Hasta La Gadget!

As touring acts grow weary from their travels across the US of A, Moog has a spot for them to get re-energized. Inside the synth maker’s North Carolina headquarters sits a room that’s decked out with the company’s analog tech and effects (including a Model 15 synthesizer) — waiting for musicians who are on the road to stop by for a visit. It’s here in the Sound Lab where the likes of Mutemath, Phantogram, OK Go and Ra Ra Riot grab their Moog gear of choice to re-imagine some of their existing tracks. For a look at all of the sound-scaping tools on display, mosey into the gallery below for a virtual visit.

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Visualized: Inside Moog’s Sound Lab originally appeared on Engadget on Fri, 26 Oct 2012 14:56:00 EDT. Please see our terms for use of feeds.

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Moogfest isn’t happening for another week, but the synth-maker couldn’t wait to take the wraps off of its latest bit of technology. Still in the early days of beta-testing ,the LEV-96 is a far cry from the classic analog instruments we’ve come to associate with Moog. The company is showing off the sensoriactuator in its early stages by affixing it to a guitar, with two pickup channels beneath each of the acoustic’s strings. The strings’ vibrations trigger the sound, with the device “bring[ing] out hidden modes of vibration that have always been there, but were never energized in a direct manner,” according to the company — in all, the system is capable of managing up to 96 simultaneous harmonics. On the LEV-96, you’ll find touch-based control sliders, which let the player adjust intensity, harmonics and note duration. Additional triggers let you change arpeggio presets and modulation (tremolo and random harmonics), while a lock button makes sure you don’t adjust anything by accident.

Moog is careful to point out that the LEV-96 we’re seeing (still being referred to as a “concept project”) is just the tip of the iceberg, and “could easily be affixed to any surface or material.” The company has promised to show the concept in action soon, including an appearance at Moogfest on October 26th and 27th in the company’s home of Asheville, North Carolina. For more info consult the source link below.

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Moog shows off LEV-96 sensoriactuator prototype on an acoustic guitar originally appeared on Engadget on Fri, 19 Oct 2012 09:47:00 EDT. Please see our terms for use of feeds.

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The Pianocade is the embodiment of chiptune music. It’s a synthesizer that looks and works like an arcade controller, down to the analog joystick and token buttons.

But the Pianocade’s gamer theme isn’t just skin deep. It’s open source, hacker-friendly synthesizer board is based on the NES and Game Boy sound hardware, so it makes the monophonic pings and blips out of the box. Here’s a demo of the Pianocade’s features:

And here’s the Pianocade being used by Shaun Hatton aka Megashaun to play live:

Portmanteau Devices is selling one- and two-octave variants of the Pianocade; the former costs about $250 (USD) and the latter is about $350. You can also pre-order just the electronics for about $100.

Portmanteau Devices said that they will try to make the Pianocade also work as a USB game controller out of the box, but that’s not their priority right now. They did say that they might release a firmware update later on if they can’t do it by the time the device is released. Perhaps one of you clever hackers will even do the job for them.

[via Engadget]

Onyx Ashanti has sent us over a demo of his beatjazz controller, and we have to marvel at the direction he’s taken with this custom electronic music machine following more modest efforts. Onyx’s 3D-printed interface receives inputs from a voice / breath-operated synth in the headgear, while the two handheld controls incorporate accelerometers, joysticks and pressure-sensitive buttons. Using this kit and his own software, Onyx is able to create live digital music with an amount of control you would only expect from desktop-based production software. We’ve embedded two videos for your attention after the break — a demo of his latest flashy build complete with lightsaber-like effects, and an earlier live performance that really shows what the beatjazz controller can do.

Continue reading Onyx Ashanti’s beatjazz music machine does everything, looks good too (video)

Filed under: Misc. Gadgets, Wearables

Onyx Ashanti’s beatjazz music machine does everything, looks good too (video) originally appeared on Engadget on Thu, 02 Aug 2012 17:12:00 EDT. Please see our terms for use of feeds.

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Remember Miselu’s Neiro — that prototype app-based Android-powered synth we last played with at SXSW? Not only is it being showcased at Google I/O 2012 here in San Francisco, but we got an exclusive first look at some of the apps being developed for the new platform ahead of the event. The company’s been on a roll since our meeting in Austin, gaining (ex-OQO CEO) Jory Bell as CTO and building relationships with partners like Korg and Yamaha.

Now on its second iteration, the laptop-like synth has evolved from the hand-built prototype we saw at SXSW to a more polished reference design — complete with breakout board for SD card and Ethernet support. As before, the device runs Gingerbread on a dual-core TI OMAP processor and features a two octave velocity and pressure-sensitive keyboard, a capacitive multitouch widescreen, WiFi and Bluetooth connectivity, audio and MIDI I/O, plus USB and HDMI ports. This version even adds XLR and quarter-inch audio jacks — just keep in mind that those specs have not been finalized.

What’s really exciting about the synth is the apps. The company’s ongoing partnership with Retronyms to create a suite of touch-controlled, cloud-enabled musical apps has evolved beyond the drum-machine demo we covered at SXSW. Called nStudio, the suite now also includes a pad-based sampler / sequencer and a mixer. Plasma Sound is a touch-based musical instrument that’s part theremin, part keyboard / sequencer. It’s already available for other devices on Google Play, but was easily tweaked to run on the Neiro — sight unseen — thanks to Miselu’s musicSDK and OS X-based emulator.

Miselu will be showcasing two more apps on its synth here at Google I/O: Korg’s Polysix and Yamaha’s Vocaloid. The Polysix app fainthfully recreates Korg’s legendary 1981 synth — known for its rich, thick analog sound. A real, mint-condition Polysix was even available for comparison during our brief time with the app (see our gallery). Vocaloid takes full advantage of the NSX-1 DSP chip that’s built-into the Neiro. It’s a singing synth app produced by Yamaha that “uses concatenative synthesis to splice and process vocal fragments extracted from human voice samples.”

We’ll be spending some time with the Vocaloid app and its creator — video game designer Tetsuya Mizuguchi (of Sega and Lumines fame) — later today. In the meantime, check out the gallery below and watch our hands-on video with the other apps after the break.

Continue reading Miselu Neiro synth at Google I/O: exclusive first look at apps from Korg and Yamaha (video)

Miselu Neiro synth at Google I/O: exclusive first look at apps from Korg and Yamaha (video) originally appeared on Engadget on Wed, 27 Jun 2012 12:00:00 EDT. Please see our terms for use of feeds.

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