Twitter photo filters tipped for holidays: Has Dorsey teased them already?

The increasingly bitter rivalry between Twitter  and Instagram may reach a peak before New Year celebrations kick off, sources hint, with the microblogging platform supposedly readying its own suite of photo filters for imminent launch. Twitter is aiming to reveal a selection of image tweaking tools that can fettle amateur shutterbugs’ shots prior to sharing, insiders tell AllThingsD, before 2012 is out, with a new version of the mobile app in testing. The results of it might already be in front of us: Twitter chairman Jack Dorsey is tipped to be using the filters on recently shared black-and-white images.

If true, the new feature would follow Instagram’s moves to drive more traffic to its own user profiles. The company blocked Instagram images from showing up correctly in Twitter’s “cards” layout last week, a strategy which although initially suspected to be an error, was later confirmed to be a strategic decision on Facebook-owned Instagram’s part.

Talk of a set of official Twitter photo tools broke earlier in the year, with insiders suggesting the 140-character social service had already planned to encroach on Instagram’s turf. The appeal of the image sharing market – which saw, for instance, in excess of 200 Thanksgiving-themed shots shared through Instagram every second on the US public holiday – has not been lost on Facebook, either, though Zuckerberg & Co. have insisted that Instagram will remain a distinct entity for the time being.

Twitter has declined to comment on the filter whispers, though chairman Jack Dorsey may have been flaunting the new functionality in our faces already. Multiple filtered images shared through his own Twitter account show evidence of editing, including an image of a plane wing posted last week.

With Christmas and New Year festivities inevitably seeing plenty of photo-taking, an accelerated launch of Twitter’s own filter features is certainly understandable. However, given that Christmas is only two weeks away, the company has little time left to deliver the polish users will demand if seasonal sharing is to go smoothly.


Twitter photo filters tipped for holidays: Has Dorsey teased them already? is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Gameloft 2013 games roadmap leaks in full

This afternoon Gameloft appears to have lost the cover on what very much seems to be a legitimate list of all the games they’re planning on releasing in the year 2013. This list is one that several Android gaming-centric sites are claiming to be legitimate, where in reality many (if not all) of the games could have been guessed simply based on the release schedule and success of game series over the past couple of years. Can you guess a few of them before we hit the full list below?

Of course we’re not going to focus too much on the fact that these games will be released, instead taking a moment to think about how such a list is “leaked.” When a developer group or a manufacturer has a collection of widely-anticipated products ready to be released in the future, there’s always the risk that someone looking for karma (in one form or another) will find their plans and let the whole world know. If Gameloft is on the wrong side of this sort of situation, we pity the original source – especially if they’re inside the Gameloft network.

Meanwhile the games list reads like a who’s-who of top-name titles, next-generation sequels, and high-powered beasts prepared for the next generation of high-powered devices. What this tells us in a sort of offhand way is that Gameloft is fully prepared for the next generation of devices, a generation that does not yet exist – in other words, some of these games might not be working with your smartphone from a couple years ago, that one with a single-core processor, that little baby of a cell.

The following list comes from Touch Arcade:

Edit: We’ve removed the list at the request of Gameloft.

The list above should (removed), again, be taken with a grain of salt, and if you do find that it’s taken out of the post sooner than later, you’ll know that there’s a bit more credit to it than just a co-incidental creation by a rabid Gameloft fan. Have a peek at the timeline below to see recent Gameloft news from across the gaming universe as well, and keep on playing Asphalt 7 until the nest face-blasting title appears with an 8 on the end of it!

[via Droid Gamers]


Gameloft 2013 games roadmap leaks in full is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

PlayStation Store hits the web under the radar

It’s time to get busy with Sony’s vast collection of content for multiple different platforms with the first appearance of their browser-based PlayStation Store. This store is set to sell TV and movie content as well as PlayStation games galore, but at the moment isn’t quite perfectly synced up for all media that’s offered across the platforms it serves. In other words you should certainly check it out, but you won’t be able to see everything your PlayStation sees.

