NAMM 2013 wrap-up: Analog synths, DJ gear, loads of MIDI, mobile peripherals and more

NAMM 2013 wrapup Analog synths, DJ gear, a MIDI guitar, mobile peripherals and more

We’ve managed to pull through music’s deafening January gathering just outside of Los Angeles with our hearing still somewhat intact. The last few days have held a wealth of DJ gear from controllers and consoles to portable units. Both Moog and Korg trotted out new analog synthesizers that look quite formidable while remaining rather affordable. As expected, a truckload of wares to outfit a mobile device arsenal were on display from Bluetooth foot controllers to dual-input audio interfaces. And as always, a few surprises crept in as well — like a MIDI guitar and fully portable, handheld DJ solution. Head on down past the break to get caught up on the happenings that you might’ve missed as we look for a nice quiet room to recover for a few hours.

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IRL: HTC 8X, Google Now and the iPod shuffle

Welcome to IRL, an ongoing feature where we talk about the gadgets, apps and toys we’re using in real life and take a second look at products that already got the formal review treatment.

We swear we didn’t plan it this way, but it looks like we’ve got a little trifecta this week, with write-ups pertaining to Apple, Google and, last but not least, Microsoft. On the pessimistic end of the spectrum, Dana would rather have the third-generation iPod shuffle than the model she’s using. Terrence is hooked on Google Now and Jon likes the HTC 8X — just not as much as the Lumia 920.

HTC 8X

IRL HTC 8X, Google Now and the iPod shuffle What’s this? Another Windows Phone 8 test? Yes, while I was trying the Lumia 920 and before I reviewed the ATIV S, I felt it was only fair to give the third flagship of the platform, HTC’s Windows Phone 8X, a proper shakedown. I spent a few weeks with one to gauge the differences and came back with the impression that HTC has a worthy flagship — but not necessarily the one I’d choose for myself.

If you talk solely about ergonomics, the 8X is undoubtedly my first pick. It’s much lighter and grippier than the Lumia 920, and the smaller screen makes it easier to reach every corner with one hand than the ATIV S. About the only reservations I have are that hard-to-press power button and the relatively sharp edges. The stand-out appearance can’t help but sway me, too. If you get the phone in one of the bolder colors (read: not black), it’s simply iconic. No one will mistake an 8X for another phone, while both the ATIV S and Lumia 920 have familiar-looking peers.

Yet there are a few ingredients missing that make it hard to call HTC’s creation my perfect Windows Phone 8 device. Simply speaking, the camera just isn’t as good as it needs to be in early 2013. While the 8X is sometimes a better pick for up-close photography than the Lumia 920, it falls apart in low-light situations where the Lumia is a champ. Nokia Maps isn’t vital, but I missed its navigation when I switched devices — at least there’s now the Drive+ beta for those that need it. And I’ll have to admit that being Canadian skews my preferences towards the Nokia phone’s glove-friendly screen: it’s great to avoid the binary choice of making a phone call versus preserving my fingers. While I’d be inclined to choose the 8X over the ATIV S as long as storage wasn’t a priority, I would still give Nokia the ultimate nod as the most relevant to real-world use.

— Jon Fingas

Google Now

IRL HTC 8X, Google Now and the iPod shuffle Pretty much from the moment I first launched Google Now it changed the way I interacted with my phone. I’ve used Siri and toyed with S Voice, but Now is the only virtual assistant that seems like more than an occasionally useful gimmick. Truth is, at this point I unlock directly into it almost as often as I go to the home screen. Sure, in the early days its functionality was fairly limited (and still is), but there was enough information presented by default to keep me coming back. When Gmail was added to its repository of information, the app became a true game-changer for me. While other “assistant” apps are little more than voice commands with personality, Now actually helps track information for you and presents it at valuable times. I don’t have to ask what the weather is like or how long it’ll take me to get to my next appointment — it just tells me without prompting.

