013. General Admission costs 1000 Yen and 800 Yen for students.

We recommend that you check it out if you are in Tokyo.

The Whatever Button Likes It All

Like a lot of chronic Facebook users you probably spend way too much time browsing your newsfeed and eventually you just give up, become bored, or just too busy to pay attention to what your friends are posting. It’s hard to like everything.

Image via blog.livedoor.jp

In Japan, where Facebook is relatively new in popularity (it exploded in 2012) users are more prone to like and comment on their friends’ status updates and photos out of a sense of obligation or pressure.
With that level of interaction, and the expectation to like just about everything, you might as well go all the way, which is what the new doudemo ii ne (Whatever Button) is is designed for.

We stumbled upon this new feature for Google Chrome at the Japan Media Arts Festival, which we also wrote about yesterday.

You can download this free app now at idpw.org and economise your Facebook time by simply liking everything on the page with the touch of a button.
The video on the main page explains how to use the Whatever Button and this video bellow (in Japanese) explains the process in more detail, and it’s a sly commentary on how many Japanese people use Facebook in real life.

Make sure all your friends know how much you care about what they had for dinner, how their sister’s baby is, or how their cat does the cutest things!

images via technmarketing.com and buuteeq.com

It’s a bit of nuance as well, but the “whatever” part is more on the negative, cynical side when translated properly. It’s more of a resigned “yeah, whatever, I’ll like it all…” feeling rather than “everything is great!”. You can also purchase your own Whatever Button T-shirts here if you’re into ironic t-shirts.