This online store will eventually allow you to download content to your Sony account, this connecting with your PlayStation as well as your PlayStation Vita and your Sony Tablets running Android. What’s happening right this minute is that the company is going through sort of a live test-run with limited content to make sure everything is up-to-spec for a more vast release. It’s not that you’re not going to get the content you purchase now, it’s just that you might not have the full store experience.

In the near future you’ll be able to easily purchase content from the web-based store and have it sent to your devices one-by-one. This is a method that the Google Play store uses for your many connected Android devices and relatively similar to what iTunes does with purchases through their app as well – everyone is owned by you through your account, not just on your device.

According to a comment made by official PlayStation Blog SCEE Blog Manager Fred Dutton, the store is set to be launched in a larger way soon:

“Regarding [the lack of a major announcement] – we are testing a new web store, which we look forward to announcing and launching to the PlayStation/Sony community shortly.” – Dutton

Have a peek at the timeline below to get more info on recent events surrounding the PlayStation Store and device connected to it, and get pumped up about a wider release as soon as this afternoon!

[via EuroGamer]


PlayStation Store hits the web under the radar is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Live USA Map of Unmanned Drones released by EEF

The term “unmanned aerial drone” might strike a bit of fear into your heart when you see the live tracking map of the USA that’s been made available this week by the Electronic Frontier Foundation, but not to worry – not all of them are flying overhead right this minute. Instead this is a map that’s the result of the EEF’s Freedom of Information Act lawsuit that covers the FAA (Federal Aviation Administration)’s full knowledge of unmanned flights across the United States and what you’re looking at is a tracking of project licenses rather than actually flying objects. That said, this map is exciting in its coverage for our greater understanding of unmanned drone flight projects as initiated by state and local law agencies, universities, and US Military operations.

The newest information here comes from – for the first time, mind you – the Air Force, Marine Corps, and DARPA (Defense Advanced Research Projects Agency). These three Military branches have for the first time had their records shown to the public in all cases save for one. That one case is if these flights are only taking place inside their own “restricted airspace” – over their own military bases. Click the map below to see the live map via the EEF and Google Maps.

Across this map you’re going to be able to see drones of many types, with the Air Force testing cute little hand-launched Raven, Puma, and Wasp drones from Aerovironment on the short end. On the larger end you’ll find the scary types of drones, those being the Predator and Reaper drones you may have heard of flying missions overseas in live warzones.

Some of the lighter uses of drones you’ll be finding across the USA are straight from places like the University of Michigan where a “Flying Fish” drone can be found. This drone is made to float over open water for human tracking and is able to reposition itself through flight when it’s moved too far away from its original and intended spot. The U of Michigan also has a drone made to study “persistent solar-powered flight” and goes by the name YellowTale.

Have a peek up north in Minnesota and you’ll find two basic extremes, one of them being a flight that’s been cancelled due to “unacceptable risk” to the National Airspace System. The other you’ll find right near the border with North Dakota and is set for Customs & Border Protection – that one lists a Predator drone and an unknown drone, with the FAA not being especially clear on where the drones are being flown.

Keep your eye on the map and let us know if you find anything interesting as more information is added in the future!

[via The Verge]


Live USA Map of Unmanned Drones released by EEF is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Metallica hits Spotify, Lars Ulrich speaks

After many, many years of Metallica appearing on the opposite side of the music industry from the music pirates that exist across the earth, they’ve joined Spotify for music streaming their entire catalog. It’s time for every single Metallica album from Kill ‘Em All to Master of Puppets to be up and ready to listen to on Spotify for the whole world – even the pirates – to listen to. This was all announced this week at the Spotify conference that also saw a larger launch of the web broswer based Spotify environment.

This week Metallica’s own Lars Ulrich stepped on stage with no less than former Napster head Sean Parker, former enemies in both the public and in the courtroom. The big announcement this week was that not only was the former Napster head fully aboard with the Spotify universe, but that Metallica was aboard as well – and that they were no longer at war, as it were.

Speaking about the Napster situation back in 2000, Lars made it clear: “it was never about money, it was about control… you have to control all those elements around you in your bubble… and the control option was taken away.” Meanwhile Napster’s Sean Parker let it be known that they never wanted the situation to be about giving away music, but “free as in freedom, not free as in theft.”