Of course, things aren’t perfect. Now still has a lot of rough edges to work out. For one, the mobile boarding pass feature has yet to work as advertised for me, though, its flight tracking feature turns out to be quicker and more accurate than United’s own app. It also stumbles a bit on tracking packages. I like that it recognizes tracking numbers and presents them to me with a quick link, but Now doesn’t actually do any tracking itself. Instead it simply shows the card to you for a predetermined amount of time. That’s fine if you’re enjoying free two-day shipping thanks to Amazon Prime, but if your delivery takes more than a couple of days the card disappears before the box hits your doorstep. It also has an unfortunate habit of presenting me directions to a “new place” almost any time I perform a web search. Oh, and some higher-res icons for the sports score cards would be greatly appreciated.

None of that is enough to ruin the experience, however. If I need to know when my bus is coming, what the temperature is, if my flight is on time or even how many steps I took this month I simply swipe up on my Nexus lock screen and let Google do the work for me. What’s more, things can only get better as the company improves its algorithms, opens up new sources of data and, hopefully, develops an API to let other apps tap into the power of Now.

— Terrence O’Brien

iPod shuffle (fourth generation)

IRL HTC 8X, Google Now and the iPod shuffle We runners are a superstitious bunch. In my training group, “Nothing new on race day” is our mantra, and it’s one to which I’ve adhered earnestly. It goes without saying that new shoes, running shorts and Snozberry-flavored energy gels are out of the question, but I even get antsy about wearing my Spibelt around my waist instead of my hips. Yeah, I’m neurotic, but running 26.2 miles is scary, yo.

So I was none too pleased when I had a gadget emergency the week before the 2011 New York City Marathon. I’d been training with the Sansa Clip Zip for two months when it abruptly began having mood swings. It started repeating songs, even when I had set my library to shuffle. Sometimes, if it encountered a song it didn’t like, it just froze. On a good day, I could side-step the issue by selecting a different artist or song. At its worst, the only way to revive it was to perform a hard reset.

Obviously, that wasn’t going to cut it for my epic run, so I did what any desperate person would do: I went to Best Buy and spent $50 on an iPod shuffle. Truly, I would have preferred something like the nano, which would have let me choose specific songs, but I wasn’t about to drop $149 on what was essentially an impulse buy. Fifty bucks was about as much as I was willing to spend without having had the opportunity to hem and haw over my purchase.

So I used it. And it was okay. The clip doesn’t feel as strong as on the third-generation model. Also, it came with regular headphones (i.e., ones without inline controls), which meant I had to press the player on the device to pause the music and skip tracks. To this day, I find the keys a bit too small, and I often hit the wrong one, mistaking pause for fast-forward, etc. Fortunately, I’ve since subbed in a pair with an inline remote, which means I barely have to touch the device anymore (except, perhaps, to reposition it in a place where the clip will stay put). Battery life was initially awesome — I got through that nearly six-hour marathon (oof) with plenty of juice to spare. It’s since seen better days, though, to the point where I now have to recharge it several times a week. Faint praise, if ever you’ve heard it, but at least it doesn’t force me to listen to the same Madonna song over and over. That would just be cruel.

— Dana Wollman

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Artiphon’s ‘Instrument 1’ is an iPhone powered multi-instrument, we go hands-on

Artiphon's Instrument One is an iPhone powered multi-instrument, we get hands-on

Music, MIDI and mobile? Seen that before, right? Well, yeah, but sometimes something comes along that surprises everyone. Artiphon’s Instrument 1 is one such thing. And after all, there’s more than one way to crack a nut. Artiphon’s method involves creating a high-quality muli-instrument device that uses an iPhone or iPod touch as its brain. So, this is no plastic (bear with us) “appcessory.” The Instrument 1 is made out of special quality African hardwood, and centers around an intentionally ambiguous design. There is a pair of high-quality custom speakers that give impressive 30W onboard sound. There is, of course, a line out and MIDI in / out too. The prototype we saw today doesn’t have a built-in battery, but final production models will, making this a truly portable, complete solution. Dr Mike Butera, the firm’s founder, was keen to explain to us that this is intended not to replicate one specific device (though it does a great job of guitar, violin, banjo and more), but rather to enable musicians to be able to work in a way they want to. The Instrument 1 works with any core MIDI enabled app, but there are plans to release a companion app for more detailed / custom mappings in the future. We got a private tour of the device, to tip-toe past the break for more.

