Jan 30

BlackBerry Z10 gets clip-on speakerphone, charger bundle and cases galore

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BlackBerry Z10 gets clipon speakerphone, charger bundle and cases galore

No launch of a new flagship is complete without a few new accessories to go along with it. While RIM is still banking big on the NFC-powered Music Gateway, it wasn’t about to let the Z10 sit around with no new friends to keep it company. Obviously, a BlackBerry isn’t a BlackBerry with out few leather holsters to keep it strapped to your hip. The fancy leather cases (both the “Holster” and the “Pocket”) even have a magnet inside them that automatically turns off the display on your Z10 when it’s slipped inside. The rotating holster will set customers back $40, while the Pocket, with its fewer moving parts, will cost only $30. There are other cases on the horizon too, the Transform Shell and Flip Shell, which feature build in kickstands and basic protection in standard black or bright red. Both shells will retail for $35 when they hit shelves.

A bit more intriguing is the BlackBerry Mini Stereo Speaker, a tiny speaker phone that pairs using Bluetooth and has a unique “U” shape that allows you to clip it on to a seatbelt or (shudder) a lapel. The little white speaker will launch alongside the Z10 for $99. The charging bundle is pretty simple at first glance — it contains a spare battery and a separate charging cradle for $50. But, upon closer inspection, you’ll realize the charger has a microUSB out, for pushing power to any device with a compatible adapter. We’re sure more fun accessories are in the pipeline too, once third parties start updating there product lines.

Gallery: BlackBerry 10 accessories eyes-on

Mat Smith contributed to this report.

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Jan 27

NAMM 2013 wrap-up: Analog synths, DJ gear, loads of MIDI, mobile peripherals and more

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NAMM 2013 wrapup Analog synths, DJ gear, a MIDI guitar, mobile peripherals and more

We’ve managed to pull through music’s deafening January gathering just outside of Los Angeles with our hearing still somewhat intact. The last few days have held a wealth of DJ gear from controllers and consoles to portable units. Both Moog and Korg trotted out new analog synthesizers that look quite formidable while remaining rather affordable. As expected, a truckload of wares to outfit a mobile device arsenal were on display from Bluetooth foot controllers to dual-input audio interfaces. And as always, a few surprises crept in as well — like a MIDI guitar and fully portable, handheld DJ solution. Head on down past the break to get caught up on the happenings that you might’ve missed as we look for a nice quiet room to recover for a few hours.

Gallery: NAMM 2013 wrap-up

Hands-on posts

Other NAMM-related news

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Jan 27

Artiphon’s ‘Instrument 1’ is an iPhone powered multi-instrument, we go hands-on

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Artiphon's Instrument One is an iPhone powered multi-instrument, we get hands-on

Music, MIDI and mobile? Seen that before, right? Well, yeah, but sometimes something comes along that surprises everyone. Artiphon’s Instrument 1 is one such thing. And after all, there’s more than one way to crack a nut. Artiphon’s method involves creating a high-quality muli-instrument device that uses an iPhone or iPod touch as its brain. So, this is no plastic (bear with us) “appcessory.” The Instrument 1 is made out of special quality African hardwood, and centers around an intentionally ambiguous design. There is a pair of high-quality custom speakers that give impressive 30W onboard sound. There is, of course, a line out and MIDI in / out too. The prototype we saw today doesn’t have a built-in battery, but final production models will, making this a truly portable, complete solution. Dr Mike Butera, the firm’s founder, was keen to explain to us that this is intended not to replicate one specific device (though it does a great job of guitar, violin, banjo and more), but rather to enable musicians to be able to work in a way they want to. The Instrument 1 works with any core MIDI enabled app, but there are plans to release a companion app for more detailed / custom mappings in the future. We got a private tour of the device, to tip-toe past the break for more.