In other words, the two heads here did indeed need the moderator that sat on stage with them at the Spotify press conference. That said, Metallica is indeed on Spotify now.

“Metallica has always tried to be in control of the way we present our music to our fans, which is why we’ve waited to see the way these online retailers and streaming services operate and gauge the overall fan experience before deciding to include our music. We now feel that Spotify not only has a proven track record, but is by far the best music streaming service. We are beyond psyched to unleash our music through their platform.” – Lars Ulrich

Have a peek at the timeline below to get more information on Spotify and the rest of the updates that are coming down today.


Metallica hits Spotify, Lars Ulrich speaks is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

T-Mobile CEO: “Apple products in the US in 2013″

It’s become apparent that T-Mobile has finally made the plunge with Apple in a relatively small announcement inside the carrier’s financial plans through 2015. The announcement came from a meeting with analysts and spoken by the T-Mobile CEO Rene Obermann who stated explicitly “Apple products in the US in 2013.”

This announcement comes after not just months of waiting, but years. T-Mobile is currently the only one of the top four carriers in the USA to not have Apple products on its shelves, and with the information that’s been released today, it would appear that they’re about to join the party. With a T-Mobile iPhone, the carrier will be able to cease their current “come on over with your unlocked iPhone” campaign that’s been up and running for the past few months (since right after the iPhone 5 was announced.)

Meanwhile you’ll find that the question of an unlocked iPhone is more than present on the minds and lips of analysts across the spectrum. Have a peek at the column “Is an unlocked iPhone Really That Great?” by Don Reisinger to gain more insight into this free and clear universe. T-Mobile is currently waiting to be part of the signed-and-sealed party, needless to say.

Have a peek at the timeline below to see the many events from T-Mobile’s side of the story that’ve lead up to this moment, and hypothesize with us, if you will, about when the iPhone will actually, really be released with the pink carrier. And don’t forget to think about how it’ll be an iPhone 5S, too!

[via T-Mobile]


T-Mobile CEO: “Apple products in the US in 2013″ is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Apple CEO: US Mac production in 2013

Apple will bring some Mac production to the US in 2013, CEO Tim Cook has confirmed, investing more than $100m into the strategy to increase the involvement of US workers. Outlining the plans in a broad-ranging interview with Bloomberg Businessweek, in which he also discusses the ongoing legal battle with Samsung and his personal dissatisfaction with Android and Windows tablets, Cook said that Apple had taken a longer-strategy to production so that it wasn’t merely piecing together a few foreign parts.

“We’ve been working on this for a long time, and we were getting closer to it. It will happen in 2013. We’re really proud of it” Cook said. “We could have quickly maybe done just assembly, but it’s broader because we wanted to do something more substantial. So we’ll literally invest over $100 million. This doesn’t mean that Apple will do it ourselves, but we’ll be working with people, and we’ll be investing our money.”

Already, some 2012 iMac units have been spotted bearing the legend “Assembled in USA” whereas they would normally have been expected to say China. The US regulations about what allows a company to brand products as “assembled” and which can be called “made” are strict, and require more than simply fitting components into a computer husk.

According to NBC News, Cook will confirm which of the Mac lines will be “manufactured exclusively” in the US on an episode of Rock Center tonight. That will air at 10pm/9c.

Speaking about Apple, the helm of which Cook took over after co-founder Steve Jobs stepped away before his death in October 2011, the CEO described the company as “a jewel.” “I think it’s the most incredible company in the world,” he said, “and so I want to throw all of myself into doing everything I can do to make sure that it achieves its highest, highest potential.

Part of that potential is not being afraid to tear up the current product line and replace it wholesale. “Eighty percent of our revenues are from products that didn’t exist 60 days ago” Cook pointed out, referring to the refresh of the iPad line, among other devices. “Is there any other company that would do that?”

As for rivals, Cook says the tensions between Apple and Samsung – both as legal opponents and suppliers/customers – aren’t necessarily new to the company, and that it has had to balance rivalry and cooperation in the past. The decision to opt for its own Apple Maps app and dump Google Maps, for instance, wasn’t done to snub Google, Cook argues, but for Apple’s own reasons – even if the first-generation experience turned out to be underwhelming.