The first thing we noticed was how authentic it felt. Authentic what? Well, ok, that’s a little harder to explain. It definitely felt more like holding an instrument, than a MIDI device or an accessory component though. The oiled wood finish, metal speaker grilles and overall quality of the device make it feel like something you’d wield with care. The iPhone section is also pleasantly discreet. Sure, it takes somewhat center place, but at the same time keeps it out of the way when you’re playing. Under the neck you’ll also find some additional controls that steer the Instrument 1 in more dedicated instrument directions (bass mode for fret tapping, banjo mode with arpeggios etc). The small black box below the iPhone housing serves as a strum-surface (or when in violin mode, the area you “bow”), and the neck section is largely akin to a guitar neck, but when approached creatively, can be used in all manner of ways, such as drum-pads when resting on your lap. For those that want to know, it’s currently sporting a 30-pin connector, but has room enough so that you can also use it with a lightning adaptor. There’s also a physical volume control and a USB port.

As for the MIDI options… there are plenty. Polyphonic aftertouch, vibrato, versatile modulation and mapping, to name a few. There is an octave switch on the neck, also, so that you can get a wide range of musical notes with ease. Mike showed us that as there are two sensors on each neck-note, you can effectively cram two octaves into the same space too, should this better suit your needs. As mentioned above, currently this is the third prototype, but full production is expected soon. How much, then, does Artiphon want for the Instrument 1? That’ll be $800 when it eventually rolls out towards the end of this year. A tall price for a MIDI controller perhaps, but you’ll be replacing your entire band at the same time. Just don’t tell them yet. Go south for the demo video.

Billy Steele contributed to this report.

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Inhabitat’s Week in Green: asteroid mining, a Legoland hotel and the Amsterdam Light Festival

Each week our friends at Inhabitat recap the week’s most interesting green developments and clean tech news for us — it’s the Week in Green.

DNP Inhabitat's Week in Green TKTKTK

Of all the technological breakthroughs we’ve witnessed in recent years, the emergence of 3D printing technology is one of the most exciting. This week saw a number of breakthroughs in the realm of 3D printing, beginning with Deep Space Industries’ plans to develop space-based 3D printers that could produce satellites using materials mined from asteroids. Dutch design firm Universe Architecture announced plans to build the world’s first 3D-printed house (which is shaped like a Mobius strip), and French sculptor Gael Langevin is currently developing a design for an open-source humanoid robot that you can make at home with a 3D printer. We learned about an inventive DIYer who figured out a way to hack an old inkjet printer and transform it into a bioprinter. And at Paris Haute Couture Fashion Week on Monday, Iris van Herpen debuted the world’s first 3D-printed flexible dresses.

In renewable energy news, this week Inhabitat sent a reporter to Masdar City, which was once billed as the world’s first zero-carbon, zero-waste city, to report on some of the new energy-efficient developments there — including Siemens’ new LEED Platinum headquarters and the world’s largest concentrated solar power plant. V3solar announced that its spinning cone-shaped photovoltaic cells could produce power at two-thirds the current cost of retail electricity, and a report issued by the World Wildlife Fund found that solar power could serve all the world’s energy needs. Belgium announced plans to construct an artificial island to be used solely as storage for wind energy, and Duke Energy recently flipped the switch on what the company claims is the world’s largest battery power storage system in West Texas.

In the world of green transportation, Toyota and BMW announced plans to create next-generation car batteries that will generate energy from thin air. At the World Future Energy Summit, students at Osaka Sangyo University rolled out a sporty new emissions-free fuel cell vehicle that’s already licensed to drive on the roads in Japan. We also had a chance to check out the Zerotracer, a closed-cabin electric motorbike that recently traveled around the world in 80 days.

In green lighting news, artist Anne Militello recently unveiled her Light Cycles LED art installation, which transforms the 10-story atrium of the World Financial Center in New York City into an impressive glowing light show each night. And speaking of light installations, the entire city of Amsterdam has been aglow with light sculptures, LED decorations, fiery boat parades and huge projections for the Amsterdam Light Festival, which just concluded this week. In Oslo, Squidsoup recently unveiled a new installation featuring 8,064 floating LED lights strung from the ceiling of Galleri ROM. And in San Francisco, the Bay Bridge will soon be adorned with 25,000 individually programmed white LEDs to celebrate the suspension bridge’s 75th year.