Gallery: Artiphon Instrument One hands-on

The first thing we noticed was how authentic it felt. Authentic what? Well, ok, that’s a little harder to explain. It definitely felt more like holding an instrument, than a MIDI device or an accessory component though. The oiled wood finish, metal speaker grilles and overall quality of the device make it feel like something you’d wield with care. The iPhone section is also pleasantly discreet. Sure, it takes somewhat center place, but at the same time keeps it out of the way when you’re playing. Under the neck you’ll also find some additional controls that steer the Instrument 1 in more dedicated instrument directions (bass mode for fret tapping, banjo mode with arpeggios etc). The small black box below the iPhone housing serves as a strum-surface (or when in violin mode, the area you “bow”), and the neck section is largely akin to a guitar neck, but when approached creatively, can be used in all manner of ways, such as drum-pads when resting on your lap. For those that want to know, it’s currently sporting a 30-pin connector, but has room enough so that you can also use it with a lightning adaptor. There’s also a physical volume control and a USB port.

As for the MIDI options… there are plenty. Polyphonic aftertouch, vibrato, versatile modulation and mapping, to name a few. There is an octave switch on the neck, also, so that you can get a wide range of musical notes with ease. Mike showed us that as there are two sensors on each neck-note, you can effectively cram two octaves into the same space too, should this better suit your needs. As mentioned above, currently this is the third prototype, but full production is expected soon. How much, then, does Artiphon want for the Instrument 1? That’ll be $800 when it eventually rolls out towards the end of this year. A tall price for a MIDI controller perhaps, but you’ll be replacing your entire band at the same time. Just don’t tell them yet. Go south for the demo video.

Billy Steele contributed to this report.

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Jan 26

IK Multimedia iRig BlueBoard and iRig HD hands-on (video)

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Last year at CES, IK Multimedia unveiled its iRig Stomp as a foot switch controller for wrangling the outfit’s Amplitube software for iOS. Here at NAMM though, the company has cast off the wired connection for the Bluetooth-sporting iRig BlueBoard MIDI foot pedal. In addition to managing presets sans cables, the device can access four effects / amp modeling combos via backlit selectors without the need to swipe the screen of your iPhone or iPad. The gadget is AAA battery powered and there’s no power adapter or in-built power pack. It’s a bit of a bummer that the BlueBoard isn’t rechargeable, but then again, a lot of guitar pedals and stompboxes are either battery or adapter powered. Two 1/4-inch jacks fare along for the ride in case you need to add on volume or expression pedals to the $99 rig that’s set to arrive in Q2.

During our visit, we also took a look at the recently announced iRig HD guitar connector. The next-gen version of the original iRig touts higher quality sound (as the moniker suggests) and now connects via 30-pin or Lightning port for use with a mobile device or via USB for laptops and such. There’s also a input level adjustment on the side in a form factor that resembles the Apogee Jam — albeit with different connectors. Even with the help of headphones it was hard to tell just how good the captures were thanks to the painfully noisy show floor. However, in our brief time with the setup it worked like a charm for handling our feeble attempts at a few Taking Back Sunday riffs. Hop down past the break for a quick tour of the duo.

Gallery: IK Multimedia BlueBoard and iRig HD hands-on

James Trew contributed to this report.

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Jan 26

PDJ Portable Disc Jockey is a complete DJ system that fits in your pocket, we go hands-on (video)

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PDJ Portable Disc Jockey is a complete DJ system that fits in your pocket, we go hands-on (video)

We’ll forgive the extremely nice folk behind the PDJ when they claim to have the first fully self-contained portable DJ set-up. But that’s not to say that there is nothing new here — in fact there’s plenty. The PDJ is a rectangular slab of refreshing creative optimism. On each end is a touchscreen display that shows a virtual turntable, and in the middle is a small mixing and FX section. So, already the PDJ will be familiar in set-up to any DJ who picks it up (something the Pacemaker couldn’t claim with its proprietary interface). The mixer section has rotaries for volume, FX and additional functions (more on this later). The most important thing, however, is the onboard audio interface which crucially means you can monitor in headphones before unleashing your mix onto the world. This sets it apart from pretty much every other mobile app out there that, at best, requires you to use an audio splitter (to the detriment of your sound). Of course, you’re going to need some music to play, and there’s 2GB of internal storage to let you do just that. If that’s not enough, or you want to load up your latest jams right away, there’s an SD card slot to let you do just that (up to 32GB). Beyond headphones, there’s a line out for connecting it to a sound system, and a line in and microphone jack for adding external sound to the set. The brochure claims it offers 12 hours of battery life too — rechargeable by mini USB. On the software side, the two virtual turntables respond to touch, and button controls (for cue / play / pause). In addition to the virtual turntable, there are also sample player and one-shot screens. We got out paws on the PDJ here at NAMM, so fade past the break for our impressions.