“It wasn’t a matter of saying, “Strategically it’s important that we not work with company X.” Cook says. “We set out to give the customer something to provide a better experience. And the truth is it didn’t live up to our expectations. We screwed up.”

The screw-up from rival products, however, is greater in Cook’s opinion. The CEO confirmed he had played with Microsoft’s Surface and Samsung’s Galaxy tablets, unsurprisingly preferring Apple’s own iPad. “What I see, for me, is that some of these are confusing, multiple OSs with multiple UIs. They steer away from simplicity” Cook explained.

“We think the customer wants all the clutter removed. We want the customer to be at the center of everything” he continued. “I think when you start toggling back and forth between OSs and UIs, etc., I don’t think that’s what customers are looking for.”


Apple CEO: US Mac production in 2013 is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Apple and Samsung back in court to tussle over $1bn fine

Apple and Samsung head back into the courtroom today, with the Korean company eager to scythe away at the $1.05bn patent infringement judgement it was ordered to pay back in August. Meanwhile, Apple hopes to inflate the penalty by a further $535m, arguing that since the jury decided Samsung’s infringement was willful, the company should be subject to an even greater punishment. US District Court Judge Lucy Koh of the San Jose, California court will hear arguments from both, as well as deciding which of Samsung’s products should be banned from sale.

In total, there are 26 devices which Apple hopes to have yanked from shelves, of varying ages and including both phones and tablets. The injunction would not automatically cover the very latest Galaxy S III, however, though Apple confirmed back in November that it was aiming to have the flagship – in addition to the Galaxy Note II, Galaxy Tab 8.9 WiFi, Galaxy Tab 2 10.1, Rugby Pro, and the Galaxy S III Mini – added to the list.

Samsung, meanwhile, argues that the penalties calculated by the jury were incorrectly added up, and is demanding a rethink. Shortly after the ruling was first announced, the damages were reduced slightly after Samsung’s legal team spotted the jury had awarded a sum to Apple for devices they had in fact deemed not to infringe in the first place.

The foreman of the jury himself could also give Apple some headaches, with claims that he guided the jury as a whole to decide punitively, rather than make decisions based solely on the value of each infringed patent. A retired software engineer, the foreman also failed to disclose that he was once sued by Seagate Technology, a fact which Samsung argues that – since it is a partner with Seagate – could have prejudiced him.

Even if Judge Koh doesn’t see things Samsung’s way, it’s unlikely to be the end of the legal saga. An appeal is likely, which would delay the payment of any damages, as well as further mitigate any value to a permanent injunction against the currently cited devices.

[via WSJ]


Apple and Samsung back in court to tussle over $1bn fine is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Star Trek Into Darkness teaser released!

The official teaser for upcoming movie Star Trek Into Darkness has been released, helping build excitement for the second installment of the reboot due to hit theaters in May 2013. Seeing the return of director J.J. Abrams, along with Chris Pine and Zachary Quinto as Captain Kirk and Mr Spock, the movie also includes the addition of Benedict Cumberbatch – known for his role on UK Sherlock Holmes reboot Sherlock – as the gruff-voiced villain.

Exact details of the movie are still under wraps, but we do know it will feature some impressive audio. Abrams and his team have partnered with Dolby Atmos, though not every theater will be able to live up to the quality of the soundtrack; there’ll be a special list of qualifying locations released closer to the movie’s debut.

What does seem to have made it through – judging by the teaser, at least – are some Prometheus-esque siren wails. It’s not the only connection Star Trek Into Darkness has with the Ridley Scott movie, with Lost-alumni Damon Lindelof also having penned the new Abrams film.

According to the little we know so far, the movie sees the Enterprise crew return to Earth to find crisis has taken hold, with Starfleet in disarray and Kirk forced to lead a manhunt to catch the man responsible. Star Trek Into Darkness opens on May 17, 2013.

