Logbar Creates Social Drinking Economy

If you hate having to make awkward small talk when you meet new people in a bar or party, Logbar might just be your next destination. Logbar is a new concept that attempts to make the bar experience more social and open by allowing customers to interact with each other through creating, promoting and selling their own original cocktails. Open on Monday evenings in their Shibuya location, Logbar is an experiment that re-imagines how we meet and interact with strangers on a night out.

Upon entering, customers are each presented with an iPad mini that they keep for the duration of the night. First-time customers create their own profiles, which store personalised information like their favourite foods, current mood and hobbies, as well as their drink preferences. Then of course, there is the obligatory profile photo. The staff will even supply a desk light to ensure a well lit photo.

A number of different bases, modifiers and flavourings including whisky, green tea liquor and even flower petals among others are available to create custom drinks. For that extra something, collagen powder, vitamin C, and dietary fibre are also on offer.

Once a drink has been created, customers can choose their own catchy name, description and photo to accompany the mix. The drink is then posted to a public timeline where other patrons can order your special concoction. On the particular night we went, creations such as ‘The Eiffel Tower’, ‘Caffeine Explosion’ and ‘Anti-Aging MalibuOR’ were on offer. If a custom drink looks and sounds appealing enough, other customers might buy the drink, and the creator receives a 50 yen commission.

Perhaps the most interesting feature of this system is that it is all supported by a platform that utilises features of social networking services to encourage interaction in a uniquely “digital” way. Custom drinks can be ordered by, commented on, and even “liked” by other people in the bar.

Customers can also suggests topics to talk about with everyone on the main timeline, and send chocolates as virtual gifts to each other. Each customer starts off with 5 complimentary chocolates, which can then be traded or converted into the real deal.

Although we were initially a little skeptical of how interesting using the Logbar system would be, it was quite surprising how much fun we had just playing around with our own creations, and being constantly updated on what the people around us were doing.

While the system does make social interaction smoother initially, having an iPad in front of you the whole time does mean that you are going to be engrossed in using it. There were a few times where it seemed like the entire bar fell into silence because everyone was engrossed in fiddling with their iPads. There is definitely a question concerning the kind of interaction systems like Longbar enhance, and this mirrors broader discussions on the types of relationships fostered by social networking services (SNS).

Logbar seems well suited to situations where there is a lot of casual interaction, as it simplifies the task of approaching someone you don’t know. Although it is a good way to meet new people, for a small group of friends on a night out, for example, it might not be the best way to catch up.

It would be interesting to see how this kind of system could be applied to a different range of contexts. For example, it is easy to imagine how Logbar could be used to enhance dating services like speed dating, where the system’s easy communication style and gift-giving features could really add a fun element that enlivens the atmosphere.

Cosplay Business Cards

Ever wondered how those crazily clad cosplayers promote themselves to each other? Well according to Nikkei’s Trendy just like most professionals in Japan they use business cards, though perhaps not the most traditional kind.

Image via cosplay.exblog 

Business card exchange in Japan (meishi koukan ) is the most important method of professional self-introduction in Japan. Forgetting or running out of cards in more formal settings can lead to embarrassment, as others are unable to judge your status in the group. This is why we always tell clients visiting Japan for business or networking to “bring plenty of cards!”, which in their mind usually translates into 20 when it should be 50+.

Image via uniearth.jp

However, when these cosplayers exchange business cards they are promoting their fantasy persona, a character from an alternative reality who they try to embody through fashion, make up and lifestyle. The cards feature their character name, photo, and contact address rather than company and job title.

Image via A-one

Of course cosplayers wont just have one costume that they don, or character role that they play, which could certainly lead to a lot of printing and perhaps confusion.

Offering to solve this dilemma is a cosplay business card service called Proof, owned by printing company Choei, which allows customers the chance to order multiple sets of business cards for each character at a low cost (100 cards at 2,625 Yen- US$26).

A major feature of these customised cosplay business cards is of course the unique character or costume photo, which when printed resembles the design of a trading card rather than a proper business card.

C-Studio was set up to offer cosplayers a special location in which to take these cosplay glamour shots; featuring several photo studios each with their own themed decor such as Gothic, Luxury Bar, ‘Cute-room’, Sci Fi etc.

Customers can also rent props for free to enhance their fantasy experience and add further mystery to their characters.