Gallery: PDJ Portable DJ system hands-on

At about 286 grams, the PDJ is light to hold, but sits in the hand comfortably. Your thumbs naturally find their place hovering above the virtual decks, but the unit it plenty light enough that you can hold it with one hand, while using the other for more dexterous performance manoeuvres. The rotaries and crossfader in the middle section are plastic, but feel solid enough. This is, after all, a lightweight portable device. The LCD touchscreens let you get hands on with your music, as DJs are wont to do, and it’s responsive and intuitive enough. Thankfully, most of the key functions (cue, volume, fade, loops etc) have hardware controls too. To reach the extra functionality (more in depth EQ, sample player and so on) you swipe the screen to the left or right accordingly to bring up the relevant screen. It’s in these cases when the dual-mode (rotate and click) Function A/B rotaries come in handy, and the interface for controlling these extra tricks is surprisingly natural / responsive.

The PDJ makes the usual claims about being able to scratch and so on. And you can. But as with all these smaller, touch-digital devices, it’s more of a party trick than anything else. No biggie though, as the meatier features are the beat sequence and music-pad sections. These let you bring your own audio into your set, trigger samples and build beats and jams on the fly — much more suitable to a digital device such as this. While we only spent a short time with the PDJ, it’s easily one of the most fun devices that we’ve seen here at NAMM. Purists might malign the constant attempts to shrink and gameify DJing, but we say you’re thinking about it too much. Throw one of these in your bag, and the next time you’re on the train and want to mix in headphones, or find yourself at a party, the PDJ will suddenly make a lot more sense. How much and when you say? Well expect to pay about $600 for the privilege sometime around late spring or summer.

Billy Steele contributed to this report.

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Jan 26

ARCHOS 5mm Bluetooth iPad Keyboard

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From ARCHOS comes a really sleek, ultrathin keyboard for iPad. At 5mm and 240g, we agree with the company that it is almost as thin as an iPad cover, making the closed iPad/keyboard 13.4mm thick and weighing 892g.
It comes with an adjustable kickstand that lets your adjust the screen angle where you want it, and It fits well with the iPad with brushed aluminum back casing.
It connects through Bluetooth, connects and docks magnetically to the iPad for a snug fit, and has an automatic sleep and …

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Jan 25

MIDI spans 30 years at NAMM with Commodore 64 and Animoog (video)

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MIDI spans 30 years at NAMM with Commodore 64 and Animoog (video)

You may have heard that the Musical Instrument Digital Interface protocol (aka MIDI) celebrates its 30th birthday this year. And where better than NAMM would the MIDI Manufacturer Association be able to fully demonstrate (and celebrate) the persevering protocol’s coming of age? Part of the MMA’s installation was a set-up destined to get geek hearts racing. A 1983 Commodore 64 connected to a Sequential Circuits Model 64 sequencer cartridge (with MIDI interface). From these vintage parts, the regular 5-pin MIDI cable heads out through the decades and into an IK Multimedia iRig MIDI, into an iPad, finally feeding its information into the Animoog app from equally longevous Moog. Watch old meet new in the gallery and video below.

Gallery: Commodore 64 and Animoog spans 30 years of MIDI (hands-on)

Billy Steele contributed to this report.

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Jan 25

Archos offers Bluetooth Keyboard for iPad, apparently holds no grudges

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Archos

Archos must be in a benevolent mood: it first posted a version of its Video Player app for competing Android devices, and now it’s selling the keyboard technology of its Gen10 XS tablets to those using an entirely different platform. Its Bluetooth Keyboard for iPad offers a familiar 0.2-inch thick, Smart Cover-like peripheral for full-size Apple tablets from the iPad 2 through to the latest generation. The design naturally switches over to iOS-native keyboard shortcuts, and there’s even an iPad-only advantage in the adjustable kickstand. Americans can buy the keyboard in March for $79; believing that Archos would downplay its core business will remain optional.