Star Trek Into Darkness international trailer:


Update: Looks like the Japanese trailer has a little extra to it (thanks Mike!); there’s a plot clue tucked in at the end which the international version doesn’t get:



Star Trek Into Darkness teaser released! is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Apple iMac 27-inch (2012) Review

Apple doesn’t change things for the sake of change, and that’s why we’ve had to wait a few years for a redesign of the iMac. When a fresh model does arrive, though, it arrives in style: for 2012, the iMac is slimmer than ever, with a crisp new casing that borrows aerospace construction methods and iPhone display technology to wrap together a beautiful, slim computer that’s pleasing to the eye whether or not it’s powered up. Still, as Apple’s mainstream desktop, the new iMac has to perform, too, and with space at a premium there are some interesting choices to be made as to what goes inside. Read on for the full SlashGear review.

Design

Visual sleight-of-hand and some impressive manufacturing innovation have helped Apple come up with a new design for the 2012 iMac, which from certain angles leaves it looking as slender as a MacBook lid. In fact, the heavily tapered aluminum rear narrows to just 5mm at the edge, though it bows out toward the middle to accommodate everything that needs to fit inside an all-in-one computer.

That accommodation and construction uses everything Apple has learned so far from unibody notebooks, scaled up to suit a 21.5-inch or bigger desktop. So, you get carefully stacked logic boards and custom speaker enclosures, along with a single central fan that pulls cool air from a row of holes under the front edge, and pushes it back out of vents behind the tilting stand. You also get minimal upgrade potential: the 21.5-inch iMac is an entirely closed box, with nothing intended to be user-accessible, while the 27-inch iMac has a small panel by the power socket that allows access to the memory but nothing else.

“Apple’s production magic is friction-stir welding”

Apple’s production magic is friction-stir welding, more commonly used in the aerospace industry, and repurposed for the new iMac to bond the front and rear panels together. Traditional welding the seams wasn’t possible, thanks to the slimline build, and so a technique where the panels are pressed tightly together, heated, and fused was implemented. There’s a sizable reduction in weight, too, versus the old design – the 21.5-inch iMac is down 8 pounds to 12.5 pounds, while the 27-inch version is down 9.5 pounds to 21 pounds – which is useful if you’re moving the computer around.

Face-on, meanwhile, and you’d be forgiven for not realizing that you were looking at a new iMac. The black screen bezel and slim aluminum chin look just as they did before, and it’s only when you see things from the side that the new design stands out. The obvious loss from the blunt-edged last-gen model is the optical drive, with the 2012 iMac following the trend of the MacBook Air and MacBook Pro with Retina and focusing on digital distribution for apps and multimedia.

On the back, as before, there are the ports clustered to the left side and the power button on the right. No matter which size iMac you choose, you get the same connectivity: a 3.5mm headphone jack, an SDXC memory card reader, four USB 3.0 ports, two Thunderbolt ports, and a gigabit ethernet port; inside, there’s WiFi a/b/g/n and Bluetooth 4.0. Up front, there’s a FaceTime HD camera above the display, together with a pair of digital microphones that can use beam-forming technology to isolate your voice from ambient noise.

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The new iMac’s speakers deserve a little attention on their own, given that they’re nothing like as anaemic as we feared they could be given the 40-percent smaller chassis. In fact, Apple has been able to accommodate two 20W amplifiers, one driving each of the speakers, which themselves fire down from holes alongside the front-edge air intakes. Despite the unusual positioning, sounds feel like they’re coming directly from the display and quality is strong. These speakers are easily capable of being cranked up to uncomfortably loud levels, without encountering any distortion until you’re at the very top end of the scale.

Display

Finessing the iMac’s display is no small part of the redesign process for 2012, though there’s more to it than pure pixels. The LCD panels themselves are the same as in the previous-generation – either a 21.5-inch LED IPS screen running at 1920 x 1080, or a 27-inch LED IPS running at 2560 x 1440 – but the way they’ve been assembled has changed.

Called full lamination, it’s a technique where the cover glass is fused to the LCD panel rather than sandwiching them together with a gap in-between. Apple – and others – have already used it to good effect on phones and tablets, but the 2012 iMac is the first time it’s been implemented on such a large display. The upshot is a thinner panel overall, by around 5mm, and an improvement in picture quality.

Despite the LCDs themselves being the same as before, the combination of full lamination and a new anti-reflection coating process makes a real difference when you’re sat in front of the iMac. Colors are brighter and punchier, the screen is impressively bright with consistent backlighting, and viewing angles are broad, with no inversions or color mangling even when sat almost side-on to the display. Graphics appear as if they’re swimming right at the surface of the glass, rather than being slightly inset from the black bezel.