Lego fans will be excited to hear that North America’s first Legoland hotel is set to open its doors in Carlsbad, Calif., in April. In other green architecture news, San Francisco-based firm William Duff Architects recently completed a home in Menlo Park that features a layout based on the Fibonacci sequence. Architecture students in Nantes drafted a proposal to create a floating “hydropolis” that would rest on the tide of Egypt’s Nile River. And for a bit of eco eye candy, this week Inhabitat featured Virginia-based artist Eric Standley’s mind-blowing paper sculptures, which look like ornate stained-glass windows.

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Numark NS7 II Serato DJ controller hands-on (video)

Numark NS7 II Serato DJ controller hands-on

Like buttons? Numark at NAMM evidently thinks they are this season’s DJ must have. The latest bit of kit to get the manual-input makeover? Its NS7 II Serato DJ controller. The second iteration of its motorized-platter DJ tool lands augmented with 16 “MPC-style” pads. Of course, when you are part of the same corporation that also makes the MPC, swinging these sort of add-ons must be a little easier. Those pads will be assignable to a host of features (cues, loop, roll, sampler, and slicer) in the Serato DJ software (sadly not ready for a demo with the hardware at this time). Of course, the NS7 II is all MIDI compatible, so if your software of choice is something else, then you are free to map and a buse as you wish. That’s not all, you might notice in the picture above that the pads have some jazzy colors going on. They are have RGB illumination which can be set and customized to your choice by MIDI data. It’s not all about the pads though. Numark has also added touch functionality to a lot of the rotaries. So, if you have one set to control a filter, you can just tap the tip of the control to trigger it on / off. The last of the big news is that with the NS7 II, you can also control four virtual decks. A nice addition for the fast-fingered DJs out there. We ran into the device on the show floor and spent some time with it. Head past the break for more.

If you ever got your hands on the original NS7, you’ll know that it is quite the machine. Big, heavy, covered in controls, and most famously, sporting fully motorized 7-inch platters. It’s this curious mix of new and old methodology that pretty much sums up the Serato DJ software it is designed to work with. With the NS7 II, it’s basically more of the same. The hardware is built like a tank, the platters feel authentic enough to bring back nostalgia (even if it’s in smaller, 7-inch form). The MPC buttons look and feel great too. Intense mashing and finger / thumb abuse? These look more than capable at taking it by the bucket load. The color effect is pleasing to the eye. We’re not sure how important it will be in real world application, but if you like to mark out your triggers and samples, this will let you do that. And what the heck, it just looks pretty sweet — never a bad thing. As for the touch-enabled rotaries? Well, sadly we’ll just have to imagine how they work, as there was no connected software for us to test them out. We’re imagining it to be a handy feature, none the less. The same applies to the four deck functionality. We were unable to test it, but it’s utilitarian enough that we welcome the addition. Each of the two hardware platters has a pair of buttons beneath it letting you switch between decks easily. These buttons are again, solid and firm, letting you get carried away without damaging your new pride and joy.

Prospective buyers will be pleased to know that as Numark has done before, the unit also contains a full independent mixer. This means you can plug in CDJs, turntables and more and bring them into your set without problem. That mixer is also somewhat larger this time around, thanks to the extra two channels it sports for the four decks. This also serves to enhance its chunky, no messin’ look and feel. We’d love to have spent some time actually using it, but alas it wasn’t to be. We did manage to grab some video of the hardware though, so head south to take a look of that, while we patiently wait for price and availability information.

Billy Steele contributed to this report.

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PDJ Portable Disc Jockey is a complete DJ system that fits in your pocket, we go hands-on (video)

PDJ Portable Disc Jockey is a complete DJ system that fits in your pocket, we go hands-on (video)