As it is often difficult to find the right location to take fantasy themed cosplay photos without attracting attention and being bothered by the public many cosplayers are willing to pay the steep 8,000 yen (US$80) per hour rental fee to use the studio.

The extent to which fans of manga, anime and cosplay indulge in these alternative reality and fantasy lifestyles seems to be continuing to go one step further. With these cosplay business cards, the false persona of these fantasy characters now has a real world presence and allows them to take on bigger personalities and responsibilities.

 

Free Wifi in Japan Debuts

Foreign tourists visiting Japan are often frustrated at the lack of free Wi-Fi spots available in the country. Not only does this prevent them from accessing maps, information and recommendations about Japan whilst they are travelling but they are also unable to ‘share’ their experiences with friends and family on SNS. This is annoying to visitors, but also a major loss for promotion of Japan in general. After all, imagine how many millions in free advertising have been thwarted by the inability to say “I am in Shibuya!” to everyone back home via Instagram.

Finally having recognised this frustration major Japanese telecoms supplier NTT East has accounced the implementation of FREE Wi-Fi spots available for foreign tourists to access during their stay.

How does it work? 

It’s actually quite simple, which surprised us given the number of really complicated wifi spots in Tokyo that never seem to work anyway. Keep in mind, this is purely for visitors to Japan.

1- Pick up a free Wi-Fi-card from one of the official distribution points by showing your passport and tourist visa at Narita Airport, Akihabara in Tokyo or at major cities in Eastern Japan.

2- The Wifi ID and log-in password are printed on the card so just enter this information when accessing an NTT East Wifi-signal (0000FLETS-PORTAL). There are already more than 17,000 NTT East Wi-Fi spots around Japan (as of January 2013) supported by a network of fiber optic cables, guaranteeing fast and stable access (according to them of course).

3- Once logged in you can make use of the free Wi-fi spots for 14 days. Ideal for your short stay in Japan!

According to JNTO the process is perfect for first-time visitors to Japan as there are no application forms, you don’t need to send any emails to begin- all you need is your Wi-Fi supporting device.

Where can I access the free Wi-Fi? 

The number of NTT East’s free Wi-Fi access points are increasing and for the moment you can find them at major sightseeing accross in Tokyo including Akihabara, Asakusa, Shinjuku, Shibuya, Ginza, Ueno and Roppongi.

So far they the free Wi-Fi spots are limited to specific shops and restaurants in those areas (as pictured above), but I think it’s safe to say that this will be taken up rather quickly around the country.

Increasing Visitor Numbers to Japan? 

Information and instructions about this free Wi-Fi service is provided in English, Korean and Chinese highlighting the importance NTT East places on reaching out to Asian tourists who form the majority of visitors to Japan.

Asian Tourists in Japan. Image  via AFP/Kazuhiro Nogi/Getty Images.

A greater number of free Wi-Fi spots and more variety of Wi-Fi services catered specifically to tourists in Japan is certainly overdue, and is in direct response to one of the biggest annoyances to people who make the trip here. That, and it’s kind of embarrassing that the country perceived to be the most high-tech doesn’t even have wi-fi available in most places.

Editors Note:
What we’re really curious about is the business model of this approach. Who is paying for all of this? The government? Are the shops involved paying for the hardware? Short term it gets people connected, but how sustainable is this? We’d love to see business owners really understanding the necessity of catering to these kinds of needs for tourists because it will open their eyes to the laundry list of tasks ahead. Great to see this progress though.

World’s First 3D Human Anatomy App

Tokyo based Team Lab Inc. in collaboration with Professor Kazuomi Sugamoto (Osaka University) have created ‘teamLabBody‘ the world’s first  3D Human Anatomy App / Digital Textbook which accurately reproduces the elements and joint movements of a living human body.

This project was based on research by Professor Sugamoto at Osaka University Orthopaedic Biomaterial Science Laboratory who has spent more than 10 years analysing the arrangement and movement of every single joint in a living human body. His team discovered that the joint movements of a living human body differ from those observed in donor specimens which constitute most of the orthopaedic knowledge in existing medical textbooks. Data was compiled during this research from CT and MRI scans of living humans to observe the arrangement and movement of every single joint.

teamLabBody is designed to be easily understood by the general public and also a useful reference tool for doctors when explaining concepts to their patients. It also serves as a handy guide for medical students.