Apple quotes a 75-percent reduction in reflection, helped by the so-called plasma deposition system which coats the glass layers with more precise coatings of the same materials used to cut glare on camera lenses and fighter pilots’ helmets. It’s a tough thing to measure exactly in a real-world setting, though there’s an obvious cut in reflections (see image above where a flash from camera is minimized) when you set old and new next to each other. We spent far less time tweaking the degree of tilt of the new iMac versus the old to find a position where artificial lighting and the sun didn’t prove frustrating, and even once we’d set up both to our liking, text and graphics simply look better on the 2012 model.

Fusion Drive

Until now, the iMac has been offered with a choice of up to two different storage options: traditional hard-drives, for those who want the most capacity, and SSDs, for those who want the most speed. The 2012 iMac keeps both those options, with a 1TB HDD the default (5,400rpm on the 21.5-inch; 7,200 rpm on the 27-inch) upgradable to 3TB HDD on the 27-inch, along with a 768GB flash storage option on the 27-inch.

For 2012, however, Apple adds a third option: Fusion Drive. A hybrid of HDD and flash storage, Fusion Drive pairs 128GB of speedy solid-state memory with either 1TB or 3TB of HDD capacity, promising the best of both worlds. On the one hand, the flash storage is far faster than the typical spinning-platter drive, but Fusion Drive is also a fifth of the price of the SSD option.

“For everyday use, the cost of FusionDrive is unbeatable!”

We’ve seen hybrid HDD/SSD drives before, of course, but Apple takes a slightly different approach. Rather than the relatively small amount of flash memory other companies have used for caching a few frequently-accessed files on their models, Apple’s Fusion Drive has a full 128GB of flash which allows a far greater number of files to be kept in the faster part.

Chunks of the OS, the apps you use most frequently, and the media you commonly play are all prioritized automatically, while over time OS X learns which content is infrequently required and shunts that to the more capacious, but slower, HDD. A true SSD will inevitably be faster across the board, but for everyday use Fusion Drive is hard to argue with, as the benchmarks in the next section demonstrate.

Specifications

All new iMac models use Intel’s Core i5 quadcore Ivy Bridge chips by default, with the quadcore Core i7 processors available as options on the more expensive versions of each core configuration. The cheapest 21.5-inch iMac uses the 2.7GHz Core i5, supporting up to 3.2GHz Turbo Boost, while its more expensive configuration gets the 2.9GHz Core i5, with up to 3.6GHz Turbo Boost. The latter can be built-to-order with a 3.1GHz Core i7, with up to 3.9GHz Turbo Boost.

As for the 27-inch iMac, that starts out with the 2.9GHz Core i5, with the more expensive pre-build getting the 3.2GHz Core i5. The build-to-order on the latter is Intel’s 3.4GHz Core i7, with 3.9GHz Turbo Boost. All of the chips come with 6MB of L3 cache.

Memory is 8GB as standard across the range, comprising two 4GB 1600MHz DDR3 chips. The 21.5-inch iMac can be specified with up to 16GB, while the 27-inch iMac can go up to 32GB. However, only the 27-inch iMac has user-accessible memory slots: the four bays are accessed via a panel behind the stand, whereas the smaller iMac isn’t intended to be user-upgraded. In short, if you think you’ll ever want more than 8GB of memory on the 21.5-inch iMac, you should bite the bullet and upgrade at the point of purchase.

Then there’s the graphics. Space constraints mean that Apple opts for mobile GPUs rather than desktop chips, though they’re the same Kepler-based NVIDIA GeForce examples that we’ve seen in the 15-inch MacBook Pro with Retina. On the 21.5-inch iMac, the entry-level model gets the GT 640M with 512MB of dedicated GDDR5 memory, with the more expensive model stepping up to the same GT 650M as in the Retina MBP, only with 512MB of memory (rather than 1GB).

