Continuing the trend for making difficult books more accessible (see Drucker in a high school girl baseball team context!), the last few months have seen renewed interest in author Osamu Dazai’s work.
Dazai wrote several rather dour novels, the kind of things that literature fans (such as me!) really enjoy but are unlikely to be read by most younger consumers. An alcoholic himself, Dazai chronicled self-destruction and decline, most famously with the disappearing Japanese aristocracy, and eventually he did the customarily Japanese writer thing (a la Kawabata, Mishima and Akutagawa) and killed himself in 1948.
So far a touch esoteric. However, make a movie with a good-looking actor in the lead, stick his picture on the cover and you get renewed popularity. No Longer Human (人間失格, Ningen shikkaku) got exactly this treatment this year, plus a manga version in 2009. The film starred Johnny’s pin-up Toma Ikuta and only just finished its run in Tokyo cinemas after a whooping sixteen weeks on release. Last year also saw an award-winning film adaptation of another of his novels, Villon’s Wife, starring Takako Matsu.
[Shochu pic via Mutusinpou.co.jp]
Getting in on the act is DAZAI, a new limited edition shochu made by a local tourism retailer in the author’s home province of Aomori. Well, what better way to celebrate a man who liked a drink (or a few) — and we already know from samurai like Ryoma how successful this kind of merchandising can be.
In the same way, a Marxist book like Kani Kosen (The Crab Factory Ship) by Takiji Kobayashi was updated as manga, became a film last year, and even the original itself (despite being written in a very difficult vernacular) began selling well. Not simply a publishing fad, this trend is based on a genuine need for this kind of content. But where has it all come from? No doubt the uncertainty about the economy — not helped by an extremely clamorous and scaremongering media — has contributed to make consumers seek out darker material.