The app allows users to view the human body and joint movements from any angle and magnification, while choosing to focus on the skeleton, muscles, ligaments, nerves and blood vesels. Names and detailed explanations of each body part are also provided making it an interesting learning resource.

Bone motion mode (see video bellow)enables users to observe the the skeletal movement of a living human in 3D by customising the direction and speed of movement.

teamLabBody demonstrates the potential of combining medical science with 3D technology on a mass-market, user friendly application for the purpose of education. Making science into an accessible art form is already a worthy goal, but getting into such a level of detail is quite a challenge!

The app is currently available for iPad2 and newer models for US$29.99.

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Design Festa 2013 and Some Successes

Design Festa is a two-day biannual international art event held in Tokyo which showcases an enormous array of original artwork with over 10,000 artists exhibiting, buying and selling works created in multiple mediums. The 37th Design Festa will be held this year on May 18th and 19th (Sat-Sun). You can check out the highlights from last year’s events in the video bellow.

With the thousands of designers that will exhibit, attend and participate in the event we wanted to know what happens to them as a result of showcasing their designs and products. So we asked the organisers of Design Festa to share with us some success stories of past exhibitors.

TaroShooten are a pair of toy designers who first exhibited at Design Festa back in 1999 from which they launched into commercial success with their popular “Korejanai Robo” (Not This Robot, Robot) series which spoofs the fact that kids don’t always receive the right gift from their parents, elaborately constructed suicide buttons and other humorous products. Korejanai Robo has even entered into the pop culture sphere spawning its own merchandise such as USB sticks, costumes and cameras featuring character designs. The designers even created a funny backstory and orignal theme music for the series as well.

Shikano Takashi is another Japanese designer who enjoyed more recent success as a result of demonstrating his product at Design Festa in 2012. His “Shirt-ties” which are made of colourful felt can be fixed onto any shirt button are designed to be easily worn and fashionable and currently on sale at Tokyo iine.

Korean illustrator, artist and picture book author Seo Miji has boosted her career expontentially after showcasing her unique illustrations at Design Festa back in 2006. Having been interviewed and featured by mass media outlets including NHK and CNBC she is now invited to give regular talks and presentations at schools and colleges. Most of her artwork and stories are aimed at and about young children. You can check out her most recent artwork and contributions on her website.  The video bellow shows a live paint demo by Seo Miji at a the 33rd Design Festa.

Canadian

The artists above have shown that attending events such as Design Festa can significantly enhance exposure to one’s artwork and products, raise media attention and contribute to increasing commercial prospects.

To find out more about the next Design Festa event check out their homepage, facebook and twitter pages.

 

Tokyo Design and Craft Market 2013

Last week we checked out the Tokyo Design and Craft Market where exhibitors showcased products created using a combination of Japanese traditional craftwork and the latest in wood, metal and textile production technology.

Some exhibitors in particular displayed some very interesting products and designs that had applied this blend of tradition and modern often typically associated with Japan.

Kaminokousakujo (the paper workshop) seems to have taken origami to the extreme with their Kamigu brand which enables people to create a wide range of useful products (featured bellow) from just one sheet of folded paper.

Lite Lite: an Paper LED flashlight

Paper dust-pan and brush

Paper vase and airvase

stick-on planter

Paper glasses

Another exhibitor at the market Nagare had rebranded the Japanese art of furoshiki: often described as the “origami of waterproof cloth”. Originating in the Edo period, furoshiki was used by people to wrap up their belongings and protect them from getting wet while they enjoyed public baths or furo.

Nagare Fukoshiki

Nagare meaning flow refers to the way in which water slides right off the surface of the cloth as the products are designed to protect against rain and other liquids. As such Nagare can be used as a shopping bag, makeshift umbrella, stain-proof tablecloth and napkin. Since the material used repels liquid from both sides it can also be used to transport liquids and to water your plants.

There are many ways to wrap and tie a furoshiki to make the most of its many uses as the video bellow demonstrates.

Nagare furoshiki demonstrates the ideal mix of simplicity, Japaneseness and modern textile technology.

Luthier (pictured bellow) was another exhibitor that caught our eyes.

With wood sourced from the forests of Hakone and crafted using traditional techniques, Luthier created products with a useful purpose such as business card cases, tissue boxes, bowls and musical instruments.