On the 27-inch iMac, the entry-level GPU is the GeForce GTX 660M with 512MB, while the most expensive pre-configuration gets the GTX 675MX with 1GB of GDDR5. The latter is also the only 2012 iMac that supports a graphics upgrade, with the GeForce GTX 680MX with 2GB of GDDR5 memory a $150 addition.

Performance

Apple provided us with a 3.4GHz Core i7 iMac with 8GB of memory, the top-spec GTX 680M GPU, and the 1TB Fusion Drive; all together, it’s a configuration priced at $2,599. We kicked off with Geekbench, a synthetic test of processor and memory performance, and the iMac scored a whopping 14,064, around 50-percent more than the 2011 model could manage. It’s worth noting that Apple’s portables have narrowed the gap between mobile and desktop, however; the 15-inch MacBook Pro with Retina display scored 12,970 in Geekbench.

Benchmark Score – iMac13,2 – 27-inch

SectionDescriptionScoreTotal Score
Mac OS X x86 (64-bit) – Mac OS X 10.8.2 (Build 12C2037)
IntegerProcessor integer performance1227914064
Floating PointProcessor floating point performance21141
MemoryMemory performance7573
StreamMemory bandwidth performance8532
System – iMac13,2 – 27-inch

ManufacturerAppleProduct TypeDesktop
Operating SystemMac OS X 10.8.2 (Build 12C2037)
MotherboardApple Inc. Mac-FC02E91DDD3FA6A4 iMac13,2
ProcessorIntel Core i7-3770
Processor IDGenuineIntel Family 6 Model 58 Stepping 9
Processor Frequency3.40 GHzProcessors1
Threads8Cores4
L1 Instruction Cache32.0 KBL1 Data Cache32.0 KB
L2 Cache256 KBL3 Cache8.00 MB
Memory8.00 GB 1600 MHz DDR3FSB100.0 MHz
BIOSApple Inc. IM131.88Z.010A.B04.1210121459

In the SunSpider test of browser performance, the new iMac completed in 133.3ms (faster is better); the 15-inch Retina MacBook Pro scored 179.5ms in the same test. Cinebench, a test of processor and graphics performance, saw the new iMac score 42.72fps in the OpenGL category, and 7.32 points in the CPU category. Again, in contrast, the 15-inch Retina MacBook Pro scored 34.40fps and 5.74 points in those categories respectively, with its 2.6GHz quadcore Core i7 and 8GB of memory.

FusionDrive certainly doesn’t hurt. In the Blackmagic test of disk performance, the iMac managed read speeds of 409.6 MB/s and write speeds of 318.7 MB/s using the flash/HDD hybrid. Given the flash storage is prioritized until capacity becomes an issue, it comes as little surprise to see those rates up around where recent all-flash models from Apple have performed. The 13-inch MacBook Pro with Retina display, for instance, came in at 431.7 MB/s read and 382.7 MB/s write with its 500GB solid-state drive.

The difference is particularly clear when compared to a 2012 iMac without FusionDrive. We also tested a 21.5-inch entry-level iMac, with Intel’s Core i5 quadcore 2.7GHz, 8GB of RAM, and the standard 1TB 5,400rpm hard-drive. In Geekbench, the iMac scored 9164, but the big change is in drive speeds: without the hybrid technology we saw 90.7 MB/s read rates and 107.2 MB/s write rates.

Benchmark Score – iMac13,1 – 21.5-Inch

SectionDescriptionScoreTotal Score
Mac OS X x86 (64-bit) – Mac OS X 10.8.2 (Build 12C2034)
IntegerProcessor integer performance76689164
Floating PointProcessor floating point performance12365
MemoryMemory performance6724
StreamMemory bandwidth performance8085
System – iMac13,1 – 21.5-Inch

ManufacturerAppleProduct TypeDesktop
Operating SystemMac OS X 10.8.2 (Build 12C2034)
MotherboardApple Inc. Mac-00BE6ED71E35EB86 iMac13,1
Processor Intel(R) Core(TM) i5-3335S CPU @ 2.70GHz
Processor IDGenuineIntel Family 6 Model 58 Stepping 9
Processor Frequency2.70 GHzProcessors1
Threads4Cores4
L1 Instruction Cache32.0 KBL1 Data Cache32.0 KB
L2 Cache256 KBL3 Cache6.00 MB
Memory8.00 GB 1600 MHz DDR3FSB100.0 MHz
BIOSApple Inc. IM131.88Z.010A.B00.1209042338

