Shadows. They’re ghoulish entities that come and goes with the whims of the sun. But shadow puppets are what happens when Man harnesses the sun, or artificial light, and creates life of his own.
With the lights off, Italian artist Fabrizio Corneli‘s work looks like pretty but unspectacular—just metal boxes and scraps. But with the flip of a switch, a whole new world of light emerges. His sculptures are cut with a mathematical precision so that light spills out in beautiful, unexpected forms.
This time, just a year ago, very few people knew the terms“skeuomorphism” and “flat design." We complained about the kind of leathery design of some apps on iOS and OS X, but in general, the UI of Apple’s mobile operating system was just fine. Then, in just a few weeks, everything changed—and suddenly flat design was the new style everybody was talking about.
Chandeliers add a certain flair to any room you put them in. They can be colorful or glittering with crystals, long or short, and wide or narrow, and fitted with lamps so they can aptly illuminate the room.
Forms of Nature is another chandelier, but it’s more of an art form since the light sculpture does more than just light things up when you turn it on.
Flicking that switch on will cast shadows of twisty and thorny vines and branches on your walls that looks the outline of a very creepy patch of woods. Kind of like the ones Red was running around in when she was running from her wolf of a grandmother.
Forms in Nature was created by Hilden & Diaz, which is a collaboration between artists Thyra Hilden and Pio Diaz.
The light sculpture is described as resembling and being inspired by Darwinist Ernst Haeckel’s drawings and plots of nature. It is described by its creators as “artwork with a light source surrounded by a dense and unruly tree and root system created in minature sculpture. The forest is mirrored around it’s horizontal central axis and forms a circle 360 degrees around the light source and thereby leads one onto the notion of a real world versus an underworld.”
Forms in Nature has been such a hit that Hilden & Diaz are currently working on launching a Kickstarter campaign to produce 100 pieces of the light sculpture.
At first glance, London-based duo Tim Noble and Sue Webster’s new exhibition called Nihilistic Optimisticlooks like a collection of discarded junk and random wood fixtures. But shine a light on them and take a look at the shadows they’ll cast on the wall, and you will be amazed.
The exhibition features six large-scale sculptures that cast larger-than-life shadows on the wall they’re being projected on.
The art of projection is emblematic of transformative art. The process of transformation, from discarded waste, scrap metal or even taxidermy creatures to a recognizable image, echoes the idea of ‘perceptual psychology’ a form of evaluation used for psychological patients.
If you happen to be in London, drop by Blain|Southern and check out Tim and Sue’s exhibit, which will run until November 24th.
Adobe really wants web designers to kick things up a notch. Not satisfied with where Edge has gone so far, it just released a full-fledged Edge Tools & Services suite to cover the bases for polished desktop and mobile pages on most any modern platform. Motion tool Edge Animate (formerly Edge Preview), automated previewing tool Edge Inspect (formerly Shadow) and mobile app packager PhoneGap Build have all arrived in the suite as version 1.0 releases, and come with both Edge Web Fonts as well as TypeKit to spruce up text. A pair of pre-release utilities, Edge Code (Brackets) and Edge Reflow, are also joining the group to tackle the nitty-gritty of editing web code and layouts. Any of the apps will readily cooperate with third-party software, although they won’t always be cheap: while most of the Edge suite is free to use in at least a basic form as long as you have a Creative Cloud membership at any level, Edge Animate is only free during its initial run and should eventually cost either $15 per month or $499 in a one-time sale. For pros that want to burnish their corner of the web to a shine, the result just might be worth the expense.
A very small atom can cast a very large shadow. Well, not literally, but figuratively. Researchers at Griffith University have managed to snap the first image of a single atom’s shadow and, while the dark spot may be physically small, the implications for the field of quantum computing are huge. The team of scientists blasted a Ytterbium atom suspended in air with a laser beam. Using a Fresnel lens, they were able to snap a photograph of the dark spot left in the atom’s wake as the laser passed over it. The practical applications could improve the efficiency of quantum computers, where light is often used to transfer information. Since atoms have well understood light absorption properties, predictions can be made about the depth of a shadow cast, improving communication between the individual atoms performing calculations. The research could even be applied to seemingly mundane and established fields like X-Ray imaging, by enabling us to find the proper intensity levels to produce a quality image while minimizing damage to cells. For more info, check out the current issue of Nature.
This isn’t a wallpaper design from the seventies, or a close-up picture of the sun. Though it might look a little garish in orange, what you’re actually looking at is the first ever recorded image of an atom’s shadow. More »
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