Show full PR text

Bluetooth Keyboard for iPad Unveiled by ARCHOS Design

Based on the popular ARCHOS Gen10 tablet coverboard, this is the thinnest iPad Keyboard available

Denver, CO – January 24, 2013 – ARCHOS, a pioneer in multimedia portable devices, is pleased to announce the ARCHOS Design Bluetooth Keyboard for iPad, a magnetic Bluetooth full QWERTY keyboard for 2nd, 3rd and 4th generations. The Bluetooth Keyboard for iPad was created by a new division in ARCHOS that will be dedicated to sharing ARCHOS innovations with other brands. With a very similar look and feel to the ARCHOS Gen10 XS coverboard, the Bluetooth Keyboard for iPad is ultra-thin at only 5 mm (0.2”) and features an adjustable kickstand along with an aluminum back casing. Combining the best of both worlds, iPad users can expect this to be available in March for $79 MSRP.

“The needs and wants of today’s consumer have changed drastically over the past few years. Consumers expect everything to be smaller, faster, thinner, lighter and aesthetically pleasing,” says Henri Crohas, Founder and CEO of ARCHOS. “In order to meet this demand we feel that we should share our innovation and design across a number of different platforms.”

Bluetooth Keyboard for iPad features include:

Ultra-thin Design – At only 5 mm (0.2”) this is the thinnest iPad Keyboard available; it’s almost as thin as a Smart Cover
Adjustable kickstand – Allows one to adjust their iPad for the best viewing experience possible
Magnetic bonding to the iPad – The keyboard is magnetically held to your iPad
Automatic screen switch on/off Function – The iPad will turn on or off when the keyboard is removed or placed in the cover position
Long battery life – Enjoy with your iPad for months thanks to a long battery life via a Bluetooth connection
Aluminum Back casing – Stylish aluminum back casing to match your iPad
Full QWERTY keyboard – Type easily with a full keyboard and work quickly with iOS shortcuts

This product is the first to be released from the new ARCHOS Design accessory line. For more information about ARCHOS Design or ARCHOS products visit www.ARCHOS.com.

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Jan 24

Numark iDJ Live II DJ controller hands-on (video)

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Numark iDJ Live II DJ controller hands-on

If there’s one company that comprehensively caters to the entry-level and intermediate DJ, there’s a good chance it’s Numark. While the firm has released a whole bunch of stuff at NAMM this year, perhaps its most mainstream offering is the iDJ Live II. If you remember the original, it was a lightweight controller (both physically, and metaphorically) designed for use with Djay on iOS. This time around the little fella gets a redesign, and a few functionality tweaks. Most notable, is that while the first iteration only gave you the option of iOS connectivity — via the 30-pin adaptor — this time you have the choice of Lightning, 30-pin, or straight up USB. Thus, you can now bring the iDJ Live II out to work with your Mac or PC, too. Once again, it’s built with Algoriddim’s Djay in mind, be it the desktop or iOS version, and we got our hands on it to take it for a spin. Head past the break for the lowdown.

Gallery: Numark iDJ Live II hands-on

First things first. This is very much a fun, consumer product. It would be unfair to call it an accessory, but it’s definitely meant for casual use at parties etc. The unit itself is very light, made entirely of plastic, and feels very different to the heavier DJ controllers you might be used to. The iDJ Live II, however, does look much better than the first iteration, with the slightly squared design and the lower-profile platters at least making it look a little less toy-like than before. The plastic finish still feels the same, as does the action and resistance of the platters, knobs and faders (which is serviceable). The controls available give you everything you need to perform all the mixing basics, with high and low-frequency EQ, channel volume control, a crossfader, and even rudimentary scratching (though it really is more of a novelty). If you’ve ever used Djay for any amount of time though, you’ll know that this is plenty enough to get a set going, and having the physical controller there just makes it all that more enjoyable / easy. While purists and old hands might see products such as these as over simplified, the ease of use, and broad appeal makes them ideal for the curious, and that can only be a good thing. Sadly there is no word on price or availability at this time, but we’d be surprised if it wasn’t comfortably under $100 when it does finally make its way onto shelves. Check the video below for the hardware tour.

Billy Steele contributed to this report.