These three exhibitors captivated our attention for the main reason that they have enhanced traditional Japanese crafting techniques to make useful products for everyday use. As they can be directly associated with the duality of Japan we’ve also seen a great interest overseas in modern products using traditional design and methods.

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Custom Cases for Candy Lifestyles

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Custom Cases for Candy Lifestyle

Ever reached into your bag to grab a packet of chewing gum to find that it had been squashed? Ever bought a lollypop and wanted to eat it later but couldn’t find any where to put it? Ever wanted to eat that packet of chocolate balls but have been too embarrassed to let people know what you are eating?

With wooden product-specific candy cases from Sweet D Life you’ll be able to keep your snacks intact and eat them in style.

Pocky Case

Designed for classic candy brands like Mentos, Mintia mints, and more the cases protect your sweets and gum from damage and present them as more than just something quick to eat, though that may be more of a Japan-specific need since the whole packet isn’t being consumed at once.

Fits Chewing Gum Wallet Case

Made from African Mahogany using traditional Japanese wood craft techniques Sweet D Life offers a range of cases for smartphones, business cards, coins, wallets and candy.

Chuppa Chup Carry Case

Each wooden candy case has been specially designed to hold the packaging size of specific confectionary brand, and is also designed to work beyond just packaging and accomodate graphics as well.

Case for Morinaga Chocolate Balls

Meiji Choco Baby Case

By working with classic brands that don’t change packaging often, this works with the popularity of a handful of confectionary brands in Japan and assumes a high level of brand loyalty among the buyers of these cases.

Mintia Case

With prices ranging from 3000 to 8000 Yen (US$32 to US$87) for one case they aren’t cheap, but for devotees of a particular product it’s not unreasonable either.

Meiji Chocolate Case

Smarties Case

In a way Sweet D Life are endorsing frequent confectionary consumption and loyalty to a specific brand of sweets, but also the lifestyle of having the products and showing them off. It goes beyond the quick eat and dispose mentality.

Tube Case

Offering such elegant and stylish wooden cases for confectionary that usually costs less than 2oo Yen (US$2.5) is an interesting concept, but perhaps that’s exactly what makes the cases a bit cray to begin with. Protecting your cheap sweets with a $40 case is something you only do for style.

BEAMS Curates Fashionable Injury Supports

Last week on a visit to Tokyo CultuArt by Beams we were lucky enough to attend the last day of a “supporter” exhibition that was all about transforming medical treatment and limb supports into artwork and fashionable products.

The exhibition ran from February 1st to 20th, 2013 and showcased works by artists which combined leg supports, arm braces and cruches to create inspiring sculptures, photographs and designs. Artists such as GELCHOP, Peloqoon and Slaptone contributed works to the exhibition.

The artwork got us thinking about how injury support aids can add a level of design and customization that people will be more selective and sensitive to buying when they need medical care or have an injury. So far this market has been pretty much ignored and relegated to more depressing color schemes.

Think of the time you broke your wrist skateboarding, twisted your knee skiing, or had your foot run over by a dodgy taxi driver and then had to suffer several weeks with your limb encased in an ugly cast support, or found yourself stumbling around on dull-looking crutches.

Also for anyone unfortunate enough to have had to rent a pair of crutches or a wheel chair from a local hospital in Japan, you know that this can be quite costly. The most popular items in the shop is are colourful crutches on display for 8000 Yen (US$86) each, which may seem a bit expensive but when you think about their long term usage and visual appeal it is a cheaper and more attractive deal than what any hospital can offer.

With more people trying extreme sports and taking adventurous holidays combined with ageing populations worldwide the demand for orthopaedic injury supports is likely to rise. This is definitely an area that is untapped and has a lot of potential.

Tokyo Design Ah! Exhibition

February seemed to be the month of Art and Design exhibitions in Tokyo, after checking out the Japan Media Arts Festival last week we strolled over to the “Design Ah!” Exhibition in 21_21 Design Sight next to Tokyo Midtown Garden in Roppongi.

Based on the NHK Educational TV program with the same name, “Design Ah!” takes the show one step further with this interactive exhibition aimed at encouraging both young people and adults to think about design in their everyday life.

The curators hope to stimulate a ‘design orientated mind’ by showcasing works that reflect Japanese culture and encouraging visitors to experience design through audio and visual stimulus.