We’ll forgive the extremely nice folk behind the PDJ when they claim to have the first fully self-contained portable DJ set-up. But that’s not to say that there is nothing new here — in fact there’s plenty. The PDJ is a rectangular slab of refreshing creative optimism. On each end is a touchscreen display that shows a virtual turntable, and in the middle is a small mixing and FX section. So, already the PDJ will be familiar in set-up to any DJ who picks it up (something the Pacemaker couldn’t claim with its proprietary interface). The mixer section has rotaries for volume, FX and additional functions (more on this later). The most important thing, however, is the onboard audio interface which crucially means you can monitor in headphones before unleashing your mix onto the world. This sets it apart from pretty much every other mobile app out there that, at best, requires you to use an audio splitter (to the detriment of your sound). Of course, you’re going to need some music to play, and there’s 2GB of internal storage to let you do just that. If that’s not enough, or you want to load up your latest jams right away, there’s an SD card slot to let you do just that (up to 32GB). Beyond headphones, there’s a line out for connecting it to a sound system, and a line in and microphone jack for adding external sound to the set. The brochure claims it offers 12 hours of battery life too — rechargeable by mini USB. On the software side, the two virtual turntables respond to touch, and button controls (for cue / play / pause). In addition to the virtual turntable, there are also sample player and one-shot screens. We got out paws on the PDJ here at NAMM, so fade past the break for our impressions.

At about 286 grams, the PDJ is light to hold, but sits in the hand comfortably. Your thumbs naturally find their place hovering above the virtual decks, but the unit it plenty light enough that you can hold it with one hand, while using the other for more dexterous performance manoeuvres. The rotaries and crossfader in the middle section are plastic, but feel solid enough. This is, after all, a lightweight portable device. The LCD touchscreens let you get hands on with your music, as DJs are wont to do, and it’s responsive and intuitive enough. Thankfully, most of the key functions (cue, volume, fade, loops etc) have hardware controls too. To reach the extra functionality (more in depth EQ, sample player and so on) you swipe the screen to the left or right accordingly to bring up the relevant screen. It’s in these cases when the dual-mode (rotate and click) Function A/B rotaries come in handy, and the interface for controlling these extra tricks is surprisingly natural / responsive.

The PDJ makes the usual claims about being able to scratch and so on. And you can. But as with all these smaller, touch-digital devices, it’s more of a party trick than anything else. No biggie though, as the meatier features are the beat sequence and music-pad sections. These let you bring your own audio into your set, trigger samples and build beats and jams on the fly — much more suitable to a digital device such as this. While we only spent a short time with the PDJ, it’s easily one of the most fun devices that we’ve seen here at NAMM. Purists might malign the constant attempts to shrink and gameify DJing, but we say you’re thinking about it too much. Throw one of these in your bag, and the next time you’re on the train and want to mix in headphones, or find yourself at a party, the PDJ will suddenly make a lot more sense. How much and when you say? Well expect to pay about $600 for the privilege sometime around late spring or summer.

Billy Steele contributed to this report.

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Apogee One for iOS and Mac hands-on

Apogee One for iOS and Mac handson

Apogee strolled into NAMM with a trio of audio interfaces newly outfitted for both iOS and Mac. While the Duet and Quartet are certainly formidable pieces of recording kit, the more compact Apogee One caught our eye for its dual capture ability without adding too much heft to the ol’ backpack. The unit accepts input from a built-in mic and either a XLR or 1/4-inch analog input — both of which connect via a two-headed Y-cable. From there, the One connects to a power supply and either your iPad, iPhone, iPod touch or Apple computer of choice for that dual-tracking capture. After seeing the device up close and spending a few minutes handling it, our main gripe remains the lack of a Lightning connection. Sure it’s great that we can outfit our iDevices, but we’d love to see an included cable for the latest port to come out of Cupertino rather having to locate an adapter.

Without being able to capture a solid vocal track on the bustling show floor here at NAMM, we unfortunately can’t speak to the quality of that on-board condenser microphone. However, the One seemed to handle guitar licks quite well when recorded with GarageBand on an iPad mini. As we’ve mentioned before, the outfit has also outed its Maestro app for low-latency monitoring and a bit more control over how matters progress. Aside from all of that, the gadget sports a similar dial knob to that of the original release for selecting functions and controlling input / output levels with dual LED stacks for a visual indicator of said signals. The One wields the same solid build quality that we’ve come to expect from Apogee based on a few of the other products we’ve spent extended time with. For a quick walkthrough, take a look at the video that lies beyond the break.