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Jan 24

Apogee revamps One and Duet audio interfaces for iOS and Mac, updates Quartet to match

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Apogee intros revamped One and Duet audio interfaces for iOS and Mac, updates Quartet to match

Apogee wants bring pro audio interfaces to the mobile realm. To that end, it’s coming to NAMM with a trio of options that cover most Apple-bound musicians and podcasters. Its next-generation One interface (seen after the break) can take simultaneous input from both a built-in condenser mic and one device plugged into either an XLR or quarter-inch jack, passing along the resulting tunes to an iOS device or a Mac’s USB port. A similarly reworked Duet adds direct iOS connections to the two-input, four-output Duet (above). Full-fledged bands aren’t left out of the equation, either — the existing, four-input Quartet has received iPad support without changing its formula. Lighting-based iOS gear unfortunately requires an adapter, but we’ll take consolation in a new Maestro app for iPads that offers control over connections and session monitoring. Producers hoping for more mobility can pick up the Duet or Quartet in February at their respective $595 and $1,295 prices, although they’ll have to wait until March to buy the One at $349.

Apogee intros revamped One and Duet audio interfaces for iOS and Mac, updates Quartet to match

Show full PR text

Apogee Electronics introduces all new “ONE”, audio interface & microphone featuring iPad & Mac compatibility, upgraded sound quality and new Maestro control app for iOS

Anaheim, California, January 24, 2013 – Apogee Electronics is pleased to introduce the completely redesigned ONE, a 2 IN x 2 OUT USB audio interface and microphone. The all new ONE is the first studio quality audio interface and microphone that makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac. ONE features Apogee’s Maestro control software, iOS device charging, optional battery power for portable recording with iPad and professional sound quality. ONE is the all-in-one solution that makes it easy for musicians, songwriters, recording engineers, film makers, audiophiles, and anyone else to enjoy professional sound quality on iPad and Mac.

ONE offers three input options; a built-in omni-directional condenser microphone, XLR input for dynamic, condenser or ribbon microphones, and 1/4″ instrument input for electric guitars, keyboards or any instrument with an electric pick-up. An upgrade from the original design, ONE now has the ability to record two inputs simultaneously (instrument plus built-in microphone or external microphone). The updated AD/DA converters and mic preamps deliver best-in-class, studio quality sound and allow you to capture and playback your recordings with incredible clarity and detail.

ONE’s audiophile quality headphone amplifier/DAC is a favorite for enhanced music listening on Mac. Now ONE delivers the same hi-fi quality sound to iPod touch, iPhone and iPad users for listening to streaming radio and music libraries with incredible clarity and detail.

ONE’s built-in condenser microphone is a unique feature allowing anyone to record with incredible results and without the need for an external microphone. This paired with the option of connecting to iPod touch, iPhone or iPad and battery power enables studio-quality recordings to be created in any location.

“We have completely redesigned ONE, incorporating highly anticipated features; iPad compatibility, simultaneous recording of guitar and a microphone, enhanced sound quality, and a much desired metal chassis,” says Apogee CEO and Co-Founder Betty Bennett. “This is an innovative interface, ideal for the musician who wants an all-in-one solution they can count on for ease of use and professional studio quality results, no matter where they are. We’re excited to welcome this next generation of a classic Apogee product and we know our customers will love it.”

Apple’s iPad has revolutionized music creation with an intuitive touch interface and a universe of powerful and very affordable music apps. As a studio quality microphone and audio interface, ONE delivers key features to this new paradigm. Apogee’s Maestro software for iOS lets you control ONE’s inputs, mic preamp, outputs and set up low latency monitoring. ONE’s DC power charges iPad while in use so recording is not interrupted. The option of battery power for ONE allows for truly portable professional recording.

When used with iPad or an iOS device, ONE works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, ONE works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application.

ONE for iPad and Mac – Highlights

First studio quality audio interface and microphone for iPad
New circuitry, mic capsule and upgraded sound quality
Redesigned die cast aluminum chassis
Direct digital connection to iPod touch, iPhone, iPad
Works with new iPhone 5, iPad (4th generation), iPad mini
(Lighting adapter required – Sold separately)
Works with GarageBand, MultiTrack, Spotify; Any Core Audio compatible app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton, iTunes; Any Core Audio compatible app on Mac
Low latency monitoring, complete input/output control with Apogee’s Maestro software (iOS & Mac)
DC power supplies charge to iPod touch, iPhone or iPad
Optional battery operation for remote recording on iPad (2 AA batteries not included)
USB 2.0 audio with 24-bit/96kHz A/D and D/A conversion
Built-in omnidirectional condenser microphone (mic stand adapter included)
2 Analog Inputs (XLR microphone and 1/4″ instrument connector on breakout cable)
Record up to 2 inputs at a time (instrument + internal microphone or external microphone)
1 1/8″ stereo output for headphones or powered speakers
Legendary Apogee sound quality
Designed in California – Made in the U.S.A.