We came across some cool exhibits at Design Ah and wanted to share a few of the most interesting:

“Ah! in motion” by tha ltd encourages visitors to dance in front of the ‘ah’ phonetic symbol projected on the wall and watch as the ‘ah’ changes shape to match their movements.

“Furoshiki” or the art of folding cloth was demonstrated using simple instructional videos (produced by Taku Satoh Design and Etsuko Yamada from Musubi) where the visitor can learn and practice folding cloth to carry different items.

“Sushi Break Up!” by Tomohiro Okazaki deconstructs sushi into its various elements; separating each grain of rice, piece of fish and roll of seaweed.

“The many faces of sushi” by the Taku Satoh Design Office presents the diversity of food and objects associated  with Japan’s most famous dish.

Just Right also by Tako Satoh Design Office comments on what portion size is appropriate for sushi.

“Pouring Soy Sauce” is another work by Tako Satoh Design Office showing the mechanics of how soy sauce flows in the perfect way.

“School Break Up!” examines the objects and elements that are connected with the 6th Grade of Akasaka Elementary school in Tokyo and breaks it down into many items such as books, back backs, whiteboards and students.

“Dessin Ah!” also by tha ltd is an interactive design experience where children and adults are invited to finger draw the penguin statue in the middle of the circle on an i-pad. Artists can then see their drawing on the projector and can also understand the process they took to draw the penguin (or anything else they want as pictured above) as it is shown to them.

“Penguin Story” by Taku Satoh Design Office uses projection mapping to demonstrate moving images on the surface of three dimensional packaging as with this example of a packet of chewing gum. Visitors are expected to think about the future prospects of animated packaging designs.

Design Ah! runs from February 8th until June 2nd, 2013. General Admission costs 1000 Yen and 800 Yen for students.

We recommend that you check it out if you are in Tokyo.

Japan Media Arts Festival 2013

Celebrating its 16th year, the Japan Media Arts festival is taking place from February 13th to 24th 2013 at the National Art Center and other venues in Roppongi, Tokyo. Over 3000 works of art were submitted for the festival and jury members selected the best entries to be exhibited in each of the four categories; art, entertainment, animation and manga.

Works came from around the world including a fair number from Japan and ranged from multimedia displays to new video games.

In particular we wanted to share some of the exhibits we thought were interesting.

Desire of Codes by Seiko Mikami is an interactive installation which combines the live footage taken by 90 small fixed cameras and 6 moving cameras on mechanical arms hanging and slide across the ceiling projected onto a large circularscreen. This display is supposed to express the blurring of the boundaries between our physical bodies and how they are depicted by data.

Winner of the Grand Prize for the Entertainment category, Perfume Global Site Project celebrates the worlwide debut of the techno-pop group Perfume. An open-sourced project in which fans, artists and group members collaborated to create and organize promotional content, live performances and this multimedia exhibit which featured cutting edge motion sensor based animations. Crowd-sourced multimedia events focussed on a particular idol seem to have taken off in Japan ever since the Hatsune Miku phenomenon. 

Kuratas from Sudiobashi Heavy Industries is the closest thing to a real life Gundam; a giant four meter tall and four-ton robot that you can actually sit inside and operate. Since being unveiled last year at Wonder Festival 2012, Kuratas has already received mass amounts of media coverage but it was cool to see it part of the Japan Media Arts festival as a showcase of Japanese entertainment technology.

On the Fly Paper, part of the Chiba Institute of Technology Campus Exhibition and Tokyo Sky Tree Town lets you experience the latest in infra-red and projection technology.

Staff hand you a piece of card with a blue print of a robot and several dots printed on top. You place the card underneath the projector and the infra-red tracker detects the dots from your picture, recognises the code and projects a real colour image onto the blue print of your robot. Several images can also be projected at the same time as long as the dots don’t over lap.

Presented on an ipad, Rrrrrrrrol is an interactive photo project using animated GIF images where a young woman or an object close to her is constantly rotating. You can to alter the speed of the rotations and flip through the photo album where the woman spins in various locations. Some of these images are often uploaded to tumblr.

The Japan Media Arts festival delivers unique and exciting exhibits every year and this one was no exception. If you are in Tokyo and have the time we recommend you check it out before it ends.