Update: Apogee has passed along the info via the comments below that a Lightning cable is on the way in Q2 and that users shouldn’t experience any difference in performance with the adapter that they’ll need in the meantime.

James Trew contributed to this report.

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Visionary Instruments intros the Robocaster MIDI hybrid guitar, we go ears-on (video)

Visionary Instruments intros the Robocaster MIDI hybrid guitar, we go ears-on (video)

Visionary instruments has been tinkering with the not-so-humble guitar for a long time now. The latest offering is the Robocaster MIDI guitar. As you can see from the picture above (or gallery below) the Robocaster offers some features you might not find on your average axe. Those arcade style buttons, the MPC style pad faders, touch-strips and digital whammy-bar send out MIDI data to the software of your choice. The set-up at NAMM had the Robocaster routing through Ableton Live, meaning that effects such as gating, filters — or essentially anything — can be lavished on your playing in real-time. The guitar is customized by hand, and make use of our good friend arduino. As Visionary Instruments has been modding guitars for a while, it’s no surprise that the finish and build quality looked and felt excellent. The additional controls sit snug in the body, and are designed to be easily accessible while playing. The Robocaster, despite being hand-made, will be ready for ordering within a week or so with an estimated price somewhere around $2,799. That said, if orders or interest are sufficient, the could be scope for a full production run, coming in at a lower price. Want to make this happen? Check out the firm’s website and get your order in. Just want to know how it sounds? Better get on the video after the break.

Billy Steele contributed to this report.

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Roland Cube Lite mini amplifier allows you to control guitar licks, aux input independently (video)

Roland Cube Lite mini amplifier allows you to control guitar licks, aux input independently video

At the start of NAMM 2013, Roland announced two new models in its Cube line and an iOS app to complete the trio. Both the Cube Lite and Cube Lite Monitor are on display in all of their dual-connecting glory, but we’re far more interested in the former for its guitar amp wares. The 10W compact unit touts built-in JC Clean, Crunch and Extreme tones alongside Chorus and Reverb controls. We were pleasantly surprised with how well these on-board sounds came across at the strings of a Stratocaster during the booth demos we witnessed. Usually included presets can be really hit or miss, but these are quite serviceable — especially in a portable unit. As you might expect, all of the usual controls are here including volume, treble, bass and drive and the requisite 1/4-inch input graces the backside. That’s all quite nice, but the real story here is the iOS software and aux connectivity.

That iOS app, Cube Jam, allows you to record and play along with tunes from your iDevice and connects via the i-Cube Link stereo auxiliary input from the headphone jack of a slate or handset. We were a bit disappointed that the connection didn’t come at the hands of a 30-pin jack or Lightning port, but overall the unit worked quite nicely in our limited time with it. The separate volume control for the aux port is quite nice and allows the user to adjust levels of the amp and the accompanying track independently to keep things just so. We’d surmize that you’d be able to connect an Android, BB10 or WP8 device for playback, if you’re willing give up the Cube Jam software. Cube Lite also requires a tethered power supply and doesn’t support Bluetooth connectivity like we saw on the iLoud from IK Multimedia. If you don’t have a need for the guitar functionality, the Cube Lite Monitor wields the same 1/8-inch input, but offers stereo 1/4-inch jacks instead and tosses the in-built tones. Head on past the break for a quick tour and a closer look awaits in the gallery just below.

James Trew contributed to this report.

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Source: Roland, iTunes

MIDI spans 30 years at NAMM with Commodore 64 and Animoog (video)

MIDI spans 30 years at NAMM with Commodore 64 and Animoog (video)

You may have heard that the Musical Instrument Digital Interface protocol (aka MIDI) celebrates its 30th birthday this year. And where better than NAMM would the MIDI Manufacturer Association be able to fully demonstrate (and celebrate) the persevering protocol’s coming of age? Part of the MMA’s installation was a set-up destined to get geek hearts racing. A 1983 Commodore 64 connected to a Sequential Circuits Model 64 sequencer cartridge (with MIDI interface). From these vintage parts, the regular 5-pin MIDI cable heads out through the decades and into an IK Multimedia iRig MIDI, into an iPad, finally feeding its information into the Animoog app from equally longevous Moog. Watch old meet new in the gallery and video below.

Billy Steele contributed to this report.

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