System Requirements

Mac OS:

Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.7.5 or greater
Connection and power: Any available USB port on a Mac
USB bus powered; DC power optional
(DC power supply included)

iOS:

iOS version: 5.1 and later
Connection: 30-pin dock connector
Power supply or two AA batteries required
(Batteries not included)
iOS device compatibility (Lightning connector)

iPod touch* (5th generation)
iPhone 5*
iPad* (4th generation)
iPad mini*
* Requires Apple’s Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector)

iPod touch (4th generation)
iPhone 4S
iPhone 4
iPad (3rd generation)
iPad 2
iPad

Price: $349
Availability: March 2013

Apogee Electronics introduces new Duet featuring iPad & Mac compatibility, MIDI I/O and new Maestro control app for iOS

Anaheim, California, January 24, 2013 – Apogee Electronics is pleased to introduce Duet for iPad and Mac, a 2 input, 4 output USB audio interface. The new Duet is the first professional stereo audio interface that makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac. Duet features Apogee’s Maestro control software, iOS device charging, MIDI connectivity and professional sound quality. Duet is the ideal personal studio interface for stereo music recording, mixing and audiophile-quality listening on iPad and Mac.

First introduced in 2007, the original Duet was a 2 IN x 2 OUT FireWire Audio Interface for Mac and became one of the most popular audio interfaces of all time, starting a home studio revolution and winning many industry awards and accolades. Duet received an upgrade in May of 2011 when Duet 2 took its place with a new 2 IN x 4 OUT format, redesigned AD/DA conversion and mic preamps, and USB 2.0 Mac connectivity. The new Duet for iPad and Mac builds on this legacy by offering the same professional quality as the Duet 2 for the iPad based personal studio.

“Apogee has pioneered professional digital recording on iPad and iOS devices with products like JAM, our studio quality guitar input, and MiC, the first studio quality digital microphone for iPad and iPhone. We are now taking the next step, offering a range of professional multi-channel recording solutions for iPad and all iOS devices,” says Apogee CEO and Co-Founder Betty Bennett. “Enabling amazing products like Duet to be directly connected to the increasingly powerful iPad and all other iOS devices, seamlessly integrated with apps like GarageBand and Auria, controlled with our Maestro software allows you take mobile music creation to the next level. It truly is a new frontier for the personal studio and we’re proud to be at the forefront.”

Apple’s iPad has revolutionized music creation with an intuitive touch interface and a universe of powerful and very affordable music apps. Duet delivers key features to this new paradigm that bring professional stereo audio recording to iPad for the first time. Apogee’s Maestro software for iOS lets you control Duet’s inputs, mic preamps, outputs and set up low latency monitoring. Duet’s DC power charges iPad while in use so recording is not interrupted. Duet provides plenty of power for studio headphones, microphones and MIDI keyboards. In addition, Duet accepts and provides professional audio level (ie. balanced, +4 dBu reference level).

When used with iPad or an iOS device, Duet works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, Duet works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application.

Duet for iPad and Mac – Highlights

First professional stereo audio interface for iPad
Direct digital connection to iPod touch, iPhone, iPad
Works with new iPhone 5, iPad (4th generation), iPad mini
(Apple’s Lighting to 30-pin adapter required – Sold separately)
Works with GarageBand, Auria, MultiTrack; Any Core Audio compatible app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton; Any Core Audio compatible app on Mac
Low latency monitoring, complete input/output control with Apogee’s Maestro software (iOS & Mac)
MIDI input/output (USB-A type connector)
DC power supplies charge to iPod touch, iPhone or iPad
USB 2.0 audio with 24-bit/192kHz A/D and D/A conversion
2 Analog inputs with world-class mic preamps and selectable 48v phantom power
2 Balanced analog line outputs
1 Independent 1/4″ stereo headphone output
Legendary Apogee sound quality
Designed in California – Made in the U.S.A.