All those numbers add up to a machine – when equipped with FusionDrive, at least – that simply flies in day-to-day use. Apps generally load in under 2-3 seconds, and while the iMac might use mobile versions of graphics chips, it’s still eminently capable of photo and video editing, and conversion; iMovie and Aperture run with no lag. Gaming is also more than possible, though we wish that – as on some all-on-one computers we’ve seen – there was a video input to use the great display with an external console. However, it’s possible to drive a second external display; up to a 2560 x 1600 panel, in fact, as well as the iMac’s own screen.

Value

The new iMac range kicks off at $1,299 for the base-spec 21.5-inch model, while the 27-inch iMac starts at $1,799. It’s worth noting that of the two 21.5-inch configurations, only the higher-spec can be outfitted with a FusionDrive, which means $1,499 plus $250 for the drive upgrade; there’s also a good argument to be made for maxing out the memory on the smaller iMac, since it can’t be upgraded later, which is another $200.

All versions come with an Apple Wireless Keyboard (a wired keyboard with numeric keypad is a no-cost option) and a choice of Apple’s Magic Mouse, the Magic Trackpad, or the wired Apple Mouse; for $69 you can have both the Magic Mouse and the Magic Trackpad. Those who simply must have an optical drive can pay $79 for the USB SuperDrive, though any external DVD burner should work.

The all-in-one computing market is small, but it’s not non-existent, and the new iMac does have a few rivals. Dell’s XPS One 27 runs at the same 2560 x 1440 resolution as the 27-inch iMac, and starts at $1,400 for the non-touch variant. That, however, uses Intel HD integrated graphics; if you want a discrete GPU, you’re looking at upwards of $2,100 and NVIDIA’s GeForce GT 640M, a weaker graphics chip than Apple’s entry-level 27-inch model. It does support multitouch, should that be a buying decision.

Vizio offers 24- and 27-inch All-in-One PCs, though they both run at 1920 x 1080 resolution, and the GPU – only discrete on the 27-inch – maxes out at the GeForce GT 640M LE. The range of processors is more humble too, with only the top-end 27-inch model getting a quadcore Core i5, though the maximum price of $1,539 makes them competitive for budget buyers.

HP’s Spectre ONE is a 23-inch, $1,300 option, meanwhile, kicking off with the same 2.9GHz quadcore Core i5 processor, but less RAM and a lesser GPU. Several of these all-in-ones offer a secondary flash caching drive, though typically around 32GB in capacity, and as such are less practical than FusionDrive.

Of course, the big difference between the iMac and these other all-in-ones is the OS: if you want Apple’s OS X, then the only way to get it is to buy a Mac. All of the alternatives come with Windows 8, and while that’s a capable platform, it’s not Mountain Lion, and thus a deal-breaker for many users.

Wrap-Up

The new iMac is a beautiful piece of hardware, that’s clear to see. Apple’s clever construction techniques have enabled a stylish, distinctive all-in-one, but more importantly they’ve legitimately improved the user-experience, too. The full lamination process takes the same display pixels as from the previous generation iMac and makes them work harder and look better; you’ll appreciate the many pounds dropped from the overall weight of each system from the moment you lift it out of the box.

“We’d recommend every buyer tick the FusionDrive option box”

With style comes a handful of compromises. As with Apple’s recent notebooks, there’s less room for user-upgrades: adding memory is basically the only thing that you can do, and even then that’s only an option on the 27-inch model. With both, then, it’s a case of digging deep when first ordering, particularly since having experienced the speeds on offer from FusionDrive, we’d seriously recommend that every buyer tick that option box.

DIY enthusiasts may miss the upgrade possibilities, but everyone else will be enjoying an incredibly capable computer. With strong performance the 2012 iMac proves that beauty needn’t be merely skin-deep, and that all-in-one needn’t mean conceding speed. That, and Apple’s creative use of components and design, makes it our pick of the all-in-ones.

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Apple iMac 27-inch (2012) Review is written by Vincent Nguyen & originally posted on SlashGear.
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