System Requirements

Mac OS:

Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.4 or greater
Connection and power: Any available USB port on a Mac
USB bus powered; DC power optional
(DC power supply included)

iOS:

iOS version: 5.1 and later
Connection: 30-pin dock connector
DC Power supply included
iOS device compatibility (Lightning connector)

iPod touch* (5th generation)
iPhone 5*
iPad* (4th generation)
iPad mini*
* Requires Apple’s Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector)

iPod touch (4th generation)
iPhone 4S
iPhone 4
iPad (3rd generation)
iPad 2
iPad

Price: $595
Availability: February 2013

Apogee Electronics announces iPad compatibility for Quartet USB audio interface and new Maestro control app for iOS

Anaheim, California, January 24, 2013 – Apogee Electronics is pleased to announce iPad compatibility for Quartet, a 4 input, 8 output USB audio interface. Quartet is the first professional multi-channel audio interface that makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac. Quartet for iPad and Mac features Apogee’s Maestro control software, iOS device charging, MIDI connectivity, advanced monitor control and professional sound quality. Quartet is the ideal studio control center for multi-channel music recording and mixing on iPad and Mac.

“Apogee has pioneered professional digital recording on iPad and iOS devices with products like JAM, our studio quality guitar input, and MiC, the first studio quality digital microphone for iPad & iOS. We are now taking the next step, offering a range of professional multi-channel recording solutions for iPad and all iOS devices,” says Apogee CEO and Co-Founder Betty Bennett.

“Enabling amazing products like Quartet to be directly connected to the increasingly powerful iPad and all other iOS devices, seamlessly integrated with apps like GarageBand and Auria, controlled with our Maestro software allows you take mobile music creation to the next level. It truly is a new frontier for the personal studio and we’re proud to be at the forefront.”

Apple’s iPad has revolutionized music creation with an intuitive touch interface and a universe of powerful and very affordable music apps. Quartet delivers key features to this new paradigm that bring professional multi-channel audio recording to iPad for the first time. Apogee’s Maestro software for iOS lets you control Quartet’s inputs, mic preamps, outputs and set up low latency monitoring. Quartet’s DC power charges iPad while in use so recording is not interrupted. Quartet provides plenty of power for studio headphones, microphones and MIDI keyboards. In addition, Quartet accepts and provides professional audio level (ie. balanced, +4 dBu reference level).

When used with iPad or an iOS device, Quartet works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, Quartet works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application.

Quartet for iPad and Mac – Highlights

First professional multi-channel audio interface for iPad
Direct digital connection to iPod touch, iPhone, iPad
Works with new iPhone 5, iPad (4th generation), iPad mini
(Apple’s Lighting to 30-pin adapter required – Sold separately)
Works with GarageBand, Auria, MultiTrack and any Core Audio compliant app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton and any Core Audio compliant app on Mac
Low latency monitoring, complete input/output control with Apogee’s Maestro software (iOS & Mac)
MIDI input/output (USB-A type connector)
DC power supplies charge to iPod touch, iPhone or iPad
USB 2.0 audio with 24-bit/192kHz A/D and D/A conversion
4 Analog inputs with world-class mic preamps and selectable 48v phantom power
6 Balanced analog line outputs
ADAT/SMUX digital Inputs
Monitor control – up to 3 speaker sets
1 Independent 1/4″ stereo headphone output
QuickTouch pads for input/output selection and advanced control
Legendary Apogee sound quality
Designed in California – Made in the U.S.A.

System Requirements

Mac OS:

Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.4 or greater
Connection and power: Any available USB port on a Mac
Power: DC Power supply included
iOS:

iOS version: 5.1 and later
Connection: 30-pin dock connector
DC Power supply included
iOS device compatibility (Lightning connector)

iPod touch* (5th generation)
iPhone 5*
iPad* (4th generation)
iPad mini*
* Requires Apple’s Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector)

iPod touch (4th generation)
iPhone 4S
iPhone 4
iPad (3rd generation)
iPad 2
iPad

Price: $1295
Availability: February 2013

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